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CITIES AND TOWN The medieval city.pdf

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xx<br />

Series Foreword<br />

the Prophet Muhammad (c. 570–c. 632) on the Arabian Peninsula. From<br />

Muhammad’s birth in an environment of religious plurality—Christianity,<br />

Judaism, and Zoroastrianism, along with paganism, were joined by<br />

Islam—to the collapse of the Islamic empire in the early tenth century,<br />

Gordon traces the history of the Islamic community. <strong>The</strong> book covers<br />

topics that include the life of the Prophet and divine revelation (the<br />

Qur’an) to the formation of the Islamic state, urbanization in the Islamic<br />

Near East, and the extraordinary culture of Islamic letters and scholarship.<br />

In addition to a historical overview, Gordon examines the<br />

Caliphate and early Islamic Empire, urban society and economy, and the<br />

emergence, under the Abbasid Caliphs, of a “world religious tradition”<br />

up to the year 925 c.e.<br />

As editor of this series I am grateful to have had the help of Benjamin<br />

Burford, an undergraduate Century Scholar at Rice University assigned<br />

to me in 2002–2004 for this project; Gina Weaver, a third-year graduate<br />

student in English; and Cynthia Duffy, a second-year graduate student in<br />

English, who assisted me in target-reading select chapters from some of<br />

these books in an attempt to define an audience. For this purpose I would<br />

also like to thank Gale Stokes, former dean of humanities at Rice University,<br />

for the 2003 summer research grant and portions of the<br />

2003–2004 annual research grant from Rice University that served that<br />

end.<br />

This series, in its mixture of traditional and new approaches to <strong>medieval</strong><br />

history and cultures, will ensure opportunities for dialogue in the<br />

classroom in its offerings of twelve different “libraries in books.” It should<br />

also propel discussion among graduate students and scholars by means of<br />

the gentle insistence throughout on the text as primal. Most especially,<br />

it invites response and further study. Given its mixture of East and West,<br />

North and South, the series symbolizes the necessity for global understanding,<br />

both of the Middle Ages and in the postmodern age.<br />

Jane Chance, Series Editor<br />

Houston, Texas<br />

February 19, 2004

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