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Once Upon A Time

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By GABRIEL<br />

OKARA<br />

<strong>Once</strong> <strong>Upon</strong> A <strong>Time</strong><br />

<strong>Once</strong> upon a time, son,<br />

they used to laugh with their hearts<br />

and laugh with their eyes:<br />

but now they only laugh with their teeth,<br />

while their ice-block-cold eyes<br />

search behind my shadow.<br />

There was a time indeed<br />

they used to shake hands with their hearts:<br />

but that’s gone, son.<br />

Now they shake hands without hearts:<br />

while their left hands search<br />

my empty pockets.<br />

‘Feel at home’! ‘Come again’:<br />

they say, and when I come<br />

again and feel<br />

at home, once, twice,<br />

there will be no thrice –<br />

for then I find doors shut on me.<br />

So I have learned many things, son.<br />

I have learned to wear many faces<br />

like dresses – homeface,<br />

officeface, streetface, hostface,<br />

cocktailface, with all their conforming smiles<br />

like a fixed portrait smile.<br />

And I have learned too<br />

to laugh with only my teeth<br />

and shake hands without my heart.<br />

I have also learned to say, ‘Goodbye’,<br />

when I mean ‘Good-riddance’;<br />

to say ‘Glad to meet you’,<br />

without being glad; and to say ‘It’s been<br />

nice talking to you’, after being bored.<br />

But believe me, son.<br />

I want to be what I used to be<br />

when I was like you. I want<br />

to unlearn all these muting things.<br />

Most of all, I want to relearn<br />

how to laugh, for my laugh in the mirror<br />

shows only my teeth like a snake’s bare fangs!<br />

So show me, son,<br />

how to laugh; show me how<br />

I used to laugh and smile


Pascal is often referred to as a ‘family’, forged with solid<br />

ties, working in unison with the surrounding community. As<br />

we bid a warm farewell to the graduates of 2011, we prepare<br />

to welcome new members to follow in the footsteps of their<br />

older peers who will continue to make us proud with<br />

achievements that are still to come in years that will follow.<br />

As Headmistress, I feel that our school, young as it is, has<br />

established a commendable reputation on a local but also international<br />

scale due to the dedication and commitment of<br />

teachers, heads of year groups, parents and students, of<br />

course.<br />

Honour and prowess is evoked in writing the Headmistress’<br />

Note in each edition of Pascal Insight as I am urged to look<br />

back in time but also to focus on the future. With schemes<br />

like Comenius, educational trips abroad, university visits,<br />

club days with destinations around the island, we have given<br />

a first-hand impression of the essence of Pascal Larnaka, the<br />

core of which is encapsulated within this magazine, hereby<br />

presented to you.<br />

Both the front cover and Okara’s poem deal with ageing<br />

and both suggest a loss of innocence as we evolve and<br />

adapt according to our exposure to the world surrounding<br />

us.<br />

As children we take in, absorb, observe. As adults we<br />

begin to give, influence and impact. Perhaps the focus<br />

of Pascal Insight 2010-11 is to delineate the role we, as a<br />

school community, play in each student’s path in trying<br />

to maintain the natural goodness inherent in us all, for<br />

our school is not only about learning, it is about learning<br />

how to grow.<br />

We hope that as you click through the electronic pages<br />

that follow, you will savour many of the moments captured<br />

and upon reflecting, Okara’s words may even become<br />

apparent, that our students have as much to teach<br />

us, as we have to teach them.<br />

To end, we would like to dedicate this year’s edition to<br />

all our students but in particular, to the graduating class<br />

2010-11.<br />

Chief Editor: Demos Kaoullas<br />

Assistance from Christina Karaviotou<br />

“The future belongs to those who prepare for it today”<br />

Malcom X


“<strong>Once</strong> <strong>Upon</strong> a <strong>Time</strong>” is an emotional<br />

poem about the story of a grown up<br />

man—who<br />

once was an innocent child.<br />

His adult world has lost the charm of his<br />

childhood years. The poet describes how<br />

the<br />

process of growing up transforms the innocence<br />

of childhood. After entering the<br />

adult<br />

world, the young adults will gradually<br />

forget how to “laugh with their hearts.”<br />

While growing up, the cold world intimidated<br />

our main character. He used to<br />

sense<br />

people’s insincerity and their superficial<br />

laughs, because “they only laugh[ed] with<br />

their<br />

teeth,/while their ice-block-cold eyes/<br />

search[ed] behind [his] shadow”.<br />

It is a vicious circle: once someone has<br />

entered the adult world, he will change—<br />

then<br />

change others. Our character will learn<br />

how to say things that he doesn’t really<br />

mean: “I<br />

have also learned to say, “Goodbye,”/<br />

when I mean “Goodriddance”;/to say<br />

“Glad to meet<br />

you,”/without being glad; and to say “It’s<br />

been/nice talking to you,” after being<br />

bored”<br />

Like everyone else, our main character<br />

was forced to grow up—in order to<br />

adapt to the<br />

adult world: “I have learned to wear<br />

many faces/like dresses—homeface,/<br />

officeface,<br />

streetface, hostface, cock-/tail face,<br />

with all their conforming smiles/like a<br />

fixed portrait<br />

smile”.<br />

In this selfish world, our character<br />

learned how to adapt; he adapted a little<br />

too well. He<br />

now can play the adult role without any<br />

problem.<br />

However, once he became a parent,<br />

parenthood seems to have helped him<br />

to remember<br />

the innocent world of his childhood.<br />

Because of his son, he wants to re-learn<br />

how to be<br />

sincere. His son holds the key to this<br />

old, forgotten world.<br />

What a wonderful poem! It presents in<br />

such a simple manner, such a complicated<br />

subject:<br />

the pain of growing up, and the loss of<br />

innocence.


1A<br />

1B<br />

First Row: Alexander Vikentiou, Charalambos Phokou, Alan Whittingham, Margarita Georgiadis, Ioanna<br />

Arkadiou, Donya Ebrahim, Maxwell Kilner, Lewis Jenkins, Nash Passiades.<br />

Second Row: Mrs Aspasia Manti, Maritsa Havadjia, Satya Christodoulou, Marina Koupparis, Eleni<br />

Koumi, Ifigenia Kleanthous, Frederiki Soteriou, Andrey Sesyuk, Mrs Evy Pistola.<br />

Back Row: Andreas Dinglis, Louiza Artemi, Antonia Diakou, Eleni Patsalos, Natasia Petrou, Alexander<br />

Demetriou, Adrian Demetriou, Mahan Fathi, Armand Barle, Artem Osmolovsky.<br />

First Row: Kyriakos Stylianou , Averkios Nicolaou, Constantinos Ioannou, Thekla Georgiou, Anna<br />

Savva, Marilena Papachrisodoulou, Erica Afxentiou, Kyriakos Pittas, Christodoulos Markides.<br />

Second Row: Mrs Despina Kaittani, Giorgos Savvides, Nasia Charalambous, Alexandra Taratynova,<br />

Paula Costa, Demetris Georgiou, Lazaros Pieri, Christoforos Kounes, Nicolas Tsaggaris,<br />

Mrs. Evey Pistola<br />

Back Row: Stelios Mavrides, Savvas Savva, Antreas Astraios, Christiana Lagou, Maria Manentzou,<br />

Pantelis Georgiou, Olga Stylianou, Costas Costi, Christodoulos Louvia.


1C<br />

1D<br />

First Row: Kypros Tilliros , Kousiappas Georgios ,Georgiou Michalia, Kounnas Constantinos, Michailas<br />

Anastasis ,Anastasiou Marina, Moleski Charalambia ,Demetriou Theodoros<br />

Second Row: Mr.Christoforos Alexandrou , Yiorka Stavriana , Kavalierou Marios ,Kafatari Constantinos<br />

, Procopiou Marios , Neoptolemou Vasilis , Anastasiou Panayiotis , Alambriti Loukia , Mrs.Evi Pistola<br />

Back Row: Kyriacou Thekla , Kyriacou Michaella , Michael Savvas , Damianou Kyriakos ,Antoniou Antonis<br />

, Kemitzis Michalis , Efstathiou Ioannis , Sofokleous Odysseas<br />

Absences: Paschali Maria<br />

First Row: Hadjiyianni Mikaella, Demetriou Demetra, Michaelidou Georgia, Poliviou Eleni, Cosma<br />

Paris, Avgousti Chrysanthi, Papatheocharous Ioannis, Savva Constantinos, Toumazou Ioannis,<br />

Second Row: Ms Maria Theophilou, Parperi Katerina, Popovidou Sara, Tambourla Antigoni (Noni),<br />

Efthimiou Evdokia (Efi), Nikola Christos, Theodorou Xenios, Kadi Andria, Mrs Evey Pistola<br />

Back Row: Konis Efraim, Karapitta Chrystalla, Ioulianou Christofora, Zachariou Georgia, Georgiou<br />

Nicoletta, Panayi Alexandros, Zachariou Anastasis, Orthodoxou Margarita


2A<br />

2B<br />

First Row: Koutra James, Pavlou Marios, Panayiotou Demetria, Passiadou Fiona, Stavrou Anastasios,<br />

Zingis Paris, Pavlou Georgios, Xydias Constantinos.<br />

Second Row: Mrs. Irene Petrou, Redpath Natalie, Agathokleous Marina, Hadjiyiannakou Andria, Solomonidou<br />

Rafaella, Constantinou Chrysostomos, Solomonides Andreas, Georgiou Antonis, Mr. Petros Kimitris.<br />

Back Row: Xydia Nicoletta, Timm Elliot, Sutton Joshua, Karoullas Harry, Kakoullis Anastasios, Travkin<br />

Philip, Iasonides Constantinos.<br />

First Row: Zorpides Christos, Georgiou Eleni, Elia Georgia, Costa Nicole, Kappelou Anastasia, Nicolaidou<br />

Andrea Rafaela, Kavourides Michalis.<br />

Second Row: Christoforos Alexandrou (Form Teacher), Vassiliou Stalo, Vassiliou Maria, Charalambous<br />

Sophia, Foka Andreas Georgios, Graham Savana, Evgeniou Andreas, Palate Danae, Tsappi Gavriella, Ms<br />

Irene Petrou (HOY 2).<br />

Back Row: Yiagkou Louiza, Demetriou Maria, Paschali Varvara, Kagkeli Maria, Frangou Charalambos,<br />

Agathocleous Marios.<br />

Absences:


2C<br />

2D<br />

First Row: Spanou Rafaella, Foukkari Panagiota, Alexandrou Elena, Stavrou Pantelitsa, Papoulias Yiannis,<br />

Zachariou Constantinos, Todirica Alexandros.<br />

Second Row: Miss Georgia Markadji, Marangou Elena, Kadi Kyriaki, Pirillos Panayitis, Kleopa Kleopas,<br />

Sampson Costas, Zenonos Anastasis, Christou Panayiotis, Ms Irene Petrou.<br />

Back Row: Shiantani Chrisanthi, Avraam Kalia, Foti Georgia, Sakka Nicoletta, Vrikki Nicoletta, Kittis<br />

George, Shiantanis Antonis.<br />

First Row: Michael Demetris, Panayiotou Efthymia, Andronicou Anastasia, Georgiou Georgia, Charalambous<br />

Kyriaki, Panayi Nayia, Kyriacou Lazaros.<br />

Second Row: Mrs Irene Petrou, Kafatari Iliana, Philipou Marina, Mavrou Kyriaki, Theodotou Andria, Mr<br />

Socrates Petrides.<br />

Back Row: Mouzouris Andreas, Sophocleous Andreas, Kyriacou George, Prodromou Lenos, Solomondas<br />

Leonidas.<br />

Absences: Helen Alexandrou, Stavrinos Constantinou, Demetris Demetriou, Christos Georgiou


2E<br />

3A<br />

First Row: Zenonos Loizos, Anastasiou Marianna, Christou Maria, Pelide Electra, Stavrinou Thea, Vasiliou<br />

Kyriaki, Markou Lazaros.<br />

Second Row: Mrs. Irene Petrou, Spirou Stefani, Apostolou Miranta, Charitonidou Constantina, Patziarou<br />

Maria, Koudeli Sofia, Kiriakou Korina, Pelide Christina, Nikiforou Christiana, Mrs Myrto Michaila<br />

Back Row: Petrides Evros, Ioannou Demetris, Solomou Demetris, Constantinou Nicolas, Antoniou Aggelos,<br />

Markou Stylianos, Stavrou Antonis, Efstathiou Alexandros.<br />

First Row: Stavrou Andreas, Eracleous Theodoros, Economides Andreas, Valeva Alexandrina, Michael<br />

Michelle, Venizelou Mariam, Xiourouppa Charis, Hadjiyiasemi Kyriaki.<br />

Second Row: Mr George Klokkaris, Thoma Christoforos, Mitsidou Christiana, Ourri Angelika, Hadjigeorgiou<br />

Stavri, Panayi Isabella, Antoniou Stavroulla, Alambriti Eleni, Ms Lena Mahdessian.<br />

Back Row: Anastasi Petros, Valeev Marat, Shiantanis Antonis, Xiourouppas Michalis, Matsangos Rafael,<br />

Zakheos Antonis, Graham Curtis, Shariari Arad.<br />

Absences: Georgiadis Ioanna, Lappas Charalambos.


3B<br />

3C<br />

First Row: Athanasiou Vassiliki, Pashiourtidou Anna, Liperi Loukia, Kontos Panayiotis, Francis Lina,<br />

Papamichael Joanne, Yiallouros Antonis.<br />

Second Row: Mr. George Klokkaris, Alexandrou Christiana, Kavourides Katerina, Perikli Anastasia,<br />

Maouri Chrystalla, Michael Paraskevi, Ogden Emma, Panayiotou Nikolas, Koumi Yiannis, Ms Christina<br />

Karaviotou.<br />

Back Row: Savva Savvas, Savva Stylianos, Solomou Miltos, Spanoudis Yiannis, Nicolaou Andreas, Takkas<br />

George, Anastasiou Panayiotis, Kemitzis Nicholas, Savvides Yiannakis.<br />

Absences: Mavromatis Michalis.<br />

First Row: Mouzouris George, Andronikou Andronikos, Mavrolefterou Andrea, Stavrou Kyriaki,Elefthriou<br />

Evdokia, Papadopoulou Panayiota, Pitta Anna, Konnari Vicky.<br />

Second Row: Fokas Zacharias, Kalli Marina, Papakyriakou George, Markou Markos, Nonis Stavros,<br />

Antoniou Melina, Aresti Maria, Ms Maria Anastasiou.<br />

Back Row: Mr George Klokkaris, Charous Andreas, Nicolaou Michael, Konatzi Efthymia, Ppasias<br />

Panayiotis, Hadjimatheou Konstantinos, Fouli Vassiliki, Themistokleous Marios, Shambellas Panayioyis,<br />

Charalambous Theodosis.<br />

Absences: Thoupou Christina, Anastasiou Elena.


3D<br />

3E<br />

First Row: Mr George Klokkaris, Stephanou Fotini, Theodorou Kyriaki, Polydorou Nikoletta , Tsikkos<br />

Andreas , Loucaidou Stefanie , Kakoulli Stella , Yerolemou Tonia , Kounnas Kyriakos .<br />

Second Row: Kyriakou Marios , Efraim Elena , Prastiti Andrea , Moyseos Maria , Nicolaou Irene-<br />

Chrysovalanto , Kyprianou Theodora , Kyriakou Katerina , Michael Irene , Ms Lyghia– Christina Jeronymides.<br />

Back Row: Andreou Elina , Papamoyseos Moysis , Nicolaides Giorgos , Savva Andreas , Christou Vasilis,<br />

Andreou Panayiotis , Nicolaides Alexandros , Charalambous Maria .<br />

Absences: Papacosta Avgousta, Loizou Natalie.<br />

First Row: Efthimiou Loukia , Patsalou Elena , Alexandrou Sotiris , Ioannou Georgia , Christofides Kyriakos<br />

, Solomou Christodoulos .<br />

Second Row: Mr George Klokkaris, Constantinou Constantinos , Soteriou Gavriella, Nathanael Kalia ,<br />

Theodorou Lambros, Panayi Thanasis, Vasiliou Vasilis, Ms Barbara Kounna.<br />

Back Row: Malathoura Fotini, Georgiou Maria, Mallourides Constantinos, Christoforou Demetris, Psaras<br />

Nicolas, Koukakis Nicolas, Demou Demetris.<br />

Absences: Evangelou Chrisanthi, Athanasiou Kalliopi, Spyrou Kyriakos, Eleftheriou Andria.


4A<br />

4B<br />

First Row: Iacovou George, Koumandari Vassilia, Andreas Andreou, Tatarian Pailag, Georgiou Demetra,<br />

Clark Hayley, Panayiotou Marina, Timm Benjamin<br />

Second Row: Stylianou Andreas, Eftychiou Achilleas, Ketsbaia Lida, Sutton Sam, Sandlers Georgiys<br />

Back Row: Samouride Margarita, Georgiou Antreas, Sisou Varnavas, Petrou Stelios, Porfyriou Stephani,<br />

Marottou Stephania, Jenkins Jack<br />

Absences: Bothe Abbey, Joannou Jennifer, Cavendish Caomhe, Djurovic Iva, Kazantzis George, Petrou<br />

Stylini<br />

First Row: Costi Kyriaki, Georgiou Terpsichori, Aristides Yiannos, Costa Eleni, Zimboulaki Danae,<br />

Kasapis Stavros, Foukkari Loizos, Tingis Sophia, Nooraei Mona<br />

Second Row:Mrs Athanasiou Panayiota, Papachristodoulou Andreas, Theodosi Mariana, Kotsapas Christina,<br />

Christou Stella, Xiourouppa Despina, Nicolaou Sergis, Hadjikakou Costas, Mrs Maria Evangelidou<br />

Back Row: Parperi Savvas, Alexandrou George, Harris Sophie , Smith Chelsea, Hadjittoouli Nicolas,<br />

Demetriou Sergios, Georgiou Panayiotis<br />

Absences: Zachariou Elena


4C<br />

4D<br />

First Row: Agathokleous Vasilia, Ioakim Eleni, Ioannou Panayiota, Sergi Maria, Kekkou Christina, Loizou<br />

Anna, Frangou Elli, Athanasiou Irene, Koshi Andriani, Erotokritou Antonia, Mrs Maria Evangelidou<br />

Second Row: Ms Stella Charalambous, Adamou Andreas, Hadjimitsi Fivos, Alexandrou Panayiotis, Andreou<br />

Theodoros, Mavri Evgenios<br />

Back Row: Demetriou Pavlos, Kyriacou Vasilis, Marangos Christos, Christoforou Timotheos, Pelides<br />

Constantinos, Konomou Petros, Zachariou Minas, Tofias Haris<br />

First Row: Evangelou Elias, Avraam Marisa, Parpouna Vasia, Pafiti Constantina, Kyrpianou Ioanna, Antoniou<br />

Chrystalla, Kitsiou Constantinos, Kounnas E. Anastasis<br />

Second Row: Ms.Zena Alambriti, Michael Michalis, Frangoudes Demetris, Hadjiandoni Pantelitsa, Theodorou<br />

Irene, Skalioti Anna, Varnava Charalambos, Mandridis Kleitos, Mrs. Maria Evangelidou<br />

Back Row: Amirotos Christos, Efstathiou Efstathios, Ioannou Elias, Koudelis Antonis, Panayiotou Panayiotis,<br />

Xiourouppa Pantelis, Gregoriades Constantinos, Ambiza Melinos


4E<br />

5A<br />

First Row: Anastasiou Eleni, Papapanayiotou Elana ,Challouma Andry, Kassianou Marietta , Charalambous<br />

Louiza, Kyriacou Eleni, Hadjivassili Alexandra, Solomou Andreas<br />

Second Row:Mr. Marios Thoma, Philippou Maria, Adamou Irene, Stavride Evanthia, Hadjiconstantinou<br />

Demetris, Petrou Maria, Kanelis Rafael, Mrs. Maria Evangelidou<br />

Back Row: Neokleous Neoklis, Kyriacou Andreas, Chrysaphi Kristianna, Michael Anastasis, Stylianou<br />

Ioannis, Hadjiconstanti Andreas, Matsoukas Demetris, Christoforou Aristodemos, Christou Theofilos<br />

First Row: Mosfili Andria, Zachariou Fodini, Havadja Chrystalla, Shanina Alexandra, Christodoulou<br />

Georgia, Flouri Magdalena Krolikowaska, Bothe Cassidy<br />

Second Row: Demetriou Andreas, Demetriou Maria, Georgiou Giorgos, Kounna Irene, Manoli Marios, Ms<br />

Eleni Malla<br />

Back Row: Petrou Papi, Michalis Challoumas, Hadjichristou Constantinos, Zaouras Panayiotis, Tingis<br />

Alexandros, Kavelis Zacharias, Apostolou Yiannis<br />

Absences: Zachariou Christina


5B<br />

5C<br />

First Row: Kleanthous Eleftherios, Kyprianou George, Assioti Savina, Lambrou Sophia, Psara Doinitsa,<br />

Kounna Chrystalla, Savva Michaella, Elia Despo<br />

Second Row: Mrs. Ioannou Eleni, David Patricia, Andronicou Theodora, Hadjiconstnti Kyriaki, Sidarok<br />

Krystina, Christofi Katerina, Georgiou Rafael, Mrs. Maria Ioannou<br />

Back Row:Kldiashvili Konstantin, Kldiashvili Kirill, Andreou Rafael, Kysela Petros, Menelaou Marios.<br />

Patsalos Kyriakos, Kyriakou Michalis<br />

First Row: Savva Sotiris, Pavlou Chrystalla, Charalambous Maria, Michael Christianna, Poulli Natali,<br />

Vasiliou Rafaela, Eftychiou Christianna, Kostikki Demetra<br />

Second Row: Eleni Ioannou, Koumantaris George, Pavlou Anna, Petrides Alkeos, Ellinas Danae,<br />

Demetriou Constantinos, Zourides George, Stylianou Zacharias, Kounnas Epiphanios, Sakkas Georgia,<br />

Apostolou Angela<br />

Back Row: Michael Antonis, Lappas Demetris, Alambritis Savvas, Zachariou Andreas, Manentzou Sokratis,<br />

Panayiotou George, Pasialountas Michalis, Charalambous Toumazos


5D<br />

6A<br />

First Row: Tanos Christos, Eracleous Nicoletta, Stavrou Varvara, Makri Theodora, Constantinou Antri,<br />

Gennadiou Michaella, Nicola Christina, Papoulias Emmanuel, Charalambous Nicholas<br />

Second Row: Mrs. Eleni Ioannou, Ioannou Lucy, Kekkou Rafaela, Issa Stella, Papageorgiou Elena,<br />

Timotheou Stavros, Zinonos Christoforos, Miss Maria Kkimitri<br />

Back Row: Challoumas Alexandros, Pelides Constantinos, Valiantis Demetris, Louca Andreas, Pa<br />

pacostas, Kyriacos, Hadjimatheou Giannis, Orphanides Giorgos, Vasiliou Stelios<br />

First Row: Ebrahim Sara, Xiourouppa Andri, Neophytou Elia, Kyriakou Maria, Christodoulou Irene,<br />

Mrs Evrilia Kayia.<br />

Second Row: Artemiou Panayiotis, Chasapis Yiannis, Georgallides Leonidas, Georgiou Pavlos, Pavlidou<br />

Maria,<br />

Back Row: Mr Michalis Ellinas, Mannouris Georgios, Valeev Marcel, Georgiou Christopher, Karaolis<br />

George, Andreou Andreas, Demetriou Demetris, Michael Critchley Spencer, Challoumas<br />

Michalis.<br />

Absences: Joannou Krystie, Kazamia Gavriella, Kotsapas Paraskevi, Koutsofta Nicole, Petrou Jack,<br />

Petrou Nicolletta, Hadjicostantinou Georgia.


6B<br />

6C<br />

First Row: Matsangou Anastasia, Santi Andrea, Loucatzie Irene, Karagiorgi Elizabeth, Symeou Kallistheni,<br />

Palate Kleopas<br />

Second Row: Mrs Frangesca Frangou, Theodorou Andreas, Shadarevian Demetra, Damianou Valentinos,<br />

Phokou Theophanis, Michael Marios, Mrs Evrilia Kiayia<br />

Back Row: Hadjisavas Georgios, Demetriou Christos, Papamichael Illane, Sergiou Sergios, Critchley<br />

Alex<br />

Absences: Pougioukka Constantinos, Demetriou Demetris, Samourides Andreas<br />

First Row: Theodorou Anastasia, Zimboulaki Faviola, Zinonos Niki, Christofidi Antri, Iacovou Marilena,<br />

Erotokritou Despo<br />

Second Row: Demetriou Gregoris, Toumazou Myrofora,Louka Thekli, Karagiorgi Marios, Athanasiou<br />

Charalambos, Kyriacou George, Marinou Marinos, Panayi Theocharis, Evrilia Kiayia<br />

Back Row: Patsalos Andreas, Georgiou Demetris, Alambritis Michalis, Ioulianou Andreas,<br />

Iakovou Anastasis, Sofokleous Andreas, Andronicou Michalis<br />

Absences: Iacovou Iacovina, Monoyios Christodoulos, Neophytou Andreas, Pittarides Gregoris,


From left to right:<br />

First Row: Andri Pentari, George Georgiadis, Marios Hadjivasiliou, Despina Lioliou, Costas<br />

Costa, Soterios Panayi.<br />

Second Row: Thegla Papastavrou, Stella Charalambous, Christina Thomaidou Pavlidou,<br />

Despina Kaittani, Christina Karaviotou, Maria Zingi, Maria Kkimitri, Denise Evgeniou, Irene<br />

Petrou, Aggela Venizelou, Eleni Ioannou, Michalis Ellinas<br />

Third Row: Eleni Christodoulou, Constantia Papamarkou, Georgia Markadji, Barvara<br />

Kounna, Lyghia-Christina Jeronymides, Maria Evangelidou, Joanna Panayi, Zena Alambritis,<br />

Andri Stavrou, Socratis Petrides.<br />

Fourth Row: Frangesca Frangou, Panayiota Demetriou, Maria Anastasiou, Lena Mahdessian,<br />

Myrto Michailas, Maria Ioannou, Eleni Malla, Marios Thoma, George Klokkaris, Andri<br />

Louca.<br />

Back Row: Gregoris Demetriou, Andrea Myriantopoulou, Constantina Constantinou, Angela<br />

Apostolou, Panayiota Athanasiou, Evey Pistola, Evrilia Kiayia, Demosthenis Kaoullas,<br />

Petros Kimitris, Michael Hielschler, Christoforos Alexandrou, Elpidoforos Anastasiou.<br />

Absences: Elias Kamaratos, Andros Avraam, Maria Theophilou, Andrea Andreou, Iliana<br />

Tsiapou, Elina Zevrou, Anna Shipettaris.


The Archery Club this year was held differently<br />

to previous<br />

years. Students of<br />

all classes who truly<br />

wished to learn to<br />

shoot a bow were<br />

invited to enrol in<br />

and train after school from 2-3:30 every<br />

Tuesday.<br />

The few, but dedicated<br />

athletes<br />

showed great improvement<br />

during<br />

the course of the<br />

year, testimony to<br />

which are the medals<br />

they have received at tournaments held<br />

by the Cyprus Archery Federation.<br />

Specifically, the athletes that distinguished<br />

themselves, are<br />

Lefteris Kleanthous<br />

(form 5), Michalis<br />

Michail (form 5), Costas<br />

Hadjicakou (form<br />

4), Christoforos<br />

Thoma (form 3) and Alexandra Taratynova<br />

(form 1).<br />

Congratulations to them all and wishes for<br />

an even better championship year next<br />

year!<br />

Club Leaders: Elias Kamaratos<br />

The PASCAL English School Larnaka Art<br />

Club, for the academic year<br />

2010-2011 aimed for another<br />

exciting year of creative art activities.<br />

The young art club enthusiasts<br />

were challenged to construct<br />

their own marionette puppets on<br />

string. With modelling clay, paint, fabric,<br />

feather and other various art materials, the outcome<br />

was exceptionally creative.<br />

One of the club days focused<br />

on lino printing,<br />

where the students had the<br />

opportunity to print their<br />

designs on paper and fabric<br />

which were later on sewn<br />

into lavender scented<br />

miniature pillows.<br />

Art Club members also constructed Christmas<br />

Charity Fundraising Ornaments.<br />

Every single little craft<br />

was sold!<br />

On the 4 th Art club day, a<br />

guest drama therapist, Roula<br />

Demetriou was invited to conduct the session.<br />

The aim…. for students to<br />

experience and comprehend<br />

a different conceptual<br />

self awareness of art<br />

and body movement; a<br />

means by which a self restricted<br />

barrier was broken<br />

down encouraging the students to become<br />

more expressive and confident.<br />

Club Leaders: Rodoula Anastasiou and<br />

Anna Shepettari


Club Leaders:<br />

Soterios Panayi, Giorgos Klokkaris<br />

Members: 15<br />

The aim of the club was to teach the basics<br />

of the game of Basketball to the<br />

students of PES Larnaca.<br />

Students<br />

that registered<br />

for the<br />

club took<br />

part in learning<br />

how to<br />

shoot, dribble<br />

and defend<br />

within<br />

the rules of<br />

Basketball<br />

while teachers<br />

made an effort to teach students<br />

how to be part of a team and how to<br />

take advantage of their skills in order to<br />

achieve the goal of winning a game of<br />

Basketball.<br />

During the 6 club days, members visited<br />

the Larnaca Kinotiko Center, where they<br />

were provided with a basketball court by<br />

the Cyprus Sports Organisation. This<br />

gave them the chance to practice every<br />

aspect surrounding the game in a secure<br />

environment, with a realistic impression<br />

of how it feels to participate in a real<br />

basketball game.<br />

Students seemed to enjoy the time<br />

spent on learning the fundamentals of<br />

basketball and really had fun. The club<br />

coordinators were pleased with the behaviour<br />

and enthusiasm and promised<br />

that they would keep the club running<br />

for the following academic year!<br />

The aim of the club<br />

was to en- hance<br />

team spirit to students,<br />

help them develop bowling techniques<br />

and also compete with each<br />

other while at the same time, have fun!<br />

We had 35<br />

members<br />

in our club.<br />

During the<br />

6 club days<br />

we have<br />

visited the<br />

K max<br />

Bowling<br />

centre and Rock N’ Bowl (in Dekelia<br />

road) three times .<br />

Students<br />

spent their<br />

time playing<br />

and enjoying<br />

games.<br />

Club Leaders:<br />

Georgia Markadji, Lena Mahdessian,<br />

Eleni Mala


Aim of club:<br />

The aim of this club<br />

was to make students<br />

aware of the existence<br />

of other cultural and<br />

religious sites and monuments in the town<br />

of Larnaca. The visit inspired a multicultural<br />

spirit that students should have when<br />

attending an International World School.<br />

Approximately there are 15 students in our<br />

club.<br />

Club day No2:<br />

Visit to Aradippou<br />

Municipality and<br />

Larnaca Police Station<br />

Club day No1: Visit to<br />

Angeloktisti Church and<br />

Hala Sultan Tekke<br />

Club day No3: Larnaca Firestation and<br />

EAC<br />

Club day No4:<br />

Pierides Museum, Ayios<br />

Lazaros church,<br />

Larnaca’s castle<br />

Club day No5: Ormideia<br />

Animal shelter<br />

Club day No6: Aradippou Dog Shelter<br />

Club Leaders : Andri Stavrou and<br />

Thekla Papastavrou<br />

The aim of the Dance<br />

Club was to develop the<br />

dancing skills of students<br />

in different genres<br />

such as Hip Hop, Break,<br />

Latin and Greek.<br />

On each club day, students<br />

visited Mambo<br />

Dance School and<br />

learned a different<br />

dance.<br />

The club leaders are Eleni Christodoulou<br />

and Christina Thomaides Pavlides,<br />

with approximately 26 members, mainly<br />

girls.<br />

All members really enjoyed the grooves and<br />

were eager to learn a new steps at every<br />

session


THIS CLUB WAS EXCLUSIVE TO OUR GRADUATING YEAR 6 STUDENTS AND<br />

OUR AIM WAS TO GIVE THEM WHAT THEY WANTED!<br />

THEY WANTED SOMETHING DIFFERENT SO ON THE FIRST CLUB DAY, THE<br />

‘ESC’ CLUB LEADERS CALLED THEIR BLUFF BY GOING CLIFF JUMPING AT<br />

THE SPECTACULAR CAPE GRECO SITE. SOON AFTER, WE HIKED TO KON-<br />

NOS BEACH, GIVING TIME FOR ADRENALINE TO RETURN TO NORMAL LEV-<br />

ELS!<br />

ON THE SECOND DAY, WE TOOK THE SIX FORMERS TO<br />

ALETHRICO WHERE THEY CHALLENGED TEACHERS AND<br />

PEERS TO A PAINTBALL BATTLE...THEY PROVED RUTHLESS IN<br />

ATTACK AND TOOK NO PRISONERS.<br />

OUR FOLLOWING SESSION WAS TO ‘K.O’ GYM IN ARADIPPOU. STUDENTS<br />

LEARNED BASIC MUAY THAI AND JUJITSU TECHNIQUES. THEY ALSO<br />

LEARNED NO TO TAKE ON MR GREGORIS FROM THE SCIENCE DEPART-<br />

MENT WHO SOON HAD THEM SUBMITTING, FACE DOWN ON THE COLD,<br />

GRIMY MATS.<br />

OTHER CLUB DAYS INCLUDED VISITING THE SANTA MARINA RETREAT<br />

WHICH OFFERED INDOOR CLIMBING STRUCTURES, A GOLF RANGE, A TOUR<br />

AROUND THE FIELDS AND HORSE RIDING. AT THIS EVENT, EVEN THE<br />

COACH DRIVER FOUND IT DIFFICULT TO KEEP UP WITH THE PACE.<br />

WE CHILLED OUT AT ‘KOT’ BEACH FOR THE FINAL DAY AND PLAYED EX-<br />

TREME VOLLEY BALL, IN EXTREMELY NICE CONDITIONS AND HAD AN EX-<br />

TREMELY GREAT TIME!<br />

NEEDLESS TO SAY, THERE WERE SOME PUPILS WHO OPTED NOT TO TAKE<br />

PART (COULDN’T HANDLE IT) IN SOME OF THESE SESSIONS. PERHAPS<br />

BOARD GAMES WOULD BE MORE FITTING FOR THEM, IF THERE WAS A NEXT<br />

TIME. THOSE THAT WERE WILLING AND THOSE THAT WERE GAME, WILL<br />

HAVE MANY MOMENTS TO REMEMBER. IN ANY CASE, WE WISH THE<br />

GRADUATES OF 2011 THE VERY BEST IN THEIR POST PASCAL ENDEAV-<br />

OURS.<br />

CLUB LEADERS: PETROS KIMITRS, GREGORIS DEMETRIOU, ELPIDOFOROS<br />

ANASTASIOU, DEMOS KAOULLAS, PANAGIOTA ATHANASIOU


Fitness<br />

Name of club: “Fitness Explosion”<br />

Aim of the club: The aim of the ‘fitness explosion’<br />

club was to combine sports activities<br />

along with music entertainment. Students joining<br />

us, came in their Pascal PE kit and chose<br />

between gym, step aerobics classes (assisted<br />

by Mrs Andri Louca), or even futsal games.<br />

Club Leaders: Andri<br />

Louca and Maria<br />

Kkimitri<br />

Members: 35-40 students<br />

Description of club’s activities: During club<br />

days we visited a local gym in Larnaca, where<br />

students used the facilities<br />

for about an<br />

hour, and then anyone<br />

interested joined Mrs<br />

Andri with her step<br />

aerobics session,<br />

which usually lasted for<br />

about 40-45 minutes. A<br />

lunch break was mandatory, so after exhausting<br />

exercise we relaxed at the stadium’s cafeteria!<br />

Feedback from students:<br />

There has been<br />

very positive and encouraging<br />

feedback<br />

from the students involved<br />

in the fitness<br />

club, as they had the<br />

opportunity this year to take part in activities<br />

that were not offered in previous years. Most<br />

of the members of the club are well into sports<br />

and gym practices so for them it was really<br />

something they enjoyed doing.


We wanted to teach students<br />

to appreciate nature and cultural<br />

historical sites so we<br />

took to the outdoors. These<br />

are some of the outstanding<br />

sites we took in.<br />

Places we Visited:<br />

Stavrovouni<br />

Seacaves<br />

Nature reserve in Germasogia<br />

Chirokitia & The Old Serai<br />

Spilia Tis Athasias<br />

...sometimes, words<br />

just aren’t enough...


This year the horse-riding<br />

was under the guidance<br />

of Ms. Angela Apostolou<br />

and Ms. Christina<br />

Karaviotou. The club’s<br />

aim was to introduce students to the grace<br />

and beauty of the equestrian sport.<br />

All club days were spent<br />

at the Salt Lake Stables<br />

i n<br />

Dromolaxia where the<br />

staff not only guided<br />

and taught our students<br />

how to ride but also how<br />

to groom and care for the horses.<br />

The highlight of the year was the Gymkhana<br />

organized by the<br />

staff on our last club<br />

day where the students<br />

competed in many fun<br />

activities.<br />

The Jamming club was created to assemble<br />

both school choir and school band in to one ensemble.<br />

In order for a student to become a member of<br />

this club, they had to pass an audition where<br />

his/her talent was presented.<br />

Each member has a musical talent and the<br />

whole club consists of 14 members: singers,<br />

guitarists, violinists, bouzouki players, drummers<br />

and pianists.<br />

The aim of the club was to prepare for upcoming<br />

school events such as national celebrations,<br />

Christmas, Valentine’s Day etc.<br />

Besides preparing for school events, students<br />

had the opportunity to perform their own music<br />

choices as a group and exchange musical ideas<br />

regarding different musical genres. They have<br />

learned how to improvise music and realised<br />

how much work needs to be dedicated in order<br />

for a musical group to be successful.<br />

They also had the opportunity to visit a local<br />

radio station allowing them to talk on the air<br />

about their club activities and their school.<br />

According to some club members the Jamming<br />

club has motivated and encouraged them to expand<br />

their musical interests. New ideas have<br />

been proposed for future club activities on and<br />

off school grounds which are going to be considered.<br />

Club leaders: Andreas Avraam<br />

Andrea Andreou


Jewellery<br />

The Jewellery Making Club was formed<br />

mainly for girls.<br />

We wanted to show the students simple,<br />

clever and cheap ways to make their<br />

own jewellery by using different techniques,<br />

tools and material.<br />

Students who chose the club gained not<br />

only knowledge on how to create trendy,<br />

cheap and beautiful jewellery for themselves<br />

or friends, but also enjoyed every<br />

minute of it.<br />

Irene Petrou was the leader of the<br />

Club and Elina Zervou and Maria Anastasiou<br />

were the teachers who offered<br />

their valuable help. Our Club accommodated<br />

22 wonderful ladies.<br />

Mosaic<br />

This year, the Mosaics<br />

Club students<br />

worked with Ms.<br />

Varvara Kounnas<br />

and Ms. Denise<br />

Evgeniou on various projects where<br />

they decorated artifacts<br />

like mirrors,<br />

photo frames, tissue<br />

boxes and coasters<br />

to create some<br />

lovely work for their<br />

personal use.<br />

The first club day<br />

involved students<br />

visiting Helen’s Art<br />

Studio where they<br />

were shown how to<br />

cut tiles with the special cutters, how<br />

to glue and create designs on wood.<br />

The following club<br />

days were spent<br />

working on projects,<br />

grouting and shining<br />

the finished products


The aim of the photography club was to<br />

teach students the basics of photographic<br />

composition, lightning, photographing people,<br />

a s well as<br />

e s - sentials<br />

of im- age manipulation<br />

a n d correction<br />

using A d o b e<br />

P h o - toshop.<br />

M r . E l i a s<br />

Kamaratos,<br />

Ms Andri Pendari and Ms Constantia<br />

Papamarkou ran the club and they much<br />

enjoyed the opposrtunity<br />

of working with the students and showing<br />

eachother the ins and outs of digital<br />

photography.<br />

There were approximately 15 students who<br />

took an interest in this club and as well as<br />

taking pictures around the school on the five<br />

club days they also went on a trip to Faros<br />

when the weather improved in April.<br />

At Faros students took pictures of the lighthouse<br />

and the sea while at the same time<br />

enjoyed the sunny day on the beach.<br />

On the last club<br />

d a y students<br />

worked on Photoshop<br />

stitching<br />

their photos<br />

t o - gether to<br />

form a c o l l a g e<br />

of their photos of<br />

t h e previous<br />

club days.<br />

Included are some these collages created by<br />

the Photography club of 2010-2011.<br />

Our club was not only entertaining but also<br />

very productive as each and every student has<br />

managed to get a PADI certificate for open<br />

water.<br />

The first<br />

lessons<br />

were about<br />

learning<br />

the theory<br />

and applying<br />

it in<br />

swimming<br />

pools.<br />

Later on<br />

we went<br />

diving at<br />

sea in<br />

Protara.<br />

Everyb<br />

o d y<br />

enjoyed<br />

it and<br />

had fun!


AIM OF CLUB: To improve students’ swimming<br />

techniques and to<br />

introduce them to life saving<br />

skills in the water. The<br />

first two club days were<br />

spent practicing swimming<br />

skills such as entering<br />

the pool correctly, refining<br />

swimming strokes and turns.<br />

On the third day we<br />

found ourselves at the<br />

L i f e<br />

Saving<br />

Unit in<br />

L a r -<br />

naca’s Marina where the<br />

students enjoyed an interesting<br />

talk by three Life<br />

Saving Instructors.<br />

We carried on with a practical session on life<br />

saving skills on our 4 th day when students<br />

practiced on each other. Our 5 th day was<br />

spent at the ΓΣΖ stadium as part of the<br />

school’s sport day activities. We had great<br />

fun on our last splash in the pool where the<br />

students competed with each other in games.<br />

Club Leaders: Marios Thoma, Aspasia<br />

Manti, Lyghia Jeronymides<br />

GIRLS SELF DEFENCE<br />

Many people think of selfdefence<br />

as a karate kick to<br />

the groin or jab to the eyes<br />

of an attacker.<br />

But self<br />

-defence actually means<br />

doing everything possible<br />

to avoid fighting someone<br />

who threatens or attacks<br />

you. Self-defence is all<br />

about using your smarts,<br />

not your fists. But if you cannot avoid a fight,<br />

learn at least how to enjoy it!<br />

T h i s<br />

year we<br />

had 26<br />

girls<br />

w h o<br />

really<br />

enjoyed and learned lots of<br />

techniques and this is the program<br />

that we followed throughout<br />

the year:<br />

1 st Club Day – GSZ Stadium -<br />

Judo<br />

2 nd Club Day – GSZ Stadium -<br />

Judo<br />

3rd Club Day – Barbarian Gym – Kick Boxing<br />

4 th Club Day – Barbarian<br />

Gym – Kick Boxing-yoga<br />

5 th Club Day – Aspida<br />

Team – Brazilian Jiu Jitsu<br />

6 th Club Day – GSZ Stadium<br />

- Judo<br />

Club Leaders: Despina Kaitani, Stella-<br />

Charalambous


Hello, we are<br />

Also known as the ‘Ping-Pong’ club, Table Tennis<br />

Maria- is a new club within the grounds of Pascal English<br />

Christina Zingi and School Larnaka. Its club leaders are Mr Michalis<br />

Christoforos<br />

Ellinas and Mr Sokratis Petrides who are respon-<br />

Alexandrou<br />

and we are responsible for the Tennis Club.<br />

sible for developing this new sport in school. The<br />

main aim of the club is to teach members the basic<br />

Our aims for the club<br />

rules and techniques of the game and hopefully<br />

were to teach our mem-<br />

help them learn how to play.<br />

bers how to play tennis<br />

and to teach them basic<br />

It is important to note that there was a great response<br />

for joining the club and we managed to<br />

techniques and hopefully we may have a Ten-<br />

serve the interest of around 50 pupils. Club activinis<br />

Club in the future that can compete with<br />

ties were held on school premises during the six<br />

other schools.<br />

club days. Two fully equipped rooms were created<br />

in order to serve the club’s needs in which table<br />

tennis rules and techniques were successfully<br />

We have had six club days<br />

taught and various in-school tournaments organ-<br />

during which we taught the<br />

ized.<br />

children how to use the ten-<br />

nis racquet<br />

At last, it is important to stress the fact that most of<br />

correctly and techniques in<br />

the students were highly satisfied with the creation<br />

both forehand and back-<br />

of this new club and therefore we managed to rehand<br />

strokes. Members also<br />

ceive positive feedback which was encouraging in<br />

had a chance to learn the service, volley, slice helping us to decide on its running the following<br />

and how to topspin the<br />

academic year.<br />

ball.<br />

All these skills were<br />

taught and practiced dur-<br />

ing our club days and on our last day we held<br />

a tournament where the students competed


As club leaders we were aiming to<br />

show our students what goes on behind<br />

closed curtains and what it takes<br />

to put on a production.<br />

There were 15<br />

members in our<br />

club who showed<br />

enthusiasm and<br />

genuine interest in<br />

the whole process,<br />

which can be exciting and extremely<br />

rewarding though laborious at times.<br />

During the six-day clubs programme,<br />

the following occurred:<br />

Actor-producer, Mr Xenios<br />

Xenofontos visited<br />

us on school premises<br />

and spoke to us about<br />

the whole industry surrounding<br />

theatre in Cyprus.<br />

Acting coach Mrs Flora<br />

Charalambous Pasavva<br />

gave our members lessons<br />

and showed us<br />

how to use make up to<br />

achieve a more mature<br />

look. She also showed<br />

us how to form realistically<br />

gruesome wounds. It goes without<br />

saying that students enjoyed these<br />

sessions.<br />

CLUB LEADERS: ANGELA VENIZELOU AND<br />

ELENI IOANNOU<br />

fitness.<br />

‘Yoga’ means union between<br />

the mind, body<br />

and soul. It is the perfect<br />

way to ensure overall<br />

health and physical<br />

The aim of the club is to help members<br />

to create a balance between the body<br />

and the mind, and to accomplish all of<br />

the above.<br />

In all, there were ten<br />

members, and the club<br />

leaders are Evrilia<br />

Kiaya and Maria Evangelidou.<br />

During club days we visited<br />

a yoga studio where<br />

our students were<br />

taught different postures<br />

and exercises from an<br />

excellent teacher.<br />

They loved it and most<br />

of them will continue<br />

practicing yoga, as<br />

they found it really interesting.


The second of our two-year Comenius project involving schools from Germany,<br />

Finland, Denmark, Turkey, Slovenia, France and Cyprus started with Mr Elias<br />

Kamaratos and Mrs Maria Anastasiou taking Raphael Matsangos and Stella<br />

Kakoulli of from 3 on a memorable trip to Germany. Visits to an open cut coal<br />

mine, a glass factory and the Berlin wall stood out during this trip.<br />

In February Mrs Denise Evgeniou and Ms Despina Kaittani travelled to Slovenia<br />

with Elina Andreou and Tonia Yerolemou also of form 3. Although it was very cold<br />

it remains an unforgettable experience for all as warm friendships were forged.<br />

The Comenius Project drew to a close in April when Mr. Kamaratos and five students<br />

Charalambos Lappas, Joanna Georgiadis, Chrysanthi Evangelou, Christina<br />

Thoupou and Kallia Athanasiou boarded a flight to Helsinki, Finland. It was the beginning<br />

of spring and the ice in bay of Helsinki was just beginning to melt. This<br />

didn’t stop Charalambos however, from diving into the frozen waters after coming<br />

out of a hot sauna. During the closing concert Joanna mesmerized the students<br />

teachers and parents by singing at the closing concert.<br />

Workshops, concerts and educational visits were in the programme for all the<br />

Comenius trips and much credit must<br />

go to the organizers for doing a<br />

wonderful job as to the hosting families<br />

who made all students feel welcome<br />

and at home.<br />

The Comenius Project is a wonderful<br />

opportunity for students and teachers<br />

to make new friends and meet<br />

new cultures. We look forward to<br />

participating in more such projects in<br />

the future.


THE HE GLASS<br />

LASS MENAGERIE<br />

ENAGERIE<br />

THE<br />

Date: 23rd March 2011<br />

This year, PASCAL English School Larnaka put on the theatrical play, ‘The<br />

Glass Menangerie’ with great success. On the 23 rd of May, the Founder’s Theatre<br />

was full to the brim with spectators waiting to watch this magical performance.<br />

Our actors were fantastic and got rave reviews. They included, Sergios<br />

Sergiou, Irene Christodoulou, Mariam Venizelou, Andreas Sophokleous, Georgia<br />

Hadjiconstantionou. Other students that played an important role in the<br />

making, are Michaella Gennadiou, Barbara Paschali, Stella Issa and Savvas<br />

Alambritis. Back Stage hands were George Karaolis and Faviola Zimboulakis.<br />

THE GLASS MENAGERIE is a memory play, and its action is<br />

drawn from the memories of the narrator, Tom Wingfield. Tom<br />

is a character in the play, which is set in St. Louis in 1937. He is<br />

an aspiring poet who toils in a shoe warehouse to support his<br />

mother, Amanda, and sister, Laura. Mr. Wingfield, Tom and<br />

Laura’s father, ran off years ago and, except for one postcard, has<br />

not been heard from since.<br />

Amanda, originally from a genteel Southern family, regales her<br />

children frequently with tales of her idyllic youth and the scores<br />

of suitors who once pursued her. She is disappointed that Laura,<br />

who wears a brace on her leg and is painfully shy, does not attract<br />

any gentlemen callers. She enrols Laura in a business college,<br />

hoping that she will make her own and the family’s fortune<br />

through a business career. Weeks later, however, Amanda discovers<br />

that Laura’s crippling shyness has led her to drop out of<br />

the class secretly and spend her days wandering the city alone.<br />

Amanda then decides that Laura’s last hope must lie in marriage<br />

and begins selling magazine subscriptions to earn the extra<br />

money she believes will help to attract suitors for Laura. Meanwhile,<br />

Tom, who loathes his warehouse job, finds escape in liquor,<br />

movies, and literature, much to his mother’s chagrin. During<br />

one of the frequent arguments between mother and son, Tom<br />

accidentally breaks several of the glass animal figurines that are<br />

Laura’s most prized possessions.<br />

Amanda and Tom discuss Laura’s prospects, and Amanda asks<br />

Tom to keep an eye out for potential suitors at the warehouse.<br />

Tom selects Jim O’Connor, a casual friend, and invites him to<br />

dinner. Amanda quizzes Tom about Jim and is delighted to learn<br />

that he is a driven young man with his mind set on career advancement.<br />

She prepares an elaborate dinner and insists that<br />

Laura wear a new dress. At the last minute, Laura learns the<br />

name of her caller; as it turns out, she had a devastating crush on<br />

Jim in high school. When Jim arrives, Laura answers the door, on<br />

Amanda’s orders, and then quickly disappears, leaving Tom and<br />

Jim alone.<br />

<strong>Time</strong>: 1.30hrs<br />

Directors: Mrs Angela Venizelou and Eleni Ioannou<br />

Tom confides to Jim that he has used the money for his family’s<br />

electric bill to join the merchant marine and plans to leave his<br />

job and family in search of adventure. Laura refuses to eat dinner<br />

with the others, feigning illness. Amanda, wearing an ostentatious<br />

dress from her glamorous youth, talks vivaciously with<br />

Jim throughout the meal.<br />

As dinner is ending, the lights go out as a consequence of the<br />

unpaid electric bill. The characters light candles, and Amanda<br />

encourages Jim to entertain Laura in the living room while she<br />

and Tom clean up. Laura is at first paralyzed by Jim’s presence,<br />

but his warm and open behaviour soon draws her out of her<br />

shell. She confesses that she knew and liked him in high school<br />

but was too shy to approach him. They continue talking, and<br />

Laura reminds him of the nickname he had given her: “Blue<br />

Roses,” an accidental corruption of pleurosis, an illness Laura<br />

had in high school. He reproaches her for her shyness and low<br />

self-esteem but praises her uniqueness. Laura then ventures to<br />

show him her favorite glass animal, a unicorn. Jim dances with<br />

her, but in the process, he accidentally knocks over the unicorn,<br />

breaking off its horn. Laura is forgiving, noting that now the<br />

unicorn is a normal horse. Jim then kisses her, but he quickly<br />

draws back and apologizes, explaining that he was carried away<br />

by the moment and that he actually has a serious girlfriend. Resigned,<br />

Laura offers him the broken unicorn as a souvenir.<br />

Amanda enters the living room, full of good cheer. Jim hastily<br />

explains that he must leave because of an appointment with his<br />

fiancée. Amanda sees him off warmly but, after he is gone, turns<br />

on Tom, who had not known that Jim was engaged. Amanda<br />

accuses Tom of being an inattentive, selfish dreamer and then<br />

throws herself into comforting Laura. From the fire escape outside<br />

of their apartment, Tom watches the two women and explains<br />

that, not long after Jim’s visit, he gets fired from his job<br />

and leaves Amanda and Laura behind. Years later, though he<br />

travels far, he finds that he is unable to leave behind guilty<br />

memories of Laura.


WINTER<br />

Snow covers all things<br />

Freezing all inside.<br />

Like a crunchy white blanket<br />

Ben Timm 4A<br />

TIGER<br />

Tiger wide awake<br />

Lying watching in the brush<br />

Waiting for dinner .<br />

Abbey Bothe 4A<br />

COLD<br />

Such freezing weather<br />

Cold, slippery ice.<br />

Unpleasant, with a shiver<br />

Sophia Tingi& Mona<br />

Mooraei 4B<br />

MUSIC<br />

Song, melodic sounds<br />

Drawn deep into your heart<br />

Exhilarating.<br />

VasiliaKoumandari& Stephanie<br />

Porphyriou 4A<br />

FEARFEAR<br />

The wind is whirling<br />

No voice, only breath.<br />

The man is sleeping,<br />

I seek a hide-out<br />

While my terrifying fear<br />

Is trapped in my mind<br />

Demetra Georgiou 4A<br />

TEARS<br />

Unchangeable pain<br />

Drops of heartbroken pain Flowing<br />

Bend my sanity.<br />

Eleni Costa 4B<br />

SALMON<br />

Salmon in the stream<br />

Fighting the raging torrent<br />

Fighting for its life.<br />

George Sandlers & Jack Jenkins<br />

4A


What is the point of living if everything you live for is gone?<br />

The key rattled in the lock. ‘Stand back and face the wall,’ came the harsh voice of the security guard. He dumped<br />

a brown lumpy stew in front of me, his brown eyes looking at me with hatred. The stew wafted towards me, making<br />

me gag on the putrid smell of rotten vegetables and old meat. The door slammed shut and I was locked up<br />

once again.<br />

The blank walls stared at me, making me feel like a caged animal. The bed groaned heavily as I sat down on it. I<br />

looked up at the barred window. There was no breeze to cool the stifling air. I began to gasp for breath, feeling<br />

claustrophobic; the air pressed in on me making the sweat marks on my shirt grow. I blinked once and then I saw<br />

the flames.<br />

They were hungrily devouring the houses. The acrid smell burnt my throat. I was screaming. My house was on<br />

fire. Then the white walls of the prison cell came into view. I fell to the floor and rolled into a ball. Why was this<br />

happening to me? Tears poured down my face. ‘I’m innocent!’ I screamed but no-one heard me. No-one answered.<br />

I was trapped!<br />

I remember that night. I was walking down the dark road, laughing to myself. I might have drunk a bit more than<br />

I had intended to, but it was a party after all. I skipped along the streets, in my own world, until I saw the strong<br />

orange glow.<br />

The cold night air hand suddenly hit me. I knew something was wrong. I began running towards the orange thing,<br />

towards my house. I turned the corner and stared uncomprehendingly at the house on fire. It was mine! I had<br />

jumped over the back fence and walked into my garden. ‘James!’ I screamed. My husband was in that house with<br />

four of his friends. I was too late. I opened the back door choking on the fumes. I watched a photo of me and my<br />

husband being eaten up by the flames. My feet crunched the pieces of debris and glass as I ran.<br />

I knew I could die but I had to find him. Thick smoke came from the kitchen. There was fire everywhere; it was<br />

burning my skin. I slammed into the kitchen door. The fire suddenly blew outwards, burning my face. Before I<br />

ran, I glanced into the room. Five figures lay on the floor. I stared at one of them. I watched the fire lick away<br />

my husband’s face. Then I ran.<br />

I was accused of murder. Many witnesses had seen an almost drunk woman running out of the door. The parents<br />

of the other victims had wanted justice. I was sent to prison. I was locked up. I was innocent.<br />

I stared at the filthy floor. I had to escape from here. It is killing me, but I don’t have the key. In my mind, the<br />

cell suddenly erupted in flames. I began screaming. ‘Give me the key! I’m innocent! GIVE ME THE KEY!’ My<br />

nails began scratching the door. They became bloody stubs but I still continued. The fire was choking me. The<br />

acrid smell burnt my throat.<br />

‘Stand back and face the wall.’ I heard the words from a distance. My ears were ringing from the explosion that<br />

made my house collapse. I suddenly knew how to escape. It wasn’t the cell key I needed. It was something better,<br />

stronger, more final. I stood backwards as the flames engulfed me. The guard came in, shouting and pointing.<br />

I lunged at him.<br />

I ripped the gun out of his holster, leaving bloody marks where my fingers had touched it. I pulled the gun towards<br />

me. The cold metal touched my head. ‘This is my key to happiness,’ was my last thought before my fingers<br />

closed around the trigger.<br />

What is the point of living if everything you live for is gone?<br />

By Katerina Kavourides 3B<br />

(Winning Essay Competition story between all Pascal schools)


What was the Short-Term Significance<br />

of the Blitzkrieg Tactic?<br />

The Blitzkrieg was a strategy used by the Germans<br />

in World War 2 and even though they ultimately<br />

suffered defeat its short term effects cannot be underestimated<br />

nor can its tactical ingenuity for that<br />

time, proof of which can be found in the fact that it<br />

was used in recent times during the Gulf Wars. The<br />

Blitzkrieg was one of the pinnacle tools of Germany’s<br />

early success along with Hitler’s hold on<br />

power and Germany’s economy. One could argue<br />

that without it the course of the war would have<br />

been drastically altered or ultimately prevented.<br />

Earlier use of<br />

a smaller<br />

scale Blitzkrieg<br />

was<br />

used by General<br />

Edmund<br />

Allenby during<br />

the Battle<br />

of Megiddo<br />

in September<br />

1918 . The<br />

first major<br />

use of the<br />

Blitzkrieg<br />

was in 1939<br />

when Poland<br />

was invaded.<br />

This of course forced Britain and France to declare<br />

war on Germany but more importantly, this was the<br />

first introduction of the Blitzkrieg and its use of<br />

technology. This however has been argued by historians<br />

such as Matthew Cooper who stated that the<br />

Blitzkrieg effects were, “only incidental by-products<br />

of the traditional manoeuvres”. None the less, Poland’s<br />

downfall would not have been as swift had it<br />

not been for the Blitzkrieg.<br />

One could argue that had the Germans invaded more<br />

“traditionally” this would have given time for<br />

France and Britain to react and send help to Poland<br />

making German fight a war on both fronts. This in<br />

turn could have proved disastrous. However, the<br />

Blitzkrieg gave the Germans victory to turn its attention<br />

on France with few loses.<br />

The same claim can be made in France. The French<br />

had established the Maginot line which was to be<br />

used against the Germans. This can be seen as proof<br />

that the French were expecting a trench war much<br />

like World War 1. However, the Germans’ Blitz<br />

allowed them to<br />

bypass the<br />

Maginot line<br />

and surrounded<br />

it by making a<br />

daring advance<br />

through the Ardennes<br />

region in<br />

Belgium. It was<br />

clear that<br />

through the use of the Blitzkrieg Germany was able<br />

to completely out-manoeuvre and overwhelm<br />

France, who were unprepared for this type of war.<br />

This is shown in the French President (of the Ministerial<br />

Council) Reynaud’s speech who commented<br />

on the collapse on 21 May 1940, “The truth is that<br />

our classic conception of the conduct of war has<br />

come up against a new conception…” One could<br />

also argue that had the Germans not used Blitzkrieg<br />

and invaded head on into the Maginot line the war<br />

would have been drawn out and had given time for<br />

the Allies to react and reorganize and possible defeat<br />

the Germans whose war potential was still developing.<br />

The Blitzkrieg also eliminated British<br />

forces in France by advancing through Belgium and<br />

eliminating the BEF. We can see that the main principle<br />

of Blitzkrieg, made clear in its detention of<br />

“lighting war”,<br />

was to eliminate<br />

the enemy before<br />

it had time<br />

to prepare and<br />

plunge it into<br />

chaos. By doing<br />

this Hitler was<br />

able to take control<br />

over Europe<br />

and focus on the<br />

USSR. It can be concluded that had it not been for<br />

the blitzkrieg the whole invasion of Russia would<br />

have been impossible due to fear of war on both<br />

fronts.


Prior to the war the Nazi had secured their hold on<br />

power. However, it was not absolute. There was<br />

still opposition from the population which can be<br />

seen from D.J.K.Peukert, who said, “…the longer<br />

the regime lasted, the less popular it became.” The<br />

Blitzkrieg helped change that as new, quick victories<br />

strengthened Hitler’s support among the population.<br />

This in turn allowed him to stay in power. Had<br />

the war against France been prolonged, the regime’s<br />

support would have faded away and opposition<br />

would have used it to their advantage. In that scenario<br />

one could claim that the Blitzkrieg was the<br />

main reason for the continuation of Hitler’s rule and<br />

the support of the Nazi war machine. Blitzkrieg also<br />

aided the German economy. Even though unemployment<br />

fell from 7.4 percent these were only due<br />

to short term effects such as road building or construction.<br />

The Blitz helped stimulate the German<br />

economy by increasing pressure on industrialization<br />

and as Overy stated, “…by spring of 1940, the German<br />

economy was set on the path of full mobilization”.<br />

The Blitzkrieg not only increased demand for industrial<br />

labour but also presented opportunity to capture<br />

enemy goods from occupied countries and sending<br />

them back to Germany to increase the wealth of the<br />

population and strengthen support as well as decrease<br />

poverty. As Ian Kershaw stated, “…only<br />

through expansion-impossible without war-would<br />

Germany, and the national Socialist regime, survive”<br />

However a long war would put strain on both<br />

the economy which had not fully recovered from the<br />

First World War, as well as keeping the population<br />

in place. As such it can be stated that through the<br />

Blitzkrieg the war was able to continue and the Nazi<br />

regime be maintained. Also, due to the British<br />

blockage there was a large scarcity of resources. It<br />

is unlikely that Germany would have been able, or<br />

supported, to continue the war without the Blitzkrieg<br />

victories and foreign resources plunder. Had<br />

it not been for an overwhelming defeat the Nazi<br />

would have been forced to introduce rationalization<br />

and one should not underestimate the extent of possible<br />

opposition within the early years of the regime.<br />

During the blockade the German economy was<br />

aided by Russian aid and Williamson stated that<br />

“ironically, it was probably only Russian assistance<br />

that prevented an early German economic collapse…”<br />

One main benefit that Blitzkrieg brought was solidifying<br />

the partnership between the Nazi regime and<br />

the German elite: the army. Hitler had strengthened<br />

his hold on the army through the “night of the long<br />

knives” and by the oath swore to him as well as<br />

gaining support through rearmament .<br />

However many still some still opposed Hitler’s<br />

ambitions such as Field Marshal von Blomberg<br />

and General von Fritsch who believed that Germany<br />

was unprepared. Both were eliminated.<br />

However, this showed the army was still lacking<br />

faith in Hitler. The Blitzkrieg fast victories over<br />

France quickly earned Hitler the view of a tactical<br />

genius and secured the army’s support. Had the<br />

war not been won so quickly, opposition within the<br />

army would have grown as it did when the tide<br />

turned and in 1944 when a failed bomb plot was<br />

carried out. As such if the Blitzkrieg had failed,<br />

army opposition would have grown towards Hitler<br />

and the German war effort would have been crippled.<br />

The blitz strengthened the Nazi resolve allowing<br />

it to push further into the war. This also<br />

allowed the army to gain both the experience and<br />

confidence it needed before attempting operation<br />

Barbarossa in Soviet Russia.<br />

Operation Barbarossa, which of course ended in<br />

failure, was the combination of all the previous<br />

tactics learned by the Nazi. As mentioned earlier<br />

the Blitzkrieg eliminated the possibility of war on<br />

two fronts and had created enough breathing space<br />

to launch an attack against communist Russia. In<br />

its early stages the operation was a success. German<br />

took large portions of Russian soil. Even<br />

though some historians such as Kitchen state that,<br />

“the army which was thrown against the Soviet<br />

Union was only marginally larger…that which invaded<br />

France.” This again provided, yet limited<br />

due to the policy of “scorched earth” , raw resources<br />

and economic aid. It also provided opportunity<br />

to introduce forced labour camps. More importantly<br />

the large areas taken via the Blitzkrieg<br />

allowed the incarceration of the many Jews on the<br />

west of Russia which was ultimately Hitler’s goal.<br />

The Blitzkrieg allowed the Germans, as in France<br />

and Poland, to eliminate the air force of the USSR<br />

which in the short term, gave them a huge advantage<br />

over the enemy and paved the way to victory<br />

while the enemy would have to rebuild their losses.<br />

As we can see the Blitzkrieg did not focus on a<br />

“fair” fight but rather the use of surprise and crippling<br />

the enemies counter attack power and machinery.<br />

As in the other cases had the Russians<br />

been able to mount a successful counter attack of<br />

defensive perimeter, the war would have taken a<br />

different turn. However, Germany invaded without<br />

a declaration of war and the soviets were<br />

caught unaware. This can be seen in a soviet<br />

broadcast, “Today at 4 o'clock a.m., without any<br />

claims having been presented to the Soviet Union,<br />

without a declaration of war, German troops attacked<br />

our country.”


In the end however with the fall of winter, whereby<br />

the soldiers were, “scarcely better equipped” than<br />

in France, Germany was<br />

pushed back and morale<br />

sank as a German pilot,<br />

Theodor Plotte wrote,<br />

“the crew mutinied. They<br />

didn’t want to fight anymore…”<br />

The Blitzkrieg also<br />

proved to be a valuable<br />

show of power to potential allies such as Italy, although<br />

there tactical use can be questioned. They<br />

provided support to Germany through the war until<br />

their defeat in 1945 in the Spring offensive. However,<br />

it is doubtful that Italy would have joined the<br />

war even though its dictator Benito Mussolini had<br />

close relations to Hitler and political similarities.<br />

Though the Blitzkrieg however Hitler was able to<br />

bring Italy on its side and secure an alliance if the<br />

two powers. Had the war again stretched out, Italia’s<br />

involvement would have been unlikely.<br />

Blitzkrieg didn’t only bring short term effects on<br />

land and sea. In the battle of Britain Germany engaged<br />

in a Blitzkrieg<br />

compromised solely of<br />

Arial assaults and<br />

bombing raids. The<br />

Blitz here was intended<br />

to destroy morale<br />

through bombing raids.<br />

However some claimed<br />

that “No decisive success<br />

can be expected from terror attacks on residential<br />

areas.” One can argue that even if it did<br />

strengthen morale in the short run it would have<br />

been damaging to<br />

the populations<br />

sense of security.<br />

As one British politician<br />

recalls<br />

“Everyone is worried<br />

about the feeling<br />

in the East End,<br />

where there is much bitterness” But it can be stated<br />

that the blitz was more damaging to the Germans as<br />

it failed in its main objective to bomb Britain into<br />

submission and only served to divert its air forces<br />

from the eastern front as well as suffering heavy<br />

loses.<br />

Many such as O’Neill stated,<br />

“What makes this story worth<br />

telling is the development of<br />

one idea: the Blitzkrieg. The<br />

German Army had a greater<br />

grasp of the effects of technology<br />

on the battlefield, and<br />

went on to develop a new<br />

form of warfare by which its<br />

rivals, when it came to the<br />

test, were hopelessly outclassed.”<br />

However many others claimed, such as<br />

German historian Karl-Heinz Frieser, that the notion<br />

of 'Blitzkrieg' was "a worldwide delusion."<br />

The Blitzkrieg success was clearly due to the outdated<br />

tactics of the Allies particular the French<br />

who underestimated the tactical use of tanks and<br />

aircraft.<br />

However one should not underestimate the Blitzkrieg<br />

as being simply a tool for war. It had a much<br />

larger impact on politics<br />

back in Germany<br />

as well as economic<br />

effects and foreign support<br />

during the early<br />

stages of the war.<br />

These short terms ultimately<br />

lead to total war<br />

which would have been<br />

largely impossible without the use of the Blitzkrieg.


1089 ΚΑΙ ΟΛΑ ΑΥΤΑ<br />

ΠΕΡΙΛΗΨΗ<br />

Η εργασία αυτή έχει ως κύριο στόχο να αναδείξει την μαγεία των μαθηματικών που περικλείεται σε<br />

όμορφα θεωρήματα, με υπέροχες αποδείξεις και σημαντικές εφαρμογές. Η εργασία μας χωρίζεται<br />

σε δύο μέρη. Στο πρώτο μέρος τονίζουμε την σημασία και συνάμα την ομορφιά της απόδειξης στα<br />

μαθηματικά. Στην προσπάθεια μας αυτή καταπιανόμαστε με αποδείξεις διαφορετικού τύπου κάποιων<br />

θεωρημάτων από την άλγεβρα και την γεωμετρία καθώς και κάποιας ενδιαφέρουσας ιδιότητας<br />

των τριψήφιων αριθμών σε σχέση με τον αριθμό 1089. Στο δεύτερο μέρος κάνουμε μια ιστορική<br />

αναδρομή σε κάποιες από τις σημαντικότερες έννοιες των μαθηματικών όπως το π και το e δίνοντας<br />

ιδιαίτερη έμφαση στις εφαρμογές τους στην γεωμετρία, την τοπολογία, τις σειρές και τις πιθανότητες.<br />

Η εργασία μας βασίζεται στο εξαιρετικό βιβλίο “1089 and all that, a journey into mathematics”<br />

του διακεκριμένου μαθηματικού David Acheson.<br />

Μέρος Α<br />

Η επίλυση προβλημάτων και ασκήσεων στα μαθηματικά είναι από μόνη της μια πνευματική πρόκληση.<br />

Η έξυπνη χρήση των θεωρημάτων και ιδιοτήτων που οδηγούν στην επίλυση είναι μια δημιουργική<br />

εργασία που διεγείρει το μυαλό. Η ικανοποίηση της λύσης είναι μοναδική. Η απόδειξη<br />

όμως είναι αυτό που σε κάνει να ενθουσιάζεσαι, να θαυμάζεις τα μαθηματικά, να τα ερωτεύεσαι!<br />

Θα προσπαθήσουμε να αναδείξουμε το πιο πάνω, παρουσιάζοντας μερικές απλές αλλά πολύ κομψές<br />

αποδείξεις κάποιων σημαντικών μαθηματικών εννοιών.<br />

Α1. .<br />

Αν α,β και γ είναι οι πλευρές ενός ορθογωνίου τριγώνου και η γ είναι η μεγαλύτερη<br />

πλευρά (υποτείνουσα) τότε . Αυτό δεν είναι άλλο από το Πυθαγόρειο<br />

θεώρημα, ένα από τα διασημότερα θεωρήματα των μαθηματικών.<br />

Ενας όμορφος τρόπος να αποδείξουμε το θεώρημα γεωμετρικά είναι ο πιο κάτω.<br />

Παίρνουμε ένα τετράγωνο με πλευρά α+β και δημιουργούμε εσωτερικά τέσσερα<br />

τρίγωνα με πλευρες α,β,γ όπως φαίνεται στο σχήμα.<br />

Ως αποτέλεσμα δημιουργείται ένα τετράγωνο με εμβαδόν .<br />

Τώρα ας σκεφτούμε ότι τα τρίγωνα είναι άσπρα χαλάκια σε<br />

σκούρο πάτωμα. Η επιφάνεια του πατώματος που είναι ελεύθε-<br />

ρη έχει έμβαδον . Μετακινούμε τα τρίγωνα κατα τέτοιο τρόπο<br />

ώστε να κατάλαβουν τις νέες τους θέσεις όπως φαίνεται στο<br />

σχήμα.<br />

Το εμβαδόν του πατώματος που είναι ελεύθερο αποτελείται από δύο τετράγωνα. Το ένα έχει πλευρά<br />

α και το άλλο πλευρα β, έτσι μαζί έχουν εμβαδον Αυτό σημαίνει ότι η ελεύθερη επιφάνεια<br />

τώρα έχει εμβαδόν . Το εμβαδόν της ελεύθερης επιφάνειας όμως πρέπει να είναι το ίδιο.<br />

Άρα,<br />

.


Α2. .<br />

Στην άλγεβρα συναντάμε συχνά ταυτότητες οι οποίες είναι πολύ χρήσιμες στην<br />

επίλυση εξισώσεων. Μια από αυτές είναι<br />

Για παράδειγμα<br />

Πιο κάτω παρουσιάζουμε μια γεωμετρική απόδειξη της ταυτότητας.<br />

Σχηματίζουμε ένα τετράγωνο με πλευρα χ+α όπως φαίνεται στο σχήμα.<br />

Το εσωτερικό του τετραγώνου μπορεί να χωριστεί σε τέσσερα μέρη:<br />

τετράγωνο με πλευρά χ δίνοντας εμβαδόν .<br />

τετράγωνο με πλευρά α δίνοντας εμβαδόν .<br />

ορθογώνιο με πλευρές χ και α δίνοντας εμβαδόν .<br />

ορθογώνιο με πλευρές χ και α δίνοντας εμβαδόν .<br />

Άθροισμα εμβαδών στο εσωτερικό= + + + = .<br />

Εμβαδόν τετραγώνου με πλευρά<br />

x a<br />

Το εμβαδόν του τετραγώνου<br />

ισούται με<br />

( x a )( x <br />

a ) <br />

( x <br />

2<br />

a ) .<br />

πρέπει να<br />

ισούται με το αθροισμα των εμβαδών του εσωτερικού, άρα<br />

Α3. Το 2<br />

είναι άρρητος!<br />

x<br />

2<br />

x<br />

2<br />

a<br />

2<br />

2<br />

a ax ax<br />

ax<br />

ax<br />

2 x <br />

2 ax<br />

<br />

a<br />

Όλοι οι αριθμοί που μπορούν να γραφτούν σαν λόγος δύο ακεραίων αριθμών ονομάζονται ρητοί. Όλοι οι άλλοι που δεν<br />

μπορούν να γραφτούν με αυτό τον τρόπο ονομάζονται άρρητοι. Ένας από αυτούς είναι το<br />

2<br />

.Θα αποδείξουμε ότι<br />

το<br />

2<br />

είναι άρρητος χρησιμοποιώντας την μέθοδο της εις άτοπον απαγωγής.<br />

Υποθέτουμε ότι το 2<br />

ΔΕΝ ΕΙΝΑΙ ΑΡΡΗΤΟΣ άρα μπορεί να γραφτεί σαν κλάσμα. Δηλαδή στην πιο απλοποιημένη<br />

του μορφή γράφεται ως όπου το m και το n είναι ακέραιοι χωρίς κοινούς παράγοντες.<br />

Στη συνέχεια υψώνουμε στο τετράγωνο και τις δύο πλευρές και παίρνουμε<br />

2<br />

m<br />

2 2<br />

n<br />

2 .<br />

, δηλαδή Αυτό<br />

2 2<br />

m 2<br />

n .<br />

2 2<br />

2<br />

m<br />

2 2<br />

n m n<br />

m<br />

2<br />

m<br />

2 <br />

n<br />

a<br />

ax<br />

ax<br />

σημαίνει ότι το είναι 2 φορές ένας ακέραιος αριθμός ( ) άρα το είναι ζυγός αριθμός. Όμως αν το<br />

είναι ζυγός αυτό σημαίνει ότι το m είναι ζυγός γιατί<br />

(μονός) <br />

(μονός) = (μονός) ενώ (ζυγός) <br />

(ζυγός) = (ζυγός).<br />

Τώρα, αφού το m<br />

είναι ζυγός σημαίνει ότι το m<br />

μπορεί να γραφτεί ώς 2r όπου το r είναι ακέραιος. Μα αυτό ση-<br />

2<br />

2 2 2 2 2<br />

2 2r r <br />

2 2 2 2<br />

2 <br />

2 2<br />

n<br />

4<br />

r<br />

n<br />

2<br />

r<br />

<br />

2<br />

μαίνει ότι n<br />

2<br />

n<br />

n<br />

είναι ζυγός και επομένως το είναι ζυγός.<br />

Δηλαδή σύμφωνα με την αρχική μας υπόθεση ότι το<br />

2<br />

m<br />

n<br />

δεν είναι άρρητος καταληγούμε ότι το και το είναι<br />

ζυγοί αριθμοί. Αυτό όμως έρχεται σε αντίθεση με το ότι το m και το n είναι ακέραιοι χωρίς κοινούς παράγοντες γιατί<br />

n<br />

22<br />

2<br />

.<br />

m<br />

22<br />

m<br />

2


δύο ζυγοί παντα διαιρούνται με το 2. Αρα η αρχική μας υπόθεση είναι λανθασμένη που σημαίνει ότι το<br />

είναι άρρητος!<br />

Α4. 1089<br />

Σκεφτείτε ένα τριψήφιο αριθμό όπου το πρώτο με το τελευταίο ψηφίο διαφέρουν κατά 2 ή περισσότερο ,(π.χ<br />

732).<br />

Τώρα αντιστρέψτε τον και αφαιρέστε τον μικρότερο από τον μεγαλύτερο, δηλαδή για παράδειγμα ,<br />

732 – 237 = 495.<br />

Τέλος αντιστρέψτε τον νέο τριψήφιο αριθμό και προσθέστε,<br />

Ας δούμε ακόμα ένα παράδειγμα,<br />

Και ακόμα ένα,<br />

495 + 594= 1089.<br />

613 – 316 = 297,<br />

297 + 792 = 1089.<br />

856 – 658 = 198,<br />

198 + 891 = 1089.<br />

Αυτό ισχύει για όλους τους τριψήφιους και εμείς θα το αποδείξουμε!<br />

Κάθε τριψήφιος αριθμός όπου το πρώτο με το τελευταίο ψηφίο διαφέρουν κατά 2 ή περισσότερο μπορεί να γραφτεί<br />

ως εξής:<br />

100(x+n) + 10y + x όπου x,y,n ακέραιοι και n 2.<br />

Αντιστρέφουμε και αφαιρούμε,<br />

100(x+n) + 10y + x - (100x + 10y +x+ n )<br />

= 100x + 100n + 10y + x -100x-10y –x – n<br />

= 99n.<br />

Για,<br />

<br />

n=2, 99n = 99<br />

<br />

2=198<br />

n=3, 99n = 99 <br />

3= 297<br />

<br />

n=4, 99n = 99<br />

<br />

4=396<br />

Παρατηρούμε ότι το πρώτο ψηφίο ισούται πάντα με n-1 , τo μεσαίο με 9 και το τελευταίο με<br />

10-n.<br />

Άρα η διαφορά 99n μπορεί να γραφτεί ως 100(n-1)+10<br />

<br />

9+ (10-n).<br />

Αντιστρέφουμε και προσθέτουμε,<br />

<br />

100(n-1)+10<br />

<br />

9+ (10-n)<br />

+<br />

100(10-n)+10<br />

<br />

9+ (n-1)<br />

---------------------------------<br />

100n-100+90+10-n+1000-100n+90+n-1<br />

= 1089!<br />

2


Μέρος Β<br />

Σε αυτό το μέρος θα ασχοληθούμε με δύο ιδιαίτερους αριθμούς στα μαθηματικά το π και το e που εμφανίζονται<br />

σχεδόν συνέχεια σε διάφορους τομείς των μαθηματικών.<br />

Το π το πρωτοσυναντούμε όταν μελετούμε την περιφέρεια και το εμβαδόν του κύκλου. Ο λόγος της περιφέρειας<br />

ενός κύκλου προς την διάμετρο του ισούται πάντα με ένα σταθερό αριθμό, τον ίδιο για όλους τους κύκλους. Αυτός<br />

ο αριθμός είναι το π = 3.14159…. του οποίου τα ψηφία είναι άπειρα.<br />

Αν συμβολίσουμε την περιφέρεια με C και την διάμετρο με d τότε .<br />

Αν συμβολίσουμε το εμβαδόν του κύκλου με Α και την ακτίνα του με r τότε<br />

Το π λόγω της σχέσης του με τον κύκλο δε μας εκπλήσσει που εμφανίζεται στους διάφορους τύπους που μας<br />

δίνουν τον όγκο και εμβαδόν παράπλευρης επιφάνειας διάφορων τρισδιάστατων σχημάτων με κυκλική βάση<br />

όπως για παράδειγμα του κυλίνδρου :<br />

r<br />

h<br />

ό<br />

r<br />

h<br />

ά<br />

ά<br />

2r 2rh<br />

όπου r είναι η ακτίνα της βάσης και h το ύψος του κυλίνδρου.<br />

2<br />

ό<br />

2<br />

r<br />

h<br />

ά<br />

ά<br />

2r 2rh<br />

2<br />

2<br />

<br />

<br />

Η αλήθεια είναι ότι το π δεν έχει να κάνει μόνο με κύκλους. Αν κάναμε ένα ταξίδι στον κόσμο των μαθηματικών<br />

θα το συναντούσαμε σχεδόν παντού!<br />

Το π δίνει το παρόν του πολύ συχνά στα αθροίσματα και τις σειρές. Ένα από τα διασημότερα αποτελέσματα σε<br />

αυτή την κατηγορία είναι :<br />

1<br />

1<br />

1<br />

<br />

1<br />

1<br />

1 <br />

<br />

<br />

<br />

...<br />

4<br />

3<br />

5<br />

7<br />

Εδώ παρατηρούμε μια ιδιαίτερη σχέση που έχει το π με τους μονούς αριθμούς που σίγουρα μας γεννά το ερώτημα:<br />

υπάρχει σχέση ανάμεσα σε μονούς αριθμούς και τον κύκλο; Σίγουρα είναι μια απρόσμενη διασύνδεση, μια<br />

από αυτές που κάνουν τα μαθηματικά να μας ενθουσιάζουν και να μας κινούν το ενδιαφέρον να τα εξερευνήσουμε.<br />

Η πιο πάνω σειρά απείρων όρων δημοσιεύτηκε από τον διάσημο μαθηματικό Leibniz το 1674.<br />

Πριν το Leibniz προηγήθηκε ο Αρχιμήδης που χρησιμοποιώντας πολύγονα με 96 πλευρές μέσα και έξω από<br />

10<br />

1<br />

3<br />

3<br />

1<br />

3<br />

71<br />

7<br />

τον κύκλο απέδειξε ότι το π πρέπει να είναι μεγαλύτερο από το και μικρότερο από το καταλήγοντας<br />

22<br />

7<br />

στην προσέγγιση π = .<br />

2000 χρόνια αργότερα ο Viete το 1593 χρησιμοποιώντας πολύγωνα πάλι κατέληξε στο αποτέλεσμα:<br />

2 <br />

<br />

2<br />

<br />

2<br />

2<br />

<br />

2<br />

2<br />

<br />

2<br />

<br />

2<br />

<br />

2<br />

το οποίο μας επέτρεψε να υπολογίσουμε το π σε 14 δεκαδικά ψηφία,<br />

<br />

3<br />

. 1415926535 . 14159265358979<br />

8979<br />

2<br />

...


Μετά τον Viete έρχεται η σειρά του John Wallis to 1655 με ένα ακόμα τύπο απείρου γινομένου:<br />

<br />

2<br />

2<br />

4<br />

4<br />

6<br />

6<br />

<br />

6<br />

<br />

<br />

<br />

<br />

<br />

... ...<br />

2<br />

1<br />

3<br />

3<br />

5<br />

5<br />

7<br />

Το 1674 ήταν ο Leibniz με τον τύπο που είδαμε στην αρχή και μετά από αυτόν ο Euler to 1736 με τη διάσημη<br />

σειρά απείρων όρων :<br />

2<br />

2<br />

1<br />

1<br />

1<br />

1<br />

<br />

1<br />

1<br />

1 <br />

<br />

<br />

<br />

<br />

...<br />

2<br />

...<br />

2 22<br />

2<br />

6<br />

2 22<br />

6 2<br />

3<br />

4<br />

5<br />

Μέχρι την εποχή του Euler το π είχε υπολογιστεί με ακρίβεια περίπου 100 δεκαδικών ψηφίων με μεθόδους σειρών,<br />

αλλά το 1761 ο Lambert απέδειξε τελικά αυτό που πολλοί είχαν υποψιαστεί: το π είναι άρρητος δηλαδή δε<br />

μπορεί να εκφραστεί ως λόγος δύο ακεραίων και άρα τα δεκαδικά του ψηφία δεν τελειώνουν ποτέ! Είναι αξιοσημείωτο<br />

ότι τώρα με την χρήση μοντέρνων υπολογιστών έχουμε καταφέρει να υπολογίσουμε το π με ακρίβεια<br />

κάποιων δισεκατομμυρίων δεκαδικών ψηφίων.<br />

Στην συνέχεια θα δούμε την σχέση του π με τις πιθανότητες. Μια πιο απλή και ίσως πιο διασκεδαστική προσέγγιση.<br />

Παίρνουμε μια κόλλα χαρτί με οριζόντιες ευθύγραμμες γραμμές απόσταση d μεταξύ τους και ρίχνουμε πάνω<br />

της μια βελόνα μήκους d . Η πιθανότητα η βελόνα να πέσει ακριβώς κατά μήκος μιας οποιασδήποτε γραμμής<br />

2<br />

<br />

είναι .<br />

Αν αντί βελόνες προτιμούμε τα νομίσματα, ρίχνουμε ένα νόμισμα 2ν φορές, όπου το ν είναι πολύ μεγάλο, η πι-<br />

1<br />

<br />

θανότητα να πάρουμε ακριβώς ν κορόνες και ακριβώς ν γράμματα είναι περίπου .<br />

Αν δεν μας αρέσουν ούτε τα νομίσματα, τότε αν ρωτήσουμε κάποιο φίλο μας να διαλέξει αρκετούς ακέραιους<br />

αριθμούς η πιθανότητα να μας πει δύο θετικούς που να μην έχουν<br />

6<br />

22<br />

<br />

κανένα κοινό διαιρέτη (εκτός από το 1) είναι .<br />

Μιλήσαμε αρκετά όμως για το π. Ας μελετήσουμε λίγο ένα άλλο εξίσου σημαντικό αριθμό με άπειρα δεκαδικά<br />

ψηφία, το<br />

e<br />

<br />

2<br />

. 7182818284 . 718281828459<br />

59 ... ...<br />

Ας υποθέσουμε ότι δανείζουμε σε κάποιο 1 ευρώ με τόκο 100% το χρόνο. Μετά από ένα χρόνο θα πάρουμε<br />

1+1= 2 ευρώ. Τώρα αν πείσουμε το δανειζόμενο να πληρώσει τόκο 50% στους 6 μήνες, δηλαδή μισό ποσοστό<br />

1<br />

1<br />

1<br />

1<br />

2<br />

διπλάσιες φορές, το αποτέλεσμα θα είναι το ίδιο στον ένα χρόνο; Όχι. Μετά από 6 μήνες θα πάρουμε<br />

2<br />

1<br />

<br />

1<br />

<br />

1 <br />

33 1<br />

33<br />

<br />

2<br />

<br />

3<br />

ευρώ και στους επόμενους 6 μήνες =2.25 ευρώ. Με τον ίδιο τρόπο αν πληρώνει % στους 4 μή-<br />

1<br />

<br />

1<br />

1 <br />

<br />

<br />

2<br />

. 37 . 37<br />

<br />

3<br />

<br />

νες (τρεις φορές το χρόνο δηλαδή) θα αποφέρει . Λίγο περισσότερα δηλαδή. Αν συνεχίσουμε<br />

να μειώνουμε το ποσοστό και να αυξάνουμε αντίστοιχα τις δόσεις που θα δώσει το χρόνο τότε που καταλήγουμε;<br />

σε μια περιουσία;<br />

Η απάντηση είναι όχι, από κάποιο σημείο και μετά θα αρχίσει να κοντεύει σε ένα συγκεκριμένο αριθμό, ο αριθμός<br />

αυτός είναι το e!<br />

33


To e εμφανίζεται πολύ συχνά σε διάφορες πτυχές των μαθηματικών και ιδιαίτερα εκεί όπου υπάρχει<br />

ρυθμός με τον οποίο μεταβλητές αλλάζουν. Εμείς θα δούμε το e εν δράσει σε ένα πιο προσιτό θέμα.<br />

Παίρνουμε 2 κανονικές τράπουλες, τις ανακατεύουμε και τις βάζουμε ανάποδα την μία δίπλα από την<br />

άλλη. Τώρα διαλέγουμε τυχαία ένα χαρτί από κάθε τράπουλα. Η πιθανότητα τα δύο χαρτιά να είναι τα<br />

ίδια είναι πολύ μικρή. Συνεχίζουμε να γυρίζουμε ζεύγη μέχρι να εξαντλήσουμε τις τράπουλες. H πιθα-<br />

1<br />

e<br />

νότητα να μην βρούμε ούτε ένα ζεύγος το ίδιο αποδεικνύεται ότι είναι ίση με<br />

e<br />

δηλαδή λιγότερη από<br />

1<br />

2<br />

(50%) και άρα θα μπορούσε να πει κάποιος ότι είναι αρκετά πιθανό να πετύχουμε ίδιο ζεύγος!<br />

Το e όπως και το π που είδαμε πιο πάνω μπορεί να εκφραστεί ως άθροισμα απείρων όρων με τον ακόλουθο<br />

τρόπο:<br />

1<br />

1<br />

1<br />

e<br />

1<br />

e <br />

1 <br />

1<br />

<br />

<br />

<br />

<br />

... ...<br />

2<br />

2<br />

<br />

3<br />

2<br />

<br />

3<br />

<br />

4<br />

Τόσο το π όσο και το e είναι δύο αριθμοί που θα μπορούσε κάποιος να τους ονομάσει μαγικούς διότι<br />

έχουν την ικανότητα να εμφανίζονται σχεδόν παντού και να μας εκπλήσσουν!<br />

Κάπου εδώ τελειώνει το μικρό μας ταξίδι στο κόσμο των μαθηματικών. Γευτήκαμε την μαγεία της απόδειξης<br />

κάποιων γνωστών μαθηματικών ιδεών, μελετήσαμε την ιδιότητα των τριψήφιων αριθμών σε<br />

σχέση με το 1089 και την αποδείξαμε, κάναμε μια βόλτα στην ιστορία του π, γνωρίσαμε το e και διασκεδάσαμε<br />

με τις εφαρμογές τους.


«Πυθαγόρα, εύγε!»<br />

Ποτέ μου δεν μπόρεσα να καταλάβω τους συμμαθητές μου, όπως αυτοί εμένα σχετικά με την άποψή<br />

μας για τα Μαθηματικά. Ενώ εγώ τα λάτρευα και τώρα τα λατρεύω ακόμη περισσότερο, σε αυτούς<br />

ποτέ μέχρι τώρα δεν άρεσαν. Μπορεί κάποιος με ευκολία να πει πως τα βαριόντουσαν μέχρι θανάτου,<br />

μέσα από τον τρόπο που εκφράζονταν για αυτά, πιθανόν γιατί δεν τα καλοκαταλάβαιναν. Βέβαια και<br />

οι καθηγητές που είχαμε, ούτε εμένα εντυπωσίαζαν με τον τρόπο και τις μεθόδους που δίδασκαν το<br />

μάθημα των Μαθηματικών. Δεν έφταιγαν εκείνοι όμως που ο παραδοσιακός τρόπος διδασκαλίας, περιείχε<br />

μόνο στεγνές γνώσεις βγαλμένες από τα βιβλία. Τότε πώς να ενδιαφερθούν τα υπόλοιπα παιδιά<br />

που απαιτούσαν κάτι πιο εντυπωσιακό;<br />

Προς καλή τύχη όμως των καημένων και ανεκτίμητων Μαθηματικών, όταν βρισκόμουν στην τρίτη<br />

τάξη του Λυκείου είχε έρθει ένας δάσκαλος Αθηναίος. Είχε σπουδάσει στο Πανεπιστήμιο Αθηνών,<br />

εκεί όπου ο κάθε φοιτητής που κατάφερνε να περάσει γινόταν ένα πραγματικό στολίδι της κοινωνίας,<br />

γεμάτο με γνώση και πάθος για τη σπουδή που είχε επιλέξει. Τέτοιος ήταν και ο κ. Πυθαγόρας, έτσι<br />

φωνάζαμε τον καθηγητή αυτό. Στην πραγματικότητα, το αληθινό του όνομα ήταν Ευκλείδης, άλλο και<br />

τούτο, όμως στο Πανεπιστήμιο όπου σπούδασε κι αργότερα στο σχολείο μας, του έβγαλαν αυτό το<br />

παρατσούκλι, προς τιμή του μεγάλου μαθηματικού Πυθαγόρα. Όχι πως ο Ευκλείδης ήταν άξιος υποβιβασμού,<br />

αλίμονο, απλά για κάποιο λόγο ο καθηγητής μας έτρεφε λίγη περισσότερη αδυναμία στον<br />

Πυθαγόρα.<br />

Αυτός ήταν λοιπόν ο κ. Ευκλείδης. Ένας καλοσυνάτος και αξιαγάπητος γεροντάκος, που προερχόταν<br />

από μια πλούσια γενιά με μαθηματικό μυαλό και είχε διδακτορικό στο επάγγελμά του. Ένας ηλικιωμένος<br />

άνθρωπος, ο οποίος δεν έκανε ιδιαίτερη εντύπωση με την πρώτη ματιά, που όμως έκρυβε μια ψυχή<br />

παιδιού, ενθουσιασμένη και νεωτεριστική. Την πρώτη φορά που τον αντικρίσαμε, οι περισσότεροι<br />

μάλλον είχαν σκεφτεί από μέσα τους: «Τι είναι τώρα αυτός; Ένας ξερόλας που θα μας κάνει τη ζωή<br />

ποδήλατο;» Που να ξέραμε πως αυτός εδώ ο κύριος ήταν ένας πολύτιμος θησαυρός, μια κινούμενη<br />

εγκυκλοπαίδεια, όπως αποκαλύφθηκε.<br />

Εκείνη την πρώτη μέρα τη θυμάμαι σαν να ήταν χτες, κι ας έχουν περάσει τόσα χρόνια πια. Ανοίγει<br />

την πόρτα και μπαίνει με ένα δήθεν σοβαρό ύφος στην τάξη για να μας πάρει, υποθέτω, τον αέρα. Γι’<br />

αυτό και όλοι νομίσαμε πως θα ήταν αντιπαθής σε εμάς. Έβαλε την τσάντα του, η οποία από τα πολλά<br />

βιβλία που περιείχε φάνταζε να ζυγίζει 100 κιλά, πάνω στην έδρα, και για μια στιγμή μας κοίταξε με<br />

ένα διαπεραστικό βλέμμα που έκανε όλους να θέλουν να το αποφύγουν-σαν να ήθελε να μπει στην<br />

ψυχή του καθενός μας και να την εξερευνήσει με μια ματιά. Σαν να ήθελε να καταλάβει τι είδους<br />

άνθρωποι είμαστε. Όμως, αμέσως μετά από αυτή τη σύντομη σιωπή, το αυστηρό ύφος μετατράπηκε<br />

σε ένα χαμόγελο και ο καθηγητής μας λέει:<br />

«Καλημέρα σας παιδιά!»<br />

«Καλημέρα.», απαντάει η τάξη βαριεστημένα και φοβισμένα μαζί.<br />

«Με λένε κ. Ευκλείδη. Χαίρομαι πολύ που σας γνωρίζω! Είμαι σίγουρος πως θα περάσουμε πολύ<br />

ευχάριστα μαζί!», μας απαντάει ο κ. Ευκλείδης με πολύ ευθυμία.<br />

«Αφού εγώ σας έχω συστηθεί, θα απαιτήσω να κάνετε κι εσείς το ίδιο. Θα σηκωθείτε ένας-ένας<br />

από το θρανίο σας, θα πείτε το όνομά, το επίθετό σας και μερικά λόγια για τον εαυτό σας».<br />

Όλοι έμειναν έκπληκτοι από τα λόγια αυτά. Με όλους τους άλλους δασκάλους αρχίζαμε μεμιάς<br />

το μάθημα. Έτσι λοιπόν ο καθένας συστήθηκε και μίλησε λίγο για τις ασχολίες του στον ελεύθερό<br />

του χρόνο.


Αλήθεια χωρίς λογική…<br />

Μια καμπάνα κτυπάει πένθιμα, ο ουρανός γεμίζει μαύρα σύννεφα<br />

Ένα παιδί τρέχει χωρίς πόδια και τα όνειρα του γίνονται συντρίμμια<br />

Έψαχνα στο σκοτάδι να βρω σπίρτα, στάθηκα στην πόρτα και σου έγνεψα<br />

μα εσύ μουρμούριζες πως δεν είδες ανθρώπους, μονάχα αγρίμια.<br />

~<br />

Τιναζόσουν κάθε λίγο απ΄τον ύπνο σου και μιλούσες για κόλαση,<br />

Γιατί τάχα πήγα στο μέτωπο; Γιατί είχα μάτια χωρίς όραση;<br />

Κλαίνε των χαμένων αιώνων οι ήρωες που ποτέ δεν δικαιώθηκαν<br />

για μάχες και ιδανικά που τα πάντα προδόθηκαν...<br />

~<br />

'Ελαβα διαταγή απ΄την μεραρχία "Προς ολοταχώς",<br />

μα περπατούσα χωρίς ηγεσία και στο τέλος έμεινα μοναχός.<br />

Γυμνός από συναίσθημα και ιδεολογία σκοτώνω αδελφούς<br />

που μέσα απ' την πλάνη της προπαγάνδας, τους βλέπω σαν εχθρούς.<br />

~<br />

Αναρωτιέμαι αν θα βρω το θάρρος να κοιτάξω κατάματα το φως<br />

και να ψιθυρίσω την αλήθεια σαν μετουσιωμένος εαυτός.<br />

"Ο πόλεμος γυαλίζει σαν μαύρος χρυσός<br />

και μαριονέτα κατάντησε και πάλι ο λαός".<br />

Σταύρος Νόνη<br />

3C<br />

Modern Greek


Ποιοι παράγοντες επηρεάζουν την επιλογή δραστηριοτήτων<br />

στον ελεύθερο χρόνο; Σχολιάστε.<br />

Στη σημερινή εποχή του «τρέξε να προλάβεις», του άγχους και της αγωνίας, ο ελεύθερος<br />

χρόνος αποτελεί αναγκαιότητα για τον κάθε άνθρωπο αφού έτσι θα έχει μια<br />

ανάπαυλα από την καθημερινή ρουτίνα.<br />

Οι επιλογές όσον αφορά την αξιοποίηση του ελεύθερου χρόνου είναι πολλές και<br />

εξαρτώνται κυρίως από εμάς τους ίδιους. Ίσως θελήσουμε να κάνουμε μια εθελοντική<br />

εργασία που θα μας ικανοποιήσει πνευματικά και ψυχικά αφού έτσι θα συμβάλουμε<br />

στους κοινωνικούς στόχους. Όμως, οι επιλογές της οικογένειάς μας αλλά και των φίλων<br />

μας ίσως μας επηρεάσουν στην τελική μας επιλογή.<br />

Παράλληλα, μπορούμε να αξιοποιούμε τον ελεύθερο μας χρόνο καλλιεργώντας<br />

το ταλέντο μας, το οποίο μπορεί να αφορά τη ζωγραφική, το χορό, τη μουσική αλλά και<br />

οτιδήποτε άλλο αυξάνει το ενδιαφέρον μας για τη ζωή. Παρ’ όλα αυτά, το αν θα επιλέξουμε<br />

να αναπτύξουμε το ταλέντο μας θα εξαρτηθεί από την οικονομική μας ευχέρεια<br />

αλλά και από την ψυχολογική μας διάθεση. Τις πλείστες φορές η οικονομική άνεση μας<br />

βοηθά να πετύχουμε τους στόχους μας.<br />

Ακόμα, ο διαθέσιμος μας χρόνος δεν είναι ο μόνος παράγοντας που επηρεάζει τις<br />

ενασχολήσεις μας. Σημαντικό ρόλο παίζει και το κατά πόσον η δραστηριότητα που θέλουμε<br />

να κάνουμε είναι εφικτή. Πιο συγκεκριμένα, οι κλιματολογικές συνθήκες επηρεάζουν<br />

τις επιλογές μας, καθώς πρέπει να τις ευνοούν. Για παράδειγμα, εάν θέλουμε<br />

να ασχοληθούμε με κάποια δραστηριότητα όπως το κανό, τότε η βροχή θα αποτελούσε<br />

ανασταλτικό παράγοντα.<br />

Συνοψίζοντας, η ενασχόληση με κάποια δραστηριότητα αναπτύσσει τη φαντασία<br />

και την κρίση μας. Ο ελεύθερος χρόνος είναι πολύτιμος, έτσι καλό θα ήταν να μην τον<br />

αφήσουμε να πάει χαμένος. Το πιο σημαντικό είναι να επιλέγουμε σωστά και να αποφασίζουμε<br />

σύμφωνα με το τι θέλουμε εμείς οι ίδιοι.<br />

Δήμητρα Γεωργίου<br />

4Α<br />

IGCSE Modern Greek


ALEXANDRA SHANINA: “MYSTERY AND<br />

IMAGINATION”<br />

ALEXANDRA SHANINA: “SAVAGE”<br />

ANDREAS KYRIACOU: “SHADOWS AND<br />

SHADES”<br />

ANDRI CHRISTOFIDI: “SNOW<br />

WHITE AND THE SEVEN DOORS”<br />

ANASTASIS ANASTASI: “SHADOWS AND<br />

SHADES” DANAE ELLINA: “EXPRESSION THROUGH<br />

HANDS”


STEPHANY<br />

PORFIRIOU:<br />

“SHADOWS<br />

AND SHADES”<br />

VARVARA STAVROU: “EXPRESSION:<br />

THE EYES”<br />

DESPINA XIOUROUPPA: “SHADOWS<br />

AND SHADES”<br />

MARCEL VALEEV: “INSANITY”<br />

MARGARITTA SAMOURIDES: “SHADOWS AND SHADES”<br />

BACKGROUND:SERGIOS DEMETRIOU: “THE SECRET OF THE SERPENT


ABOVE: MARIANNA THEODOSI: “SHADOWS AND SHADES”<br />

NICOLE KOUTSOFTA : “SOULS” MARCEL VALEEV:<br />

STEPHANY POR-<br />

“INSANITY”<br />

FIRIOU: “SHADOWS<br />

AND SHADES”


ELIA NEOPHYTOU: “SEVEN SEALS”<br />

MARCEL VALEEV: “BALANCING<br />

DUALITY”<br />

MARCEL VALEEV: “BALANCING<br />

DUALITY”<br />

IRENE LOUCATZIE: “DISCOVERY AND<br />

EXPLORATION”


SEPTEMBER 2010<br />

BACK TO SCHOOL!<br />

EFFECTIVE HOME STUDY<br />

FOR PARENTS OF YEAR 1<br />

CLASS ELECTIONS<br />

CLUB PRESENTATIONS<br />

NOVEMBER 2010<br />

Lecture on Options to Year 3 and on<br />

IB to pupils in Year 4<br />

1st Excursion<br />

UK University trip<br />

Careers Fair<br />

Green Dot Lecture and visit<br />

OCTOBER 2010<br />

Commenius trip to Germany<br />

Anti-cancer fund raiser<br />

Radio Marathon<br />

Overnight trip to Ayia Napa (Yr 2)<br />

28th October Parade<br />

Overnight trip to Agros<br />

Artemis Halloween House Party<br />

DECEMBER 2010<br />

Sports Day<br />

Food Baskets collection and delivery<br />

to homes<br />

Christmas Carolling outside Debenhams<br />

Staff Christmas party


JANUARY & FEBRUARY 2011<br />

Nicosia/Larnaca Indoor Archery Tournament<br />

Comenius Trip to Slovenia<br />

Valentine’s Day order/delivery of chocolates<br />

and flowers organised by events committee<br />

Tsiknopempti organised by Parent’s Association<br />

APRIL 2011<br />

Visit from Private School of Athens<br />

The Cyprus Mathematics Olympiad<br />

Tree Planting Week<br />

Car Wash<br />

Blood Donation for Parents<br />

Educational Trip to Prague for Year 1<br />

Easter Activities<br />

MARCH 2011<br />

Parent’s Association Fancy Dress<br />

Pascal Discovery Day<br />

School Play, ‘The Glass Menagerie’<br />

National Holiday Parade<br />

Entrance Exams<br />

Sports Day<br />

MAY & June 2011<br />

Hidden Talent’s Evening<br />

Science Fair<br />

Art Exhibition at Kypriaki Gonia Gallery<br />

Teacher’s Happy Hour<br />

End of Year Ceremony<br />

6th Formers Last Day<br />

Graduation Ceremony<br />

Trip to Germany in July!

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