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The Romsey Modeller - Romsey Modellers

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MARCH 2013<br />

THIS MONTH<br />

This edition of the <strong>Romsey</strong> <strong>Modeller</strong> is slightly curtailed compared with recently months running at “only” 22<br />

pages, however I guess compared to most club magazines that’s still pretty impressive.<br />

What we lack in quantity we make up in quality with great build articles from Paul on his 1970 Lotus, Pat<br />

pulling out all the stops on Airfix’s Angel Interceptor and Russell tacking something entirely different!<br />

I compete the build articles by describing the rather frustrating construction of a 1/72 Trumpeter Fairey<br />

Gannet. We also have plenty of club news covering our AGM and forth coming events.<br />

Tony<br />

This is the newsletter of <strong>Romsey</strong> <strong>Modeller</strong>s a group of plastic modellers based in Southern Hampshire. We cater<br />

for all modelling genres and skill levels from beginners to well seasoned gurus.<br />

We meet on the 3 rd Wednesday of the month from 8pm to 10pm in Ampfield, Hampshire, where we often run<br />

workshops and club competitions but more importantly have a good chat about our hobby. We also attend most<br />

of the local model shows, where we exhibit our member’s completed projects.<br />

We have an open door policy so if you want to sample how we can help you get more out of your hobby or just<br />

come and have a friendly discussion (tea and biscuits provided) please feel free to turn up – see the last page for<br />

details or visit our web site<br />

www.romseymodellers.co.uk


CONTENTS<br />

March 2013 ............................................................................................................................................................. 2<br />

This Month ......................................................................................................................................................... 2<br />

Contents ............................................................................................................................................................. 3<br />

Club News ........................................................................................................................................................... 3<br />

February’s Club Meeting .................................................................................................................................... 5<br />

Trumpeter 1/72 Fairey Gannet Mk1 by Tony Adams ......................................................................................... 6<br />

Ebbro 1/20 th 1970 Lotus 72C Part 2 by Paul Adams ......................................................................................... 12<br />

Not so Grand Designs by Russell Eden ............................................................................................................. 15<br />

Angel Interceptor, Airfix 1/72 nd Scale by Pat Camp ......................................................................................... 18<br />

Letters .............................................................................................................................................................. 21<br />

Club Diary ......................................................................................................................................................... 22<br />

Contact Info ...................................................................................................................................................... 22<br />

CLUB NEWS<br />

FEBRUARY CLUB MEETING‐ AGM<br />

At our last meeting we held our annual general meeting – here are the key points<br />

• Election on Club officers – Confirmed<br />

o Club Secretary, Tony Adams<br />

o Competition Secretary, Sean Summers (despite me forgetting to mention him –sorry Sean)<br />

o Club Treasurer/Show Liaison, Steve Edwards<br />

o Webmaster/ Magazine Editor, Tony Adams<br />

o Assistant Webmaster, Dale Koppi<br />

o Website Content, Russell Howard<br />

o Show Project Leader, Paul Adams<br />

• Club Funds<br />

o In Steve’s absence we didn’t have exact figures but we are in a reasonably healthy state, no<br />

increase in subs is required. We will spend some cash in the near future on the club’s show<br />

stand.<br />

• Telford 2013<br />

o We will attend Telford ( club IPMS return has now been completed), we are expecting to<br />

have several members attend the full weekend with other making day trips.<br />

• Club Show 2014<br />

o <strong>The</strong> proposal is to arrange a smallish show in 2014. Paul is going to take the lead in<br />

organising this. <strong>The</strong> date may co inside with the <strong>Romsey</strong> Arts Festival. Ideally we would like it<br />

to be held in <strong>Romsey</strong>, investigations are ongoing to find a venue.<br />

• Competitions<br />

o For the annual competition, a Sci‐Fi/ fantasy/Real Space class will be introduced.<br />

Miscellaneous to be retained, but ‘I’ve Started’ is to be scrapped as it’s run its course. This<br />

action is to prevent fantasy models competing in ‘real’ classes. <strong>The</strong>re is likely to be a best<br />

WWI model prize but this will not be a separate category.<br />

o This years build a model in a day competition will be a group build of the same model (<br />

aircraft or AFV )<br />

• Club Activities<br />

o We will continue to provide demos of techniques , a group build of a single model has been<br />

suggested as a good means of achieving this<br />

o A visit to Boscombe Down museum is to be arranged<br />

o A number of members are attending the Goodwood Festival of Speed on Friday 12 th July<br />

• We completed a contact list survey , at the time of writing we have 38 active club members<br />

3


MODEL SHOWS – POOLE VIKINGS<br />

On Saturday April 13 th we will be taking our traditional trip down the A31 to Poole for the Poole Vikings Annual<br />

model show at Parkstone Grammar School. This is generally one of the better shows we attend during the year<br />

with good club attendance and lots of vendors (so remember to bring your wallets – or NOT!). Over the years<br />

we have been quite successful in the competitions so it’s well worth bringing something along to enter. We are<br />

likely to get 18 foot of table space ( hopefully in a better position to last year) . A full report on the show will no<br />

doubt feature in next month’s magazine.<br />

Further details at http://myweb.tiscali.co.uk/poolevikings/show.html<br />

ST GEORGE’S COMPETITION<br />

April’s meeting sees our bi annual St George competition , so if you haven’t got a qualifying model yet you had<br />

better get your skates on. To be eligible you just have to build a convincing argument that your model has<br />

some link to the theme – i.e. England ( British , Scottish , Welsh and Irish subjects are allowed by default , until<br />

Scotland votes for independence) .<br />

ANDY ARGENT<br />

I for one am desperate to understand how he achieves<br />

such realistic weathering ( particularly with rust)<br />

This is definitely a night to bring your camera as Andy<br />

will be bringing along examples of his work.<br />

Book now to avoid disappointment…<br />

VISIT TO BOSCOMBE DOWN MUSEUM<br />

We have a real treat in store for us on Wednesday as<br />

we welcome Andy Argent to the club to give us a talk<br />

on him models and techniques.<br />

Andy (who Russell describes as his Nemisis) has won<br />

countless awards for his outstanding AFV’s and<br />

dioramas, most recently taking best in show at<br />

Yeovilton and NewMod with two different models.<br />

I am in the process of organising a club trip to the Boscombe Down Aviation Collection at Old Sarum Airfield . I<br />

have contacted the museum and assuming we can get 10 members along we will get a reduced entry fee and<br />

guided tour. <strong>The</strong> suggested dates are 27 th /28 th April or 11 th / 12 th May. For further details on the museum<br />

see http://www.boscombedownaviationcollection.co.uk/<br />

4


FEBRUARY’S CLUB MEETING<br />

At our last meeting we have a very interesting talk from Barry Sharman assisted by Nigel on his 1/72 Flower<br />

class corvette. Everybody was very impressed at the amount of scratch built detail that was packed into the<br />

model, I kept finding more the longer I stared at to and have found even more as I reviewed the photo I took<br />

reproduced below.<br />

5


TRUMPETER 1/72 FAIREY GANNET MK1 BY TONY ADAMS<br />

THE FAIREY GANNET – A POTTED HISTORY<br />

This model was supposed to be a quick project while<br />

over Xmas to bridge the gap between my 6 month<br />

Dauntless build to my next major piece a work (<br />

more on that next month). However things didn’t go<br />

quite as planned due to my own stupidity.<br />

<strong>The</strong> Admiralty issued a requirement for a carrier‐based submarine hunter in 1945 which yielded prototypes<br />

from Blackburn and Fairey. <strong>The</strong> Fairey design was initially to be powered by a pair of Merlin engines connected<br />

to a common gearbox, turning contrarotating four‐bladed propellers which could translate that high<br />

horsepower into thrust. When the bulk of the twin‐Merlin installation proved impractical, Fairey adopted the<br />

Armstrong Siddeley Twin Mamba twin turboprop engine design.<br />

<strong>The</strong> Gannet first flew in September 1949, and on 19 June 1950, became the first turboprop to land aboard an<br />

aircraft carrier. <strong>The</strong> type first entered service in 1953 after incorporating a radar, a third crew station, and<br />

additional requirements into the airframe's design. Dubbed the AS Mark I, this first Gannet was an<br />

antisubmarine warfare aircraft, and with that huge wing, could cruise at low speeds and low altitudes<br />

comfortably.<br />

Further developments of the type yielded a T.2 trainer, an upgraded ASW AS.4 version, and the rather ungainly<br />

AEW.3 version which sported an APS‐20 radar under the airframe. A T.5 trainer and an ECM.6 rounded out the<br />

family. Over 440 Gannets would be produced for the Royal Navy and for other services around the world.<br />

THE KIT<br />

<strong>The</strong> kit is moulded in Trumpeter standard light grey plastic and is presented on four sprues, plus a single sprue<br />

of clear parts. Detailing of this kit is quite nice with finely scribed details throughout.<br />

Markings are included for three aircraft:<br />

• Gannet AS.1/4, XA322, CU/711, 769 Sqn, HMS Culdrose, 1957<br />

• Gannet AS.1/4, XA402, B/327, 820 Sqn, HMS Bulwark, 1956 ( my selection)<br />

• Gannet AS.1/4, UA+112, MFG3, West German Navy, 1960<br />

6


All it all the build looked pretty straightforward so as boxing day dawned it was time to hide from the kids and<br />

crack on…<br />

THE COCKPITS (S)<br />

I decide to build the kit out of the box , the only exception<br />

being the addition of seat belts made from foil from the top of<br />

a bottle of wine ( there is always plenty of this material<br />

available in my house) . No decal is provided for the instrument<br />

panels so they had to be painted. <strong>The</strong> panel was initially<br />

painted black and then the instrument details picked out by<br />

dry brushing with light grey, the result was not too shoddy .<br />

<strong>The</strong> foil for the seat belts were sprayed buff before being cut<br />

out and buckles highlighted in silver, not startling but with the<br />

canopy closed they would past muster.<br />

With the cockpit components complete and after suitable photography it was time to close the fuselage.<br />

<strong>The</strong> technique I have found works best for major joints is to flow Mr Cement the joint with a paint brush and<br />

then apply pressure with clamps to squeeze some molten plastic our onto the surface. When dry this can be<br />

sanded down to a seamless joint.<br />

I attached the wings and nose section to the model and applied as small amount of filler where needed. With<br />

the model clean and about ready for primer I had a niggling doubt – something was wrong – it took a while<br />

before the penny dropped – NOSE WEIGHT!<br />

<strong>The</strong>re is no mention of needing to weigh down the nose in the instructions but it is a no brainier, the<br />

undercarriage is very far forward and the tail is huge so this would definitely be a tail sitter‐ bugger.<br />

In order to try and remedy the situation I prized off the nose and filled it with as much lead shot as possible<br />

and some of the lead wheel weights Sean had given me.<br />

7


Tail sitting blunder No 1 : After forgeting to add nose weight I had to add lead shot to the nose cone<br />

Tail sitting blunder No 2 : With the radome fully<br />

extended it would hit the ground<br />

Also in this photo the engine exhaust location holes<br />

that allowed me to fill the fuselarge with additional<br />

weight.<br />

In experimenting by balancing the airframe on cocktail stick it was apparent there was still not enough weight<br />

in the nose so I resorted to inserting lead via the currently open fuselage holes destined for the engine<br />

exhausts. It was surprising how much weight was required ( and how much the weights rattled) . In doing this I<br />

also discovered another issue not covered by the instructions , namely that with the radome fully extended it<br />

hits the ground! I did manage to push it in a bit at the cost of cracking its frame but it would be close.<br />

<strong>The</strong> canopy had a prominent seam line that needed to<br />

be sanded off and then the clarity of the clear plastic<br />

restored through successive polishing with micro<br />

mesh and finally a coat of Klear.<br />

<strong>The</strong> fit of the clear parts was very poor and required<br />

considerable fettling to get them to fit.<br />

Once in place adhesive foil was used to mask the<br />

canopies.<br />

8


PAINTING<br />

It was here that my major blunder occurred which I have mentioned in recent editions of the magazine. I<br />

decided to do a strip down clean of my Iwata TR1 airbrush using my ultra sonic cleaner, something I had done<br />

countless times before. As I was reassembling the brush, instead of finding the spanner designed for the job I<br />

thought I could save a couple of minutes by using my pliers to tighten the nozzle to the body – dick head! I<br />

overtightened the nozzle and stripped the tread from the airbrush body a mistake that would cost me £160 for<br />

a new airbrush. <strong>The</strong> damage was not immediately apparent and I spent several hours trying to work out why<br />

my impeccably clean brush was spluttering. Once I had worked it out my enthusiasm for yuletide modelling<br />

disappeared.<br />

PAINTING PART 2<br />

After a few weeks sulking I resumed the project , now with Steve’s airbrush that he had kindly lent me ( brave<br />

fellow). <strong>The</strong> canopy frames were first painted the interior colour before the panel lines were preshaded using<br />

thinned Tamiya black.<br />

<strong>The</strong> sky underside colour was added ( Mr Color) thinly using a couple of coats to slowly build up the colour<br />

depth without obliterating the pre shade. This was masked and the top colour added.<br />

A punch that I picked up in a pound shop was used to create masks for the wheels<br />

9


Blunder No 4: Somehow I managed to get the<br />

order of the spinner bands wrong<br />

<strong>The</strong> stabiliser fins were masked and painted before<br />

being attached.<br />

<strong>The</strong> spinner is presented in several parts to support the<br />

counter rotating propellers, I initially sprayed it white and<br />

then masked it to allow for the red stripes. Unfortunately I<br />

didn’t play enough attention to the order and ended up<br />

spraying the wrong bands!<br />

<strong>The</strong> process naturally had to be repeated to rectify the<br />

error.<br />

<strong>The</strong> undercarriage was constructed and fitted and the<br />

model was given a coat of Klear to provide a gloss based for<br />

decaling, which went without drama.<br />

<strong>The</strong> model was then given a final clear coat to seal the<br />

decals and followed by a panel line wash. <strong>The</strong> final painting<br />

operation was to add exhaust stains to the rear fuselage.<br />

Flory <strong>Modeller</strong>s dark wash ( formally Pro <strong>Modeller</strong>s<br />

wash) was sprayed all over the model, went dry it was<br />

removed with a soft rag leaving the panel lines nicely<br />

highlighted.<br />

After removing the canopy masking and cleaning up the residual glue ( a disadvantage of using foil) the model<br />

was complete.<br />

Considering it took well over two months, I can’t say I am thrilled by the result. If it had taken a few days as<br />

originally planned I would have been delighted but at times it was a struggle to maintain enthusiasm on what<br />

to be frank is not a fantastic kit. Still it’s another model to add to my growing FAA collection ( and it has<br />

allowed me to fill 6 pages of this publication ☺ ).<br />

10


PHOTOS<br />

11


EBBRO 1/20 TH 19770<br />

LOTUS 772C<br />

PART 2 BY PAUL ADAMS<br />

SECONDD<br />

PRACTICE<br />

<strong>The</strong> Zeroo<br />

sealer went<br />

on well ennough<br />

to<br />

cover thee<br />

red plastic beneath, butt<br />

it went<br />

on with a lot more texxture<br />

than I wwas<br />

used<br />

to seeingg<br />

from the Zeero<br />

pre‐thinned<br />

paint<br />

range. I resorted to lightly sandinng<br />

down<br />

the paintt<br />

surface whicch<br />

left it very smooth,<br />

but that was not beffore<br />

correctinng<br />

some<br />

joint issuues<br />

on the nose and aiir<br />

intake<br />

cowling. I followed up with 2 ccoats<br />

of<br />

Halfords white primerr<br />

which I thinkk<br />

ate into<br />

the sealeer<br />

as in placees<br />

some faint red was<br />

showing through. I coontinued<br />

withh<br />

2 coats<br />

of Zero bbrilliant<br />

whitee<br />

which look great on<br />

it was onn<br />

but I later ddiscovered<br />

that<br />

it had<br />

too driedd<br />

with a roughh<br />

texture.<br />

With all oof<br />

the parts inn<br />

primer or s<br />

plan this month was tto<br />

get the bod<br />

colour annd<br />

clearcoateed,<br />

and to sp<br />

the otheer<br />

parts in thheir<br />

base colo<br />

write thiis<br />

on March 13<br />

deadline by at least 2<br />

problemss<br />

have occurr<br />

been bussy<br />

– oh, and<br />

Enough eexcuses?!<br />

th ealer, the<br />

dywork in<br />

pray all of<br />

ours. As I<br />

, I’ve missed m my<br />

2 weeks as a couple of<br />

red and famil ly life has<br />

it was a short<br />

month.<br />

Beforee<br />

I was able too<br />

mask up for r the red, I<br />

lightlyy<br />

sanded backk<br />

the white to<br />

smooth<br />

it out and set about<br />

masking up the white<br />

areas using Tamiyaa’s<br />

trusty tape e, a sharp<br />

scalpeel<br />

and measuuring<br />

callipers s. I used<br />

the kkit<br />

decal sheeet<br />

to determine<br />

the<br />

placemment<br />

of thhe<br />

masking line by<br />

measuuring<br />

the heigght<br />

of the white<br />

decals<br />

that mmodellers<br />

cann<br />

choose to use over<br />

the baase<br />

red colour<br />

should they want. On<br />

the mmonocoque<br />

annd<br />

radiator shrouds<br />

the<br />

lines wwere<br />

straight,<br />

but angled slightly s to<br />

allow for the raake<br />

of the car. <strong>The</strong><br />

windsscreen<br />

cowl oon<br />

the real car<br />

is made<br />

in onee<br />

piece from ttinted<br />

Perspe ex and the<br />

lower half is painteed<br />

to match the<br />

rest of<br />

12


the car and<br />

Ebbro have<br />

followed suit<br />

with their ddesign<br />

of it in the kit. <strong>The</strong> kiit<br />

does have a red decal to cover the<br />

appropriate<br />

area with,<br />

but you’ll thhen<br />

have to mmatch<br />

you red d paint to it. Iff<br />

painting is yyour<br />

thing (mi ine is) the<br />

builder hhas<br />

therefore tto<br />

mask up thhe<br />

screen and paint the low wer half, whichh<br />

I can tell youu<br />

is not an eas sy task for<br />

many a mmodeller<br />

incluuding<br />

the expperienced<br />

onees!<br />

I used a tip t from the iinternet<br />

and masked off using u Bare<br />

Metal Fooil<br />

which was burnish dowwn<br />

gently andd<br />

trimmed wit th a new blade.<br />

After a fiddly<br />

45 minu utes I had<br />

achievedd<br />

what I hopee<br />

to be a clean<br />

separation line. <strong>The</strong> insides<br />

were maask<br />

off to prevvent<br />

overspra ay. I think<br />

Ebbro should<br />

have proovided<br />

the moodern<br />

solution<br />

this is problem<br />

and provided<br />

pre cut mmasks<br />

as an option o as I<br />

can see tthis<br />

being a stumbling<br />

blockk<br />

for a numbeer<br />

of builders.<br />

<strong>The</strong> nosee<br />

of the car ppresents<br />

somee<br />

masking<br />

hurdles as it requiress<br />

three colouurs<br />

to be<br />

sprayed unless you use the gold<br />

decals<br />

which I hhad<br />

read are a challenge to fit. To<br />

make matters<br />

even more interessting,<br />

the<br />

mask linees<br />

are curvedd,<br />

and those ccurves<br />

are<br />

of a decrreasing<br />

and inncreasing<br />

radius!<br />

I used<br />

the kit ddecal<br />

as a guuide<br />

and purrchased<br />

a<br />

drawing aid called a French<br />

curve, wwhich<br />

is a<br />

bit like a flexible ruleer.<br />

This enabled<br />

me to<br />

draw thee<br />

line onto thhe<br />

masking taape<br />

(once<br />

removedd<br />

from the deccal)<br />

and then cut it out<br />

using thee<br />

same tool bbut<br />

using the scalpel. It<br />

took sevven<br />

attempts to get a maask<br />

I was<br />

happy with<br />

and even then I had to modify it<br />

to look correct<br />

accordding<br />

to referennces.<br />

On the sseventh<br />

attem mpt the decal cried enoughh<br />

and broke away<br />

from<br />

the backiing<br />

sheet....<br />

With thee<br />

masking upp<br />

complete itt<br />

was on withh<br />

the paintin ng…except it wasn’t. I reaadied<br />

my airb brush and<br />

compressor<br />

only to find<br />

that the ccoiled<br />

hose beetween<br />

the air<br />

outlet and water trap had<br />

split….the cause no<br />

doubt of my rough paint<br />

finishes prreviously.<br />

A wweekend<br />

of painting<br />

and proogress<br />

was waasted<br />

while I waited w for<br />

an internnet<br />

ordered reeplacement<br />

too<br />

arrive. Anothher<br />

good excu use!<br />

<strong>The</strong> red ppaint<br />

I was using<br />

was a coloour<br />

matched item from Hir roboy ZP‐10744<br />

(the set alsoo<br />

provides the e gold and<br />

white) annd<br />

went on bbeautifully.<br />

3 coats were eenough,<br />

but I made a mistake<br />

when sprraying<br />

the vent<br />

on the<br />

nose aand<br />

manage to<br />

get 4 coats on which<br />

resulteed<br />

in a patchyy<br />

finish, not something s<br />

I wantted<br />

after speending<br />

so much m time<br />

maskinng<br />

off the whiite<br />

area.<br />

<strong>The</strong> wwindscreen<br />

neeeded<br />

to show<br />

red on<br />

the innside,<br />

so the<br />

paint was s applied<br />

carefully<br />

directly oonto<br />

the plas stic (I did<br />

sand itt<br />

slightly withh<br />

some worn 1500 grit<br />

paper) ) , the only problem was s 3 coats<br />

didn’t match the main mono ocoque….I<br />

later rrecoated<br />

oveer<br />

the red with w white<br />

and reapplied tthe<br />

red to o match<br />

elsewhhere.<br />

I generally<br />

remove<br />

the<br />

maskinng<br />

tape as soon<br />

as I’m able<br />

and the<br />

result was a nice cclean<br />

line between<br />

the<br />

colours. As I write thiis,<br />

the nose iss<br />

being repainnted<br />

after bein ng stripped annd<br />

covered onnce<br />

more in the<br />

yellow<br />

sealer. I’mm<br />

so looking fforward<br />

to maasking<br />

that onne<br />

up again!<br />

13


While geetting<br />

the cowwlings<br />

sorted oout<br />

I’ve also aairbrushed<br />

a multitude m of pparts<br />

with basse<br />

black for th he various<br />

Alclad finnishes.<br />

<strong>The</strong> baase<br />

black variees<br />

from matt to gloss depe ending on the required finish.<br />

<strong>The</strong> engine<br />

was my<br />

next focuus<br />

and this waas<br />

undercoateed<br />

in Zero semmi‐gloss<br />

black and sprayed wwith<br />

Alclad Poolished<br />

Alumin nium. <strong>The</strong><br />

semi glosss<br />

undercoat subdues the ootherwise<br />

verry<br />

shiny finish h. This was theen<br />

flattened ooff<br />

with Hannants<br />

matt<br />

varnish ssealing<br />

the paaint<br />

from the washes to follow.<br />

<strong>The</strong> cam m covers and gearbox received<br />

Humbrol’s<br />

superb<br />

gunmetaal<br />

which has a little polishh<br />

from a flat paint brush to t highlight vvarious<br />

areas. . <strong>The</strong> Ford lo ogos were<br />

highlighted<br />

with a silvver<br />

pencil. <strong>The</strong>e<br />

fuel rails weere<br />

assembled d and drilled out to receivee<br />

Model Factory<br />

Hiro’s<br />

fine fuel tube (MFHP9958)<br />

which beehaved<br />

impeccably<br />

during the t delicate ffitting<br />

stage, aas<br />

did their bl lack spark<br />

plug wiree<br />

(MFHP961) which was pplumbed<br />

into the distribut tor nestling between<br />

the bbanks<br />

of injec ctors. <strong>The</strong><br />

photo’s sshows<br />

the commplete<br />

enginee<br />

before washhes<br />

were adde ed and offer a glimpse of the<br />

gearbox. <strong>The</strong> T intake<br />

trumpetss<br />

are courtesyy<br />

of Acu‐stion. .<br />

Hopefullyy<br />

this build will w gather<br />

more paace<br />

for next month’s<br />

instalmennt<br />

and my re eport will<br />

contain leess<br />

excuses!<br />

14


NOT SO GRAND DESIGNS BY RUSSELL EDEN<br />

Those who know me well enough will have noticed I like doing<br />

something different occasionally.<br />

Whilst surfing the net I came across Tabletop World – these<br />

guy from Croatia make rather stunning houses for war‐games<br />

/ RPGs.<br />

‘I must get one,’ I thought, but how to justify yet another<br />

project? I know, I’ll paint one for my mum’s birthday; which is<br />

in October so I have plenty of time. I painted her a<br />

Warhammer castle many years ago which she loved. She<br />

agreed and I spent the money – good timing as it happens as I<br />

got a set of furniture thrown in for free. I decided on the<br />

townhouse as it doesn’t need a base, was robust (2 parts), was<br />

within my budget and was large enough to fit the furniture in.<br />

But arrives like this –<br />

A finished house looks like this<br />

Cast in a very nice white resin – not too soft or too hard. Note the dog – missing from the finished one. I think<br />

I’ll leave him there but he has air bubble where his nose should be – oops…<br />

15


This is the set of furniture, and a cat<br />

they very kindly included for me. No<br />

house should be without a cat!<br />

Although like the dog he has an air<br />

bubble where his nose should be –<br />

double oops…<br />

Note the house has no cooker but a chimney – this will need sorting at some point – time for a surf and<br />

research session… More on that later.<br />

Whilst having a mental block with various other projects I’m working on I wanted something simple to paint so<br />

got on with painting the furniture.<br />

After cleaning them up – hardly any needed, I drilled them and fitted veropins to make them easier to handle. I<br />

added a small chest to the table and then<br />

got on with the painting. <strong>The</strong>y were primed<br />

with Halfords grey primer and painting with<br />

Games Workshop Vermin Brown.<br />

<strong>The</strong>y were then given a wash of Agrax<br />

Earthshade ink, (don’t ask, I didn’t name<br />

them!)<br />

And finally drybrushed with Vomit Brown<br />

and then Bubonic Brown to bring out the<br />

detail.<br />

<strong>The</strong> metal work was painted Boltgun Metal<br />

and washed with Nuhn Oil black ink.<br />

16


Additional highlights were added in Chainmail. I used a light drybrush of Vallejo Sand to bring out more details<br />

and lined the edges of the planks with Nuhn Oil.<br />

That’s finished the wardrobe. If only all<br />

DIY was that easy!<br />

<strong>The</strong> top sheet and pillow on the bed were painted Bleached<br />

Bone – I don’t think they had ‘whiter than white’ washing<br />

powder in medieval times! I gave it a thinned sepia wash and<br />

mixed white to bleached bone to blend it all together and make<br />

it paler but not white. I fancied a bit of colour so painted the<br />

bottom sheet light blue with white highlights.<br />

<strong>The</strong> rug was painted Vermin Brown with a black ink wash and<br />

drybrushed with Dark Flesh which has a red tint to give it a bit of<br />

contrast to all the brown wood. I then gave the edges a dry<br />

brush with bleached bone – purely by accident as I was<br />

drybrushing the sheet – oops but it doesn’t look too bad.<br />

As I was doing the table I also painted some of the accessories I<br />

bought form Maxmini. <strong>The</strong> parchment on the table, the skull and<br />

all the candles were painted as per the bedsheet but with added<br />

earthshade ink to give a darker shadow where needed. I painted<br />

the extra the details – quill, wax stamp and ribbons and they<br />

were done. I doubt I’ll use all the candles but they’re painted if<br />

needed. I also painted a metal chest I had spare too at this point.<br />

Next month – DIY SOS – finding a cooker and starting the interior painting. And I might knock up a bookcase if<br />

there is room.<br />

17


ANGEL INTERCEPTOR, AIRFIX 1/72 ND SCALE BY PAT CAMP<br />

PART DEUX: LE POSTE DE PILOTAGE.<br />

I thought I would be at the painting stage by now, but progress with finishing the assembly has been slower<br />

than I had hoped for.<br />

<strong>The</strong> air intake areas were airbrushed with white H34 with a touch of sand colour. <strong>The</strong> intake was a tad narrow<br />

on one side and so some plasticard shim was glued into place to the intake so it matched up with the fuselage<br />

[13]. Even so, a large quantity of modelling putty was needed to fill the gaps [14].<br />

[13]. Strips of plasticard applied to one side of<br />

the intake to shim the part to match the<br />

fuselage. Note also masking has been applied<br />

because it would be easier to do it now than<br />

when the intake was glued into place – not that<br />

I decided on the colour scheme as yet!<br />

[14]. Generous quantities of modelling putty<br />

were needed to fill the gaps between the intake<br />

and the fuselage. I used (for the first time)<br />

Tamiya putty mixed with Mr Hobby self‐<br />

levelling thinners to get a paste that could be<br />

trowelled on<br />

<strong>The</strong> decking behind the pilot’s seat was detailed, referring to photographs and diagrams of “the real thing”<br />

that I found on the internet [15]. <strong>The</strong> radio set was a chunk of resin that was sawn and filed to shape, a pair of<br />

plasticard rails with holes drilled through (I always drill the holes before cutting the plasticard to size: there is<br />

less chance of the piece cracking if you do it that way around) and a pair of hydraulic jacks for the canopy that<br />

were electrical wire with the insulation trimmed back. Wiring and hoses were from rolled Milliput, following a<br />

technique described to me by Guillaume Monnier from the Toulon club, who is an absolute wizard in the art of<br />

fine detailing.<br />

All I did was to roll out a small piece of Milliput into a fine filament (Guillaume actually rolls it out finer than<br />

mine, but I was happy enough for this first attempt) and give it a curl before cutting to length. Pick up the<br />

piece using a moistened paintbrush and put it into position. Use the brush to tease the piece into place – there<br />

is no need to use Superglue to hold it in place. It was a lot quicker and gave a better result than using wire.<br />

Whilst I had the Milliput out, I fashioned a headrest and back cushion for the pilot’s seat [16]. <strong>The</strong> real seat<br />

has indentations moulded into it and I copied these as best I could. As a final measure, the pilot was pressed<br />

into the cushion so that the Milliput would take up her shape.<br />

I have a number of different pilots to hand and could not decide which to use. I had one around 1/100 scale,<br />

which is about right for this kit (rather than the 1/72 nd it says on the box). Nevertheless, I selected a 1/72 nd<br />

pilot in the end as I did not want to have a different “scale” in my collection [17].<br />

18


[15]. Detailing added to rear deck of cockpit. [16]. Modified kit seat<br />

with plasticard panel<br />

behind head. Headrest<br />

and cushion added from<br />

Milliput.<br />

[17]. Kit pilot underwent an<br />

enforced drastic weight loss and<br />

sex‐change surgical operation<br />

(you can’t do enough for a good<br />

hobby!). I wish I trimmed out<br />

around the neck some more<br />

because “she” ended up more<br />

like a Russian shot‐put athlete<br />

than a young “Angel”!<br />

Guillaume Monnier had also explained to me how to mould the new canopy by what he termed “smash<br />

moulding”. Basically, you take a piece of transparent polystyrene food packaging and heat it using a candle.<br />

Once it has gone soft, you “smash” it down over the mould. He said that you must keep moving the plastic<br />

over the candle flame – if you stop it will melt through. He also said that I would need a few tries before<br />

getting the hang of it and that if the plastic had not flowed enough then you can reheat it once again and have<br />

another try.<br />

I epoxied each of the two Super‐Sculpey moulds to lolly sticks and clamped these into place for the smash<br />

moulding. It all went exactly as Guillaume had predicted, and I ended up with two or three usable canopies<br />

from each mould. <strong>The</strong> plastic from the deeper canopy was a bit thin after moulding, but the shallower one was<br />

okay. I also tried some clear plasticard, but this was impossible to mould: the clear food packaging was much<br />

easier (and cheaper!)<br />

One further advantage of doing your own mould is that it is easier to trim the part to fit. You pop the part back<br />

onto the mould and trace along the joint edge using a CD marker pen. <strong>The</strong>n take the part off and trim it using a<br />

fine pair of nail scissors and a scalpel. Any residue of CD pen ink can be removed with a paintbrush dipped into<br />

meths.<br />

Having selected the best results for my model (one from each mould), they were dipped into Klear and left<br />

until the cockpit had been painted up.<br />

<strong>The</strong> cockpit, seat, pilot and instrument coaming (fashioned from a resin block) were undercoated H66 dark<br />

grey and then a lighter tone, H64, was applied as a highlight from above. <strong>The</strong> rear deck and inside edges of the<br />

cockpit were sprayed H120 green, this being a reasonably close match to the photos found on the internet.<br />

Some AK‐Interactive wash was applied to the green decking before the detailed items were picked out in their<br />

correct colours.<br />

White, H34, was sprayed onto the pilot from above, except for the legs that would be shaded by the<br />

instrument coaming. <strong>The</strong> pilot’s hair visible through the flying helmet was painted with various tones of oil<br />

paint [18].<br />

19


[18]. Detail painting. Shading was done using oils.<br />

[19]. Cockpit completed and ready for the<br />

canopy to be attached.<br />

20


<strong>The</strong> young Angel was then glued to her seat and some seat belts added from thin lead foil held in place with<br />

Gator’s Grip acrylic adhesive. I couldn’t believe these were actually finished in deep pink – it so clashes with<br />

the colour of the seat cushions. Small pieces of fine plastic rod were attached to the shoulders of her flight suit<br />

and painted in white and gold. Here collar and cuffs were finished in gold with brown oil paint as shading.<br />

Now the time came to assemble the pilot and instrument coaming into place. <strong>The</strong> agony was not over for the<br />

pilot, as I temporarily had to lop off her arm and fix in place later. Still, she did not complain and took it all in<br />

her stride – very stoic these Angels.<br />

<strong>The</strong> instrument decal supplied in the kit was used on the coaming.<br />

A few final touches were made and I am now ready to attach the canopy.<br />

LETTERS<br />

If anybody was inspired by Barry Sharman’s Flower class corvette here is an opportunity:<br />

Hi Tony,<br />

I was given your address by Phil Butler. I’m looking for someone to undertake a commission and he<br />

said you had more ship modellers in your group than he had in his. I’ve promised a friend of mine that<br />

I would arrange for a model that he started many years ago to be completed. It’s the Matchbox 1/72<br />

Scale Flower Class Corvette, plastic with a brass fittings kit.<br />

<strong>The</strong> model is largely completed but not to a good standard. I’m looking for someone that can finish it<br />

off to high standard.<br />

If you have any members that can help I’d appreciate you putting me in touch. I live in Chichester but<br />

I’m happy to drive over to your part of the world.<br />

Regards,<br />

Adrian<br />

21


CLUB DIARY<br />

March 20 th<br />

Club Night<br />

Andy Argent<br />

April 17 th St George Competition April 13 th Poole Vikings Show<br />

May 15 th Club Night May 19 th Hendon Show<br />

June 19 th Club Night June 1st IPMS Salisbury Show<br />

July 17 th<br />

Trumpeter/<br />

Dragon Competition<br />

August 21 st Club Night<br />

September 18 th Club Night<br />

October 16 th Club Night<br />

November 20 th Annual Competition<br />

December 18 th Xmas Night<br />

Ampfield Village Hall<br />

Morleys Lane<br />

<strong>Romsey</strong><br />

Hampshire<br />

SO51 9BJ<br />

TBA<br />

September 21 st<br />

November 9 th /10 th<br />

TBA<br />

Next Meeting: Wednesday March 20 th (8pm to 10pm)<br />

Thank you to this month’s contributors to this publication<br />

Paul Adams<br />

Tony Adams<br />

CONTACT INFO<br />

Russell Eden<br />

Pat Camp<br />

Build a Model in a Day<br />

IPMS Farnborough Show<br />

Scale ModelWorld 2013<br />

Middle Wallop Show<br />

Web Site wwww.romseymodellers.co.uk email info@romseymodellers.co.uk<br />

Club Secretary Tony Adams Tel: 01794 519153<br />

Magazine Editor Tony Adams Tel: 07736555664 email: tony@romseymodellers.co.uk<br />

Treasurer Steve Edwards<br />

Competition Secretary Sean Summers<br />

22

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