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pity, 81, ioo, 119, 127, 261, 295<br />

Plato, 103, 117, 120, 127, 144, 145, 280,<br />

293. 3°7; [Plato], 153<br />

Pleisthenes, 217<br />

pleonasm, see doublet<br />

Pleuron, 132, 134, 135<br />

plunder, see booty<br />

plus-verse, 73, 76, 79, 170, 255, 261, 263,<br />

3°7>3 I 7>332<br />

Plutarch, 92, 105, 123, 282; [Plutarch], 93<br />

Podaleirios, 279<br />

poet (ofAspis), 221-2<br />

poet (of Iliad), Homer, passim; artistry of,<br />

91, 139, 288, 311; notes ftpx 1 *) of events,<br />

288; assumes familiarity, 224, 288;<br />

attitudes of, 121, 136, 145, 198; comments<br />

on narrative, 104, 141, 251, 337;<br />

geographical standpoint of, 59, 77;<br />

inventiveness of, 123, 131, 239, 325, 326;<br />

keeps Akhilleus in mind, 287; keeps<br />

distance, 132; 'knowledge' of, 130, 136,<br />

248, 286, 310; looks forward, 153, 211,<br />

288, see also narrative goal; methods of,<br />

151, 211, 212, 232, 233; as narrator, 125,<br />

245, 278, 298, 304, 330, see also de Jong;<br />

as observer, 92, 318, 320; philhellenism,<br />

211, 261, 264; slips by, 138, 144, 264, 305;<br />

reveals intentions by stages, 144; at work,<br />

87, 245; see also Iliad<br />

poet (of Doloneia), 151, 155, 158, 165, 168,<br />

172, 175, 178, 179, 180-1, 183, 184, 191,<br />

196, 206; obscure thought of, 202, 203; see<br />

also book 1 o<br />

poet (of Odyssey), 206<br />

poetical grammar, 3, 6, 14, 16, 23, 34<br />

Polubos, 225<br />

Polupoites, 109, 332, 333, 334; see also<br />

Lapithai<br />

Polygnotus, 146<br />

polyptoton, 230<br />

polysyndeton, 185, 243<br />

Pope, M. W. M., 7, 182<br />

Porphyry, 178, 293<br />

Poseidon, 87, 109, in, 144, 177, 229, 318;<br />

with trident, 320<br />

Pouludamas, 224, 225, 247, 264, 325-6; as<br />

warrior, 314, 325<br />

praise-poetry, 38<br />

Prato, C, 27<br />

prayer, 83, 87, 89, 133, 182, 184, 188;<br />

omitted, 212, 217, 252; see also Anrai<br />

Priam, 74, 88, 115, 139, 141<br />

prophecy, 62<br />

prosopopoeia, 97<br />

Puhvel,J., 162<br />

Pulos, Pylians, 77-8, 130; location of, 297<br />

Index<br />

377<br />

Pylian epic/heroic poetry, 39, 296-8, 298,<br />

302<br />

Quintilian, 93<br />

% (vocalic r), 220<br />

rainbow, 219<br />

rally, see battle<br />

rank, designations of, 106<br />

Rank, L. Ph., 74-5<br />

Rapp, G., and Gifford, J. A. (edd.), 195<br />

realism, 139, 168, 200, 201, 315, 364<br />

recall of previous passage, 20, 60, 61-2, 64,<br />

152; absence of, 72, 153, 159, 261, 268<br />

reception scene, see hospitality scene<br />

Redfield, J. M., 100, 102, 129, 191<br />

Reeve, M. D., 101<br />

Reichel, W., 179-80<br />

Reinhardt, K., 57, 94, 146, 148, 215, 229,<br />

237, 256, 270<br />

religion, popular, 133<br />

repetition of speeches/commands, 92, 94, 98,<br />

193, 194,247,311<br />

responsibility, 55, 56<br />

retardation, 71, 288<br />

retiring scene, 144, 209<br />

rhapsode, 36<br />

Rhesos, 153, 162; death of, 201, 206; story<br />

of, 151, 152, i55> J 77<br />

Rhesus (tragedy), 189, 203<br />

rhetoric, see orator<br />

Rhianus, 143<br />

Richardson, N. J., 7, 17, 52, 68, 207, 293<br />

Richter, G., 89, 291, 294<br />

Richter, W., 228, 292, 294<br />

Ridgeway, W., 74<br />

ring-composition, 99, 101, 121, 135, 154,<br />

232, 256, 298, 303<br />

Risch, E., 136, 162, 206, 283, 346, 347<br />

Robinson, D., 77, 135<br />

Roland, Chanson de, see Old French heroic<br />

poetry<br />

romance, 34, 44, 146<br />

Rosner,J. A., 119<br />

Ross, D.J. A., 35<br />

Ruijgh, C. J., 224, 261-2, 304<br />

runover word, 4, 141, 239, 251, 324, 330,<br />

337<br />

runs of verses, 5, 19-21, 35, 71, 145, 149,<br />

193, 215, 230, 247, 272, 281; see also<br />

couplets<br />

Russo, J. A., 10, 121, 285<br />

Sacks, R., 109, 268<br />

sacrifice, omitted, 217<br />

saga, 33, 55

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