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Herodotus, 124<br />

heroine, 48-9, 113<br />

heroism: concept of, 34, 44-50, 51, 115, 142,<br />

175, 269, 272, 341, 351; social foundation<br />

of, 49. 99, 343, 352<br />

Hesiod, 30, 40, 51, 96, 107, 121, 137, 226,<br />

292, 298, 319, 320<br />

Heubeck, A., 145, 166, 293, 319<br />

hiatus, 199<br />

Higbie, C, 9, 142<br />

Hippasos, 271, 286<br />

Hippokoon,205,206<br />

Hippolokhos, 235, 241, 272<br />

Hippomakhos, 238<br />

Hipponax, 340<br />

historicity, 36, 39, 40-1<br />

Hoekstra, A., 28, 40, 61, 62, 69, 87, 96, 99,<br />

103, 123, 124, 128, 161, 170, 215, 225,<br />

275,286,287<br />

Hogan, J. C, 213<br />

Holscher, U., 147<br />

Homer, see poet, Iliad<br />

Homeridai, 36<br />

homicide, murder, 124, 142<br />

homosexuality, 307<br />

honour, 55, 57, 77, 103, 107, no, 115, 143,<br />

144, 176, 352; and fame, 103-4; as<br />

motive, 49, 50-1; new, 53; and shame, 56,<br />

343; see also fame, disgrace<br />

Hooker, J. T., 181, 183, 242<br />

Hope Simpson, R. and Lazenby, J. F., 77,<br />

115, 138, 298, 305<br />

Horace, 341<br />

horses, 199, 201, 202, 206-7, 242, 250, 257,<br />

302; as booty, 197; gender of, 287;<br />

harnessing, 204, 206; of Akhilleus, 185,<br />

194, 323; in Asian epic, 323; of Rhesos,<br />

195, 196, 208<br />

hospitality scene, 84-5, 87, 89, 146, 294<br />

hound, 191, see also simile<br />

Householder, F., 59<br />

Howald, E., 130, 136<br />

hut (KXicriri) of Akhilleus, 89, 90<br />

hymns, 71; Homeric Hymns, 30, 37, 96, 116,<br />

218<br />

hyperbaton, 250<br />

hyperbole, 66, 93, 101, 102, no, 112, 126,<br />

140, 144, 147, 260, 304<br />

hypercorrection, 353<br />

Iakovides, Sp., 331<br />

Ialmenos, 163<br />

Iamenos, 333<br />

Idas, 135<br />

Idomeneus, 174, 226, 263, 264, 278, 279,<br />

314, 328, 329, 330, 343, 352, 357<br />

Index<br />

373<br />

Iliad, Homer, xiii, 1, 151-2, 364, and<br />

passim; and Aithiopis, 267, 269; neglects<br />

Antenorids, 226; austerity of, 282; avoids<br />

short speeches, 288; concept of heroism in,<br />

51, 166, 275; does not define political<br />

status, 65; differs from Odyssey, see Odyssey,<br />

dual in, 87, 191; fatalism of, 270; formular<br />

character of, 31; geographical standpoint<br />

of, 59; as heroic poetry, 32-8, 50-3;<br />

ignores kinship of Akhilleus with Aias,<br />

81, and with Patroklos, 289; historicity<br />

of, 36; ideas in, 55-7, 117; language of,<br />

7°. 7 1 . 73. 95. 9 8 . I0 7> JI 3. 121, 147,<br />

177, 186, 201, 238, 242, 245-6, 239, 265,<br />

272, 273, 274, 310, 311, 313, 323, 348,<br />

363, see also book 10; and Meleagris, 132;<br />

narrow focus, 50; no magic in, 47, 52;<br />

onomastics of, 333; personnel of, 225;<br />

philhellenism in, 38, 261, 264; Reinhardt's<br />

theory, 57; silent about previous events,<br />

62, 289-90; social standpoint, 260, plot/<br />

structure of, 52, 87, 112, 119, 152,<br />

291; summer season of, 243; themes of,<br />

102, 104, 117; treatment of Akhilleus,<br />

49, 52-3; wounding not typical in,<br />

255<br />

Iliupersis, 42, 279<br />

Ilos, 243, 268<br />

Indian epic, 37, 45, 50<br />

indirect construction, 97, 148, 194<br />

inorganic verses, 65, 156, 280<br />

interpolation, 109, 169, 209, 215, 241, 257,<br />

278, 295, 311; concordance, 207, 276,<br />

308, 341, 360; see also plus-verse<br />

Ionic dialect/form, 29, 30, 59, 80, 121, 165,<br />

166, 181, 214, 244, 261-2, 301, 303, 342,<br />

345. 347. 353. 3 6l » 3 6 2, 3 6 4J metrics, 66,<br />

275<br />

Iphianassa, 77<br />

Iphidamas, 247, 249, 338<br />

Iphigeneia, 77<br />

Iphis, 145<br />

Iris, 133, 245, 246, 247, 258<br />

iron, 192<br />

irony, 61, 62, 65, 97, 109, 135, 148, 187,<br />

202, 256, 277, 296, 308<br />

Isos, 236, 237<br />

Itumoneus, 299<br />

Jachmann, G., 77, 337<br />

Janko, R., 30, 123, 166, 177, 220, 295, 296,<br />

353<br />

Jeffery, L. H., 293<br />

Jens, W., 155<br />

jingle, 186, 210, 271, 319, 324, 338<br />

Johansen, F., 87, 94, 186, 198, 222, 265

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