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2. The Iliad as heroic poetry<br />

Comparison between Greek and other epic poetry has produced some of the<br />

most fruitful, though not necessarily correct, approaches to the Homeric<br />

poems. It is enough to mention Lachmann, Murray, and Parry in this<br />

connexion. Comparison is suggestive but can prove nothing, for the basic<br />

rule of all analogical reasoning has to be that like is compared with like.<br />

Yet the striking thing about the material discussed by H. M. and N. K.<br />

Chadwick (1932-40) and Bowra (1952) was how different all these poems<br />

and stories were. Bowra used nothing from Africa south of the Sahara or<br />

from modern India or Thailand, and tacitly assumed there was no heroic<br />

poetry from the New World. Since then the range of material cited by<br />

Finnegan (1977) and Hatto (1980-9) suggests that narrative verse is, or has<br />

been, universal; the mass of material has also become unwieldy, far more<br />

than it is reasonable to expect a single mind to know with the degree of<br />

intimacy that validates comparative study. On the broad front co-operative<br />

studies such as that directed by Hatto are necessary, while even the investigation<br />

of a narrowly defined topic, such as Foley's study (Traditional Oral<br />

Epic, 1990) of formulas in Greek, Slavic, and Old English epic (which led to<br />

the recognition of what is really fundamental in the composition of the<br />

verses) requires a profound knowledge of all three traditions. Consequently,<br />

unless students of Homer are exceptional polymaths they must rely on a<br />

selection of secondary sources; these, fortunately, are of high quality:<br />

H. M. and N. K. Chadwick, The Growth of Literature i-m (Cambridge<br />

1932-40)<br />

CM. Bowra, Heroic Poetry (London 1952)<br />

J. de Vries, Heroic Song and Heroic Legend trans. B. J. Timmer (Oxford<br />

1963), a popular account<br />

N. K. Chadwick and V. M. Zhirmunsky, Oral Epics of Central Asia (Cambridge<br />

1969), a revision of The Growth of Literature m 3-226<br />

R. Finnegan, Oral Poetry. Its Nature, Significance and Social Context (Cambridge<br />

1977)<br />

F. J. Oinas, ed., Heroic Epic and Saga: an Introduction to the World's Great Folk<br />

Epics (Bloomington 1978)<br />

A. T. Hatto, ed., Traditions of Heroic and Epic Poetry 1-11 (London 1980-9)<br />

The journal Oral Tradition (Columbus 1986- )<br />

The Chadwicks (in 697-903) and Hatto (11 145-306) provide digests of<br />

the material surveyed.<br />

32

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