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Book Twelve<br />

passage and down to 470 - only in the brief formulas 9ai8iuos "EKTCOP and<br />

VUKTI Got), cf. bT to 22.61 (Priam's vision of the sack of Troy) 8ai|iovicos 5E<br />

TOCOTCC UTT' oyiv f^yayEv EV (3paxEi, xpr\a6i\x£vos &ua Kal dirEpiEpycos TOCIS<br />

Ai^ecrr ou yap \jvyop69ous f\ 8ai5aAfovs OaA&nous Aeyei O06E OuyotTpas<br />

KCCAAIKOUOUS fj KaXXiCT9upous, dAA* d-TTfjAAaKTai TCOV ETTIOETCOV OCUTCO TOC<br />

6uoTUXo0vTa TCOV CTtou&Tcov: see 22.6i~5n. Metrically the passage races<br />

forward with many medial sentence-breaks, skewed sentences, light enjambments,<br />

and two fine threefolder verses (464, 466).<br />

The present are almost the circumstances that Akhilleus had envisaged<br />

at 9.650-5, the eleventh hour at which he would intervene; almost, but not<br />

quite, for the Trojans have only carried the wall and in the few moments<br />

before they can reach the ships Zeus turns his eyes to other things (13.1-9).<br />

The course of the Great Battle then repeats itself with a temporary Achaean<br />

success followed by their decisive rout.<br />

459 The Oaipoi are pivots, working in hollows cut in the threshold and<br />

lintel, that served the same purpose as hinges, to secure the gate in position<br />

and permit it to turn. Hektor does not burst the gate open; he smashes it<br />

out of its seating in the masonry.<br />

462—3 The comparison of an advancing warrior, bent on wreaking great<br />

deeds, to night is all the more effective for being imprecise, cf. the descent<br />

of Apollo at 1.47 VUKTI eoiKcos. Hektor's complexion, we are to imagine in<br />

spite of his standard epithet 9ai6iuos in 462, is livid ('black as night 5 )<br />

with the fury and effort of his attack. This contrasts, as Eust. noted, with the<br />

terrifying flashing of his battle gear, AduTrE 8s yjxhK& | cruepSaAeco.<br />

464 The adverbial oruepSaAeov (KCCO' ETEpav ypcKpfjv Eust.) would be a<br />

more straightforward syntax, but oyepSccXko is secure as an epithet of<br />

XCCAKCO at 13.192 in verses conceptually similar to 463-4.<br />

465 For the alternatives OUK dv (most MSS) and ou KSV (Aristarchus) see<br />

i3.288~9n. The vulgate reading (and lectio difficilior) ipUKOKOi for IpuKCCKev<br />

(Aristarchus and some late MSS) is equally acceptable in the epic in the<br />

sense 'would have held back', cf. 5.311 KOCI VU KEV EV0' d-rroXoiTO ... Aivsias,<br />

'A would have perished', and the other examples cited in Goodwin, Syntax<br />

161-2. The past indicative is the classical construction.<br />

466 VOCT91 OECOV anticipates the intervention of Poseidon that immediately<br />

follows (13.1 off.), m/pl 5' OCTCTE 665f|6i: Hektor is berserk, cf. 13.474<br />

(a raging boar), 15.607 (Hektor), 15.623 (Hektor again), and the formula<br />

9Xoyi EIKEAOS etc. (7 x ). He is Xv;aacb8r|s at 13.53. The image is apposite here<br />

but already well-established, see 8.299, 9- 2 3^- 9-3°5- Blazing eyes (always<br />

OCJCTE, not ouucrra or O90aX|ioi except at 13.474) are symptomatic of fury,<br />

whether of battle-fury or plain anger, cf. 1.104, 19.16-17, 19.365-6, and<br />

2X in Od. See also the remarkable description of Hektor at 15.605-10.<br />

The neuter dual OCTCTE, like the neuter plural, construes with singular verb,<br />

365

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