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Book Twelve<br />

dAAov at 248 is actually Hektor's justification, the Aaos being the regular<br />

target of such threats (2.391, 13.232, 15.348). (The shirkers of rank at 4.336<br />

and 4.368 were not so menaced.) Like other intemperate threats in the Iliad<br />

it is nowhere carried out.<br />

250 =11.433 = 16.861 = 18.92 with variations in the first foot.<br />

251-64 A remarkable passage of siege-poetry without parallel in the<br />

Iliad: one could wish for more in exchange for tired passages of spearfighting.<br />

Siege-poetry naturally had its typical motifs and vocabulary of<br />

which such passages as this furnish a brief glimpse. The siege is at the heart<br />

of the stories of Oikhalia, Thebes, and Kaludon, and must have formed a<br />

large part of doi5f| from the earliest times. We must expect it to have<br />

developed a diction as rich as that deployed for open warfare in the Iliad.<br />

For siege scenes in the graphic art of the Mycenaean age see io8-72n.;<br />

unfortunately none shed light on the problems posed by the Trojan attack<br />

on the Achaean wall.<br />

252 The Trojans charge en masse with a great war whoop, cf. the lieydArj<br />

\ayj\ m tne similar scene at 15.379-84, where the Trojan advance is likened<br />

to a pieya Kuiaa 6aA&(7crns.<br />

256 This verse echoes the pattern of 135, yz\pzoo\ TT£TTOI06T6S T)6E (3iT|9i,<br />

cf. also 153. (3ir| is of course the Trojans' strength of arm not that of Zeus.<br />

Like prudent soldiers at any time they back up their trust in god with<br />

practical measures. At this point Hektor's force has somehow passed the<br />

ditch that gave them so much pause without our being told a word about<br />

their surmounting that formidable obstacle. This is one indication of many<br />

in this Book that the poet's faultless fluency in handling the battle on the<br />

open plain does not extend to the special context of fighting from or against<br />

fortifications.<br />

257 A force attacking a wall hopes either to scale it or breach it. Scaling,<br />

unless the wall has a batter (cf. 16.702) or is very roughly made, requires<br />

ladders, KAijiocKes, or something similar, as envisaged at Aesch. Th. 466, Eur.<br />

Phoen. 180-1, 488-9. Unless these lurk under the mysterious Kpocraas of 258<br />

(see n. ad loc.) they are absent from the narrative of the Trojan assault, for<br />

the goal of the attacking force is consistently expressed by Teixos priyvuvai<br />

(12.90, 198, 223-4, 2 57? 261-2, 418, 440), 'make a breach'. They do this<br />

by levering out key parts of the structure, OTTJACCS eiaoxAeov (259), a detail<br />

that is not taken up subsequently, probably because the great heroes could<br />

not be represented as labouring like sappers; or they could demolish the<br />

battlements protecting the fighting platform (397—9), after which in the<br />

present narrative they can swarm over. But sometimes at least Teixos includes<br />

the gates pierced in the wall in that sector; thus at 443 Hektor's<br />

division rushes the Teixos and Hektor himself smashes the gate. The professional<br />

way to do this would presumably be to ram it (cf. Thuc. 2.76), fire<br />

344

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