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Formulas<br />

(MHV 42-55). Localization steers a word to a particular part of the verse;<br />

the sentence pattern simultaneously builds it into the expression of a complete<br />

thought.<br />

The opening verses of book 1 illustrate points ii-iv:<br />

Mf^viv aei5e, 6ea, | ITnAr|'ia8Eco 'A<br />

oOAoueVnv, | f\ laupi' | 'AxcuoTs | aAys' e6r|Ke<br />

There is an unusual break in the second foot of the first verse of //. 1;<br />

otherwise the phrases into which the sentence falls fill the cola (marked<br />

by |) into which the normal verse falls. Light enjambment, with completion<br />

of the clause in the first or second foot of the second verse, is characteristic<br />

of the Homeric sentence (seven instances, for example, in the first twenty<br />

verses of book 11).<br />

nr|Ar|id8£co 'AxiAfps occurs 6 x , by virtual necessity always between caesura<br />

and verse-end, in each case preceded by the noun on which the genitive<br />

depends. Similar name-epithet formulas in the genitive case are used in the<br />

same way (MHV 61). It is a trite summary of these data to describe the<br />

pattern of the clause as noun ... + noun-epithet formula in the genitive<br />

case at the verse-end. Does the summary describe a reality or a mere<br />

accident? The reality of a pattern in the use of the relatively infrequent<br />

genitive case is borne out by the data cited by Parry for the use of nameepithet<br />

formulas in the nominative case, where, of course, it is the verb that<br />

precedes the formula. In these clause-patterns any noun-phrase and any verb<br />

of suitable shape may be combined. The clause will come more naturally<br />

together if the noun or verb is a common one, but all that is required is the<br />

appropriate metrics. In the syntagma (verb u-uu) + (name-epithet subject<br />

expression -uu-x) in the second half most verbs and expressions are<br />

quite usual and doubtless came together without much effort on the composer's<br />

part, but E91A0CTO rfaAAds 'A0f|vr|, 5.61, happens to be unique. Only<br />

in that verse, in the Iliad, does flaAAds 'A0f|vr| enter this clause-pattern and<br />

the augmented first aorist form ecpiAorro is unique in Homer. But icpiAorro<br />

occupies not only the position of the verb in this clause-pattern but also the<br />

slot reserved in the verse for words of shape u-uu.<br />

The sentence of 1.1-2 is formally completed within the first verse but<br />

is extended with progressive enjambment by the addition of an epithet,<br />

ouAoueVnv, which in its turn is explicated by a relative clause. This type of<br />

sentence structure has many parallels, e.g. Zeus • • • I CTXETAIOS, 6S ..., 9.19;<br />

yuvaiKocs ... | Aeo"|M8as, as ..., 9.129; pouAfjs . •. | K6p5aAgr|s, f\ TIS KEV<br />

IpuaaeTai f|Se aacoaei, 10.43-4.<br />

The most important clause and sentence boundary is the verse-end, for<br />

about two out of five Homeric verses are unenjambed; subsidiary boundaries<br />

coincide with those of the metrical cola. In the middle or second half<br />

11

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