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Book Eleven<br />

214). On that argument Akhilleus should now be anticipating what he<br />

received after a fashion in book 19, a public acknowledgement by<br />

Agamemnon of his 6CTT| (cf. 1. 411 —12 and 9.372—3 — where Agamemnon is<br />

taunted for acting by proxy); yet Akhilleus says nothing here about frank<br />

admissions on Agamemnon's part, Agamemnon being not so much as<br />

mentioned, irepi youvcrra or-r^vai AiaaoiJievous, it may be said, implies a<br />

more humble posture than that assumed by Odysseus and Aias in book 9<br />

(see 9.50m.), but the lack of it did not form there any part of Akhilleus'<br />

complaint. The verses therefore remain a strong indication that the<br />

Embassy is among the latest of the ideas and episodes built into the Iliad<br />

whose contribution to the poem is here and in book 16 overridden by an<br />

older concept of a vengeful Akhilleus; they do not of themselves, of course,<br />

indicate when or at whose hands the evolution of the tale of Akhilleus took<br />

that form. See introduction to book 9 and 2-5i-2nn. for the methodology<br />

adopted in this commentary in the face of such inconsistencies, and also<br />

Page, HHI305-6, and Schadewaldt, Iliasstudien 81. The thesis that in oral<br />

or oral-derived composition the poet habitually looks forward to the next<br />

narrative goal (cf. introduction to book 10) explains silences with respect to<br />

preceding events, but not contradictions.<br />

610 = 10.118 where see n.<br />

611-15 Patroklos is now given the role of messenger. He has previously<br />

performed humble tasks for Akhilleus, having acted as server (9.20iff.),<br />

officiant (9.219), and major-domo (9.658). These were normally the tasks<br />

of KT)pUK8S, cf. Od. 7.178 (server), //. 12.351 (messenger). Patroklos is, in<br />

comparison with Akhilleus, remarkably lacking in heroic self-assertiveness.<br />

Even so his being assigned these humble roles seems to reflect the poet's<br />

desire to bring him by any means to his audience's attention as Akhilleus'<br />

ETodpos before his debut as warrior in book 16.<br />

611 Contraction in the classical verb always affects the personal ending,<br />

but epic forms in which the termination is unaffected and contraction of the<br />

root and thematic vowels takes place are attested, cf. aiSsio (< aiSs-e-o,<br />

24.503), uuOelai {Od. 8.180), velai {Od. 11.114, 12.141, < -s-e-ai); so here<br />

ipsio sic, for epelo < Ips-e-o, with the same form of the root as IpsovTOci<br />

(8.445, etc.).<br />

615 TTOcpiYi^av: we should not enquire by what gate Agamemnon,<br />

Diomedes, and Odysseus entered the camp, for up to this point the scene<br />

of the narrative has been the battlefield, not the camp. Akhilleus is assumed<br />

to be in ignorance of their fate - he first hears of it at 16.236°. The<br />

wounded Makhaon, however, was driven past (irap-) Akhilleus' quarters,<br />

which were on the Achaean extreme right, a detail that is necessary to<br />

motivate Akhilleus' interest. With the shift of the narrative to the camp<br />

the detail of the Achaean retreat becomes clearer. At 12.118 it is stated<br />

290

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