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Formulas<br />

verse. 7 The units need not be formulas. //. 1.4, for example, contains no<br />

formulas (= repeated phrases), yet falls easily into the characteristic cola of<br />

the hexameter:<br />

fjpcocov I auTous 8E | eAcopia | TEUXS KUVSCTCTIV 8<br />

For a minority of verses in the Iliad the poet has used no resources<br />

more arcane than these, for example Diomedes' opening words in reply to<br />

Agamemnon in book 9 (verse 32):<br />

'ATp£t8r|, cjoi TTpcoTa uaxTjo-oucu &9pa5eov*n<br />

The verse practically composes itself. 'ATpeT8ri is put in the initial position<br />

in 32 of its 35 occurrences in the Iliad, and uccxricTouai immediately after the<br />

caesura in all of its 5 occurrences. That conforms to the normal practice<br />

for words of their respective shapes. &9pa86OVTi is a unique form in the Iliad,<br />

but forms shaped -uu-u normally fall at the verse-end. TrpcoTOt may be<br />

thought a priori to be a free form, but no less than 29 of its 35 occurrences<br />

are in the third foot. 9<br />

Localization often applies to the word group rather than the single word.<br />

Formulas indeed show an enhanced tendency towards localization resulting<br />

from their use in patterns of sentence construction (see §iv). 10 The unexpected<br />

locations of the words in the clumsy formula is £' daaiiivOous pdvTes<br />

(10.576) in the first half of the verse are comprehensible only if the expression<br />

is understood as a block - without the verb and preposition cco-auivOous<br />

goes to the verse-end, where it belongs. Formulas are prominent in the<br />

second half of the verse where the metrical pattern is stricter and draw<br />

words out of the positions which in isolation they would naturally occupy.<br />

Strings of particles gravitate towards the beginning of the verse; prepositions<br />

and shorter adjectives must always be taken with their nouns: the<br />

measure -uu-, if augmented, moves to the second half of the verse:<br />

&Xvuuevos in first-second, &xvuuev6s 7rep in fifth-sixth, and KCCI &xvuuevos<br />

-rrep in third-fifth foot.<br />

Localization is thus a primary resource for the singer. It is not pure gain,<br />

however, for it may happen occasionally that the singer's thought seeks<br />

7 H. Frankel, 'Der kallimachische und der homerische Hexameter', GGN (Phil.-hist. Kl.)<br />

1926, 197-229 (= Wege und Formen friihgriechischen Denkens (Munich i960, with revisions)<br />

100-56). For a historical sketch of subsequent scholarship see Foley, Traditional Oral Epic<br />

74-84, or M. W. Edwards, Oral Tradition 1 (1986) 174-80.<br />

8 Cf. Edwards on 17.605 "ExTOpa 5' 'ISoueveus UST& AffiTov opurjOevTCc: 'A verse including<br />

three proper names in different syntactical relationships to the same sentence must be rare;<br />

but the metrical shapes of all three make the cola very easy to handle.'<br />

9 E. G. O'Neill Jr, TCS 8 (1942) 105-78, provides the essential statistics of localization<br />

(after correction from his Table 29 for natural quantity at the verse-end), updated by J. R. S.<br />

Beekes, Glotta 50 (1972) 1-10.<br />

10 Here as elsewhere the general statement may conceal idiosyncratic behaviour on the part<br />

of some formulas, see Hainsworth, Flexibility 50, 54.<br />

8

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