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Formulas<br />

being an aspect of the vitality of the Kunstsprache, and of the willingness of<br />

doiSoi to experiment with their lexicon, must be accommodated in any<br />

satisfactory account of Homeric diction. 5 Here then the question is how<br />

hapax legomena can be deployed in a sentence otherwise made up of formular<br />

elements by a composer who relies heavily on such elements. When it is put<br />

in that way the problem posed by a hapax legomenon for the singer is not<br />

radically different from that posed by an otherwise unused grammatical<br />

form of a regular part of his lexicon. The unique grammatical form will<br />

indeed bring with it the verbal associations of the regular forms, but since<br />

the associated words and phrases would be built around the particular<br />

metrical shape of the regular forms they are likely to be as much a hindrance<br />

as a help in handling the unusual form.<br />

The scale of the problem presented by true hapax legomena and by many<br />

uniquely occurring grammatical forms is quite serious. The printed text<br />

of the Iliad is made up of some 111,500 words, i.e. segments of text marked<br />

off by verse-ends or spaces, or about 63,000 if particles, pronouns, and<br />

prepositions are ignored. Many of these 'words' are repeated, but about<br />

11,000, or more than one in six, are found once only. About 2,000 of them<br />

according to M. Pope are true hapaxes, lexical items occurring just once in<br />

the poem. 6<br />

(ii) Localization<br />

The Homeric verse is traditionally described by its outer metric as a<br />

sequence of six dactylic feet with catalexis and optional substitution of —<br />

for uu. The colometric studies initiated by H. Frankel in 1926 describe the<br />

verse by its inner metric as a sequence of cola. The interrelations of cola (see<br />

vol. 1 18-23) are as supple as the alternations of spondees and dactyls in the<br />

traditional description and have this advantage, that it is shown how verbal<br />

units of composition 'come naturally to make the sentence and the verse'.<br />

The doi86s does not fit words into a schema; his units of thought present<br />

themselves to him as, or as part of, a colon located in a specific part of the<br />

5 See M. M. Kumpf, Four Indices of the Homeric Hapax Legomena (Hildesheim 1984) for<br />

statistics, N. J. Richardson in Bremer, HBOP 165-84, for argument, Edwards, vol. v 53-5.<br />

Edwards concludes his discussion of hapax legomena with these words: '[Homer] was also<br />

completely at ease in employing in his verse words which are not only non-formular but which<br />

must be considered (on our limited evidence) foreign to the usual epic vocabulary.' M. Pope,<br />

^0,35 ( J 9^5) I- 8> draws attention to new coinages in Homer.<br />

6 'Word' is used here as a publisher might speak of a 'book of 80,000 words'. The composer's<br />

vocabulary or lexicon of course is very much shorter: syxos is one entry in the lexicon<br />

but supplies 205 'words' to the text of the Iliad. Statistics are mine. I am indebted to the Revd<br />

A. Q. Morton, formerly of the University of Edinburgh, for making available to me computerized<br />

word-lists and indices.

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