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Book Eleven<br />

together in this Book at 395, and vultures again at 453-4. At this point, in<br />

the mouth of the poet, the conjunction is pathetic, at 395 (Diomedes speaking)<br />

it expresses the grim humour of the heat of battle.<br />

163 Three combats described in some detail are about par for the course<br />

in an aristeia: Diomedes has four (5.144-65) but not related at the same<br />

length, Patroklos three (16.399—414) followed by a long list without annotation.<br />

This then is the moment when a leading Trojan (Aineias in book 5,<br />

Sarpedon in book 16) should 'notice' what is happening and intervene.<br />

Only Hektor, the Trojan leader, is possible as the opponent of the<br />

Achaeans' King of Men. If Hektor opposed Agamemnon and wounded<br />

him there would be a nice irony - Agamemnon humiliatingly fails where<br />

Akhilleus triumphantly succeeds. But the poet does not like to humiliate the<br />

Achaeans, cf. the way in which he arranges the death of Patroklos, and has<br />

Agamemnon, and later Odysseus (434-9), wounded by Trojans whom they<br />

can immediately slay. It is therefore necessary to insert the note (163-4)<br />

that Hektor was not present to 'notice' Agamemnon's rampage because<br />

Zeus (whose inscrutable will explains everything) has removed him from<br />

the battle. Note that this brief statement of the theme is presently followed<br />

by its restatement in a highly elaborated form, see 181-2ion.<br />

163-4 The polysyndeton is a deliberate trope to draw a picture of the<br />

rout, cf. oca 96VOV, dv VEKUOCS, 8id T' EVTECC KOU |ieAav aiua (10.298). KOVITIS:<br />

Greek warfare was typically a summertime activity (the Iliad seems to<br />

assume the summer season) and dust was its natural concomitant. At<br />

17.645ff. the murk (ocfjp) was such that Aias could not see the ships from his<br />

place on the battlefield.<br />

165 oxpeSccvov = c^oSpa, 'vehemently'.<br />

166 "lAou a-qiaoc: Ilos was son of Tros and father of Laomedon, 20.23iff.<br />

His tomb, the fig-tree (167), the oak (170), and the 'rise' (Opcocruos, 10.160,<br />

etc.) are the permanent landmarks of the Iliad's geography of the Trojan<br />

plain, cf. 10.415, 11.372 (Ilos' tomb); 6.433, 22 - r 45 (the fig-tree); 5.693, etc.<br />

(the oak, near the Scaean gates (6.237, 9-354))- The fig-tree was near the<br />

city, the tomb in the middle of the plain according to Nic/A, cf. 6.433^ The<br />

Catalogue of Ships uses a different system, see nn. to 2.793, 2.811-15.<br />

Another landmark, Kallikolone near the Simoeis river, is mentioned only<br />

at 20.53 and 151. — It is unclear what monuments may have existed in the<br />

Skamandros valley while the tradition of the Trojan war was developing,<br />

see Cook, Troad 159-65 and n. to 2.813-14. Most of the tumuli visible<br />

today appear to have been erected during the archaic period, but at least<br />

one - Be§ik Tepe - is prehistoric. That may have inspired the mention of<br />

the ofjiicc, but except in the most general terms the epic geography of the<br />

Troad is clearly a poetical construction. See 22.i45n. on the location of the<br />

fig-tree. How the ford of Skamandros (14.433 = 2lA = 2 4-^9 2 ) fi ts mto tn ^ s<br />

2 43

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