21.06.2013 Views

Untitled - Get a Free Blog

Untitled - Get a Free Blog

Untitled - Get a Free Blog

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Book Eleven<br />

The vulgate reading ixov would require ucruivr) to be emended into the<br />

dative.<br />

73—83 The poet reminds his audience of the state of the conflict on<br />

Olumpos. Other summaries of the politics of Olumpos, e.g. 13.345-60 and<br />

15.592-604, explicitly adumbrate the course of events, and this reminder of<br />

the watchful eye of Zeus is more than a hint that Agamemnon's offensive<br />

will fail. The point is made repeatedly (cf. 11.300, 12.37, 12.174, 12.255,<br />

12.437, and 3X in book 15), as if to explain the paradox of this day of<br />

Trojan victory. Reinhardt (IuD 253) notes the 'demonic' rule that every<br />

Achaean success in the Iliad up to the return of Akhilleus to the war leads<br />

finally to disaster. The gods were confined to Olumpos by Zeus's edict at<br />

8.10-17. Their absence is maintained consistently (except in book 10, and<br />

see 438n.) until the intervention of Poseidon at 13.34. This deprives the poet<br />

of some useful motifs: no one prays for divine aid, no one is divinely rescued<br />

from danger or inspired with pievos, no fog is shed over the combatants, but<br />

the most consequential absence is that of Athene from the Achaean side:<br />

Athene is the concomitant of success, and her absence here, like her absence<br />

in book 16, dooms the Achaean efforts to failure.<br />

73-5 These verses are a naive comment on, or explanation of, the poet's<br />

allegory of Eris with which he introduced this day of conflict. Eris is a<br />

personification as we should say, a rhetorical abstraction, and from this<br />

point the poet forgets her, but for his audience at least she is a daimon and<br />

therefore formally contravenes Zeus's confinement of the gods to Olumpos.<br />

75-6 itcnAos (properly 'not involved in', < EK&S, but usually = ou TIV'<br />

ixeiv TTOVOV, cf. Od. 13.423) is not a permanent epithet of the gods, although<br />

it would well describe their condition, cf. psia £cbovT6s (ix //., 2X Od.).<br />

The word is here merely the complement of ou irdpeaav; the gods are 'not<br />

involved' but by no means 'at their ease', acpolcnv: for the vulgate olaiv,<br />

which should imply a singular reference, see i42n.<br />

78-83 The usual pattern of omission (Zenodotus) and athetesis<br />

(Aristophanes and Aristarchus (Did/AT, Am/A)) makes its appearance.<br />

The objections were partly pedantic ('all' the gods could not include the<br />

pro-Trojan party), partly sensitive to the situation and the conventions of<br />

the Iliad (Zeus prefers to superintend the battle from Ida but is currently on<br />

Olumpos), partly ideological (the gods should not be represented as angry<br />

with Zeus). Hellenistic criticism is often over-precise, cf. 17.545-6 and n.<br />

What the gods found objectionable, of course, was that Zeus was keeping<br />

control of events to himself. Exasperated at the interference of Here and<br />

Athene Zeus had taken up his station on Ida (80-3 echo 8.47-52), to enjoy<br />

the view of the fray. He had then withdrawn to Olumpos (8.438), whence<br />

he returns at 11.182-4 oupavoOev KCCTa(3&s; the only objectionable verses are<br />

therefore 82-3 (= 8.51-2). Some note of where Zeus took his station would<br />

229

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!