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BOOK ELEVEN<br />

The previous day of fighting (book 8) ended with the Achaeans forced back<br />

to their ships. Their appeal to Akhilleus was unavailing, but Agamemnon<br />

had been shamed (see o,.7O7ff.) into leading them back into the fray. A<br />

splendid arming scene heralds Agamemnon's initial success; after heavy<br />

fighting the Achaeans rout the Trojans and drive them back to the city. But<br />

this effort is doomed to failure, and the poet must already have in mind the<br />

superb 'epic moment' to which he works his way at the conclusion of book<br />

12 when, spears in hand, Hektor burst through the gates of the Achaean<br />

wall. He has already hinted at this at 9.650-3:<br />

ou yap TTpiv TroAepioio |is6r)CTO|jiai<br />

TTpiv y' uiov npidjioio 8a?9povos, "EicTopa 6Tov,<br />

Mup|ii86vcov ETTI T£ KAKJIOCS KOCI vfjas iKEaOai<br />

KTEIVOVT' 'Apyeious, Korra xe aiiO^ai irupi vfjas.<br />

That does not come to pass in fact until we reach another fine moment at<br />

the end of the fifteenth book when Hektor cries "oicTETe m/p" and lays hold<br />

of the ship of Protesilaos; for the Great Battle of the central Books of the Iliad<br />

is related in two roughly parallel episodes, 11-12 and 13-15, each beginning<br />

with Achaean success and ending in Achaean disaster. The repeated<br />

pattern is part of the poet's technique for increasing the amplitude of the<br />

narrative, but it affords him also (as b to 13.1 notice) the opportunity to<br />

embroider his tale (TTOIKIAIOC) as well as augment it. The moments of great<br />

visual imagination and dramatic power with which the two episodes culminate<br />

are narrative foci, which in oral traditions of heroic poetry the singer<br />

can bear in mind and around which he can weave a sequence of appropriate<br />

themes.<br />

Despite his early success therefore Agamemnon is soon wounded and the<br />

tide rapidly turns. Diomedes, Odysseus, Makhaon, and Eurupulos are<br />

wounded in succession as the Achaeans, their retreat covered by Aias, are<br />

forced back to their starting-point. bT attribute this order of narration,<br />

victory before defeat, to the pro-Greek bias of the poet. On any account,<br />

however, the bias is subtle and the effect here is rather to show that, without<br />

Akhilleus and against the malign influence of Zeus, the best efforts of the<br />

Achaeans cannot prevail.<br />

The first part of the book (1-283) should be compared for its content<br />

with the entry into battle of Patroklos in 16.130-418. It is evident from that<br />

211

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