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Book Nine<br />

follows at 658-68 (621 ^ 659) by interposing an intermediary. (At 24.643<br />

Akhilleus gives his orders directly.) This is because the emissaries must be<br />

got rid of- and have their final say.<br />

f) is from dg-t, 'said', from the same root seen in Lat. aio, ad-ag-ium. The<br />

Iliadic formulas, not readily elicited from the concordances, are fj (b (a) ...<br />

6E ... 4X , with change of subject, and without change of subject f), KCU ...<br />

26X and ¥\ pa, KOCI ... 30X .<br />

622-3 The progressive enjambment in the speech introduction is unusual<br />

(but cf. TOTCTI 8e Neorcop | ^Sueirfjs ... 1.247-8), and has led to a<br />

recasting of the regular formula for Aias. — T6Aaucovid8r|s: this patronymic<br />

is found only here and at 23.838. It implies an interpretation as well<br />

as a modification of the archaic TeAocucbvios, 'le mot pouvant signifier<br />

l'«endurant»', Chantraine, Diet. s.v.<br />

625-42 Aias' runover words and enjambed sentences give a powerful<br />

effect of his anger at Akhilleus' attitude, on which see Higbie, Measure and<br />

Music 118-20. The 'skewed sentence', i.e. one that begins in one verse and<br />

ends in the next with progressive or necessary enjambment, is an important<br />

aspect of Homeric style. In emotionally uncharged situations sentence and<br />

verse tend to coincide. By overriding this tendency the skewed sentence<br />

expresses the passion of speakers and, in battle scenes, the excitement of the<br />

poet.<br />

624-36 Aias begins by ostensibly addressing Odysseus, but more and<br />

more as he proceeds his remarks are made for Akhilleus' ears, until he<br />

finally slips into the 2nd person in 636. Actual change of addressee in the<br />

course of a speech is marked as such, e.g. 7.361, 9.704, 11.819.<br />

628-9 dypiov: an enduring aspect of Akhilleus' character, cf. Apollo's<br />

words at 24.41-5, dypioc oT8ev ... sAeov uev dTrcoAeaev, o08s oi aiScos I<br />

yiyveTou.<br />

630 CTXSTAIOS: see Q- 1 *) 11 ' Aias protests at Akhilleus' unreasonable behaviour.<br />

For him the values of the heroic world allow of no argument; they are<br />

friends under one roof, they have done the right thing, why can't Akhilleus?<br />

Aias' thought is similar to that of Odysseus at 256 and 301-3: acting<br />

like a friend to one's friends is the better course now that recompense has<br />

been made and by honouring Akhilleus the Achaeans have a claim in turn<br />

to his co-operation.<br />

631 l^oxov: only in the formula i^oxov dAAcov, otherwise i£oxoc. The<br />

syntax is ambiguous, here and at 6.194, between adverb and adjective.<br />

632 vr|Af)s: more strong language, cf. 16.33, 16.204. Akhilleus is like a<br />

man who unreasonably insists on his pound of flesh.<br />

632-6 Even for murder, apparently the worst crime Aias can think of,<br />

the victim's relatives accept compensation. There is another reference to<br />

this custom at 18.497-508 (see nn.). It was an option, of course, that in the<br />

142

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