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Book Nine<br />

that Akhilleus' disillusion is with war itself, a disillusion shared by the poet<br />

and forming 'possibly the real plot of the second half of the Iliad'. In order<br />

to wrestle with the traditional ethos, however, Akhilleus must wrestle with<br />

the traditional language. His problem (i.e. that of the poet) is like that of<br />

Penelope seeking to redefine TO euKAees (see 34m.), a problem that is exacerbated<br />

by, but not peculiar to, a formular diction. For criticism of Parry's<br />

argument see D. B. Claus, TAP A 105 (1975) 13-28, and P. Friedrich and<br />

J. M. Redfield, Language 54 (1978) 263-88: the Homeric language is not so<br />

fixed and unambiguous that it cannot evaluate what it describes, see 387^<br />

The disillusionment of Akhilleus is most clearly expressed in the passage<br />

401-16, where Akhilleus is made to deny the heroic doctrine that glory<br />

outweighs life. This is perhaps a traditional point, for it recurs at Od.<br />

11.488-91: the greatest hero can afford to question his role. No one takes<br />

up the point just as no one takes up the point of Akhilleus' immediate<br />

departure, probably because such manifest hyperboles could not be taken<br />

seriously; no one but Akhilleus knew that a long, inglorious life could be<br />

assured. At 12.322-8 Sarpedon too would not have fought if he had known<br />

he would live on, but since ten thousand dooms of death surrounded<br />

a mortal man the only thing he could be assured of was glory through<br />

valour.<br />

For the relation of the speech to the general characterization of Akhilleus<br />

see Griffin, HLD 73-6, Edwards, HP I 222-4; f° r tne language see Shipp,<br />

Studies 267—5. Shipp's comment is significant, 'The speech of Achilles is for<br />

the most part characterized by features that reflect contemporary Ionic,<br />

with lumps that make an older impression', that is to say, the speech is an<br />

original composition and does not depend as heavily as a battle scene on<br />

traditional themes and the traditional diction that goes with them.<br />

308-14 Note the immediate characterization: Akhilleus is suspicious of<br />

Odysseus, although on this occasion he has faithfully conveyed the sense of<br />

the Achaean council. But there is also permanent characterization: Akhilleus<br />

is open, Odysseus indirect, cf. 644-55 where Akhilleus' attitude to Aias,<br />

a personality similar to his own, is noticeably warmer. Akhilleus' elaborate<br />

statement of his love of plain speaking seems to give it (pace Leaf and Von<br />

der Muhll) a specific implication beside its general reference. But it would<br />

be pointless to make Odysseus, the obvious candidate for a charge of<br />

duplicity, the sole target of Akhilleus' remarks: rather it is Agamemnon -<br />

Akhilleus had not heard Agamemnon's comparison of him to Hades (158),<br />

but we have, and 312 may be taken as a riposte to it. Agamemnon's<br />

generosity, Akhilleus implies already, is tainted by self-interest.<br />

308 Sioyeves AaepTidSr) ... is the regular whole-verse formula for<br />

Odysseus in the vocative case (7X //., 15X Od.). It has no special connotations<br />

for the speaker, beyond a certain formality (cf. 96n.), and is used<br />

102

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