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Book Nine<br />

conceived in Homer. It is a pity that the poet has not characterized the tone<br />

of this oration by an introductory formula (as, for example, is Odysseus'<br />

address to Nausikaa at Od. 6.148), but the reputation of Odysseus is such<br />

that we expect a Kep6ccAsos uudos. His speech indeed is the best organized of<br />

the four speakers; see the discussion by G. A. Kennedy, Classical Rhetoric and<br />

its Christian and Secular Tradition from Ancient to Modern Times (London 1980)<br />

9-14-<br />

Odysseus' approach is to identify the interests of Akhilleus with those of<br />

the Achaeans. He begins with a modest, low-key exordium, complimenting<br />

Akhilleus' gracious entertainment (225-8). He then contrasts the comforts<br />

of Akhilleus' hut with the dismal prospects confronting the Achaeans (228—<br />

31), with heavy stress on the alleged boasts of Hektor (232-46). This is put<br />

in clear, stark terms with no more hyperbole than rhetoric and circumstances<br />

demand. It is well calculated to arouse the interest and appetite of<br />

Akhilleus, and skilfully avoids bringing up the cause of his behaviour - the<br />

indefensible action of Agamemnon. Odysseus' proposition is put in two<br />

verses (247-8): 'Up, Akhilleus, save the Achaeans!' He then proceeds to<br />

argument: (1) if Akhilleus does not rescue his friends at this late hour there<br />

will be no second opportunity (249-51); (2) let him recall the wise words<br />

of his father on the evil of strife and put aside his anger (252—60); (3)<br />

Agamemnon will pay handsome immediate recompense with unheard-of<br />

honours to follow (260—99). Odysseus winds up with an appeal for pity for<br />

his own side and indignation against the other. If Akhilleus cannot bring<br />

himself to make up with Agamemnon, let him at least take pity on his<br />

devoted friends and seize the chance to fight the arrogant and insulting<br />

Hektor.<br />

Nos rite coepturi ab Homero videmur (Quint. Inst. Or. 10.1.46) - the ancient<br />

view that Homer was a master not only of rhetoric but of rhetorical theory<br />

too finds its principal justification in this speech (and in those that follow,<br />

cf. [Plutarch], Vita Horn. 169-72). The exegetical scholia (bT) provide a<br />

rhetorical commentary on Odysseus' speech, probably derived (as their use<br />

of the term OT&CTIS suggests) from the work of Telephus of Pergamum, TTspi<br />

TTJS KOCO' "Ourjpov prjTopiK'ns, according to H. Schrader, Hermes 37 (1902)<br />

530—81. Odysseus begins with what became the traditional orator's exordium,<br />

a captatio benevolentiae. The body of the speech then employs two<br />

OT&CTSIS: (1) "napopurjTiKri, i.e. Odysseus plays up (Tpayco8elv) the dire<br />

circumstances of the Achaeans; and (2) dcAAoicoTiKT), i.e. Odysseus shifts the<br />

issue from Agamemnon to the peril of the army. After his brief introduction<br />

Odysseus sets out his case under four heads (KecpaAaia): (1) his narratio<br />

(8if|yr|cns); Hektor and the victorious Trojans are about to burn the<br />

Achaean ships; it is Akhilleus' opportunity to win glory: (2) using the figure<br />

of fjOoTroita, Odysseus seeks to render Akhilleus ETTIEIKTIS: (3) he rehearses<br />

93

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