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Book Nine<br />

one that worries Agamemnon, cf. 4.178—82, 14.70, but the precise (or<br />

primary) cause of his shame is variously stated. It may be mere failure, or<br />

the vaunts of the Trojans, but the point is regularly made, as here, that<br />

many men have died for his sake; the same consideration weighed heavily<br />

with Hektor, see 22.99-107.<br />

23 =14.69 (and = 13.226). For the athetesis and repetition of 23-5<br />

(= 2.116-18) see i3~3in.<br />

24 TTOAICOV K&prjva: the metaphor recalls the similar use of KprjSeuva,<br />

16.100, Od. 13.388, HyDem 151, though the nuance of desecration (explored<br />

at length by Nagler, Spontaneity 45-60) is lacking.<br />

25—31 Six consecutive sentences each filling a whole verse is one of<br />

the longest such sequences in the Iliad, cf. 8.145-52, but the effect would be<br />

mitigated by the pause in recitation at 28 at the end of Agamemnon's<br />

speech. — The second hemistich is a useful tag (8x ), variously introduced<br />

by TOO ydp, 6 TE, KOC! EU, OOU, OU TE, and applied to Zeus, aAicr), an eagle,<br />

and the Cyclops.<br />

26 This is a formular verse (6x //. 2X Od.).<br />

29 + 31 The basic formula is oi 8' dpa TT&VTES CLKT\V EyEvovTo aicoTrf)<br />

(iox //., 6x Od.), followed (5X //., 2X Od.) by oye 8e 8f) UETEEITTE, which is<br />

then variously expanded by such verses as 30 here, cf. 430ft 0 ., 693ft 0 .<br />

30 dvEco: see 3.84^ At Od. 23.93 the word is used, it may be by a<br />

solecism, with reference to a single woman.<br />

31-49 In spite of the stress put on pouAf) as a heroic accomplishment<br />

reasoned argument is seldom heard from speakers in the Iliad. Diomedes<br />

speaks in emotional terms but with this excuse, that Agamemnon's proposals<br />

deserve what they receive, scorn and rejection. In the response<br />

to similar proposals on his part at 14.64ft 0 . the scornful reproaches were<br />

assigned to Odysseus (a senior counsellor) and the confident rejection to the<br />

younger man, Diomedes. Here Diomedes is given both roles in a strongly<br />

characterizing speech (cf. 697—709), the second (after Agamemnon's despondency)<br />

of several such delineations of personality hereabouts, cf.<br />

Nestor's softening response to Diomedes' strong language (57-64), and his<br />

oblique approach to the hitherto unmentionable topic of the quarrel with<br />

Akhilleus (96-113), Agamemnon's graceless appendix to his generosity<br />

(158-61), and the words of the four speakers in Akhilleus' hut - 'O8UC7C7EUS<br />

CTUVETOS, 7ravo0pyos, OEpooTEUTiKos* 'AXIAAEUS OUUIKOS, u£yaA69pcov QoTvi£<br />

T)0IK6S, Trpaos, TTOCISEUTIKOS* Aias dv8p£Tos, CTEIJVOS, UEyaAo9pcov, OCTTAOOS,<br />

8uaKivr)TOS, PaOus (bT on 622). bT summarize Diomedes' credentials: he<br />

killed Hektor's charioteer (8.119-23), wounded Aphrodite (5.335-40), captured<br />

Aineias' horses (5.323-7), secured golden armour (6.234-6), alone<br />

responded to Idaios (7.400—2), alone withstood the thunderbolt (8.133—<br />

50), was last to flee (8.99-100), first to rally (8.253-5), anc ^ did not revile<br />

63

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