Now Then - Performance Studies International - Stanford University
Now Then - Performance Studies International - Stanford University
Now Then - Performance Studies International - Stanford University
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PERFORMANCE STUDIES<br />
INTERNATIONAL<br />
CONFERENCE 19<br />
<strong>Now</strong> <strong>Then</strong><br />
PERFORMANCE AND TEMPORALITY<br />
STANFORD UNIVERSITY<br />
AT A GLANCE
WEDNESDAY<br />
JUNE 26<br />
OPENING NIGHT<br />
2<br />
LOCATION TITLE WHO<br />
TIME<br />
Bing Concert Hall<br />
Bing Concert Hall<br />
Bing Concert Hall<br />
OPENING<br />
PERFORMANCE<br />
Bing Concert Hall<br />
OPENING<br />
PERFORMANCE<br />
Bing Concert Hall<br />
Atrium<br />
Registration<br />
Opening Ceremony<br />
un still - dance,<br />
photography and the<br />
movement of time<br />
The Symphonic Body<br />
Opening night<br />
reception<br />
Hugo Glendinning<br />
Ann Carlson<br />
5:30PM ONWARD<br />
7 - 8:30PM<br />
Photographer and filmmaker Hugo Glendinning creates a bigscreen<br />
projected photo-work with newly commissioned music by<br />
John Avery (long time collaborator with Forced Entertainment and<br />
Wendy Houstoun), in a project curated by Noémie Solomon (McGill<br />
<strong>University</strong> Montréal). Glendinning’s work draws on 30 years of<br />
photographing dance and performance, while also including work<br />
from throughout his archive. John Avery’s music both leads and<br />
follows the imagery in a series of long leaning notes that float, and<br />
are held, at once in motion and waiting to move. Supported by the<br />
British Council, USA.<br />
7 - 8:30PM<br />
The Symphonic Body is a performance made entirely from gestures.<br />
It is a movement based orchestral work performed by<br />
people from across the <strong>Stanford</strong> <strong>University</strong> campus. Instead of<br />
instruments, individuals in this orchestra perform gestural portraits<br />
based on the motions of their workday. These portraits are<br />
individual dances, custom made for each person, choreographed<br />
from the movements they already do. The particular choreographed<br />
gestures themselves become part of a larger movement<br />
tapestry within each performer and within the piece as a whole. By<br />
engaging with this performance practice members of the <strong>Stanford</strong><br />
community come together in concert to expand, renew and reexperience<br />
the artistry embedded in the everyday.<br />
8:30PM ONWARD
THURSDAY<br />
JUNE 27<br />
INSTALLATIONS AND<br />
MORNING PERFORMANCES<br />
THURSDAY<br />
JUNE 27<br />
PANEL 1<br />
3<br />
LOCATION TITLE WHO CHAIR TIME<br />
Roble Courtyard<br />
Toyon Courtyard<br />
Roble Front Lawn<br />
Nearby <strong>Stanford</strong><br />
Memorials and<br />
Landmarks<br />
Old Union<br />
Courtyard<br />
The Bay Area<br />
Everywhere<br />
Nitery Theater<br />
Roble Studio 33<br />
RSVP REQUIRED<br />
Old Union 122<br />
Old Union 121<br />
Old Union 120<br />
Old Union 200<br />
Old Union 215<br />
Old Union 220<br />
Old Union 219<br />
Full Circle<br />
Shuttle<br />
Transcontinental<br />
Garden Exchange<br />
Dissolving Echoes: A<br />
<strong>Performance</strong> in Two<br />
Parts and Many Acts<br />
Loud Pauses<br />
SiteWorks: 217<br />
Events/Sites, San<br />
Francisco 1969-1984<br />
Record of the Time<br />
Long Haul<br />
Falling into Place<br />
The Social and Temporal<br />
Life of Objects<br />
In the Presence of<br />
Time, Time Stops<br />
The Photograph in<br />
Motion<br />
Architectural<br />
<strong>Performance</strong>s and<br />
the Syncopation of<br />
Space<br />
Performing Pride<br />
Haunted Presents:<br />
Weeping, Laughing,<br />
Grieving<br />
Popular <strong>Performance</strong><br />
Amy Lee Sanford<br />
Mick Douglas<br />
Beth Weinstein<br />
James Oliver<br />
Cat Jones<br />
Melissa Hunt<br />
Jeanne Thompson<br />
Angel Viator Smith<br />
Louis Bury<br />
Mara Jebsen<br />
Abigail Joseph<br />
Matthew McClelland<br />
Megan Shea<br />
Ben Stweart<br />
Nick Kaye<br />
Gabriella Giannachi<br />
Laura Carletti<br />
Spatula&Barcode<br />
Marcia Farquhar<br />
Gretchen Schiller<br />
Sareh Afshar<br />
Jisha Menon<br />
Karin Shankar<br />
Alexandra (Sasha) Kovacs<br />
Andrew Friedman<br />
Broderick Chow<br />
Maurya Wickstrom<br />
Theron Schmidt<br />
Anna Khimasia<br />
Ian Wiblin<br />
Gwyneth Shanks<br />
Stefanie Miller<br />
Joanne Zerdy<br />
Angrette M. McCloskey<br />
Anna Harpin<br />
Hunter Hargraves<br />
Aida Mbowa<br />
Ivan Ramos<br />
Katie Horowitz<br />
Amma Y. Ghartey-<br />
Tagoe Kootin<br />
Elizabeth Bonjean<br />
Marija Krtolica<br />
Karen A. Secrist<br />
Joshua Paul Dale<br />
Emily Jane Warheit<br />
Christian DuComb<br />
Jessica Benmen<br />
STEVE LUBER<br />
MAURYA<br />
WICKSTROM<br />
KEVIN BROWN<br />
DORITA<br />
HANNAH<br />
APRIL<br />
SIZEMORE-<br />
BARBER<br />
NIK<br />
WAKEFIELD<br />
MICHAEL<br />
CHEMERS<br />
ONGOING<br />
7 - 8:45AM<br />
ONGOING<br />
ONGOING<br />
ONGOING<br />
ONGOING<br />
ONGOING<br />
10AM - 8:50PM<br />
10AM - 11PM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM
THURSDAY<br />
JUNE 27<br />
PANEL 1 CONTINUED<br />
THURSDAY<br />
JUNE 27<br />
PANEL 2<br />
4<br />
LOCATION TITLE<br />
Old Union 218<br />
Old Union 201<br />
Clubhouse Ballroom<br />
Clubhouse Room<br />
101<br />
Building 550<br />
Meeting Space 126<br />
Building 550<br />
Room 162<br />
Building 550<br />
Room 200<br />
Building 550<br />
Studio 1<br />
Building 550<br />
Studio 2<br />
Building 550<br />
Concept Space<br />
Old Union 122<br />
Old Union 121<br />
Old Union 120<br />
When is Home?: History,<br />
Law, Belonging,<br />
and <strong>Performance</strong><br />
From the 60s to<br />
Today: The Long 8th<br />
Decade<br />
Pacific Time<br />
The Practice of<br />
<strong>Performance</strong><br />
In Transition:<br />
Body Politics,<br />
<strong>Performance</strong>, and<br />
Disability<br />
Political Memory:<br />
Race, Choreography,<br />
Temporality<br />
Play(s), Production,<br />
and <strong>Performance</strong>:<br />
The Temporality of<br />
<strong>Performance</strong> and<br />
the <strong>Performance</strong> of<br />
Temporality in Plays,<br />
Games, and Blogs<br />
Surveying<br />
Temporal Terrains:<br />
Negotiations of<br />
Time in Intercultural<br />
<strong>Performance</strong><br />
Queer Temporalities<br />
POROUS STUDIO:<br />
MARKING TIME: A<br />
Project of the Artists’<br />
Committee<br />
The Time of Literature<br />
Temporal Designs:<br />
Scenography, Lighting,<br />
Sound<br />
The Screen and the<br />
Photograph: Movement,<br />
Meditation,<br />
and Magic<br />
WHO CHAIR TIME<br />
Joshua Williams<br />
Michelle Casteneda<br />
Ryan Hartigan<br />
Kaitlin McNally-Murphy<br />
Kyle Gillette<br />
Saini Manninen<br />
Stefka Mihaylova<br />
Ana Pais<br />
Diana Looser<br />
SanSan Kwan<br />
Daphne Lei<br />
Shannon Steen<br />
Efrosini Protopapa<br />
Robert Quillen Camp<br />
Gavin Kroeber<br />
Beth Dungan<br />
Jennifer Brandon<br />
Yvonne Schmidt<br />
Arseli Dokumaci<br />
Janet Gibson<br />
Brandi Wilkins Catanese<br />
Melissa Wansin Wong<br />
K. Natasha Foreman<br />
Naomi Elizabeth Bragin<br />
Jocelyn L. Buckner<br />
Drew Chappell<br />
Kellen Hoxworth<br />
Aimee Zygmonski<br />
Haddy Kreie<br />
Rebecca Ormiston<br />
İrem Seçil Reel Şen<br />
Bryan Schmidt<br />
Karli June Cerankowski<br />
Bryce Lease<br />
Ivy I-chu Chang<br />
Lisa A. Freeman<br />
Johanna Householder<br />
Ray Langenbach and<br />
members of the Artists’<br />
Committee<br />
Brandin Barón-Nusbaum<br />
Daniel Ruppel<br />
Kirsten Paige<br />
Rosie Francesca Hannis<br />
Kjell Yngve Petersen<br />
Chris Wenn<br />
George McConnell<br />
So-Rim Lee<br />
Rachel Joseph<br />
KAREN<br />
SHIMAKAWA<br />
RACHEL<br />
JOSEPH<br />
KYLA WAZANA<br />
TOMPKINS<br />
MEGAN<br />
MACDONALD<br />
ADRIENNE<br />
EDWARDS<br />
HELI<br />
AALTONEN<br />
MICHELLE<br />
LINDENBLATT<br />
LYNDSAY<br />
MICHALIK<br />
MARK<br />
JACKSON<br />
NATASHA<br />
FOREMAN<br />
RYAN PLATT<br />
TONY<br />
PERUCCI<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9AM - 12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM
THURSDAY<br />
JUNE 27<br />
PANEL 2 CONTINUED<br />
5<br />
LOCATION TITLE<br />
Old Union 200<br />
Old Union 215<br />
Old Union 220<br />
Old Union 219<br />
Old Union 218<br />
Old Union 201<br />
Clubhouse Ballroom<br />
Clubhouse Room 101<br />
Building 550<br />
Meeting Space 126<br />
Building 550<br />
Room 162<br />
Building 550<br />
Room 200<br />
Building 550<br />
Studio 1<br />
Building 550<br />
Studio 2<br />
Building 550<br />
Concept Space<br />
Genealogies of<br />
Hip Hop Aesthetics:<br />
Chopped and<br />
Screwed, Nikki-Aesthetics,<br />
and Jay-Z’s<br />
Queer Trespass<br />
The Time Texture of<br />
Dramaturgy of the<br />
Real<br />
After the Earthquakes:<br />
Disruption<br />
and Construction of<br />
Time through Space<br />
Over and Over<br />
Again: On Re-embodiments,<br />
Interim<br />
Moments and Flash<br />
Futures<br />
Temporalities of<br />
Listening<br />
Crossing Boundaries<br />
The Performativity<br />
of Narrative in Civil<br />
Dissent<br />
<strong>Performance</strong> Art in<br />
Global Markets<br />
Ahead of its own<br />
time: Avant-Garde<br />
Chronotopias<br />
Artistic Practice<br />
in the Wake: Remembering<br />
the<br />
Past, Rehearsing the<br />
Future<br />
“Looking for noon at<br />
two o’clock”: <strong>Performance</strong>s<br />
of Time in<br />
the Archival Trace<br />
Documenting the<br />
disaster: performative<br />
responses to the<br />
2011 events in Japan<br />
If Surveillance, <strong>Then</strong><br />
<strong>Performance</strong>!: SurveillanceTechnologies,<br />
Political Arts,<br />
and <strong>Performance</strong> in<br />
the Security State<br />
POROUS STUDIO:<br />
MARKING TIME: A<br />
Project of the Artists’<br />
Committee<br />
WHO CHAIR TIME<br />
James E Ford III<br />
Uri McMillan<br />
Shanté Paradigm Smalls<br />
Ira S. Murfin<br />
Erica Magris<br />
Yongwen Peng<br />
Peter Falkenberg<br />
Ryan Reynolds<br />
Sharon Mazer<br />
Sabine Huschka<br />
Susanne Foellmer<br />
Katherine Mezur<br />
Sean Feit<br />
Adrienne Janus<br />
Sozita Goudouna<br />
Theodore Gracyk<br />
David Z. Saltz<br />
Amy Coplan<br />
Daniel Sack<br />
Janelle Reinelt<br />
Beth Hoffmann<br />
Susan Bennett<br />
Hentyle Yapp<br />
Natasha Lushetich<br />
Matthew Moore<br />
Katrina Schaag<br />
Laura Luise Schultz<br />
Ariane N. Zaytzeff<br />
Dasha A. Chapman<br />
Kaitlin McNally-Murphy<br />
Joshua Lubin-Levy<br />
Raegan Truax<br />
Ryan Tacata<br />
Hugo Glendinning<br />
Peter Eckersall<br />
Rebecca Jennison<br />
Jessica Nakamura<br />
James Harding<br />
Sarah Bay-Cheng<br />
Elise Morrison<br />
Johanna Householder<br />
Ray Langenbach and<br />
members of the Artists’<br />
Committee<br />
AMANDA<br />
CARD<br />
SERAP<br />
ERINCIN<br />
DIANA<br />
LOOSER<br />
JANICE ROSS<br />
JENNIE KLEIN<br />
JAMES R.<br />
HAMILTON<br />
MICHAEL<br />
SHANE BOYLE<br />
GLENN<br />
D’CRUZ<br />
AMALLE<br />
DUBLON<br />
BETH E. LEVY<br />
RICHARD<br />
MEYER<br />
JOSHUA PAUL<br />
DALE<br />
MAAIKE<br />
BLEEKER<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
9AM - 12:45PM
THURSDAY<br />
JUNE 27<br />
LUNCH 12:45 - 1:45PM<br />
THURSDAY<br />
JUNE 27<br />
PLENARY DIALOGUE<br />
THURSDAY<br />
JUNE 27<br />
PANEL 3<br />
6<br />
LOCATION TITLE<br />
Old Union<br />
2nd Floor Lobby<br />
Old Union Courtyard<br />
Book Exhibit Area<br />
Old Union 122<br />
Old Union 121<br />
Old Union 120<br />
Old Union 200<br />
Old Union 215<br />
Old Union 220<br />
Old Union 219<br />
Old Union 218<br />
Agency and Imperativity<br />
in “Command<br />
<strong>Performance</strong>”<br />
All Good Things…<br />
Think Tank about the<br />
Ephemeral in Art<br />
Routledge Book<br />
Reception<br />
Cubberley Auditorium Performing the<br />
Ethico-Aesthetic<br />
Paradigm<br />
The Time of Your<br />
Life: Local Identites<br />
and Cultural Traditions<br />
Judicial<br />
<strong>Performance</strong>s<br />
Imagining the City,<br />
Performing the<br />
Earth<br />
<strong>Performance</strong> in the<br />
Information Age<br />
<strong>Now</strong> What?: HemisphericTemporalities<br />
and Performative<br />
Politics<br />
Ecological Temporality<br />
in/and <strong>Performance</strong><br />
Watching Time Pass<br />
By: Spectatorship<br />
and Reception<br />
Lecture Series: Cosmic<br />
Time and Your<br />
Everyday Life<br />
Time Will Tell<br />
WHO CHAIR TIME<br />
Larry Lavender<br />
Lizzie Leopold<br />
Justin Charles Hoover<br />
Routledge<br />
Éric Alliez<br />
Brian Massumi<br />
Wei-Chih Wang<br />
Ilgim Veryeri Alaca<br />
Brahma Prakash<br />
Ariane Monnier<br />
Laurie Frederik Meer<br />
Michael Chemers<br />
Gibson Cima<br />
Annette Arlander<br />
Tony McCaffrey<br />
Beth E. Levy<br />
Courtney Ryan<br />
Lyndsay Michalik<br />
Jeannine Murray-Román<br />
Steve Luber<br />
Pablo Assumpção B Costa<br />
Marcela A. Fuentes<br />
Rodrigo Tisi<br />
Sebastián Calderón Bentin<br />
Sarah Ann Standing<br />
Bronwyn Preece<br />
Lisa Woynarski<br />
Meghan Moe Beitiks<br />
Susan Melrose, Stefanie<br />
Sachsenmaier, Peta<br />
Tait, Jena Zelezny, Gina<br />
Bloom<br />
Mandeep S. S. Gill<br />
Alice Rayner<br />
ANGEL<br />
VIATOR SMITH<br />
IMANUEL<br />
SCHIPPER<br />
KATHERINE<br />
ZIEN<br />
IRA S. MURFIN<br />
LISA A.<br />
FREEMAN<br />
UNA<br />
CHAUDHURI<br />
JOHAN<br />
CALLENS<br />
12:45 - 1:45PM<br />
12:45 - 1:45PM<br />
12:45 - 1:45PM<br />
1:45 - 3:15PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 4:30PM<br />
4:30 - 5:30PM
THURSDAY<br />
JUNE 27<br />
PANEL 3 CONTINUED<br />
THURSDAY<br />
JUNE 27<br />
DINNER 5:30 - 7:30PM<br />
7<br />
LOCATION TITLE<br />
Old Union 201<br />
Clubhouse Ballroom<br />
Clubhouse Room 101<br />
Building 550<br />
Meeting Space 126<br />
Building 550<br />
Room 162<br />
Building 550<br />
Room 200<br />
Building 550<br />
Studio 1<br />
Building 550<br />
Studio 2<br />
Roble Studio 38<br />
Meet in Old Union<br />
Courtyard<br />
Old Union 201<br />
Performing Archives<br />
/ Archives of <strong>Performance</strong><br />
PSi Roundtable<br />
session<br />
The Capaciousness<br />
of the Tight Spaces:<br />
<strong>Performance</strong>s of<br />
Race, Place and Time<br />
The Queer Art of<br />
Living: The Temporal<br />
Politics of Illness,<br />
Dependence, and<br />
Embodiment<br />
<strong>Performance</strong><br />
Enhancement: Techniques<br />
of Posthuman<br />
Bodies<br />
Visual and Spatial<br />
Representations of<br />
Temporality<br />
Drawing Time:<br />
Identity and Memory<br />
in Contemporary<br />
Comics<br />
Travel Time and<br />
Tourist <strong>Performance</strong><br />
First Nations<br />
Activism<br />
Decolonizing Temporalities:<br />
Integrating<br />
Theater of the Oppressed<br />
and SWAPA to<br />
Transform the Self<br />
In My Backyard: A<br />
Guided Tour<br />
Performing Archives/<br />
Archives of <strong>Performance</strong><br />
Book Celebration<br />
WHO CHAIR TIME<br />
Gunhild Borggreen<br />
Rune Gade<br />
Heike Roms<br />
Amelia Jones<br />
Sarah Whatley<br />
Tracy C. Davis<br />
Laura Luise Schultz<br />
Malene Vest Hansen<br />
Annelis Kuhlmann<br />
Morten Søndergaard<br />
Paul Clarke<br />
Mathias Danbolt<br />
Edward Scheer<br />
Peter Eckersall<br />
Fred Moten<br />
Alexandra T. Vazquez<br />
Laura Harris<br />
José Esteban Muñoz<br />
Jaclyn Pryor<br />
Patrick Anderson<br />
Anna Watkins Fisher<br />
Erin Mary English<br />
Julian Gill-Peterson<br />
Summer Kim Lee<br />
Emily Hella Tsaconas<br />
Malene Vest Hansen<br />
Georgina Guy<br />
Donia Mounsef<br />
Alison D’Amato<br />
Frederik Byrn Køhlert<br />
Rebecca Scherr<br />
Gunhild Borggreen<br />
Ylva Sommerland<br />
Clare Croft<br />
Jasmine Johnson<br />
Eleanor Owicki<br />
Kim Skjoldager-Nielsen<br />
Lilian Mengesha<br />
Colleen Kim Daniher<br />
Jean O’Hara<br />
Jaye T. Darby<br />
Ina Kelleher<br />
David Preciado<br />
Jasmine Mahmoud<br />
Christy Simonian Bean<br />
Colleen Daniher<br />
Roy Gomez Cruz<br />
Kareem Khubchandani<br />
Margaret Lebron<br />
SIANNE NGAI<br />
COLEMAN<br />
NYE<br />
W.C. MEIER<br />
TONY<br />
BONNEY<br />
BREE HADLEY<br />
JOSHUA<br />
ABRAMS<br />
JOHANNA<br />
HOUSE-<br />
HOLDER<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
5:30 - 6:30PM<br />
5:30 - 7:30PM
THURSDAY<br />
JUNE 27<br />
PRAXIS AND PERFORMANCE 1<br />
8<br />
LOCATION TITLE<br />
Roble Studio 42<br />
Pigott Theater<br />
TICKETED<br />
PERFORMANCE<br />
Prosser Theater<br />
RSVP REQUIRED<br />
Nitery Theater<br />
Roble Studio 25<br />
Roble Studio 33<br />
RSVP REQUIRED<br />
Roble Studio 38<br />
Roble Studio 52<br />
Roble Studio 57<br />
Roble Lounge<br />
Building 550<br />
Atrium<br />
Building 550<br />
Studio 1<br />
Building 550<br />
Studio 2<br />
Chronopolitics with<br />
Dogs and Trees in<br />
<strong>Stanford</strong><br />
Incorruptible Flesh:<br />
Messianic Remains<br />
Beneath the Forest<br />
Floor<br />
Long Haul<br />
<strong>Performance</strong> Gallery<br />
Falling Into Place<br />
Contact in/over<br />
Time<br />
“Tense and Release”<br />
– A Movement Exploration<br />
of Verbs,<br />
Time, and Embodiment<br />
Haunting the Past’s<br />
Present: Falling for<br />
the Forgotten (and<br />
not) Dead of History<br />
Talking and Listening<br />
At The Same Time<br />
(About Race)<br />
100 <strong>Performance</strong>s<br />
For the Hole<br />
(Redux); a minimarathon<br />
of artistic<br />
moments<br />
Trans-Temporality of<br />
Fouettés in Blood<br />
Talking about<br />
Economy<br />
WHO CHAIR TIME<br />
Tuija Kokkonen<br />
Alan Read<br />
Ron Athey<br />
Joslin McKinney<br />
Rosie Hannis<br />
Isla Watton<br />
Marcia Farquhar<br />
Linda Mary Montano<br />
Miranda Olzman<br />
L.M. Bogad<br />
Agatha (Balek) Morrell<br />
Eleni Kolliopoulou<br />
Eleanor Oakes<br />
Jenni Kokkomäki<br />
Sally Watkins<br />
Ryan Tacata<br />
Mel Day<br />
Gretchen Schiller<br />
Daniel Larlham<br />
Stephanie Sherman<br />
Jeff Kaplan<br />
Helene Vosters<br />
Nina Galin<br />
James Marchbanks<br />
Justin Charles Hoover<br />
Jeanne Vaccaro<br />
Julie Tolentino<br />
Aliza Shvarts<br />
Julian Carter<br />
Ariel Osterweis<br />
Yve Laris Cohen<br />
Gigi Argyropoulou<br />
Katerina Paramana<br />
7:30PM - 7:30AM<br />
7:30 - 9:30PM<br />
7:30 - 9PM<br />
10AM - 8:50PM<br />
ONGOING<br />
INSTALLATIONS<br />
CONTINUED<br />
FROM 10AM<br />
7:30 - 9:30PM<br />
7:30 - 9:30PM<br />
WORKSHOP<br />
7:30 - 9:30PM<br />
PERFORMANCE<br />
SATURDAY<br />
7:30 - 9:30PM<br />
7:30 - 9:30PM<br />
7:30 - 9:30PM<br />
7:30 - 9:30PM
THURSDAY<br />
JUNE 27<br />
PRAXIS AND PERFORMANCE 2<br />
9<br />
LOCATION TITLE<br />
Roble Courtyard<br />
Prosser Theater<br />
RSVP REQUIRED<br />
Nitery Theater<br />
Clubhouse Ballroom<br />
Roble Studio 25<br />
Roble Studio 33<br />
RSVP REQUIRED<br />
Roble Studio 42<br />
Roble Studio 52<br />
Building 550 Atrium<br />
Building 550<br />
Room 200<br />
Building 550<br />
Studio 2<br />
CoHo Café<br />
. . . wreckage upon<br />
wreckage . . .<br />
Beneath the Forest<br />
Floor<br />
As If: Queer<br />
<strong>Performance</strong> <strong>Now</strong><br />
Stitches In and Out<br />
of Time: Closing<br />
and Opening Queer<br />
Sites of Trauma<br />
<strong>Performance</strong> Gallery<br />
Falling Into Place<br />
Chronopolitics with<br />
Dogs and Trees in<br />
<strong>Stanford</strong><br />
John Cage’s Lecture<br />
on Nothing<br />
Power Struggle<br />
Time Acts: Intervals<br />
and Improvisations<br />
(a Workshop in <strong>Performance</strong>Philosophy)<br />
Talking About<br />
Economy<br />
Women & <strong>Performance</strong><br />
Party<br />
WHO CHAIR TIME<br />
Nancy Tam<br />
Daniel O’Shea<br />
Sean Marshall Jr.<br />
Finley Hyde<br />
Joslin McKinney<br />
Rosie Hannis<br />
Isla Watton<br />
Harris Kornstein<br />
Marc Boucai<br />
Ivan Ramos<br />
Other Performers<br />
llen Conkle<br />
Julie Cosenza<br />
Amy Kilgard<br />
Alexis Litzky<br />
Thao P. Nguyen<br />
Miranda Olzman<br />
Linda Mary Montano<br />
Miranda Olzman<br />
L.M. Bogad<br />
Atatha (Balek) Morrell<br />
Eleni Kolliopoulou<br />
Eleanor Oakes<br />
Jenni Kokkomäki<br />
Sally Watkins<br />
Mel Day<br />
Gretchen Schiller<br />
Tuija Kokkonen<br />
Alan Read<br />
Michael Hunter<br />
Derek Phillips<br />
Olga Kisseleva<br />
Katherine Mezur<br />
Megan Nicely<br />
Gigi Argyropoulou<br />
Katerina Paramana<br />
9PM - DAWN<br />
10 - 11:30PM<br />
10PM<br />
10PM<br />
ONGOING<br />
INSTALLATIONS<br />
CONTINUED<br />
FROM 10AM<br />
7:30PM - 7:30AM<br />
10PM<br />
ONWARD<br />
10PM<br />
ONWARD<br />
10 - 11:30PM<br />
CONTINUED<br />
FROM 7:30PM<br />
10PM
FRIDAY<br />
JUNE 28<br />
INSTALLATIONS AND<br />
MORNING PERFORMANCES<br />
FRIDAY<br />
JUNE 28<br />
PANEL 1<br />
10<br />
LOCATION TITLE<br />
Meet in front of<br />
Roble<br />
Roble Courtyard<br />
Toyon Courtyard<br />
Roble Front Lawn<br />
Nearby <strong>Stanford</strong><br />
Memorials and<br />
Landmarks<br />
Old Union<br />
Courtyard<br />
The Bay Area<br />
Everywhere<br />
Roble Studio 33<br />
RSVP REQUIRED<br />
Old Union 122<br />
Old Union 121<br />
Old Union 120<br />
Old Union 200<br />
Old Union 215<br />
Old Union 220<br />
Pastoral/Posthuman:<br />
A Dawn <strong>Performance</strong><br />
Hike<br />
Full Circle<br />
Shuttle<br />
Transcontinental<br />
Garden Exchange<br />
Dissolving Echoes: A<br />
<strong>Performance</strong> in Two<br />
Parts and Many Acts<br />
Loud Pauses<br />
The Bay Area<br />
SiteWorks: 217<br />
Events/Sites, San<br />
Francisco 1969-1984<br />
Record of the Time<br />
Falling into Place<br />
Age in <strong>Performance</strong><br />
Voice and<br />
Temporality<br />
Spirited <strong>Performance</strong>:<br />
The Medium<br />
and the Body<br />
Urban Time Zones:<br />
Art Space in the<br />
City<br />
Dance Archives:<br />
Reenactment, History,<br />
Narrative<br />
Doing Time: Being<br />
Black in the Carceral<br />
City<br />
WHO CHAIR TIME<br />
Joy Brooke Fairfield<br />
Elizabeth Hersh<br />
Joe Moore<br />
Amy Lee Sanford<br />
Mick Douglas<br />
Beth Weinstein<br />
James Oliver<br />
Cat Jones<br />
Melissa Hunt<br />
Jeanne Thompson<br />
Angel Viator Smith<br />
Louis Bury<br />
Mara Jebsen<br />
Abigail Joseph<br />
Matthew McClelland<br />
Megan Shea<br />
Ben Stweart<br />
Nick Kaye<br />
Gabriella Giannachi<br />
Laura Carletti<br />
Spatula&Barcode<br />
Gretchen Schiller<br />
Nanako Nakajima<br />
Ljubisa Matic<br />
Nobuko Anan<br />
Elinor Fuchs<br />
Gelsey Bell<br />
John Melillo<br />
Maria Stankova<br />
J. Martin Daughtry<br />
Charles Bayley Poole, Jr.<br />
Robert C. Thompson<br />
Michael Chemers<br />
Laurelann Porter<br />
Juliana Escobar Cuellar<br />
David Ayala Alfonso<br />
Jasmine Mahmoud<br />
Gigi Argyropoulou<br />
Imanuel Schipper<br />
Megan Nicely<br />
Astrid von Rosen<br />
Timmy De Laet<br />
Katherine Profeta<br />
Sampada Aranke<br />
Yumi Pak<br />
Nikolas Sparks<br />
MATT SMITH<br />
T. NIKKI<br />
CESARE<br />
JUSTIN<br />
HOOVER<br />
NATASHA<br />
LUSHETICH<br />
SIGRID MERX<br />
NICK<br />
MITCHELL<br />
5:30AM<br />
ONGOING<br />
7AM - 8:45AM<br />
ONGOING<br />
ONGOING<br />
ONGOING<br />
ONGOING<br />
ONGOING<br />
10AM - 12PM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM
FRIDAY<br />
JUNE 28<br />
PANEL 1 CONTINUED<br />
11<br />
LOCATION TITLE<br />
Old Union 219<br />
Old Union 218<br />
Old Union 201<br />
Clubhouse Ballroom<br />
Clubhouse Room 101<br />
Building 550<br />
Meeting Space 126<br />
Building 550<br />
Room 162<br />
Building 550<br />
Room 200<br />
Building 550<br />
Studio 1<br />
Building 550<br />
Studio 2<br />
Folkloric Time:<br />
Performing National<br />
Identity, Trauma, and<br />
the Popular<br />
Tourism, Subersion,<br />
and the Sacred<br />
Digital Technologies<br />
and Absent Bodies<br />
Eco Art <strong>Performance</strong>:<br />
Deep Time<br />
and the <strong>Now</strong> of<br />
Environmental <strong>Performance</strong><br />
Roundtable: Back<br />
to the Future of the<br />
Field<br />
War Time: From<br />
Exception to the<br />
Rule<br />
Tradition, Contemporary<br />
Revisioning,<br />
and the Question of<br />
the Archive<br />
Impossible Histories:<br />
The Lives and Times<br />
of <strong>Performance</strong> Art<br />
The Time is Here:<br />
Site-Specificity and<br />
Time-Specificity<br />
<strong>Performance</strong> Art<br />
Provocations<br />
WHO CHAIR TIME<br />
Emily Sahakian<br />
Jason Bush<br />
Pavithra Prasad<br />
Matt Jones<br />
Melanie Bennett<br />
Li Cornfeld<br />
Sukanya Chakrabarti<br />
Kate Wintz<br />
Priya A. Thomas<br />
Michael St. Clair<br />
Deirdre Heddon<br />
Natalie Loveless<br />
Linda M. Montano<br />
Annie Sprinkle<br />
Beth Stephens<br />
Johanna Tuukkanen<br />
Branislav Jakovljević<br />
Shannon Jackson<br />
Stephen Bottoms<br />
Jill Lane<br />
E. Patrick Johnson<br />
Edward Scheer<br />
Erica Magris<br />
William Sun<br />
Sara Brady<br />
María Estrada-Fuentes<br />
Kenn Watt<br />
Margaret Lebron<br />
Petra Kuppers<br />
Angela Ahlgren<br />
Kate Elswit<br />
Yasmine Marie Jahanmir<br />
Heike Roms<br />
Ulrike Hanstein<br />
Emily Hall<br />
Kenneth White<br />
Pawit Mahasarinand<br />
Joyelle Ball<br />
Clark Lunberry<br />
Chris Hay<br />
Allison Leadley<br />
Eszter Jagica<br />
duskin drum<br />
Yelena Gluzman<br />
KATHERINE<br />
ZIEN<br />
JAYE DARBY<br />
JOANNE<br />
ZERDY<br />
JENNIE KLEIN<br />
ANNETTE<br />
ARLANDER<br />
KIRSTEN<br />
PULLEN<br />
ALANA<br />
GERECKE<br />
JOSLIN<br />
MCKINNEY<br />
GUNHILD<br />
BORGGREEN<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM
FRIDAY<br />
JUNE 28<br />
PANEL 2<br />
12<br />
LOCATION TITLE<br />
Old Union 122<br />
Old Union 121<br />
Old Union 120<br />
Old Union 200<br />
Old Union 215<br />
Old Union 220<br />
Old Union 219<br />
Old Union 218<br />
Old Union 201<br />
Clubhouse Ballroom<br />
Clubhouse Room 101<br />
Building 550<br />
Meeting Space 126<br />
Building 550<br />
Room 162<br />
Building 550<br />
Room 200<br />
Building 550<br />
Studio 1<br />
Kayfabe: Performing<br />
Reality and History<br />
in Professional<br />
Wrestling<br />
Brechtian Dramaturgy:<br />
History, Process,<br />
Transmission<br />
Forty Years and<br />
Counting: The Art of<br />
Dematerialization<br />
(Dis)tempering<br />
Temporality: Media,<br />
<strong>Performance</strong> and<br />
the Politics of Affect<br />
in the Neoliberal<br />
Present<br />
Temporality and the<br />
US Mexico Border in<br />
Latino Cultural Production<br />
Resisting Closure:<br />
<strong>Now</strong> <strong>Then</strong> Again<br />
“<strong>Now</strong> <strong>Then</strong>” – Temporality<br />
and Displacements<br />
in New<br />
Media Dramaturgy<br />
Pacific Standard<br />
Time: <strong>Performance</strong><br />
and Architecture<br />
Philosophy of<br />
History, Panel 1<br />
(<strong>Performance</strong> and<br />
Philosophy Working<br />
Group)<br />
Museum Past-Times:<br />
Reconstructing<br />
<strong>Then</strong>, Exhibiting<br />
<strong>Now</strong><br />
Vocal <strong>Performance</strong>s:<br />
Subjectivity, Interviews,<br />
Storytelling<br />
Fact, Fiction, Fandom<br />
Temporal Interstices<br />
Delays: The History<br />
of the “<strong>Now</strong>”<br />
Re-Enactment,<br />
Reconstruction, and<br />
WHO CHAIR TIME<br />
Eero Laine<br />
Patrick Bradley<br />
Broderick D.V. Chow<br />
Cohen Ambrose<br />
Vivian Appler<br />
Emily Roxworthy<br />
Adrienne Edwards<br />
Barbara Alfeo<br />
Annalaura Alifuoco<br />
Wendy S. Walters<br />
Leticia Robles-Moreno<br />
Katherine Zien<br />
Li Cornfeld<br />
Patricia Ybarra<br />
Lara Nielsen<br />
Jon D. Rossini<br />
Kelli Coleman Moore<br />
Annika C. Spear<br />
Jacqueline Viskup<br />
Peter Eckersall<br />
Helena Grehan<br />
Edward Scheer<br />
Sylvia Lavin<br />
Carol Stakenas<br />
Peggy Phelan<br />
Karoline Gritzner<br />
Gabriella Calchi-Novati<br />
Michal Kobialka<br />
Joshua Abrams<br />
Jennifer Parker-Starbuck<br />
Victoria Fortuna<br />
Justin Zullo<br />
Timothy J. Cooley<br />
Weng Choy Lee<br />
Abigail De Kosnik<br />
Jordana Cox<br />
Robin Deacon<br />
Todd J. Coulter<br />
Nickolus Meisel<br />
Steven Nuss<br />
Mechtild Widrich<br />
Natasha Davis<br />
Branislava Kuburović<br />
Katherine Johnson<br />
Christina L. Allaback<br />
Andrew Salyer<br />
MAURYA<br />
WICKSTROM<br />
MATT SMITH<br />
DANIEL<br />
RUPPEL<br />
PAVITHRA<br />
PRASAD<br />
BETH<br />
HOFFMANN<br />
SHARON<br />
MAZER<br />
PETER<br />
ECKERSALL<br />
WILL<br />
DADDARIO<br />
MICHAEL<br />
PETERSON<br />
KIRSTEN<br />
PAIGE<br />
GEORGINA<br />
GUY<br />
EVE<br />
KATSOURAKI<br />
NITA LITTLE<br />
NELSON<br />
JAMES<br />
HARDING<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM
FRIDAY<br />
JUNE 28<br />
PANEL 2 CONTINUED<br />
FRIDAY<br />
JUNE 28<br />
LUNCH 12:45 - 1:45PM<br />
FRIDAY<br />
JUNE 28<br />
PLENARY DIALOGUE<br />
FRIDAY<br />
JUNE 28<br />
PANEL 3<br />
13<br />
LOCATION<br />
Building 550<br />
Studio 2<br />
Roble Lounge<br />
Roble Kitchen<br />
Building 550<br />
Concept Space<br />
CoHo Café<br />
Building 550<br />
Atrium<br />
White Plaza<br />
Cubberley Auditorium<br />
Old Union 122<br />
Old Union 121<br />
Old Union 120<br />
Old Union 200<br />
Old Union 201<br />
Old Union 215<br />
TITLE<br />
Renegotiation<br />
The Experience of<br />
Time and History in<br />
<strong>Performance</strong><br />
<strong>Performance</strong>s of<br />
Ingestion<br />
Baking Time<br />
Annual Artist<br />
Committee Meeting<br />
Emerging Scholars<br />
Lunch Session: Balancing<br />
Acts<br />
Agency and Imperativity<br />
in “Command<br />
<strong>Performance</strong>”<br />
New Demands?<br />
Open Channels:<br />
<strong>Performance</strong>,<br />
Politics and Racial<br />
Identity Formations<br />
in Times of Crisis<br />
<strong>Performance</strong> in<br />
Historical Paradigms<br />
Working Group Panel 1<br />
Re-encountering the<br />
Archive: <strong>Performance</strong><br />
in Times to<br />
Come from Times<br />
Gone By<br />
Trauma, Torture,<br />
Temporality<br />
Death(s) and<br />
Rebirth(s) of the Nation<br />
State<br />
Ase!: Black and<br />
Queer Temporalities<br />
in Conversation<br />
A Moment in the<br />
Life of a Psychic<br />
Subject<br />
WHO CHAIR TIME<br />
Bhargav Rani<br />
Elizabeth W. Son<br />
Niomi Anna Cherney<br />
Edward Whittall<br />
Christine Simonian Bean<br />
Catherine Ming T’ien Duffly<br />
Jenny Lawson<br />
Johanna Householder<br />
Ray Langenbach<br />
and members of the<br />
Artists’ Committee<br />
Lara Shalson<br />
Larry Lavender<br />
Lizzie Leopold<br />
Lisa Vinebaum<br />
Thomas Richards<br />
Daphne Brooks<br />
Dominika Laster<br />
Shayoni Mitra<br />
Elizabeth Osborne<br />
Joey Plaster<br />
Sophie Johns<br />
Cara Davies<br />
Jo Ana Morfin<br />
Yiota Demetriou<br />
Laurie Beth Clark<br />
Michael Peterson<br />
Natalia Duong<br />
Anja Pletikosa<br />
Emelie Mahdavian<br />
Takahashi Yuichiro<br />
Ray Langenbach<br />
Surafel W Abebe<br />
Sharon Bridgforth<br />
Omi Osun Joni L. Jones<br />
Jaclyn Pryor<br />
Evangeline Grace Ciupek<br />
Janna Holmstedt<br />
Sarah Klein<br />
Paige M. Johnson<br />
JACLYN<br />
PRYOR<br />
JISHA MENON<br />
PAIGE<br />
MCGINLEY<br />
PAUL CLARKE<br />
PATRICK<br />
ANDERSON<br />
BRAHMA<br />
PRAKASH<br />
COURTNEY<br />
RYAN<br />
YELENA<br />
GLUZMAN<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11AM - 5:30PM<br />
11:15AM -<br />
12:45PM<br />
12:45 - 1:45PM<br />
12:45 - 1:45PM<br />
12:45 - 1:45PM<br />
1:45 - 3:15PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM
FRIDAY<br />
JUNE 28<br />
PANEL 3 CONTINUED<br />
14<br />
LOCATION TITLE<br />
Old Union 220<br />
Old Union 219<br />
Old Union 218<br />
Old Union<br />
Second Floor<br />
Men’s Room<br />
Clubhouse Ballroom<br />
Clubhouse Room 101<br />
Building 550<br />
Meeting Space 126<br />
Building 550<br />
Room 162<br />
Building 550<br />
Room 200<br />
Building 550<br />
Studio 1<br />
Building 550<br />
Studio 2<br />
Nitery Theater<br />
Staging the Past,<br />
Storming the Present:<br />
Vanguard Time Travel<br />
in France and the Occupy<br />
Movement<br />
It’s all in the Timing:<br />
The Body in <strong>Performance</strong><br />
Time Out of Joint:<br />
The Poetics of Motion<br />
Capture<br />
We Need To Talk<br />
About Semen<br />
PSi 19 Lecture Series:<br />
Action/<strong>Performance</strong><br />
PSi 19 Lecture Series:<br />
From <strong>Performance</strong><br />
Art to Ecological<br />
Aesthetics<br />
Ephemeral Utopia:<br />
Alterity and Belonging<br />
at Burning<br />
Man<br />
Tracing Acts: Document,<br />
Image, Text,<br />
Self<br />
Heterotemporality<br />
in Contemporary<br />
Middle Eastern <strong>Performance</strong><br />
Event Space <strong>Now</strong> (&<br />
<strong>Then</strong>): Architectures<br />
(in & out) of Time<br />
Activist <strong>Performance</strong><br />
Time Zones: <strong>Performance</strong>,<br />
the Visual,<br />
and Durational<br />
Forms<br />
<strong>Now</strong> then: Samuel<br />
Beckett’s Happy<br />
Days and the <strong>Performance</strong><br />
of Aging<br />
WHO CHAIR TIME<br />
Kimberly Jannarone<br />
Kate Bredeson<br />
Cindy Rosenthal<br />
Kirsten Pullen<br />
Anne Douglas<br />
P. Solomon Lennox<br />
Ruth Gibson and<br />
Bruno Martelli<br />
Kim Vincs<br />
Sarah Whatley<br />
Laura Karreman<br />
Katherine Brewer Ball<br />
Mathias Danbolt<br />
Johanna Linsley<br />
Benjamin Haber<br />
Tom Marioni<br />
R.G. Davis<br />
Rachel Bowditch<br />
Kerry Rorhmeier and<br />
Francine Melia<br />
Joy Brooke Fairfield<br />
Linda Noveroske<br />
Teena Lange<br />
Harriet Curtis<br />
Catriona Fallow<br />
Shengquan Zhang<br />
Rune Gade<br />
Andrew Weiner<br />
Katrin Wächter<br />
Dorita Hannah<br />
Jordan Geiger<br />
Beth Weinstein<br />
Rodrigo Tisi<br />
Rachel Hann<br />
Ayelet Karmon<br />
Merav Perez<br />
Tracy C. Davis<br />
Sophie Nield<br />
D. Soyini Madison<br />
John Fletcher<br />
Shannon Jackson<br />
Barbara Formis<br />
Julia Bryan-Wilson<br />
Catherine Soussloff<br />
Rush Rehm<br />
Patrick Fox<br />
Joelle Chambon<br />
Laura L. Carstensen<br />
Nader Shabahangi<br />
BRIAN LOBEL<br />
TANYA<br />
AUGSBURG<br />
CHRISTEL<br />
STALPAERT<br />
KAREN<br />
SECRIST<br />
ARSELI<br />
DOKUMACI<br />
SARA BRADY<br />
JON<br />
MCKENZIE<br />
BARBARA<br />
KAESBOHRER<br />
MÉLANIE<br />
PÉRRIER<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 4:30PM<br />
4:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM
FRIDAY<br />
JUNE 28<br />
PANEL 3 CONTINUED<br />
FRIDAY<br />
JUNE 28<br />
DINNER 5:30 - 7:30PM<br />
FRIDAY<br />
JUNE 28<br />
PRAXIS AND PERFORMANCE 1<br />
15<br />
LOCATION TITLE<br />
Roble 38<br />
Roble Lounge<br />
Book Exhibit Area<br />
Roble Lobby<br />
Pigott Theater<br />
TICKETED<br />
PERFORMANCE<br />
Prosser Theater<br />
Nitery Theater<br />
Clubhouse Ballroom<br />
Roble Studio 25<br />
Roble Studio 38<br />
Roble Studio 42<br />
Roble Studio 57<br />
Roble Lounge<br />
Building 550<br />
Atrium<br />
Dynamic in/stability<br />
in <strong>Performance</strong>:<br />
Bodyweather<br />
Meets the Feldenkrais<br />
Method<br />
Cooking Time<br />
TDR Book<br />
Celebration<br />
Teresias<br />
Strange Democracy:<br />
Border Wars<br />
Collecting Ourselves:<br />
Bone Stacking<br />
Experimental<br />
Magic Manifesto II<br />
Who’s Counting<br />
Purge<br />
<strong>Performance</strong> Gallery<br />
Ongoing installations<br />
Singing in the<br />
Rooms<br />
Salt Piece<br />
Microaffects<br />
Our Own Devices:<br />
Kairotic Alternatives<br />
to Chronometric<br />
Regimes<br />
Auto-suggestion<br />
WHO CHAIR TIME<br />
Joyce Lu<br />
Olga Kisseleva<br />
Kelsey Speakman<br />
Campion Decent<br />
Mariellen Sandford<br />
T. Nikki Cesare<br />
Tracy Davis<br />
Branislav Jakovljević<br />
Rebecca Schneider<br />
William Sun<br />
Heather Cassils<br />
Guillermo Gómez-Peña<br />
Alexa J. Rittichier<br />
Joe Culpepper<br />
Marcin Kedzior<br />
Lois Weaver<br />
Brian Lobel<br />
Linda Mary Montano<br />
Miranda Olzman<br />
L.M. Bogad<br />
Agatha (Balek) Morrell<br />
Eleni Kolliopoulou<br />
Eleanor Oakes<br />
Jenni Kokkomäki<br />
Sally Watkins<br />
Julie Tolentino<br />
Stosh Fila<br />
Ryan Tacata<br />
Mel Day<br />
Aleta Hayes<br />
Jane Munro Beveridge<br />
Rebecca Bogue<br />
Jaime del Val<br />
Mara Jebsen<br />
Louis Bury<br />
Jenni Quilter<br />
Megan Shea<br />
Matthew McClelland<br />
Mike Pearson<br />
Michael Shanks<br />
JENNIFER BRODY<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
5:30 - 7:30PM<br />
6:30 - 11:30PM<br />
7:30 - 9:30PM<br />
7:30 - 8:15PM<br />
8:50PM - 9:20PM<br />
7:30 - 9:30PM<br />
7:30 - 9:30PM<br />
7:30 - 9:30PM<br />
7:30 - 9:30PM<br />
7:30 - 9:30PM<br />
7:30 -<br />
MIDNIGHT<br />
7:30 - 9:30PM<br />
7:30 - 9:30PM
FRIDAY<br />
JUNE 28<br />
PRAXIS AND PERFORMANCE 2<br />
16<br />
LOCATION TITLE<br />
Old Union<br />
Courtyard<br />
Pigott Theater<br />
Prosser Theater<br />
Meet in front of<br />
Pigott Theater<br />
Nitery Theater<br />
Clubhouse Ballroom<br />
Roble Studio 25<br />
Roble Studio 33<br />
Roble Studio 38<br />
Roble Studio 52<br />
Roble Studio 57<br />
Building 550<br />
Room 200<br />
Building 550<br />
Studio 1<br />
CoHo Café<br />
. . . wreckage upon<br />
wreckage . . .<br />
Variazioni su un<br />
Oggetto di Scena<br />
and Louganis<br />
y…pervertida: A Performative<br />
Dialogue<br />
on Ephemerality<br />
and Pleasure and/<br />
in the <strong>Performance</strong><br />
of Theory and the<br />
Theorization of <strong>Performance</strong><br />
The Walking Library:<br />
Nightwalking to<br />
Dawn<br />
Disastronautics:<br />
How to Do Things<br />
with Worlds<br />
Cameo. Nights, and<br />
night.<br />
<strong>Performance</strong> Gallery<br />
Ongoing installations<br />
Transmitted<br />
Thoughts: Who is the<br />
Receiver? - A CollaborativeIntermedial<br />
Installation<br />
Landslip<br />
Plays for Horses<br />
Microaffects<br />
The Enduring<br />
Epistle: The Holocaust,<br />
Time and<br />
<strong>Performance</strong><br />
Butoh Beyond Theatres:<br />
Temporality,<br />
Education, Community<br />
Right-Wing Cabaret<br />
WHO CHAIR TIME<br />
Nancy Tam<br />
Daniel O’Shea<br />
Sean Marshall Jr.<br />
Finley Hyde<br />
Luciano Chessa<br />
Beliza Torres Narváez<br />
Deirdre Heddon<br />
Misha Myers<br />
Jon McKenzie<br />
Ralo Mayer<br />
Margaret Tadesco<br />
Linda Mary Montano<br />
Miranda Olzman<br />
L.M. Bogad<br />
Agatha (Balek) Morrell<br />
Eleni Kolliopoulou<br />
Eleanor Oakes<br />
Jenni Kokkomäki<br />
Sally Watkins<br />
Julie Tolentino<br />
Stosh Fila<br />
Ryan Tacata<br />
Mel Day<br />
Deirdre McLaughlin<br />
Jo Scott<br />
Renée Rhodes<br />
William Davis<br />
Courtney Sale<br />
Jaime del Val<br />
Natalie Mathieson<br />
Nikolas Wakefield<br />
Didier Morelli<br />
Sasha Kovacs<br />
Hayato Kosuge<br />
Takashi Morishita<br />
Yu Homma<br />
Kimberly Jannarone<br />
Katherine Profeta<br />
Sarah Bay-Cheng<br />
Liz Tomlin<br />
Kate Bredeson<br />
9PM - DAWN<br />
10PM<br />
10PM<br />
10PM - DAWN<br />
10PM<br />
10PM<br />
10PM<br />
10PM<br />
10PM<br />
10PM<br />
7:30 -<br />
MIDNIGHT<br />
10PM<br />
10PM<br />
11PM
SATURDAY<br />
JUNE 29<br />
INSTALLATIONS AND<br />
MORNING PERFORMANCES<br />
SATURDAY<br />
JUNE 29<br />
PANEL 1<br />
17<br />
LOCATION TITLE<br />
Ft. Funston Beach<br />
RSVP REQUIRED<br />
Old Union<br />
Courtyard<br />
Begins at Roble<br />
Courtyard, Ends at<br />
Memorial Auditorium<br />
Roble Courtyard<br />
Toyon Courtyard<br />
Roble Front Lawn<br />
Nearby <strong>Stanford</strong><br />
Memorials and<br />
Landmarks<br />
Old Union<br />
Courtyard<br />
The Bay Area<br />
Everywhere<br />
White Plaza<br />
Old Union 122<br />
Old Union 121<br />
Old Union 120<br />
Old Union 200<br />
Old Union 215<br />
Out of Water<br />
Haunting the Past’s<br />
Present: Falling for<br />
the Forgotten (and<br />
not) Dead of History<br />
Between Time: A<br />
Score for 19 Bodies<br />
Full Circle<br />
Shuttle<br />
Transcontinental<br />
Garden Exchange<br />
Dissolving Echoes: A<br />
<strong>Performance</strong> in Two<br />
Parts and Many Acts<br />
Loud Pauses<br />
SiteWorks: 217<br />
Events/Sites, San<br />
Francisco 1969-1984<br />
Record of the Time<br />
Maria del Camino:<br />
SIDE SHOW<br />
Shifting Dance:<br />
Counterpoint and<br />
Choreography<br />
Memory <strong>Performance</strong>s:Phenomenology,<br />
the Body,<br />
and Cognative<br />
Science<br />
<strong>Performance</strong> in and<br />
out of Step<br />
The Owl of Minerva:<br />
Posteriority, Caesura,<br />
Tragedy<br />
Trans-<strong>Performance</strong>s:<br />
Crossing Spacial and<br />
Temporal Boundaries<br />
WHO CHAIR TIME<br />
Helen Paris<br />
Caroline Wright<br />
Helene Vosters<br />
Raegan Truax<br />
Amy Lee Sanford<br />
Mick Douglas<br />
Beth Weinstein<br />
James Oliver<br />
Cat Jones<br />
Melissa Hunt<br />
Jeanne Thompson<br />
Angel Viator Smith<br />
Louis Bury<br />
Mara Jebsen<br />
Abigail Joseph<br />
Matthew McClelland<br />
Megan Shea<br />
Ben Stweart<br />
Nick Kaye<br />
Gabriella Giannachi<br />
Laura Carletti<br />
Spatula&Barcode<br />
Bruce Tomb<br />
Letizia Gioia Monda<br />
Nita Little (Nelson)<br />
Caitlin Coker<br />
Beatriz Cantinho<br />
Barbara Kaesbohrer<br />
Bojana Cvejić<br />
Claire Borody<br />
Angela Farr Schiller<br />
Daniela Hahn<br />
Ryan Platt<br />
Biba Bell<br />
Didier Morelli<br />
Maria O’Connor<br />
Shaun May<br />
Ben Hjorth<br />
Peilin Liang<br />
Chia-Yi Seetoo<br />
Claire Maria Chambers<br />
William Huizhu Sun<br />
REBECCA<br />
JENNISON<br />
RODRIGO TISI<br />
RYAN<br />
REYNOLDS<br />
TODD<br />
COULTER<br />
HEIKE ROMS<br />
DAWN<br />
DAWN TO<br />
DUSK<br />
5:30AM<br />
SATURDAY<br />
- 12:30AM<br />
SUNDAY<br />
ONGOING<br />
7AM - 8:45AM<br />
ONGOING<br />
ONGOING<br />
ONGOING<br />
ONGOING<br />
ONGOING<br />
ONGOING<br />
INSTALLA-<br />
TION,<br />
PERFOR-<br />
MANCES<br />
DURING<br />
LUNCH<br />
AND DINNER<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM
SATURDAY<br />
JUNE 29<br />
PANEL 1 CONTINUED<br />
18<br />
LOCATION TITLE<br />
Old Union 220<br />
Old Union 219<br />
Old Union 218<br />
Old Union 201<br />
Clubhouse Ballroom<br />
Clubhouse Room 101<br />
Building 550<br />
Meeting Space 126<br />
Building 550<br />
Room 162<br />
Building 550<br />
Room 200<br />
Building 550<br />
Studio 1<br />
Building 550<br />
Studio 2<br />
Humanities Center<br />
The Animal in<br />
<strong>Performance</strong>:<br />
Phenomonology,<br />
Aggression, Biology<br />
Fugitive Temporalities<br />
Black Wholes and<br />
Time Warps: Blackness,<br />
<strong>Performance</strong>,<br />
(re)Making Time<br />
Here today, Gone<br />
tomorrow: The<br />
Ephemerality of<br />
<strong>Performance</strong><br />
Faster than the<br />
Speed of Pixles:<br />
Games and Electronic<br />
Media<br />
PSi 19 Lecture Series:<br />
The Performative<br />
Icon: Liquid Sound<br />
and Vibrant Matter<br />
Times, Are They achanging?<br />
Feminism<br />
<strong>Then</strong> and <strong>Now</strong><br />
Acts in Time: Accepting,Contesting,<br />
and Insisting on<br />
Duration<br />
Screen Technology<br />
A <strong>Performance</strong><br />
Archive’s New Life<br />
in the Present: Lynn<br />
Hershman Leeson’s<br />
Life Squared<br />
The (Radical) Politics<br />
of Temporality<br />
Dramaturgy and<br />
performance studies<br />
working group<br />
session: Papers on<br />
Dramaturgy and<br />
<strong>Performance</strong> <strong>Studies</strong><br />
WHO CHAIR TIME<br />
Michelle Lindenblatt<br />
Marcel Williams Foster<br />
Kevin Brown<br />
Joanne Bristol<br />
Jaime del Val<br />
Kimberley McLeod<br />
Paul Clarke<br />
Simon Jones<br />
La Marr Jurelle Bruce<br />
Isaiah Matthew Wooden<br />
Nia Witherspoon<br />
Jakeya Caruthers<br />
Isabel Stowell-Kaplan<br />
W.C. Meier<br />
Esther Belvis Pons<br />
Christine Korte<br />
Takeo Rivera<br />
Cassandra Silver<br />
Hans Vermy<br />
Ali Na<br />
Bissera V. Pentcheva<br />
Geraldine Harris<br />
Elle R. Weatherup<br />
Constance Zaytoun<br />
Sarah Gorman<br />
Nik Wakefield<br />
Katharine Fry<br />
J. DeLeon<br />
Ozum Hatipoglu<br />
Sahar Sajadieh<br />
Anne Robinson<br />
Areum Jeong<br />
Goki Miyakita<br />
Lynn Hershman Leeson<br />
Nick Kaye<br />
Henry Lowood<br />
Michael Shanks<br />
Tanya Augsburg<br />
T. Nikki Cesare Schotzko<br />
Eve Katsouraki<br />
Rebecca Rossen<br />
Imanuel Schipper<br />
Annelis Kuhlmann<br />
Marin Blažević<br />
SARAH<br />
BAY-CHENG<br />
MICHELLE<br />
HILL<br />
BRYCE LEASE<br />
ALIZA<br />
SHVARTS<br />
ROBIN<br />
DEACON<br />
MARIE<br />
GARLOCK<br />
SAINI<br />
MANNINEN<br />
TONY<br />
PERUCCI<br />
VIVIAN<br />
APPLER<br />
PETER<br />
ECKERSALL<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 10AM<br />
10 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM<br />
9 - 11AM
SATURDAY<br />
JUNE 29<br />
PANEL 2<br />
19<br />
LOCATION TITLE<br />
Old Union 122<br />
Old Union 121<br />
Old Union 120<br />
Old Union 200<br />
Old Union 215<br />
Old Union 220<br />
Old Union 219<br />
Old Union 218<br />
Clubhouse Ballroom<br />
Clubhouse Room 101<br />
Building 550<br />
Meeting Space 126<br />
Building 550<br />
Room 162<br />
Building 550<br />
Room 200<br />
Building 550<br />
Studio 1<br />
Crip Times – Perspectives<br />
from<br />
the UK, US, Asia &<br />
Australia<br />
Time is Money: Neoliberal<br />
Corporate<br />
Futures<br />
Expanding the Context<br />
of Dramaturgy<br />
and <strong>Performance</strong><br />
<strong>Studies</strong> – Towards a<br />
New Theory<br />
Epistemologies of<br />
the Unhappened<br />
Philosophy of<br />
History, Panel 2<br />
(<strong>Performance</strong> and<br />
Philosophy Working<br />
Group)<br />
The Time of Crisis:<br />
Aids <strong>Then</strong> and <strong>Now</strong><br />
The <strong>Now</strong> and <strong>Then</strong><br />
of Dance: Sites and<br />
Citations<br />
Participation<br />
Degrees and Their<br />
Appraisal<br />
Here and <strong>Now</strong>: The<br />
Possibilities of the<br />
Textured Present<br />
Global Baroques?:<br />
Dances of Time and<br />
Silver in Paradox<br />
<strong>Then</strong>, <strong>Now</strong>, <strong>Then</strong>:<br />
Doing Hybrid Temporalities<br />
in Contemporary?<br />
Feminist and<br />
Queer <strong>Performance</strong><br />
The Politics of<br />
Mourning<br />
Perpetually Foreign:<br />
Asian Pacific<br />
American <strong>Performance</strong><br />
and Negative<br />
Affects<br />
Too Many Conference<br />
Papers Make<br />
the Baby Go Blind:<br />
When is Neo-Futurism?<br />
WHO CHAIR TIME<br />
Petra Kuppers<br />
Bree Hadley<br />
Kanta Kochhar-Lindgren<br />
Daniel Johnston<br />
Sigrid Merx<br />
Harmony Bench<br />
Peter Eckersall and<br />
Marin Blažević<br />
Chairs; Michael Chemers,<br />
Una Chaudhuri,<br />
James Harding, Edward<br />
Scheer, Helena Grehan<br />
Ella Finer<br />
Flora Pitrolo<br />
P.A. Skantze<br />
Jessica Santone<br />
Graham Wolfe<br />
Giulia Vittori<br />
Jayson A. Morrison<br />
Virginia Anderson<br />
Ciara Murphy<br />
Alana Gerecke<br />
MJ Thompson<br />
Peter Dickinson<br />
Margarida Gandara Rauen<br />
Heli Aaltonen<br />
Fábio Guilherme Salvatti<br />
Robin Bernstein<br />
Jeanne Vaccaro<br />
Kyla Wazana Tompkins<br />
Leo Cabranes-Grant<br />
Jill Lane<br />
Sebastián Calderón<br />
Bentin<br />
Jasmine Rault<br />
Dayna McLeod<br />
T.L. Cowan<br />
Natalie Mathieson<br />
Lyndsay Michalik<br />
Serap Erincin<br />
Joshua Takano Chambers-Letson<br />
Christine Mok<br />
Vivian L. Huang<br />
Shannon Fitzsimons<br />
Jon Foley Sherman<br />
Lindsay Brandon Hunter<br />
Chloe Johnston<br />
MARIA<br />
O’CONNOR<br />
KENN WATT<br />
JILL H. CASID<br />
WILL<br />
DADDARIO<br />
NIOMI ANNA<br />
CHERNEY<br />
JINTY (JANET)<br />
GIBSON<br />
ANDREW<br />
WILFORD<br />
BRODERICK<br />
D.V. CHOW<br />
STEPHEN<br />
BOTTOMS<br />
STEFANIE<br />
SACHSEN-<br />
MAIER<br />
BARBARA<br />
FORMIS<br />
KAREN<br />
SHIMAKAWA<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM
SATURDAY<br />
JUNE 29<br />
PANEL 2 CONTINUED<br />
SATURDAY<br />
JUNE 29<br />
LUNCH 12:45 - 1:45PM<br />
SATURDAY<br />
JUNE 29<br />
PLENARY DIALOGUE<br />
SATURDAY<br />
JUNE 29<br />
PANEL 3<br />
20<br />
LOCATION TITLE<br />
Building 550<br />
Studio 2<br />
Humanities Center<br />
CoHo Café<br />
White Plaza<br />
Cubberley<br />
Auditorium<br />
Old Union 122<br />
Old Union 121<br />
Old Union 120<br />
Old Union 200<br />
Old Union 215<br />
Old Union 220<br />
Old Union 219<br />
Old Union 218<br />
New Institutional<br />
Critique: Relational<br />
Restructurings of<br />
History, Education,<br />
and the <strong>Performance</strong><br />
Art Market<br />
Festive Temporalities<br />
and Decolonization<br />
in the Americas<br />
Graduate Student<br />
Committee Lunch<br />
Session: Creating a<br />
Presence<br />
New Demands?<br />
<strong>Performance</strong> in an<br />
Expanded Temporal<br />
Field<br />
The Frames of <strong>Performance</strong>:Structures<br />
of Understanding<br />
Queer Documentation:<br />
Affects, Repetitions,<br />
Histories<br />
Performing the<br />
Archive<br />
How to get published,<br />
How to get<br />
read<br />
The Past through<br />
Tomorrow: the <strong>Now</strong>/<br />
<strong>Then</strong> of <strong>Performance</strong><br />
Our Own Devices:<br />
Kairotic Tactics as<br />
Cathartic Machinery<br />
Pain, Disease, and<br />
the Unhuman<br />
<strong>Performance</strong> and<br />
(Post) Communism<br />
WHO<br />
Yelena Gluzman<br />
Esther Neff<br />
Adjua Greaves<br />
Jason Alton Bush<br />
Paolo Vignolo<br />
Angela Marino Segura<br />
Rachel Bowditch<br />
Andrés de La Paz<br />
Sarah Bay-Cheng<br />
Lindsey Mantoan<br />
Lisa Vinebaum<br />
Peggy Phelan<br />
Una Chaudhuri<br />
Ivana Guarrasi<br />
Sarah Kozinn<br />
Angel Viator Smith<br />
Jenni Quilter<br />
Michelle R. Baron<br />
Alex Pittman<br />
April Sizemore-Barber<br />
Shreyosi Mukherjee<br />
Annelis Kuhlmann<br />
Glenn D’Cruz<br />
Cláudia Madeira<br />
Emma Horton<br />
Talia Rodgers<br />
Sophie Wade<br />
Julia Listengarten<br />
Claire Canavan<br />
Stephen Di Benedetto<br />
Megan Alrutz<br />
Beth Kurkjian<br />
Noelle Molé<br />
Abigail Joseph<br />
Benjamin Stewart<br />
Leon Hilton<br />
Erin Hood<br />
Amanda Kurtz<br />
Martin O’Brien<br />
Olga Kisseleva<br />
Ilinca Todorut<br />
Yulia Valieva<br />
CHAIR TIME<br />
PATRICK<br />
BRADLEY<br />
SOPHIE NIELD<br />
BELIZA<br />
TORRES<br />
NARVÁEZ<br />
RAY<br />
LANGENBACH<br />
SUSAN<br />
BENNETT<br />
LOUIS BURY<br />
COHEN<br />
AMBROSE<br />
TONY<br />
MCCAFFREY<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
12:45 - 1:45PM<br />
12:45 - 1:45PM<br />
1:45PM - 3:15PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM
SATURDAY<br />
JUNE 29<br />
PANEL 3 CONTINUED<br />
21<br />
LOCATION TITLE<br />
Old Union 201<br />
Clubhouse Ballroom<br />
Clubhouse Room 101<br />
Nitery Theater<br />
Building 550<br />
Meeting Space 126<br />
Building 550<br />
Room 162<br />
Building 550<br />
Room 200<br />
Building 550<br />
Studio 1<br />
Humanities Center<br />
Building 420<br />
(Psychology Department)<br />
Room 50<br />
<strong>Performance</strong> in<br />
Historical Paradigms<br />
Working Group<br />
Roundtable, Panel<br />
2: <strong>Performance</strong><br />
Historiographies:<br />
Documenting the<br />
Unseen<br />
Roundtable Discussion:<br />
Bridging <strong>Performance</strong><br />
and Scholarship,<br />
in Theory and<br />
in Practice<br />
Time and the<br />
Encounter: the<br />
Workcenter of<br />
Jerzy Grotowski and<br />
Thomas Richards at<br />
Three Institutions:<br />
<strong>Stanford</strong>, Trinity, and<br />
Florida State<br />
Amateur: The Work<br />
of Nao Bustamante<br />
Praxis Session<br />
Iteration of Genocide<br />
in <strong>Performance</strong><br />
The Precarity of<br />
Queer Failure: Memoirs<br />
of Björk-Geisha<br />
and La Chica Boom<br />
Bees, Desires, Electric<br />
Wires<br />
Dramaturgy: The<br />
Past, the Present,<br />
and the Perhaps<br />
Media Burn to Maria<br />
Del Camino<br />
Almost Irresponsibly<br />
Optimistic: Revisiting<br />
the <strong>Stanford</strong><br />
Prison Experiment<br />
WHO CHAIR TIME<br />
Pannill Camp<br />
Paige McGinley<br />
Carol Martin<br />
Grzegorz Brzozowski<br />
Andrew Salyer<br />
Katrina Schaag<br />
Annette Arlander<br />
Laurie Beth Clark<br />
Erin Hood<br />
Ralo Mayer<br />
Didier Morelli<br />
Jennifer Parker-Starbuck<br />
Michael Peterson<br />
Heike Roms<br />
Theron Schmidt<br />
Elizabeth Stephens<br />
Mark Sussman<br />
Ryan Tacata<br />
Carolyn Shapiro<br />
Kyle Gillette<br />
Michael Hunter<br />
Rachel Joseph<br />
Kris Salata<br />
Kathryn Mederos Syssoyeva<br />
Nao Bustamante<br />
José Esteban Muñoz<br />
Amelia Jones<br />
Jennifer Doyle<br />
Ricardo Montez<br />
Piet Defraeye<br />
Kristine Nutting<br />
Justine Moelker<br />
Donia Mounsef<br />
Tina Takemoto (aka<br />
Björk-Geisha)<br />
Xandra Ibarra (aka<br />
La Chica Boom)<br />
Debra Levine<br />
Barbara Browning<br />
Kara Jesella<br />
Johan Callens<br />
Anthony Bonney<br />
Melissa Poll<br />
Liang Shen<br />
Curtis Schreier<br />
Bruce Tomb<br />
Chip Lord<br />
Stephen Bottoms<br />
DOMINIKA<br />
LASTER<br />
WILLIAM H.<br />
SUN<br />
KIM MCLEOD<br />
UNA<br />
CHAUDHURI<br />
ELINOR<br />
FUCHS<br />
SIMON<br />
SADLER<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM<br />
3:30 - 5:30PM
SATURDAY<br />
JUNE 29<br />
PANEL 3 CONTINUED<br />
SATURDAY<br />
JUNE 29<br />
DINNER 5:30 - 7:30PM<br />
SATURDAY<br />
JUNE 29<br />
PRAXIS AND PERFORMANCE 1<br />
22<br />
LOCATION TITLE<br />
Roble Studio 38<br />
RSVP REQUIRED<br />
Roble Studio 52<br />
Axe and Palm<br />
Outdoor Patio<br />
Old Union<br />
Courtyard<br />
Ft. Funston Beach<br />
RSVP REQUIRED<br />
Piggot Theater<br />
Prosser Theater<br />
Nitery Theater<br />
Roble Studio 25<br />
Roble Studio 33<br />
Roble Studio 38<br />
“THE BODY DANC-<br />
ES” a workshop with<br />
Anna Halprin<br />
Constellating Characters<br />
in Episodic<br />
Time. The Serial<br />
<strong>Performance</strong>s of<br />
Marcia Farquhar and<br />
Heather Woodbury<br />
Dwight Conquergood<br />
Book Celebration<br />
The Stone, Our<br />
Sundial<br />
Out of Water<br />
The Implicit Body<br />
in <strong>Performance</strong>:<br />
Rupturing Habit in<br />
the Live Act<br />
Void<br />
Tomorrow We Will<br />
Run Faster<br />
The Landscape<br />
Cracks / A Thousand<br />
Kisses<br />
pre/ now / post: una<br />
trilogía<br />
<strong>Performance</strong> Gallery<br />
Limit-Cruisers<br />
(#2 Crowd)<br />
2: Untitled<br />
WHO CHAIR TIME<br />
Anna Halprin<br />
Ella Finer<br />
Marcia Farquhar<br />
Heather Woodbury<br />
Rebecca Chaleff<br />
Rebecca Ormiston<br />
Helen Paris<br />
Caroline Wright<br />
Amelia Jones<br />
Marin Blažević<br />
Susan Foster<br />
Juliana Snapper<br />
Ron Athey<br />
Irina Anufrieva<br />
Katharine Fry<br />
Salyer + Schaag<br />
(Andrew Salyer and<br />
Katrina Schaag)<br />
Ruth Hellier-Tinoco<br />
Linda Mary Montano<br />
Agatha (Balek) Morrell<br />
Eleni Kolliopoulou<br />
Elenaor Oakes<br />
Jenni Kokkomäki<br />
Sally Watkins<br />
Ryan Tacata<br />
Mel Day<br />
Janna Holmstedt<br />
Nik Wakefield<br />
3:30 - 5:30PM<br />
3:30 - 9PM<br />
5:30 - 7:30PM<br />
6:30 - 8:30PM<br />
DUSK<br />
7:30 - 9:30PM<br />
7 - 7:30PM<br />
9 - 10PM<br />
7:30 - 8:30PM<br />
9 - 10PM<br />
ONGOING<br />
INSTALLATIONS<br />
7:30 - 9:30PM<br />
7:30 - 9:30PM
SATURDAY<br />
JUNE 29<br />
PRAXIS AND PERFORMANCE 1<br />
CONTINUED<br />
SATURDAY<br />
JUNE 29<br />
PRAXIS AND PERFORMANCE 2<br />
23<br />
LOCATION TITLE<br />
Roble Studio 42<br />
Roble Studio 52<br />
Roble Lounge<br />
Building 550<br />
Room 200<br />
Building 550<br />
Studio 1<br />
Building 550<br />
Studio 2<br />
Memorial Auditorium<br />
Lawn<br />
Pigott Theater<br />
TICKETED<br />
PERFORMANCE<br />
Prosser Theater<br />
Nitery Theater<br />
Clubhouse Ballroom<br />
What a Body Can Do<br />
Constellating Characters<br />
in Episodic<br />
Time. The Serial<br />
<strong>Performance</strong>s of<br />
Marcia Farquhar and<br />
Heather Woodbury<br />
To Stop the Sun<br />
From Setting; To<br />
Hold Back The Sea<br />
With Your Hands<br />
Unstuck Time: A<br />
Performative Panel<br />
on Embodying the<br />
In-Between<br />
The Dark Sound of<br />
Sexual Differentiation<br />
Spa(e)cious<br />
. . . wreckage upon<br />
wreckage . . .<br />
Incorruptible Flesh:<br />
Messianic Remains<br />
Sujeto Transnacional<br />
Discours Mou et Mat<br />
- REHEARSAL AF-<br />
TER - Reflect Soft<br />
Matte Discourse<br />
The Big Bang Show:<br />
Everything You<br />
Always Wanted to<br />
Know about Causality<br />
but were Afraid<br />
to Ask<br />
WHO CHAIR TIME<br />
Ben Spatz<br />
Sareh Afshar<br />
Bruce Barton<br />
Christine German<br />
Zihan Loo<br />
Donia Mounsef<br />
Ira Murfin<br />
Laura Potrovic<br />
Darko Jeftic<br />
Peter Sciscioli<br />
Justin Zullo<br />
Ella Finer<br />
Marcia Farquhar<br />
Heather Woodbury<br />
L.M. Bogad<br />
Dawn Weleski<br />
Devendra Sharma<br />
Marie Garlock<br />
Seán McKeithan<br />
Brittany Chávez<br />
Aliza Shvarts<br />
Amalle Dublon<br />
Constantina Zavitsanos<br />
Gershon Dublon<br />
Elena Cologni<br />
Nancy Tam<br />
Daniel O’Shea<br />
Sean Marshall Jr.<br />
Finley Hyde<br />
Ron Athey<br />
Marcela Fuentes<br />
(Marshagall)<br />
Malin Arnell<br />
Maaike Bleeker<br />
Iris van der Tuin<br />
Alan Read<br />
Jon McKenzie and<br />
Sally Jane Norman<br />
7:30 -<br />
MIDNIGHT<br />
3:30 - 9PM<br />
7:30 - 9:30PM<br />
7:30 - 9:30PM<br />
7:30 - 9:30PM<br />
7:30 - 9:30PM<br />
9PM<br />
ONWARD<br />
11PM<br />
11PM<br />
10:30PM<br />
10PM
SATURDAY<br />
JUNE 29<br />
PRAXIS AND PERFORMANCE 2<br />
CONTINUED<br />
24<br />
LOCATION TITLE<br />
Roble Studio 25<br />
Building 550<br />
Atrium<br />
Building 550<br />
Room 200<br />
CoHo Café<br />
<strong>Performance</strong> Gallery<br />
Precarious Time: Bay<br />
Area <strong>Performance</strong><br />
<strong>Studies</strong> is <strong>Now</strong><br />
(Re)presenting the<br />
(un)Documented<br />
Past<br />
Dissertation: The<br />
Agony and the<br />
Ecstasy<br />
WHO CHAIR TIME<br />
Linda Mary Montano<br />
Atatha (Balek) Morrell<br />
Eleni Kolliopoulou<br />
Elenaor Oakes<br />
Jenni Kokkomäki<br />
Sally Watkins<br />
Ryan Tacata<br />
Mel Day<br />
Sampada Aranke<br />
Josy Miller<br />
Keith Hennessy<br />
Kira Dralle and<br />
Danielle Grayvon<br />
Shannon Rose Riley<br />
Natalia Esling<br />
Matt Jones<br />
Myrto Koumarianos<br />
Allison Leadley<br />
Grace Smith<br />
Kelsy Vivash<br />
Convened by the Graduate<br />
Student Committee<br />
ONGOING<br />
INSTALLA-<br />
TIONS<br />
10PM<br />
10PM<br />
11PM
SUNDAY<br />
JUNE 30<br />
INSTALLATIONS AND<br />
MORNING PERFORMANCES<br />
SUNDAY<br />
JUNE 30<br />
PANEL 1<br />
25<br />
LOCATION TITLE<br />
Roble Courtyard<br />
Toyon Courtyard<br />
Roble Front Lawn<br />
Nearby <strong>Stanford</strong><br />
Memorials and<br />
Landmarks<br />
Old Union<br />
Courtyard<br />
The Bay Area<br />
Everywhere<br />
Clubhouse Ballroom<br />
Old Union 122<br />
Old Union 120<br />
Old Union 215<br />
Old Union 219<br />
Old Union 218<br />
Old Union 201<br />
Clubhouse Ballroom<br />
Clubhouse Room 101<br />
Full Circle<br />
Shuttle<br />
Transcontinental<br />
Garden Exchange<br />
Dissolving Echoes: A<br />
<strong>Performance</strong> in Two<br />
Parts and Many Acts<br />
Loud Pauses<br />
SiteWorks: 217<br />
Events/Sites, San<br />
Francisco 1969-1984<br />
Record of the Time<br />
PSi Lecture Series:<br />
Market Fitness<br />
Archives Out of<br />
Joint: (M)Othering<br />
Firsts in Historiography<br />
Controlling Codes:<br />
Mediatized Bodies<br />
and Ludic <strong>Performance</strong><br />
The Threat of Time<br />
Loss and Latinidad:<br />
Affective Relations<br />
and Precarious<br />
Futurity<br />
Diagramming Documentation<br />
The Sacred, the<br />
Profane, and the<br />
Mundane<br />
Doing Time, an Exploratory<br />
Workshop<br />
on <strong>Performance</strong> and<br />
Incarceration<br />
Fin de Siecle<br />
WHO CHAIR TIME<br />
Amy Lee Sanford<br />
Mick Douglas<br />
Beth Weinstein<br />
James Oliver<br />
Cat Jones<br />
Melissa Hunt<br />
Jeanne Thompson<br />
Angel Viator Smith<br />
Louis Bury<br />
Mara Jebsen<br />
Abigail Joseph<br />
Matthew McClelland<br />
Megan Shea<br />
Ben Stweart<br />
Nick Kaye<br />
Gabriella Giannachi<br />
Laura Carletti<br />
Spatula&Barcode<br />
Christian Nagler<br />
Lydia Nelson<br />
Katelyn Hale Wood<br />
Michelle Hill<br />
Linzi Juliano<br />
Kimi Johnson<br />
Eero Laine<br />
Victoria Gray<br />
Caroline Smith<br />
Deborah Pollard<br />
Iván Ramos<br />
Joshua Guzmán<br />
Christina León<br />
Andrej Mircev<br />
Paola Crespi<br />
Melina Scialom<br />
Hee-won Kim<br />
Megan Macdonald<br />
Mark Jackson<br />
Lois Weaver<br />
Sara E Jackson<br />
Hélène Ohlsson<br />
Roy Gomez-Cruz<br />
ELEANOR<br />
OWICKI<br />
LINDSAY<br />
BRANDON<br />
HUNTER<br />
KATHERINE<br />
MEZUR<br />
MARGARIDA<br />
GANDARA<br />
RAUEN<br />
ROBERT C.<br />
THOMPSON<br />
PETER<br />
DICKINSON<br />
ELIZABETH A.<br />
OSBORNE<br />
ONGOING<br />
7AM - 8:45AM<br />
ONGOING<br />
ONGOING<br />
ONGOING<br />
ONGOING<br />
ONGOING<br />
8 - 9AM<br />
9:30 - 11AM<br />
9:30 - 11AM<br />
9:30 - 11AM<br />
9:30 - 11AM<br />
9:30 - 11AM<br />
9:30 - 11AM<br />
9:30 - 11AM<br />
9:30 - 11AM
SUNDAY<br />
JUNE 30<br />
PANEL 1 CONTINUED<br />
SUNDAY<br />
JUNE 30<br />
PANEL 2<br />
26<br />
LOCATION TITLE<br />
Building 550<br />
Room 162<br />
Building 550<br />
Room 200<br />
Building 550<br />
Studio 1<br />
Building 550<br />
Studio 2<br />
Humanities Center<br />
Building 420<br />
(Psychology Department)<br />
Room 50<br />
Old Union 121<br />
Old Union 120<br />
Old Union 200<br />
Old Union 220<br />
Old Union 219<br />
Old Union 201<br />
<strong>Performance</strong> Historiography:Document,<br />
Evidence, Text<br />
Post 9/11 <strong>Performance</strong>:<br />
Queer<br />
Diasporic Responses<br />
to the U.S. “War on<br />
Terror”<br />
Three Scores and<br />
Fifty Years Ago:<br />
Instructional <strong>Performance</strong><br />
and Institutional<br />
Time<br />
Dancing through<br />
Life: Choreographies<br />
of Touch, Repetition,<br />
and Time<br />
PSi 2015 PROJECT:<br />
FLUID STATES –<br />
<strong>Performance</strong>s of<br />
unKnowing<br />
Almost Irresponsibly<br />
Optimistic: Revisiting<br />
the <strong>Stanford</strong><br />
Prison Experiment<br />
How PSi Thinks:<br />
the Future of the<br />
Institution. An Open<br />
Roundtable Discussion<br />
Patriotic Palimpsests:<br />
Representing<br />
<strong>Then</strong> in the American<br />
<strong>Now</strong><br />
Memory, Loss:<br />
performing affective<br />
visual politics<br />
Reenactment &/As<br />
Political Form<br />
Biopolitical Temporalities<br />
<strong>Performance</strong> in<br />
Historical Paradigms<br />
Working Group<br />
Roundtable<br />
WHO CHAIR TIME<br />
Anthony Romero<br />
R. Justin Hunt<br />
Andra Yount<br />
Marc Boucai<br />
Kareem Khubchandani<br />
Meiver De La Cruz<br />
Gillian Young<br />
Nicole L. Woods<br />
Catherine Damman<br />
Rizvana Bradley<br />
Beth Weinstein<br />
Josie E. Davis<br />
Marin Bla žević<br />
Dorita Hannah<br />
Bree Hadley<br />
Rodrigo Tisi<br />
Representatives Of 12<br />
Fluid States Clusters<br />
Stephen Bottoms<br />
Ray Langenbach<br />
Lee Weng Choy<br />
Erica Ocegueda<br />
Victoria Pettersen Lantz<br />
Angela Sweigart-Gallagher<br />
Elizabeth Currans<br />
Catherine Pancake<br />
Jeanne Scheper<br />
Amy Partridge<br />
Mary Patten<br />
Sarah Lewison<br />
Andrew Wilford<br />
Marcos Steuernagel<br />
Gabriella Calchi-Novati<br />
Dominika Laster<br />
Paige McGinley<br />
Pannill Camp<br />
Carol Martin<br />
Shayoni Mitra<br />
Elizabeth Osborne<br />
Joey Plaster<br />
Grzegorz Brzozowski<br />
ANGELA<br />
SCHILLER<br />
JISHA MENON<br />
AGATHA<br />
MORRELL<br />
CHIA-YI<br />
SEETOO<br />
JOYCE LU<br />
EFROSINI<br />
PROTOPAPA<br />
ROZALINDA<br />
BORCILA<br />
CLAIRE MARIA<br />
CHAMBERS<br />
9:30 - 11AM<br />
9:30 - 11AM<br />
9:30 - 11AM<br />
9:30 - 11AM<br />
9:30 - 11AM<br />
9:30 - 11AM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
111:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM
SUNDAY<br />
JUNE 30<br />
PANEL 2 CONTINUED<br />
SUNDAY<br />
JUNE 30<br />
AGM<br />
27<br />
LOCATION TITLE<br />
Clubhouse Ballroom<br />
Clubhouse Room 101<br />
Building 550<br />
Meeting Space 126<br />
Building 550<br />
Room 200<br />
Building 550<br />
Studio 1<br />
Building 550<br />
Concept Space<br />
Cubberley<br />
Auditorium<br />
The Performative<br />
Classroom (Take<br />
Two)<br />
Redoing, Remaking,<br />
Reimagining<br />
Remembering Herbert<br />
Blau: A Round<br />
Table Discussion<br />
Going Back in Time:<br />
Theater and Young<br />
Audiences<br />
Legacies: The <strong>Now</strong>-<br />
<strong>Then</strong> of Political<br />
<strong>Performance</strong><br />
Simultaneous Talking<br />
and Listening<br />
Workshop<br />
Annual General<br />
Meeting<br />
Conference Closes<br />
WHO CHAIR TIME<br />
Monica Stufft<br />
Amanda Card<br />
Warren Mark Liew<br />
Loo Zihan<br />
Carra Martinez<br />
Carl Weber<br />
R.G. Davis<br />
Alice Rayner<br />
Clark Lunberry<br />
Caleb Lee<br />
Kristin Leahey<br />
Hillary Bard<br />
L.M. Bogad<br />
Michael Shane Boyle<br />
Dawn Weleski<br />
Nina Galin<br />
James Marchbanks<br />
ANNELIS<br />
KUHLMANN<br />
JOSY MILLER<br />
KATE<br />
BREDESON<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
11:15AM -<br />
12:45PM<br />
1 - 2:30PM<br />
2:30PM
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