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Final Draft - Preview Matter - Florida State University

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metaphor that could be used by man to explain himself. The collective unconscious may lead<br />

man to seek out powers greater than himself and to create gods, but I do not wholly agree with<br />

the creation of universal archetypes since the meaning of symbols varies from place to place or<br />

changes over time in the same location.<br />

Rice appropriates Jung’s theory of archetypes and goes on to state that “The archetypes<br />

are, at one level, the source of the multitude of gods and goddesses which humans have invented,<br />

either to provide comfort or to effect control.” 78 Archetypes are useful but can be somewhat<br />

problematic when followed too strictly. Similarity in symbols and ideas can be noted without the<br />

creation of as complex a system as universal and inherited archetypes, and one is also forced to<br />

determine how far the recognition of basic human concerns takes us for the study of<br />

mythology. 79 A second point to consider when dealing with archetypes and animal symbolism is<br />

that an animal might be used to symbolize a deity or demon, but surely not every ancient culture<br />

will see all of the same qualities in the particular animal. These vary according to what is<br />

important to each society and the way that the animal interacts with the environment. When<br />

discussing the Minotaur, Rice attempts to refute Jung’s interpretation of the Minotaur as the<br />

attempt of the Greeks to overcome man’s animal nature. 80 Instead, Rice sees the Minotaur as the<br />

embodiment of Jung’s “Shadow” 81 and an expression of man’s animal nature, an issue that still<br />

plagues modern scholars. One can see man coming to grips with his animal side in works such<br />

as Midgley’s Beast and Man: The Roots of Human Nature. 82 We can only approximate the<br />

meaning that the Greeks, Etruscans, or Romans would have attached to a particular symbol,<br />

though, and we must be careful not to superimpose a modern viewpoint over the views of the<br />

ancients.<br />

In the pursuit of making sense of animal symbolism, Lévi-Strauss’s structural approach<br />

to myth also must be dealt with for it has influenced scholars such as W. Burkert and G.S. Kirk.<br />

Kirk sums up Lévi-Strauss’ position nicely.<br />

78 Rice 1998, 34.<br />

79 Kirk 1974, 78.<br />

80 Rice 1998, 262.<br />

81 Segal (1998, 79) presents a collection of Jung’s work dealing with mythology in which the Shadow archetype is<br />

defined by Jung as the “dangerous aspect of the unrecognized dark half of the personality.”<br />

82 There are also a great many cultures in which the differentiation between man and beast is not as clearly defined<br />

as one might assume. Cultures that possess shamanistic beliefs in which animals are thought of as having their own<br />

form of consciousness and perceptions are less likely to draw a firm line between man and animal. De Castro (1998,<br />

469-88) demonstrates this concept of “perspectivism.”<br />

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