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Final Draft - Preview Matter - Florida State University

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part of the plot of a myth that it was originally an incarnation of the god or that since Athena is<br />

clad in a goatskin and a goat is sacrificed to her once a year that she was once a sacred goat.<br />

Lastly, while many of the gods dealt with in this study do have quite ancient roots, the<br />

blending of animal and human form in the iconography of a god does not always indicate early<br />

imagery or cult practice. For example, gods such as Aesculapius and Charu do not become<br />

prominent in Italy until the Classical and Hellenistic periods, which can hardly be considered<br />

“primitive.” Aesculapius’ entry into Rome is recorded by Ovid in his Metamorphoses, and in<br />

this text, the god journeys to Rome in the form of a sacred snake who chooses the location of his<br />

shrine on the Tiber Island. In the case of Charu, he, like the other Etruscan “death-demons,”<br />

does not appear until Etruscan culture experiences a depression in the Classical Period, and<br />

snake imagery is a key part of his iconography. 75 The use of animals and the blending of human<br />

and animal bodies to express the nature of the divinity remained a popular and poignant form of<br />

artistic expression for some time.<br />

As mentioned earlier, one approach to the study of myth which is useful for examining<br />

therianthropic deities is that proposed by Jung. The “collective unconscious” and the use of<br />

archetypes has been applied to bull deities by M. Rice in his text, The Power of the Bull. 76 Rice<br />

claims that<br />

The tendency to represent gods in animal form… is common to all mankind, at all<br />

periods of human history. It offers, in itself, most convincing proof of the<br />

accuracy of the vision of the collective unconscious, the inheritance of all men<br />

and of the archetypes which well up out of the unconscious and the common<br />

neuro-physiological and neuro-psychological mechanisms of which they are a<br />

part. 77<br />

I agree with Rice that the use of animals to symbolize the divine is common to many cultures,<br />

but I do not think that we need fully accept Jung’s biodeterministic propositions. Man’s basic<br />

curiosity, facility of observation, and need to find meaning are reasons enough for the creation of<br />

these gods. Because animals appear to demonstrate various traits that man finds admirable or<br />

reprehensible, he is going to see in an animal a representation of himself or a god. Man’s<br />

closeness to animals in antiquity was greater than ours is now, and thus animals offered a<br />

75 Hostetler (2003) makes much of this in her thesis.<br />

76 Whether or not one agrees with his Jungian approach, Rice does compile a great deal of information concerning<br />

bull worship. Rice (1998, 8) also claims to discuss bull cults which span from “south-Western Europe to the borders<br />

of India” but his work falls short of dealing with Italy.<br />

77 Rice 1998, 10.<br />

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