Final Draft - Preview Matter - Florida State University
Final Draft - Preview Matter - Florida State University
Final Draft - Preview Matter - Florida State University
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Given the importance of the cult of Apollo at Delphi, one cannot simply dismiss animal worship<br />
in the classical world out of hand.<br />
The perception that the ancients abhorred animal worship is no doubt one contributing<br />
factor to the scant treatment these theriomorphic and therianthropic deities received in major<br />
works on Etruscan and Roman religion. In Archaic Roman Religion, G. Dumézil attempted to<br />
prove that Roman religion was founded upon Indo-European roots, conspicuously demonstrated<br />
by an archaic triad formed by the gods Jupiter, Mars, and Quirinus. 54 Dumézil’s argument,<br />
which is not convincing, does not discuss the possible worship of animals in ancient Rome, nor<br />
does he address this topic in his appendix dedicated to Etruscan religion. A recent work, M.<br />
Beard, S. Price, and J. North’s Religions of Rome, which has become a basic textbook for<br />
students of Roman religion, also pays little attention to theriomorphic and therianthropic<br />
divinities.<br />
In fact, the topic that is most commonly addressed in the study of Etruscan and early<br />
Roman religion is the influence of the Greeks upon the people of Italy. 55 (This is indeed a topic<br />
worthy of discussion, and it is addressed several times in the present work in relation to<br />
theriomorphic and therianthropic gods.) One misconception which must be addressed deals with<br />
the nature of Etruscan and Roman myth. In the past, scholars such as H.J. Rose and R.M.<br />
Ogilvie were both guilty of reducing Roman myth to a mere derivation of Greek models. 56 The<br />
influence of Greek myth on the Romans and Etruscans should not be dismissed, but it should<br />
also not be overemphasized. D. Feeney has recently spoken out in favor of the Roman utilization<br />
of Greek myths as a dynamic process and a creative strategy of appropriation, and N. de<br />
54 Dumézil 1970, 141-282.<br />
55 Altheim (1938, 124) poses the question of Roman adoption of Greek gods as one of time and comprehension of<br />
the divine but yet comes to the conclusion that “When the Greeks came, it was discovered that on them too the<br />
divine reality had shone, but that both in picture and cult, it had been incomparably more plainly seen and worked<br />
out in more convincing and appealing forms.” Richardson (1976, 128) implies that the proper way to makes sense<br />
of Etruscan myth and cult is to fit it into a “Greek pattern.” North (2000, 4) summarizes the derisive view of Roman<br />
myth as follows: “It has sometimes been said that the Romans simply had no mythology of their own and that it was<br />
for that reason that they later borrowed the mythology of the Greeks… In so far as they [Romans] tell such stories<br />
they always seem to reflect Greek myths in Roman guise.”<br />
56 Rose (1929, 305-334) offers the title “Italian Pseudo-Mythology” for what is commonly thought of as Roman<br />
myth. In this section of his text, Rose (1929, 306) states, “Italian gods were vague personalities, with definite and<br />
limited functions, and are not thought of as marrying, having children, forming connexions of love or friendship<br />
with mortals, or doing any of the things which Greek imagination ascribed to the Olympians.”<br />
14