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Saunders, N.J. 1990. “Tezcatlipoca: Jaguar Metaphors and the Aztec Mirror of Nature.” In Signifying Animals: Human Meaning in the Natural World, edited by R.G. Willis, 159- 77. London: Unwin Hyman Ltd. Schachter, A. 1981. Cults of Boiotia. London: University of London Institute of Classical Studies. Schauenburg, K. 1969. “Ganymed in der Unteritalischen Vasenmalerei.” In Opus Nobile. Festschrift zum 60. Geburtstag von Ulf Jantzen, edited by P. Zazoff, 131-7. Wiesbaden: Franz Steiner Verlag GMBH. Scheffer, C. 1994. “Female Deities, Horses and Death (?) in Archaic Greek Religion.” In Opus Mixtum: Essays in Ancient Art and Society. Stockholm: Paul Åströms Förlag, 111-134. Schefold, K. 1986. “Boreadai.” In LIMC III.1. Zurich: Artemis, 126-33. Schilling, Robert. 1992. “Faunus.” In Roman and European Mythologies. Translated by W. Doniger. Chicago: University of Chicago Press, 127. Schmidt, E. 1962. The Great Altar of Pergamon. Translated by L. Jaeck. Leipzig: Veb Offizin Nexö. Schouten, J. 1967. The Rod and Serpent of Asklepios. Translated by M.E. Hollander. New York: Elsevier Publishing Company. Seaford, R. 1993. “Dionysos as Destroyer of the Household: Homer, Tragedy, and the Polis.” In Masks of Dionysos, edited by T.H. Carpenter and C.A. Faraone, 115-46. Ithaca: Cornell University Press. Segal, R. ed. 1998. Jung on Mythology. Princeton: Princeton University Press. Serra Ridgway, F. 1990. “Etruscans, Greeks, Carthaginians: The Sanctuary at Pyrgi.” In Greek Colonists and Native Populations. Proceedings of the First Australian Congress of Classical Archaeology Held in Honour of Emeritus Professor A.D. Trendall Sydney 9-14, July 1985, edited by J-P. Descœudres, 511-30. Oxford: Clarendon Press. Shafer, B.E. 1991. Ed. Religion in Ancient Egypt: Gods, Myths, and Personal Practice. Ithaca: Cornell University Press. Sherrill, S. 2000. The Minotaur Takes a Cigarette Break. New York: Picador USA. Shields, E.L. 1926. Juno: A Study in Early Roman Religion. Northampton: Smith College. Sichtermann, H. 1956. Ganymed: Mythos und Gestalt in der antiken Kunst. Berlin: Mann. 219
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THE FLORIDA STATE UNIVERSITY COLLEG
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This work is dedicated to my loving
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TABLE OF CONTENTS List of Figures v
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Fig. II.8. Rear Wall of the Tomb of
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Fig. III.13. Etruscan Bronze Ash Ur
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Fig. V.7. Etruscan Bronze Mirror De
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ABSTRACT This dissertation is an in
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physiognomy was discovered at Hohle
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or for the death of someone else, w
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left with an incomplete appraisal o
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presentation of the Battle of Actiu
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are more distinct mirrors by the na
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its prerogatives and its essence ar
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Given the importance of the cult of
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In general, theriomorphic and theri
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paradoxical, as the loss of a valua
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metaphor that could be used by man
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students of comparative religion in
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there is not a wealth of literary n
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Faunus and Silvanus are also associ
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CHAPTER 2: THE SERPENT The serpent
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Corinthian vase painting.) In this
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used as decorative support elements
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Phersipnai, but these heads are bad
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creature of the earth, and even his
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of Aesculapius’ birth, a goat nur
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II.11). On this medallion, a person
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serpent chooses both the time and p
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household divinities such as the Pe
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Vergil’s statement that Aeneas wa
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CHAPTER 3: THE WOLF AND CANINES Dow
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P. Defosse proposes that the connec
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are not alone on this vessel, and o
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y reference to his barking, 253 and
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Finally seizing the moment, Arruns
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the shape of a man, from that of a
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passage, 280 which would accord wit
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history of the Lupercalia and the w
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Period in Rome as can be seen in ar
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Pan or Faunus, 327 but Inuus seems
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had been devastated at the time whe
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Ovid takes place at a water source
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figure has been identified as a wol
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suggestion is plausible, but due to
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narrative and alternative iconograp
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eproduction of animals. 376 These a
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Mars in line nine. Similarly, Turca
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anch, 397 objects that likely stres
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appear as Juno Sospita, clad in a g
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Lanuvium, and indeed there is one l
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SISPITE and demonstrates the variat
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that it may be Greek. 433 Gordon st
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the etymology of her name indicates
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of Faunus in poetry and art, which
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probably derives from Sumerian mode
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A bull therianthrope identified as
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efers to the bull-headed man as Dio
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ecent discussion of the perception
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The rites of Bacchic cult practice
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was likely difficult even for the a
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Layed me out in the deep sand. That
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Perhaps we are meant to interpret t
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CHAPTER 6: AVIANS Gods and birds sh
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for the Romans, and it may be that
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When we speak of totemism we actual
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One curious example of an avian the
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votive 592 (Fig. VI.7) and decorati
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hyta. 611 On the other hand, the sw
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of a lost Apulian drinking cup form
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labeled, These, the Etruscan Theseu
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image was also used as an indicator
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The imagery used to represent hybri
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god or goddess or the popularity of
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Fig. I.2. Roman Fresco Depicting a
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Fig. II.2. Sculpture of the so-call
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Fig. II.4. Etruscan Black Figure Hy
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Fig. II.6. Detail of an Etruscan Fr
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Fig. II.8. Rear Wall of the Tomb of
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Fig. II.10. Roman Marble Statue of
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Fig. II.12. Detail of a Roman Marbl
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Fig. II.14. Drawing of a Roman Fres
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Fig. III.2. Reconstruction of an Et
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Fig. III.4. Detail of an Etruscan P
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Fig. III.6. Etruscan Bucchero Oinoc
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Fig. III.8. Etruscan Painted Terrac
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Fig. III.10. Line Drawing of an Etr
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Fig. III.12. Etruscan Terracotta Ci
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Fig. III.14. Pontic Plate by the Ti
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Fig. III.16. Etruscan Bronze Statue
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Fig. IV.2. Roman Bronze Statuette o
Page 181 and 182: Fig. IV.4. Latin Painted Terracotta
Page 183 and 184: Fig. IV.6. Etruscan Bronze Mirror C
Page 185 and 186: Fig. IV.8. Imperial Roman Bronze Co
Page 187 and 188: Fig. IV.10. Etruscan Bronze Statuet
Page 189 and 190: Fig. V.1. Etruscan Engraved Bronze
Page 191 and 192: Fig. V.3. Etruscan Red-Figure Plate
Page 193 and 194: Fig. V.5. Roman Terracotta Revetmen
Page 195 and 196: Fig. V.7. Etruscan Bronze Mirror De
Page 197 and 198: Fig. V.9. Etruscan Gold Pendant Rep
Page 199 and 200: Fig. V.11. Etruscan Bucchero Oinoch
Page 201 and 202: Fig. VI.2. Line Drawing of an Engra
Page 203 and 204: Fig. VI.4. Terracotta Antefix from
Page 205 and 206: Fig. VI.6. Monumental Stone Relief
Page 207 and 208: Fig. VI.8. Etruscan Bronze Statuett
Page 209 and 210: Fig. VI.10. Line Drawing of the Ton
Page 211 and 212: Fig. VI.12. Water Color Rendition o
Page 213 and 214: Serv. Ad. Aen. VII, 761. 37 Val. Ma
Page 215 and 216: Bare, C.P. 2001. “The Iconography
Page 217 and 218: Buxton, R. 1994. “The Wolf and We
Page 219 and 220: _____. 2000b. “Mirrors and Mantei
Page 221 and 222: Felton, D. 1999. Haunted Greece and
Page 223 and 224: Harrington, F.H. and C.S. Asa. 2003
Page 225 and 226: Kirk, G.S. 1970. Myth: Its Meaning
Page 227 and 228: Mannhardt, W. 1884. Mythologische F
Page 229 and 230: _____. 1975. The Etruscans. Transla
Page 231: _____. 1982. “A Mirror in the Duk
Page 235 and 236: _____. 2000. The Etruscans. Trans.
Page 237 and 238: Winter, N. 2006. “Gorgons, Minota
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