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_____. 1906. Myth, Ritual, and Religion. New York: Longman’s, Green, and Co. _____. 1970. The Secret of the Totem. New York: AMS Press. Leavitt, John. 1992. “The Cults of Isis among the Greeks and in the Roman Empire.” In Greek and Egyptian Mythologies. Trans. by W. Doniger. Ed. by Y. Bonnefoy. Chicago: University of Chicago Press, 245-51. Leclant, J. 1981. “Anubis.” In LIMC Volume I.I. Zurich: Artemis, 862-73. Leisinger, H. 1953. Malerei der Etrusker in Tarquinia. Zurich: Buchergilde Gutenburg. Lévi-Strauss, C. 1963. Totemism. Trans by. R. Needham. Boston: Beacon Press. _____. 1966. The Savage Mind. Trans by George Weidenfeld. Chicago: Chicago University Press. _____. 1969. The Raw and the Cooked. Trans by J. and D. Weightman. New York: Harper and Row. Liebeschuetz, J.H.W.G. 1979. Continuity and Change in Roman Religion. Oxford: Clarendon Press. Ling, R. 1991. Roman Painting. New York: Cambridge University Press. Lippold, G. 1936. Die Skulpturen des Vatikanischen Museums. Vol. III.1. Berlin: Walter de Gruyter & Co. Lonsdale, S.H. 1979. “Attitudes towards Animals in Ancient Greece.” GaR 26: 146-59. Luce. S.B. 1923. “Heracles and Achelous on a Cylix in Boston.” AJA 27: 425-37. Luyster, R. 1965. “Symbolic Elements in the Cult of Athena.” History of Religions 5: 133-63. Mackay, T.S. 1975. “Three Poets Observe Picus.” AJP 96: 272-5. MacMullen, R. 2000. Romanization in the Time of Augustus. New Haven: Yale University Press. Maggiani, A. 1982. “Qualche osservazione sul Fegato di Piacenza.” SE 50: 53-88. Malaise, M. 1972. Inventaire préliminaire des documents égyptiens découverts en Italie. Leiden: E.J. Brill. Mambella, R. 1997. “Tiberis, Tiberinus.” In LIMC VIII.1. Zurich: Artemis, 25-7. 213
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THE FLORIDA STATE UNIVERSITY COLLEG
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This work is dedicated to my loving
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TABLE OF CONTENTS List of Figures v
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Fig. II.8. Rear Wall of the Tomb of
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Fig. III.13. Etruscan Bronze Ash Ur
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Fig. V.7. Etruscan Bronze Mirror De
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ABSTRACT This dissertation is an in
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physiognomy was discovered at Hohle
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or for the death of someone else, w
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left with an incomplete appraisal o
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presentation of the Battle of Actiu
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are more distinct mirrors by the na
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its prerogatives and its essence ar
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Given the importance of the cult of
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In general, theriomorphic and theri
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paradoxical, as the loss of a valua
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metaphor that could be used by man
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students of comparative religion in
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there is not a wealth of literary n
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Faunus and Silvanus are also associ
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CHAPTER 2: THE SERPENT The serpent
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Corinthian vase painting.) In this
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used as decorative support elements
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Phersipnai, but these heads are bad
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creature of the earth, and even his
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of Aesculapius’ birth, a goat nur
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II.11). On this medallion, a person
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serpent chooses both the time and p
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household divinities such as the Pe
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Vergil’s statement that Aeneas wa
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CHAPTER 3: THE WOLF AND CANINES Dow
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P. Defosse proposes that the connec
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are not alone on this vessel, and o
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y reference to his barking, 253 and
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Finally seizing the moment, Arruns
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the shape of a man, from that of a
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passage, 280 which would accord wit
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history of the Lupercalia and the w
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Period in Rome as can be seen in ar
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Pan or Faunus, 327 but Inuus seems
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had been devastated at the time whe
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Ovid takes place at a water source
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figure has been identified as a wol
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suggestion is plausible, but due to
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narrative and alternative iconograp
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eproduction of animals. 376 These a
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Mars in line nine. Similarly, Turca
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anch, 397 objects that likely stres
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appear as Juno Sospita, clad in a g
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Lanuvium, and indeed there is one l
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SISPITE and demonstrates the variat
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that it may be Greek. 433 Gordon st
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the etymology of her name indicates
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of Faunus in poetry and art, which
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probably derives from Sumerian mode
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A bull therianthrope identified as
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efers to the bull-headed man as Dio
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ecent discussion of the perception
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The rites of Bacchic cult practice
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was likely difficult even for the a
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Layed me out in the deep sand. That
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Perhaps we are meant to interpret t
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CHAPTER 6: AVIANS Gods and birds sh
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for the Romans, and it may be that
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When we speak of totemism we actual
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One curious example of an avian the
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votive 592 (Fig. VI.7) and decorati
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hyta. 611 On the other hand, the sw
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of a lost Apulian drinking cup form
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labeled, These, the Etruscan Theseu
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image was also used as an indicator
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The imagery used to represent hybri
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god or goddess or the popularity of
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Fig. I.2. Roman Fresco Depicting a
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Fig. II.2. Sculpture of the so-call
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Fig. II.4. Etruscan Black Figure Hy
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Fig. II.6. Detail of an Etruscan Fr
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Fig. II.8. Rear Wall of the Tomb of
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Fig. II.10. Roman Marble Statue of
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Fig. II.12. Detail of a Roman Marbl
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Fig. II.14. Drawing of a Roman Fres
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Fig. III.2. Reconstruction of an Et
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Fig. III.4. Detail of an Etruscan P
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Fig. III.6. Etruscan Bucchero Oinoc
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Fig. III.8. Etruscan Painted Terrac
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Fig. III.10. Line Drawing of an Etr
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Fig. III.12. Etruscan Terracotta Ci
Page 175 and 176: Fig. III.14. Pontic Plate by the Ti
Page 177 and 178: Fig. III.16. Etruscan Bronze Statue
Page 179 and 180: Fig. IV.2. Roman Bronze Statuette o
Page 181 and 182: Fig. IV.4. Latin Painted Terracotta
Page 183 and 184: Fig. IV.6. Etruscan Bronze Mirror C
Page 185 and 186: Fig. IV.8. Imperial Roman Bronze Co
Page 187 and 188: Fig. IV.10. Etruscan Bronze Statuet
Page 189 and 190: Fig. V.1. Etruscan Engraved Bronze
Page 191 and 192: Fig. V.3. Etruscan Red-Figure Plate
Page 193 and 194: Fig. V.5. Roman Terracotta Revetmen
Page 195 and 196: Fig. V.7. Etruscan Bronze Mirror De
Page 197 and 198: Fig. V.9. Etruscan Gold Pendant Rep
Page 199 and 200: Fig. V.11. Etruscan Bucchero Oinoch
Page 201 and 202: Fig. VI.2. Line Drawing of an Engra
Page 203 and 204: Fig. VI.4. Terracotta Antefix from
Page 205 and 206: Fig. VI.6. Monumental Stone Relief
Page 207 and 208: Fig. VI.8. Etruscan Bronze Statuett
Page 209 and 210: Fig. VI.10. Line Drawing of the Ton
Page 211 and 212: Fig. VI.12. Water Color Rendition o
Page 213 and 214: Serv. Ad. Aen. VII, 761. 37 Val. Ma
Page 215 and 216: Bare, C.P. 2001. “The Iconography
Page 217 and 218: Buxton, R. 1994. “The Wolf and We
Page 219 and 220: _____. 2000b. “Mirrors and Mantei
Page 221 and 222: Felton, D. 1999. Haunted Greece and
Page 223 and 224: Harrington, F.H. and C.S. Asa. 2003
Page 225: Kirk, G.S. 1970. Myth: Its Meaning
Page 229 and 230: _____. 1975. The Etruscans. Transla
Page 231 and 232: _____. 1982. “A Mirror in the Duk
Page 233 and 234: Simon, E. 1973. “Die Tomba dei To
Page 235 and 236: _____. 2000. The Etruscans. Trans.
Page 237 and 238: Winter, N. 2006. “Gorgons, Minota
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