Final Draft - Preview Matter - Florida State University

More documents

Recommendations

Info

Douglas, E. 1913. “Iuno Sospita of Lanuvium.” JRS 3: 60-72. Dowden, K. 1998. “Man and Beast in the Religious Imagination of the Roman Empire.” In Monsters and Monstrosity in Greek and Roman Culture, edited by C. Atherton, 113-33. Bari: Levante Editori. Downey, S.B. 1995. Architectural Terracottas from the Regia. Ann Arbor: University of Michigan Press. Dozzini, B. 1983. Museo Archeologico Nazionale dell’Umbria. Perugia: Tipografia Guerra. Ducati, P. 1968. Pontische vasen. Rome: "L’Erma" di Bretschneider. Dumézil, G. 1966. Archaic Roman Religion. Chicago: University of Chicago Press. Edelstein E.J. and L.E. 1945. Asclepius: A Collection and Interpretation of the Testimonies. Baltimore: Johns Hopkins Press. Edlund, I.E.M. 1987. The Gods and the Place. Stockholm: Paul Åströms Forlag. Eliade, M. 1974. Zalmoxis, the Vanishing God: Comparative Studies in the Religions and Folklore of Dacia and Eastern Europe. Translated by W.R. Trask. Chicago: Chicago University Press. Elliot, J. 1995. “The Etruscan Wolfman in Myth and Ritual.” EtrStud 2: 17-33. _____. 1986. The Mask in Etruscan Religion, Ritual, and Theater. Ph.D. diss., Florida State University. Evans, A. 1988. The God of Ecstasy: Sex Roles and the Madness of Dionysos. New York: St. Martin’s Press. Evans, E.C. 1939. Cults of the Sabine Territory. New York: American Academy in Rome. Faraone, C.A. 1991. “Binding and Burying the Forces of Evil: The Defensive Use of ‘Voodoo Dolls’ in Ancient Greece.” CA 10: 165-205. _____. 1992. Talismans and Trojan Horses: Guardian Statues in Ancient Greek Myth and Ritual. New York: Oxford University Press. Fairclough, H.R. 1963. Love of Nature Among the Greeks and Romans. New York: Cooper Square Publishers Inc. Farnell, L.R. 1907. The Cults of the Greek States. Vol. 4. Oxford: Clarendon Press. Feeney, D. 1999. Literature and Religion at Rome. Cambridge: Cambridge University Press. 207
Felton, D. 1999. Haunted Greece and Rome. Austin: University of Texas Press. Fitzmeyer, J.A. 1966. “The Phoenician Inscription from Pyrgi.” JAOS 86: 285-97. Fowler, W.W. 1911. The Religious Experience of the Roman People from the Earliest Times to the Age of Augustus. London: Macmillan and Co. _____. 1969. Roman Ideas of Deity. Freeport: Books for Libraries Press. Fox, M. 1996. Roman Historical Myths, The Regal Period in Augustan Literature. Oxford: Clarendon Press. Frazer, J.G. 1922. The Golden Bough: A Study in Magic and Religion, Abridged Edition. London: Macmillan and Co. _____, ed. 1929. Publii Ovidii Nasonis Fastorum Libri Sex : the Fasti of Ovid. London: Macmillan and Co. _____. 1961. The New Golden Bough. New York: Doubleday Inc. _____. 1910. Totemism and Exogamy: A Treatise on Certain Early Forms of Superstition and Society. London: Macmillan and Co. Fritts, S.H., R.O. Stephenson, R.D. Hayes, and L. Boitani. 2003. “Wolves and Humans.” In Wolves: Behavior, Ecology, and Conservation, edited by L.D. Mech and L. Boitani. 289- 317. Chicago: University of Chicago Press. Gàbrici, E. 1928. “La Collezione Casuccini del Museo Nazionale di Palermo.” SE 2: 55-81. Gais, R.M. 1978. “Some Problems of River-God Iconography.” AJA 82: 355-70. Galieti, A. 1916. “Intorno al culto di ‘Iuno Sospita Mater Regina’ in Lanuvium.” BullCom 44: 3-36. Galli, E. 1916. “Il sarcafago etrusco di Torre San Severo, con quattro scene del Ciclo Troiano.” Mon. Lincei 25: 1-116. Gaspari, C. 1986. “Bacchus.” In LIMC III.1. Zurich: Artemis, 540-66. _____. 1986. “Dionysos.” In LIMC III.1. Zurich: Artemis, 413-514. Gerhard, E. 1867. Etruskische Spiegel. Vol. IV. Berlin: G. Reimer. Gerke, F. 1938. Griechische Plastik. Berlin: Altantis-Verlag. 208
Page 1 and 2:
THE FLORIDA STATE UNIVERSITY COLLEG
Page 3 and 4:
This work is dedicated to my loving
Page 5 and 6:
TABLE OF CONTENTS List of Figures v
Page 7 and 8:
Fig. II.8. Rear Wall of the Tomb of
Page 9 and 10:
Fig. III.13. Etruscan Bronze Ash Ur
Page 11 and 12:
Fig. V.7. Etruscan Bronze Mirror De
Page 13 and 14:
ABSTRACT This dissertation is an in
Page 15 and 16:
physiognomy was discovered at Hohle
Page 17 and 18:
or for the death of someone else, w
Page 19 and 20:
left with an incomplete appraisal o
Page 21 and 22:
presentation of the Battle of Actiu
Page 23 and 24:
are more distinct mirrors by the na
Page 25 and 26:
its prerogatives and its essence ar
Page 27 and 28:
Given the importance of the cult of
Page 29 and 30:
In general, theriomorphic and theri
Page 31 and 32:
paradoxical, as the loss of a valua
Page 33 and 34:
metaphor that could be used by man
Page 35 and 36:
students of comparative religion in
Page 37 and 38:
there is not a wealth of literary n
Page 39 and 40:
Faunus and Silvanus are also associ
Page 41 and 42:
CHAPTER 2: THE SERPENT The serpent
Page 43 and 44:
Corinthian vase painting.) In this
Page 45 and 46:
used as decorative support elements
Page 47 and 48:
Phersipnai, but these heads are bad
Page 49 and 50:
creature of the earth, and even his
Page 51 and 52:
of Aesculapius’ birth, a goat nur
Page 53 and 54:
II.11). On this medallion, a person
Page 55 and 56:
serpent chooses both the time and p
Page 57 and 58:
household divinities such as the Pe
Page 59 and 60:
Vergil’s statement that Aeneas wa
Page 61 and 62:
CHAPTER 3: THE WOLF AND CANINES Dow
Page 63 and 64:
P. Defosse proposes that the connec
Page 65 and 66:
are not alone on this vessel, and o
Page 67 and 68:
y reference to his barking, 253 and
Page 69 and 70:
Finally seizing the moment, Arruns
Page 71 and 72:
the shape of a man, from that of a
Page 73 and 74:
passage, 280 which would accord wit
Page 75 and 76:
history of the Lupercalia and the w
Page 77 and 78:
Period in Rome as can be seen in ar
Page 79 and 80:
Pan or Faunus, 327 but Inuus seems
Page 81 and 82:
had been devastated at the time whe
Page 83 and 84:
Ovid takes place at a water source
Page 85 and 86:
figure has been identified as a wol
Page 87 and 88:
suggestion is plausible, but due to
Page 89 and 90:
narrative and alternative iconograp
Page 91 and 92:
eproduction of animals. 376 These a
Page 93 and 94:
Mars in line nine. Similarly, Turca
Page 95 and 96:
anch, 397 objects that likely stres
Page 97 and 98:
appear as Juno Sospita, clad in a g
Page 99 and 100:
Lanuvium, and indeed there is one l
Page 101 and 102:
SISPITE and demonstrates the variat
Page 103 and 104:
that it may be Greek. 433 Gordon st
Page 105 and 106:
the etymology of her name indicates
Page 107 and 108:
of Faunus in poetry and art, which
Page 109 and 110:
probably derives from Sumerian mode
Page 111 and 112:
A bull therianthrope identified as
Page 113 and 114:
efers to the bull-headed man as Dio
Page 115 and 116:
ecent discussion of the perception
Page 117 and 118:
The rites of Bacchic cult practice
Page 119 and 120:
was likely difficult even for the a
Page 121 and 122:
Layed me out in the deep sand. That
Page 123 and 124:
Perhaps we are meant to interpret t
Page 125 and 126:
CHAPTER 6: AVIANS Gods and birds sh
Page 127 and 128:
for the Romans, and it may be that
Page 129 and 130:
When we speak of totemism we actual
Page 131 and 132:
One curious example of an avian the
Page 133 and 134:
votive 592 (Fig. VI.7) and decorati
Page 135 and 136:
hyta. 611 On the other hand, the sw
Page 137 and 138:
of a lost Apulian drinking cup form
Page 139 and 140:
labeled, These, the Etruscan Theseu
Page 141 and 142:
image was also used as an indicator
Page 143 and 144:
The imagery used to represent hybri
Page 145 and 146:
god or goddess or the popularity of
Page 147 and 148:
Fig. I.2. Roman Fresco Depicting a
Page 149 and 150:
Fig. II.2. Sculpture of the so-call
Page 151 and 152:
Fig. II.4. Etruscan Black Figure Hy
Page 153 and 154:
Fig. II.6. Detail of an Etruscan Fr
Page 155 and 156:
Fig. II.8. Rear Wall of the Tomb of
Page 157 and 158:
Fig. II.10. Roman Marble Statue of
Page 159 and 160:
Fig. II.12. Detail of a Roman Marbl
Page 161 and 162:
Fig. II.14. Drawing of a Roman Fres
Page 163 and 164:
Fig. III.2. Reconstruction of an Et
Page 165 and 166:
Fig. III.4. Detail of an Etruscan P
Page 167 and 168:
Fig. III.6. Etruscan Bucchero Oinoc
Page 169 and 170: Fig. III.8. Etruscan Painted Terrac
Page 171 and 172: Fig. III.10. Line Drawing of an Etr
Page 173 and 174: Fig. III.12. Etruscan Terracotta Ci
Page 175 and 176: Fig. III.14. Pontic Plate by the Ti
Page 177 and 178: Fig. III.16. Etruscan Bronze Statue
Page 179 and 180: Fig. IV.2. Roman Bronze Statuette o
Page 181 and 182: Fig. IV.4. Latin Painted Terracotta
Page 183 and 184: Fig. IV.6. Etruscan Bronze Mirror C
Page 185 and 186: Fig. IV.8. Imperial Roman Bronze Co
Page 187 and 188: Fig. IV.10. Etruscan Bronze Statuet
Page 189 and 190: Fig. V.1. Etruscan Engraved Bronze
Page 191 and 192: Fig. V.3. Etruscan Red-Figure Plate
Page 193 and 194: Fig. V.5. Roman Terracotta Revetmen
Page 195 and 196: Fig. V.7. Etruscan Bronze Mirror De
Page 197 and 198: Fig. V.9. Etruscan Gold Pendant Rep
Page 199 and 200: Fig. V.11. Etruscan Bucchero Oinoch
Page 201 and 202: Fig. VI.2. Line Drawing of an Engra
Page 203 and 204: Fig. VI.4. Terracotta Antefix from
Page 205 and 206: Fig. VI.6. Monumental Stone Relief
Page 207 and 208: Fig. VI.8. Etruscan Bronze Statuett
Page 209 and 210: Fig. VI.10. Line Drawing of the Ton
Page 211 and 212: Fig. VI.12. Water Color Rendition o
Page 213 and 214: Serv. Ad. Aen. VII, 761. 37 Val. Ma
Page 215 and 216: Bare, C.P. 2001. “The Iconography
Page 217 and 218: Buxton, R. 1994. “The Wolf and We
Page 219: _____. 2000b. “Mirrors and Mantei
Page 223 and 224: Harrington, F.H. and C.S. Asa. 2003
Page 225 and 226: Kirk, G.S. 1970. Myth: Its Meaning
Page 227 and 228: Mannhardt, W. 1884. Mythologische F
Page 229 and 230: _____. 1975. The Etruscans. Transla
Page 231 and 232: _____. 1982. “A Mirror in the Duk
Page 233 and 234: Simon, E. 1973. “Die Tomba dei To
Page 235 and 236: _____. 2000. The Etruscans. Trans.
Page 237 and 238: Winter, N. 2006. “Gorgons, Minota
show all

Final Draft - Preview Matter - Florida State University

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?