Final Draft - Preview Matter - Florida State University

More documents

Recommendations

Info

Cook, A.B. 1894. “Animal Worship in the Mycenaean Age.” JHS 14: 81-169. Cristofani, M. 1985. I bronzi degli Etruschi. Novara : Istituto Geografico De Agostini. _____., ed. 2000. Etruschi, una nuova immagine. Florence: Giunti Gruppo Editoriale. _____. 1986. “Fufluns.” In LIMC III.1. Zurich: Artemis, 531-40. _____. Ed. 1990. La grande Roma dei Tarquini. Rome: L’Erma di Bretschneider. _____. 1987. “I santuari: tradizioni decorative.” In Etruria e Lazio arcaico, edited by M. Cristofani, 95-120. Rome: Consiglio nazionale delle ricerche. _____. 1969. “La tomba del ‘Tifone’: Cultura e società di Tarquinia in età tardo Etrusca.” Atti della academia Nazionale dei Lincei Ser. VIII, Vol XIV,4: 213-56. Cristofani, M. and M. Martelli. 1978. “Fufluns Pa?ies sugli aspetti del culto di Bacco in Etruria.” SE 46: 119-33. Croon, J.H. 1955. “The Mask of the Underworld Daemon – Some Remarks on the Perseus Gorgon Story.” JHS 75: 9-16. Cumont, F. 1956. Oriental Religions in Roman Paganism. New York: Dover Publications. Dalley, S., ed. 2000. Myths from Mesopotamia: Creation, The Flood, Gilgamesh, and Others. New York: Oxford University Press. De Agostino, A. 1968. The Archaeological Museum of Florence. Florence: Arnaud. De Azevedo, M.G. 1970. “L’autenticà del sarcofago di Orvieto da Torre San Severo.” RM 77: 10-8. De Castro, E.V. 1998. “Cosmological Deixis and Amerindian Perspectivism.” JRAI 4: 469-88. De Grummond, N.T. Ed. 1982. A Guide to Etruscan Mirrors. Tallahassee: Archaeological News, Inc. _____. 1990. “Pax Augusta and the Horae on the Ara Pacis Augustae.” AJA 94: 663-77. _____. 2000a. “Gauls and Giants, Skylla and the Palladion: Some Responses.” In From Pergamon to Sperlonga, edited by N.T. de Grummond and B.S. Ridgway, 255-77. Berkeley: University of California Press. 205
_____. 2000b. “Mirrors and Manteia: Themes of Prophecy on Etruscan Mirrors.” In Aspetti e problemi della produzione degli specchi figurati etruschi, edited by M.D. Gentili, 27-67 Rome: Aracne. _____. 2006a. Etruscan Myth, Sacred History and Legend. Philadelphia: Publications of the University of Pennsylvania Museum. _____. 2006b. “Mari , the Etruscan Genius.” In Across Frontiers: Studies in Honour of David Ridgway and Francesca R. Serra Ridgway, edited by I. Lemos et al. London: Accordia Research Institute, 413-26. _____. 2006c. “Prophets and Priests.” In The Religion of the Etruscans, edited by N.T. De Grummond and E. Simon, 27-44. Austin: University of Texas Press. De Grummond, N.T. and E. Simon., eds. 2006. The Religion of the Etruscans. Austin: University of Texas Press. De Kay, C. 1898. Bird Gods. New York: A.S. Barnes & Co. De Ridder, A. 1902. Catalogue des vases peintes de la Bibliothéque Nationale. Paris: Ernest Leroux. De Ruyt, F. 1934. Charun, démon étrusque de la mort. Rome: Institut historique belge. De Simone, C. 1997. “Dénominations divines étrusques binaries: considérations préliminaries.” In Les Étrusques, Les plus religieux des hommes: état de la recherché sur la religion étrusque. Actes du colloque international Grand Palais 17-19.11.1992, edited by F. Gaultier and D. Briquel, 185-207. Paris: La Documentation française. De Vos, M. 1990. “Casa del Octavio Quartio.” In Pompei Pitture e Mosaici Vol. 3. Roma: Istituto dell Enciclopedia Italiana, 42-109. Defosse, P. 1972. “Génie funéraire ravisseur (Calu) sur quelques urnes étrusques.” AntCl 41: 487-99. Del Chiaro, M.A. 1970. “Two Unusual Vases of the Etruscan Torcop Group: One with Head of Aita (Hades).” AJA 74: 292-4. Detienne, M. 1989. Dionysos at Large. Translated by A. Goldhammer. Cambridge: Harvard University Press. Dodds, E.R. ed. 1960. Bacchae. Oxford: Clarendon Press. Dorcey, P.F. 1992. The Cult of Silvanus: A Study in Roman Folk Religion. New York: E.J. Brill. 206
Page 1 and 2:
THE FLORIDA STATE UNIVERSITY COLLEG
Page 3 and 4:
This work is dedicated to my loving
Page 5 and 6:
TABLE OF CONTENTS List of Figures v
Page 7 and 8:
Fig. II.8. Rear Wall of the Tomb of
Page 9 and 10:
Fig. III.13. Etruscan Bronze Ash Ur
Page 11 and 12:
Fig. V.7. Etruscan Bronze Mirror De
Page 13 and 14:
ABSTRACT This dissertation is an in
Page 15 and 16:
physiognomy was discovered at Hohle
Page 17 and 18:
or for the death of someone else, w
Page 19 and 20:
left with an incomplete appraisal o
Page 21 and 22:
presentation of the Battle of Actiu
Page 23 and 24:
are more distinct mirrors by the na
Page 25 and 26:
its prerogatives and its essence ar
Page 27 and 28:
Given the importance of the cult of
Page 29 and 30:
In general, theriomorphic and theri
Page 31 and 32:
paradoxical, as the loss of a valua
Page 33 and 34:
metaphor that could be used by man
Page 35 and 36:
students of comparative religion in
Page 37 and 38:
there is not a wealth of literary n
Page 39 and 40:
Faunus and Silvanus are also associ
Page 41 and 42:
CHAPTER 2: THE SERPENT The serpent
Page 43 and 44:
Corinthian vase painting.) In this
Page 45 and 46:
used as decorative support elements
Page 47 and 48:
Phersipnai, but these heads are bad
Page 49 and 50:
creature of the earth, and even his
Page 51 and 52:
of Aesculapius’ birth, a goat nur
Page 53 and 54:
II.11). On this medallion, a person
Page 55 and 56:
serpent chooses both the time and p
Page 57 and 58:
household divinities such as the Pe
Page 59 and 60:
Vergil’s statement that Aeneas wa
Page 61 and 62:
CHAPTER 3: THE WOLF AND CANINES Dow
Page 63 and 64:
P. Defosse proposes that the connec
Page 65 and 66:
are not alone on this vessel, and o
Page 67 and 68:
y reference to his barking, 253 and
Page 69 and 70:
Finally seizing the moment, Arruns
Page 71 and 72:
the shape of a man, from that of a
Page 73 and 74:
passage, 280 which would accord wit
Page 75 and 76:
history of the Lupercalia and the w
Page 77 and 78:
Period in Rome as can be seen in ar
Page 79 and 80:
Pan or Faunus, 327 but Inuus seems
Page 81 and 82:
had been devastated at the time whe
Page 83 and 84:
Ovid takes place at a water source
Page 85 and 86:
figure has been identified as a wol
Page 87 and 88:
suggestion is plausible, but due to
Page 89 and 90:
narrative and alternative iconograp
Page 91 and 92:
eproduction of animals. 376 These a
Page 93 and 94:
Mars in line nine. Similarly, Turca
Page 95 and 96:
anch, 397 objects that likely stres
Page 97 and 98:
appear as Juno Sospita, clad in a g
Page 99 and 100:
Lanuvium, and indeed there is one l
Page 101 and 102:
SISPITE and demonstrates the variat
Page 103 and 104:
that it may be Greek. 433 Gordon st
Page 105 and 106:
the etymology of her name indicates
Page 107 and 108:
of Faunus in poetry and art, which
Page 109 and 110:
probably derives from Sumerian mode
Page 111 and 112:
A bull therianthrope identified as
Page 113 and 114:
efers to the bull-headed man as Dio
Page 115 and 116:
ecent discussion of the perception
Page 117 and 118:
The rites of Bacchic cult practice
Page 119 and 120:
was likely difficult even for the a
Page 121 and 122:
Layed me out in the deep sand. That
Page 123 and 124:
Perhaps we are meant to interpret t
Page 125 and 126:
CHAPTER 6: AVIANS Gods and birds sh
Page 127 and 128:
for the Romans, and it may be that
Page 129 and 130:
When we speak of totemism we actual
Page 131 and 132:
One curious example of an avian the
Page 133 and 134:
votive 592 (Fig. VI.7) and decorati
Page 135 and 136:
hyta. 611 On the other hand, the sw
Page 137 and 138:
of a lost Apulian drinking cup form
Page 139 and 140:
labeled, These, the Etruscan Theseu
Page 141 and 142:
image was also used as an indicator
Page 143 and 144:
The imagery used to represent hybri
Page 145 and 146:
god or goddess or the popularity of
Page 147 and 148:
Fig. I.2. Roman Fresco Depicting a
Page 149 and 150:
Fig. II.2. Sculpture of the so-call
Page 151 and 152:
Fig. II.4. Etruscan Black Figure Hy
Page 153 and 154:
Fig. II.6. Detail of an Etruscan Fr
Page 155 and 156:
Fig. II.8. Rear Wall of the Tomb of
Page 157 and 158:
Fig. II.10. Roman Marble Statue of
Page 159 and 160:
Fig. II.12. Detail of a Roman Marbl
Page 161 and 162:
Fig. II.14. Drawing of a Roman Fres
Page 163 and 164:
Fig. III.2. Reconstruction of an Et
Page 165 and 166:
Fig. III.4. Detail of an Etruscan P
Page 167 and 168: Fig. III.6. Etruscan Bucchero Oinoc
Page 169 and 170: Fig. III.8. Etruscan Painted Terrac
Page 171 and 172: Fig. III.10. Line Drawing of an Etr
Page 173 and 174: Fig. III.12. Etruscan Terracotta Ci
Page 175 and 176: Fig. III.14. Pontic Plate by the Ti
Page 177 and 178: Fig. III.16. Etruscan Bronze Statue
Page 179 and 180: Fig. IV.2. Roman Bronze Statuette o
Page 181 and 182: Fig. IV.4. Latin Painted Terracotta
Page 183 and 184: Fig. IV.6. Etruscan Bronze Mirror C
Page 185 and 186: Fig. IV.8. Imperial Roman Bronze Co
Page 187 and 188: Fig. IV.10. Etruscan Bronze Statuet
Page 189 and 190: Fig. V.1. Etruscan Engraved Bronze
Page 191 and 192: Fig. V.3. Etruscan Red-Figure Plate
Page 193 and 194: Fig. V.5. Roman Terracotta Revetmen
Page 195 and 196: Fig. V.7. Etruscan Bronze Mirror De
Page 197 and 198: Fig. V.9. Etruscan Gold Pendant Rep
Page 199 and 200: Fig. V.11. Etruscan Bucchero Oinoch
Page 201 and 202: Fig. VI.2. Line Drawing of an Engra
Page 203 and 204: Fig. VI.4. Terracotta Antefix from
Page 205 and 206: Fig. VI.6. Monumental Stone Relief
Page 207 and 208: Fig. VI.8. Etruscan Bronze Statuett
Page 209 and 210: Fig. VI.10. Line Drawing of the Ton
Page 211 and 212: Fig. VI.12. Water Color Rendition o
Page 213 and 214: Serv. Ad. Aen. VII, 761. 37 Val. Ma
Page 215 and 216: Bare, C.P. 2001. “The Iconography
Page 217: Buxton, R. 1994. “The Wolf and We
Page 221 and 222: Felton, D. 1999. Haunted Greece and
Page 223 and 224: Harrington, F.H. and C.S. Asa. 2003
Page 225 and 226: Kirk, G.S. 1970. Myth: Its Meaning
Page 227 and 228: Mannhardt, W. 1884. Mythologische F
Page 229 and 230: _____. 1975. The Etruscans. Transla
Page 231 and 232: _____. 1982. “A Mirror in the Duk
Page 233 and 234: Simon, E. 1973. “Die Tomba dei To
Page 235 and 236: _____. 2000. The Etruscans. Trans.
Page 237 and 238: Winter, N. 2006. “Gorgons, Minota
show all

Final Draft - Preview Matter - Florida State University

Create successful ePaper yourself

Delete template?

Save as template?