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Borgeaud, P. 1988. The Cult of Pan in Ancient Greece. Translated by K. Atlass and J. Redfield. Chicago: University of Chicago Press. Boyce, G.K. 1937. Corpus of the Lararia of Pompeii. Rome: American Academy in Rome. _____. 1942. “Significance of the Serpents on Pompeian House Shrines.” AJA 46: 13-22. Brendel, O. 1995. Etruscan Art. 2 nd ed. New Haven: Yale University Press. Brewster, H. 1997. The River Gods of Greece: Myths and Mountain Waters in the Hellenic World. New York: I.B. Tauris Publishers. Brightman, R. 1993. Grateful Prey: Rock Cree Human-Animal Relationships. Berkeley: University of California Press. Briguet, M-F. 1986. “Art.” In Etruscan Life and Afterlife, edited by L. Bonfante, 92-173. Detroit: Wayne State University Press. Briquel, D. 1976. “L’oiseau ominal, la louve de Mars, la truie féconde.” MEFR 88.1: 31-50. Brommer, F. 1981. “Theseus und Minotauros in der Etruskischen kunst.” RM 88: 1-12. Brown, A.L. 1996. “Cycnus.” In Oxford Classical Dictionary. 3 rd ed, edited by S. Hornblower and A.J. Spawforth, 417-8. London: Oxford University Press. Brown, F.E. and T.R. Scott. 1985. “La Regia nel Foro Romano.” In Case e palazzi d’Etruria, edited by S. Stopponi, 186-8. Milan: Electa. Brown, P.D.C. 1971. “Statuette of a Lar in the Ashmolean Museum.” Burlington Magazine 113: 334-6. Bruhl, A. 1953. Liber Pater: Origine et expansion du culte dionysiaque à Rome et dans le monde romain. Paris: E. de Boccard. Bruna, B. Ed. 1996. Cerveteri. Rome. Brunn, H. and G. Körte. 1872-1916. I rilievi delle urne etrusche. 3 Volumes. Rome: "L’Erma" di Bretschneider. Buranelli, F. 1992. The Etruscans: Legacy of a Lost Civilization. Translated by N.T. de Grummond. Memphis: Memphis International Cultural Series. Burkert, W. 1979. Structure and History in Greek Mythology and Ritual. Berkeley: University of California Press. _____. 1985. Greek Religion. Cambridge: Harvard University Press. 203
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THE FLORIDA STATE UNIVERSITY COLLEG
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This work is dedicated to my loving
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TABLE OF CONTENTS List of Figures v
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Fig. II.8. Rear Wall of the Tomb of
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Fig. III.13. Etruscan Bronze Ash Ur
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Fig. V.7. Etruscan Bronze Mirror De
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ABSTRACT This dissertation is an in
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physiognomy was discovered at Hohle
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or for the death of someone else, w
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left with an incomplete appraisal o
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presentation of the Battle of Actiu
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are more distinct mirrors by the na
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its prerogatives and its essence ar
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Given the importance of the cult of
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In general, theriomorphic and theri
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paradoxical, as the loss of a valua
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metaphor that could be used by man
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students of comparative religion in
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there is not a wealth of literary n
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Faunus and Silvanus are also associ
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CHAPTER 2: THE SERPENT The serpent
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Corinthian vase painting.) In this
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used as decorative support elements
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Phersipnai, but these heads are bad
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creature of the earth, and even his
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of Aesculapius’ birth, a goat nur
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II.11). On this medallion, a person
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serpent chooses both the time and p
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household divinities such as the Pe
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Vergil’s statement that Aeneas wa
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CHAPTER 3: THE WOLF AND CANINES Dow
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P. Defosse proposes that the connec
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are not alone on this vessel, and o
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y reference to his barking, 253 and
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Finally seizing the moment, Arruns
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the shape of a man, from that of a
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passage, 280 which would accord wit
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history of the Lupercalia and the w
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Period in Rome as can be seen in ar
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Pan or Faunus, 327 but Inuus seems
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had been devastated at the time whe
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Ovid takes place at a water source
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figure has been identified as a wol
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suggestion is plausible, but due to
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narrative and alternative iconograp
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eproduction of animals. 376 These a
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Mars in line nine. Similarly, Turca
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anch, 397 objects that likely stres
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appear as Juno Sospita, clad in a g
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Lanuvium, and indeed there is one l
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SISPITE and demonstrates the variat
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that it may be Greek. 433 Gordon st
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the etymology of her name indicates
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of Faunus in poetry and art, which
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probably derives from Sumerian mode
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A bull therianthrope identified as
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efers to the bull-headed man as Dio
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ecent discussion of the perception
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The rites of Bacchic cult practice
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was likely difficult even for the a
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Layed me out in the deep sand. That
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Perhaps we are meant to interpret t
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CHAPTER 6: AVIANS Gods and birds sh
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for the Romans, and it may be that
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When we speak of totemism we actual
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One curious example of an avian the
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votive 592 (Fig. VI.7) and decorati
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hyta. 611 On the other hand, the sw
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of a lost Apulian drinking cup form
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labeled, These, the Etruscan Theseu
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image was also used as an indicator
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The imagery used to represent hybri
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god or goddess or the popularity of
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Fig. I.2. Roman Fresco Depicting a
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Fig. II.2. Sculpture of the so-call
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Fig. II.4. Etruscan Black Figure Hy
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Fig. II.6. Detail of an Etruscan Fr
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Fig. II.8. Rear Wall of the Tomb of
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Fig. II.10. Roman Marble Statue of
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Fig. II.12. Detail of a Roman Marbl
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Fig. II.14. Drawing of a Roman Fres
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Fig. III.2. Reconstruction of an Et
Page 165 and 166: Fig. III.4. Detail of an Etruscan P
Page 167 and 168: Fig. III.6. Etruscan Bucchero Oinoc
Page 169 and 170: Fig. III.8. Etruscan Painted Terrac
Page 171 and 172: Fig. III.10. Line Drawing of an Etr
Page 173 and 174: Fig. III.12. Etruscan Terracotta Ci
Page 175 and 176: Fig. III.14. Pontic Plate by the Ti
Page 177 and 178: Fig. III.16. Etruscan Bronze Statue
Page 179 and 180: Fig. IV.2. Roman Bronze Statuette o
Page 181 and 182: Fig. IV.4. Latin Painted Terracotta
Page 183 and 184: Fig. IV.6. Etruscan Bronze Mirror C
Page 185 and 186: Fig. IV.8. Imperial Roman Bronze Co
Page 187 and 188: Fig. IV.10. Etruscan Bronze Statuet
Page 189 and 190: Fig. V.1. Etruscan Engraved Bronze
Page 191 and 192: Fig. V.3. Etruscan Red-Figure Plate
Page 193 and 194: Fig. V.5. Roman Terracotta Revetmen
Page 195 and 196: Fig. V.7. Etruscan Bronze Mirror De
Page 197 and 198: Fig. V.9. Etruscan Gold Pendant Rep
Page 199 and 200: Fig. V.11. Etruscan Bucchero Oinoch
Page 201 and 202: Fig. VI.2. Line Drawing of an Engra
Page 203 and 204: Fig. VI.4. Terracotta Antefix from
Page 205 and 206: Fig. VI.6. Monumental Stone Relief
Page 207 and 208: Fig. VI.8. Etruscan Bronze Statuett
Page 209 and 210: Fig. VI.10. Line Drawing of the Ton
Page 211 and 212: Fig. VI.12. Water Color Rendition o
Page 213 and 214: Serv. Ad. Aen. VII, 761. 37 Val. Ma
Page 215: Bare, C.P. 2001. “The Iconography
Page 219 and 220: _____. 2000b. “Mirrors and Mantei
Page 221 and 222: Felton, D. 1999. Haunted Greece and
Page 223 and 224: Harrington, F.H. and C.S. Asa. 2003
Page 225 and 226: Kirk, G.S. 1970. Myth: Its Meaning
Page 227 and 228: Mannhardt, W. 1884. Mythologische F
Page 229 and 230: _____. 1975. The Etruscans. Transla
Page 231 and 232: _____. 1982. “A Mirror in the Duk
Page 233 and 234: Simon, E. 1973. “Die Tomba dei To
Page 235 and 236: _____. 2000. The Etruscans. Trans.
Page 237 and 238: Winter, N. 2006. “Gorgons, Minota
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