Final Draft - Preview Matter - Florida State University
Final Draft - Preview Matter - Florida State University
Final Draft - Preview Matter - Florida State University
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for These? Is this mirror representative of a conflation of Hercle’s labor to conquer the Cretan<br />
Bull and Theseus’ slaying of the Minotaur? We may never be able to answer these questions<br />
reliably. While this is an extreme (and yet not solitary) example of variation in myth, it is an<br />
important reminder that myths, just as the gods featured in them, are fluid and changeable.<br />
A second appearance of Hercle in combat with the Minotaur is represented on an<br />
Etruscan black-figure amphora. In Fig. V.2, the figure on the left, wielding a club and wearing a<br />
lion skin, is clearly Hercle, the Etruscan Herakles. Hercle lunges forward towards a fleeing<br />
therianthrope. One might be tempted to identify the therianthrope as Pan or a satyr due to the<br />
popularity of scenes in which these figures do battle. 471 This therianthrope is also visually<br />
similar to the image of Pan on Fig. IV.1, a later Greek vase imported into Etruria. Nevertheless,<br />
two elements of this scene argue for a different interpretation. The therianthrope shown here is<br />
not ithyphallic, and the curve of the horns is closer to that of a bull than a goat or ram. G.<br />
Camporeale and N. Spivey suggest that instead of an image of Hercle pursuing a fleeing satyr,<br />
we should instead identify this scene as Hercle in combat with the Minotaur. 472 This is indeed<br />
possible due to the presence of the defeated Minotaur on Fig. V.1.<br />
Small suggests that appearances of the Minotaur in Etruscan art are due to an Etruscan<br />
interest in monsters, or perhaps Daedalus, who immigrated to Italy, instead of the customary<br />
Greek focus on the hero Theseus. 473 Other Etruscan and Roman images of the bull-man are<br />
problematic, and there appears to be no scholarly consensus as to the identity of this hybrid when<br />
it appears in art. The iconography of therianthropic bull-men is variously interpreted as<br />
representing the Minotaur, Dionysos, or Achelous. F. Altheim also suggests that Mars was<br />
conceived of in bull form but provides neither examples of the war god’s iconography in which<br />
he is shown as having taurine features nor literary evidence to this effect. 474<br />
471<br />
Simon 2006, 51; for an example of the combat between Hercle and Satyrs see Brendel 1995, Fig. 146, 147.<br />
472<br />
Camporeale 1965, 118; Spivey 1987, 45.<br />
473<br />
Small 1986, 91.<br />
474<br />
Altheim (1938, 65-79) uses linguistic evidence (see note 7) and the fact that a bull was sacrificed to Mars to<br />
indicate that Mars was conceived of as a bull. The possibility of Mars taking on bull form is intriguing; however,<br />
there does not seem to be enough supporting evidence to conclude that he could do so. In Chapter 3, I argue for<br />
Faunus being conceived of in wolf form based on linguistic testimony in the form of his priests’ name and an epithet<br />
applied to the god’s name, the unusual sacrifice of a dog during the rites of the Lupercalia, and a number of artifacts<br />
which represent a lupine god. In the case of Mars, there is no etymological connection between the name Mars and<br />
the bull nor are there Roman or Etruscan priests that bear the name of “Bull-men.” We may also not conclude that<br />
the sacrifice of a bull is a basis for Mars taking on taurine form due to the common occurrence of bull sacrifices to<br />
many gods and goddesses, who did not all take on bull or cow form. As will be demonstrated in this chapter,<br />
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