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Download program notes and libretto - WGBH

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Nerea<br />

Quasi tutte<br />

Son le Brutte<br />

Quelle Donne, che non amano.<br />

Mà chi vanta in sen beltà.<br />

Nutre sempre al Cor pietà<br />

Per gli Amanti, che la bramano.<br />

Quasi tutte, &c.<br />

Scena V.<br />

Clearte.<br />

Rio destin che pretendi<br />

Hor che à canto al mio foco<br />

Tu à forza mi trahesti; e fummi vano,<br />

Per saldar la mia piaga; irne lontano.<br />

Son Amante, e sempre peno,<br />

Perche peno per chì nol sà<br />

Alla Lingua ò sciogl’il freno,<br />

O Amor dammi la libertà<br />

Son Amante, &c.<br />

Scena VI.<br />

Boscaglia.<br />

Tiberino con suoi seguaci.<br />

Tiberino<br />

Della famosa Tebe<br />

Ecco Amici le selve; il Piè già calca<br />

Le disiate Arene,<br />

Ch’esser dovran del valor nostro il Campo.<br />

Già de gl’Albani il Nome<br />

Mercè di nostre imprese,<br />

Nella Grecia superba hor và fastoso:<br />

Huom non v’è glorioso<br />

In Caccie, in Lotte, alla Palestra, al Corso,<br />

Che a noi n hor non ceda; Argo, e Micene,<br />

E Corinto, e Tessaglia<br />

Heroe non hà, che à Tiberin prevaglia.<br />

Alba essulti, e il Lazio goda.<br />

Il sudor di questa Fronte<br />

Nutre i Lauri al Dio Bifronte,<br />

Che al suo Crine i Fati annoda.<br />

Alba essulti, &c.<br />

Scena VII.<br />

Udendosi rimbombare di lontano per la selva Trombe di<br />

Cacciatori, Manto in atto fuggitivo inseguita da una<br />

Belva, e sudetti.<br />

Nerea<br />

Almost all of them<br />

Are Ugly,<br />

These ladies who don’t love.<br />

But she who vaunts inner beauty<br />

Always nourishes pity in her Heart<br />

For the Lovers who long for her.<br />

Almost all of them, etc.<br />

Scene V<br />

Clearte.<br />

f e s t i va l o p e ra<br />

Bitter destiny, what do you intend,<br />

Now that You’ve drawn me by force<br />

To the side of the one I burn for, <strong>and</strong> made me w<strong>and</strong>er afar<br />

In vain to cure my smart.<br />

I am in Love, <strong>and</strong> I suffer<br />

Because the one for whom I suffer doesn’t know it.<br />

Either loosen my Tongue,<br />

Love, or release me.<br />

I am in Love, etc.<br />

Scene VI<br />

Forest.<br />

Tiberino with his followers.<br />

Tiberino<br />

Behold, Friends, the woods<br />

Of renowned Thebes; † our Feet now tread<br />

The longed-for S<strong>and</strong>s,<br />

That should be our Field of valor.<br />

Already the Name of Alba, †<br />

Thanks to our exploits,<br />

Is known throughout haughty Greece:<br />

There is no man glorious<br />

In the Hunt, in Wrestling, at Horsemanship, at Horse racing,<br />

Who does not cede to us in the end: Argos † <strong>and</strong> Mycenae, †<br />

And Corinth † <strong>and</strong> Thessaly, †<br />

Have no heroes who prevail over Tiberino.<br />

Alba exults, <strong>and</strong> Latium † rejoices!<br />

The sweat of this Brow<br />

Nourishes the Janus’s † Laurels<br />

Twined on his head by the Fates.<br />

Alba exults, etc.<br />

Scene VII<br />

Heard resounding from afar through the woods the<br />

Horns of Hunters, Manto in the act of eeing followed<br />

by a Beast, <strong>and</strong> the aforementioned.<br />

† See glossary of terms, pages 210–211<br />

161<br />

2 0 1 1 b o s t o n e a r l y m u s i c f e s t i v a l<br />

NIOBE, REGINA DI TEBE

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