COSMOS, VOL. II - World eBook Library
COSMOS, VOL. II - World eBook Library COSMOS, VOL. II - World eBook Library
DESCRIPTIONS OF NATUKE BY THE GREEKS. 379 the river; and he shows how ascending vapours occasion the meteorological processes of the storm and electric rain. Although capable of writing romantic poetry, Nonnus of Panopolis is remarkably unequal in his style, being at one time animated and exciting, and at another tedious and verbose. A deeper feeling for nature and a greater delicacy of sensi- bility is manifested in some portions of the Greek Anthology which has been transmitted to us in such various ways, and from such different epochs. In the graceful translation of Jacobs, everything that relates to animal and vegetable forms has been collected in one section, these passages being small pictures, consisting in most cases, of mere allusions to indi- vidual forms. The plane-tree, which " nourishes amid its branches the grape swelling with juice," and which in the time of Dionysius the Elder, first penetrated from Asia Minor through the island of Diomedes, to the shores of the Sicilian Anapus, is, perhaps, too often introduced ; still, on the whole, the ancient mind shows itself more inclined in these songs and epigrams, to dwell on the animal than on the vegetable world. The vernal idyl of Meleager of Gadara in Coclo- Syria, is a noble and at the same time a more considerable compoition.* On account of the renown attached from ancient times to the spot, I would not omit to mention the description of the * Meleagri Reliquice, ed. Manso, p. 5. Compare Jacobs, Leben und Kunst der Alien, bd. i. abth. i. s. xv. abth. ii. s. 150-190. Zenobetti believed himself to have been the first to discover Meleager's poem on Spring, in the middle of the eighteenth century, (Mel. Gadareni in 105. There are Ver Idyllion, 1759, p. 5); see Brunckii Anal., t. iii. p. two fine sylvan poems of Marianos in the AntJiol. Grceca, ii. 511 and 512. Meleager's poem contrasts well with iae praise of Spring in the eclogues of Himerius, a sophist, who was teacher of rhetoric at Athens under Julian. The style, on the whole, is cold and profusely ornate, but in some parts, especially in the descriptive portions, this writer sometimes approximates closely to the modern way of considering nature. Himerii Sopliistce, Eclogm et Declamationes, ed. Wernsdorf, 1790. (Oratio iii. b-6, and xxi. 5.) It seems extraordinary that the lovely situation of Constantinople should not have inspired the sophists (Orat. vii. 5-7 ; xvi. 3-8). The passages of Is T onnus, referred to in the text, occur in Dionys. ed. Petri Cunaei, 1610, lib. ii. p. 70, vi. p. 199. xxiii. p. 16 and 619, xxvi. p. 694. Compare also Ouwaroff, Nonnus von Panopolis, der Dicliter, 1817, s. 3, 16. 21.
380 COSMOS. wooded valley of Tempe, as given by Julian,* probably in imitation of some earlier notice by Dicaearchus, It is the most detailed description of natural scenery by any prose writers that we possess ; of the Greek and although topographical, it is also picturesque, for the shady vale is animated by the Pythian procession (theoria,) " which breaks from the sacred laurel the atoning bough." In the later Byzantine epoch, about the close of the fourth century, we meet more frequently with descriptions of scenery interwoven in the romances of the Greek prose writers, as is especially manifested in the pastoral romance of Longus,f in which, however, the tender scenes taken from life greatly excel the expression of the sen- sations awakened by the aspect of nature. It is not my object in the present work, to extend these references beyond what my own special recollection of par- ticular forms of art may enable me to add to these general considerations of the poetic conception of the external world. I should here quit the flowery circle of Grecian antiquity, if, in. a work to which I have ventured to prefix the title of Cosmos, I could pass over in silence the description of nature with which the pseudo- Aristotelian book of Cosmos, or, Order of the Universe, begins. It describes " the earth as adorned with luxuriant vegetation, copiously watered, and (as the most admirable of all) inhabited by thinking beings. "J The rhetorical colour of this rich picture of nature, so totally unlike the concise and purely scientific mode of treatment characteristic of the Stagirite, is one of the many indications by which it has been judged that this work on the Cosmos is not his composition. It may, in fact, be the production of * JSliani Var. Hist, et Fragm., lib. iii. cap. 1. p. 139, KUlm. Compare A. Buttmann, Qucest. de Diccearclw (Naumb., 1832, p. 32,) and Geogr. gr. min., ed. Gail, vol. ii. pp. 140-145. We observe in the tragic poet Chaeremon a remarkable love of nature, and especially a predilection for flowers which has been compared by Sir William Jones to the sentiments evinced in the Indian poets. See Welcker, Griechische Tracodien, abth. iii. s. 1088. t Longi Pastoralia (Daphnis et Chloe, ed. Seller, 1843,) lib. i. 9; iii. 12, and iv. 1-3; pp. 92, 125, 137. Compare Villemaine, Sur les Romans grecs, in his Melanges de Litterature, i. ii. pp. 485-448, where Long-us is compared with Bernardin de St. Pierre. t PseudoAristot., de Mundo, cap. 3, 14-20, p. 392, Bekker.
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- Page 11 and 12: CONTENTS. Vli Page The vast sphere
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- Page 45 and 46: 390 COSMOS. nature amongst the Roma
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DESCRIPTIONS OF NATUKE BY THE GREEKS. 379<br />
the river; and he shows how ascending vapours occasion<br />
the meteorological processes of the storm and electric rain.<br />
Although capable of writing romantic poetry, Nonnus of<br />
Panopolis is remarkably unequal in his style, being at one<br />
time animated and exciting, and at another tedious and<br />
verbose.<br />
A deeper feeling for nature and a greater delicacy of sensi-<br />
bility is manifested in some portions of the Greek Anthology<br />
which has been transmitted to us in such various ways, and<br />
from such different epochs. In the graceful translation of<br />
Jacobs, everything that relates to animal and vegetable forms<br />
has been collected in one section, these passages being small<br />
pictures, consisting in most cases, of mere allusions to indi-<br />
vidual forms. The plane-tree, which " nourishes amid its<br />
branches the grape swelling with juice," and which in the<br />
time of Dionysius the Elder, first penetrated from Asia Minor<br />
through the island of Diomedes, to the shores of the Sicilian<br />
Anapus, is, perhaps, too often introduced ; still, on the whole,<br />
the ancient mind shows itself more inclined in these songs<br />
and epigrams, to dwell on the animal than on the vegetable<br />
world. The vernal idyl of Meleager of Gadara in Coclo- Syria, is<br />
a noble and at the same time a more considerable compoition.*<br />
On account of the renown attached from ancient times to<br />
the spot, I would not omit to mention the description of the<br />
* Meleagri Reliquice, ed. Manso, p. 5. Compare Jacobs, Leben und<br />
Kunst der Alien, bd. i. abth. i. s. xv. abth. ii. s. 150-190. Zenobetti<br />
believed himself to have been the first to discover Meleager's poem on<br />
Spring, in the middle of the eighteenth century, (Mel. Gadareni in<br />
105. There are<br />
Ver Idyllion, 1759, p. 5); see Brunckii Anal., t. iii. p.<br />
two fine sylvan poems of Marianos in the AntJiol. Grceca, ii. 511 and<br />
512. Meleager's poem contrasts well with iae praise of Spring in<br />
the eclogues of Himerius, a sophist, who was teacher of rhetoric at<br />
Athens under Julian. The style, on the whole, is cold and profusely<br />
ornate, but in some parts, especially in the descriptive portions, this<br />
writer sometimes approximates closely to the modern way of considering<br />
nature. Himerii Sopliistce, Eclogm et Declamationes, ed. Wernsdorf,<br />
1790. (Oratio iii. b-6, and xxi. 5.) It seems extraordinary that the<br />
lovely situation of Constantinople should not have inspired the sophists<br />
(Orat. vii. 5-7 ; xvi. 3-8). The passages of Is T onnus, referred to in the<br />
text, occur in Dionys. ed. Petri Cunaei, 1610, lib. ii. p. 70, vi. p. 199.<br />
xxiii. p. 16 and 619, xxvi. p. 694. Compare also Ouwaroff, Nonnus<br />
von Panopolis, der Dicliter, 1817, s. 3, 16. 21.