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COSMOS, VOL. II - World eBook Library

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622 <strong>COSMOS</strong>.<br />

tion assumed by this study in its scientific establishment on<br />

the basis of experiment.<br />

It still remains<br />

briefly to consider<br />

the influence exercised by the revival of classical literature, at<br />

the close of the fourteenth century, on the deepest sources of<br />

the mental life of nations, and, therefore, on the general con-<br />

templation of the universe. The individuality of certain<br />

highly-gifted men had contributed to increase the rich mass<br />

of facts possessed by the world of ideas. The susceptibility<br />

of a freer intellectual development already existed when Greek<br />

literature, driven from its ancient seats, acquired a firm footing<br />

in western lands, under the favouring action of apparently<br />

accidental relations.<br />

The Arabs in their classical studies hacl remained strangers<br />

to all that appertains to the inspiration of language ; then-<br />

studies being limited to a very small number of the writers<br />

of antiquity, and in accordance with their strong national<br />

predilection for natural investigation, principally to the physical<br />

books of Aristotle, to the Almagest of Ptolemy, the bota-<br />

nical and chemical treatises of Dioscorides, and the cosmological<br />

fancies of Plato. The dialectics of Aristotle were blended<br />

by the Arabs with the study of Physics, as in earlier times, in<br />

the Christian mediaeval age they were with that of theology.<br />

Men borrowed from the ancients what they judged susceptible<br />

of special application, but they were far removed from appre-<br />

hending the spirit of Hellenism in its general character, from<br />

penetrating to the depths of the organic structure of the lan-<br />

guage, from deriving enjoyment from the poetic creations of<br />

the Greek imagination, or of seeking to trace the marvellous<br />

luxuriance displayed in the fields of oratory and historical<br />

composition.<br />

Almost two hundred years before Petrarch and Boccacio,<br />

John of Salisbury and the Platonic Abelard had already exer-<br />

cised a favourable influence with reference to an acquaintance<br />

with certain works of classical antiquity. Both possessed the<br />

in which freedom<br />

power of appreciating the charm of writings<br />

and order, nature and mind, \vere constantly associated<br />

together ; but the influence of the aesthetic feeling awakened<br />

by them, vanished without leaving a trace, and the actual merit<br />

of having prepared in Italy a permanent resting place for the<br />

muses exiled from Greece, and of having contributed most<br />

powerfully to re-establish classical literature, belongs of right to

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