COSMOS, VOL. II - World eBook Library
COSMOS, VOL. II - World eBook Library COSMOS, VOL. II - World eBook Library
PANORAMAS. 457 satirically described by Vitruvius and the Egyptian, Julius Pollux, as "exaggerated representations of rural adornments of the stage," and which, in the sixteenth century, were contrived by Serlio's arrangement of Coulisses to increase the delusion, may now, since the discoveries of Prevost and Daguerre, be made, in Barker's panoramas, to serve, in some degree, as a substitute for travelling through different regions. Panoramas are more productive of effect than scenic decorations, since the spectator, enclosed as it were within a magical circle, and wholly removed from all the disturbing influences of reality, may the more easily fancy that he is actually surrounded by a foreign scene. These compositions give rise to impressions which, after many years, often become wonderfully interwoven with the feelings awakened by the aspect of the scenes when actually beheld. Hitherto panoramas, which are alone effective when of considerable diameter, have been applied more frequently to the representation of cities and inhabited districts than to that of scenes in which nature revels in wild luxuriance and richness of life. An enchanting effect might be produced by a characteristic delineation of nature, sketched on the rugged declivities of the Himalaya and the Cordilleras, or in the midst of the Indian or South American river valleys, and much aid might be further derived by taking photographic pictures, which, although they certainly cannot give the leafy canopy of trees, would present the most perfect representation, of the form of colossal trunks, and the characteristic ramification of the different branches. All these means, the enumeration of which is specially comprised within the limits of the present work, are calculated to raise the feeling of admiration for nature; and I am of opinion that the knowledge of the works of creation, and an appreciation of their exalted grandeur, would be powerfully increased if, besides museums, and thrown open like them, to the public, a number of panoramic buildings, containing alter- nating pictures of landscapes of different geographical latitudes and from different zones of elevation, should be erected in our large cities. The conception of the natural unity, and the feeling of the harmonious accord pervading the universe, cannot fail to increase in vividness amongst men, in proportion as the means are multiplied, by which the phenomena of nature may be more characteristically and visibly manifested.
458 COSMOS. CULTIVATION OF TROPICAL PLANTS CONTRAST AND ASSEM- BLAGE OF VEGETABLE FORMS IMPRESSIONS INDUCED BY THE PHYSIOGNOMY AND CHARACTER OF THE VEGE- TATION. LANDSCAPE painting, notwithstanding the multiplication of its productions by engravings, and by the recent improvements in is still lithography, productive of a less powerful effect than that excited in minds susceptible of natural beauty, in hot- by the immediate aspect of groups of exotic plants houses or in gardens. I have already alluded to the subject of my own youthful experience, and mentioned that the sight of a colossal dragon-tree and of a fan palm in an old tower of the botanical garden at Berlin, implanted in my mind the seeds of an irresistible desire to undertake distant travels. He who is able to trace through the whole course of his impressions that which gave the first leading direction to his whole career, will not deny the influence of such a power. I would here consider the different impression produced and their associa- by the picturesque arrangement of plants, tion for the purposes of botanical exposition; in the first place, by groups distinguished for their size and mass, as Musaceae and Heliconiae, growing in thick clumps, and alternating with Corypha-palms, Araucarise, and Mimosae, and moss-covered trunks, from which shoot forth Dracontia, delicately leaved Ferns, and richly blossoming Orchidea3; and in the next, by an abundance of separate lowly plants, classed and cultivated in rows for the purpose of affording instruction in descriptive and systematic botany. In the first case, our attention is challenged by the luxuriant development of vegetation in Cecropise, Caroliniae, and light feathery Bamboos; by the picturesque association of the grand and noble forms, which embellish the shores of the Upper Orinoco, the wooded banks of the Amazon, or of the Huallaga, so vividly and admirably described by Martius and Edward Poppig ; and by the sentiment of longing for the lands in which the current of life flows more abundantly and richly, and of whose beauty a faint but still pleasing image is reflected to the mind by means of our hothouses which originally served as mere nurseries for sickly plants.
- Page 61 and 62: 406 COSMOS. Indians, and the marked
- Page 63 and 64: 408 COSM08- poetry have perished. I
- Page 65 and 66: 410 COSMOS. and even to attempt a n
- Page 67 and 68: 412 COSMOS. presents the nations of
- Page 69 and 70: 414 COSMOS. generalisation in the c
- Page 71 and 72: 416 COSMOS. desert go to Constantin
- Page 73 and 74: 418 COSMOS. "When the glory of the
- Page 75 and 76: 420 COSMOS. When classical literatu
- Page 77 and 78: 422 COSMOS. quately appreciated by
- Page 79 and 80: 424 COSMOS. nature ; thus it is sup
- Page 81 and 82: 426 COSMOS. and the strait where He
- Page 83 and 84: 428 COSMOS*. devoid of animation, b
- Page 85 and 86: 430 COSMOS. treats chiefly of event
- Page 87 and 88: 432 COSMOS. versed in physical inve
- Page 89 and 90: 434 COSMOS, ind Les Voyages a V Ori
- Page 91 and 92: 436 COSMOS. seamen individualise th
- Page 93 and 94: 438 COSMOS. left unemployed, by whi
- Page 95 and 96: 440 COSMOS. LANDSCAPE PAINTING IN I
- Page 97 and 98: 442 COSMOS. of the master-works of
- Page 99 and 100: 444 COSMOS. between Nero and Titus,
- Page 101 and 102: 446 . COSMOS. artists at this epoch
- Page 103 and 104: 448 COSMOS. oranges and laurels, wi
- Page 105 and 106: 450 COSMOS. These studies he himsel
- Page 107 and 108: 452 COSMOS. and how all the spirite
- Page 109 and 110: 454 COSMOS. only with the simpler f
- Page 111: 456 COSMOS. the greatest contractio
- Page 115 and 116: 460 COSMOS. ting effect of the ligh
- Page 117 and 118: 462 COSMOS. guard.* The ancient ado
- Page 119 and 120: 464 COSMOS. so deeply rooted amongs
- Page 121 and 122: 466 COSMOS. HISTORY OF THE PHYSICAL
- Page 123 and 124: 468 COSMOS. often guides almost imp
- Page 125 and 126: 470 COSMOS. speedily established. W
- Page 127 and 128: 472 COSMOS. most nearly the languag
- Page 129 and 130: 474 COSMOS. ledge of the connection
- Page 131 and 132: 476 COSMOS. Babylon, Nineveh, Kashm
- Page 133 and 134: 478 COSMOS. The history of the civi
- Page 135 and 136: 480 COSMOS. PRINCIPAL MOMENTA THAT
- Page 137 and 138: 482 COSMOS. the southern or Libyan
- Page 139 and 140: 484 COSMOS. into the peninsula of A
- Page 141 and 142: 486 COSMOS. account of the most rec
- Page 143 and 144: 488 COSMOS. expressly says, that Se
- Page 145 and 146: 490 COSMOS. and powerfully develope
- Page 147 and 148: 492 COSMOS. The share taken by the
- Page 149 and 150: 494 COSMOS. ./Estii on the Baltic,
- Page 151 and 152: 496 COSMOS. In accordance with the
- Page 153 and 154: 493 COSMOS. purariae. The strong oc
- Page 155 and 156: 500 COSMOS. constructed at the Red
- Page 157 and 158: 502 COSMOS. Dvipa Sukhatara), culti
- Page 159 and 160: 504 COSMOS. thought worthy of espec
- Page 161 and 162: 506 COSMOS. Euphrates and the Indus
PANORAMAS. 457<br />
satirically described by Vitruvius and the Egyptian, Julius Pollux,<br />
as "exaggerated representations of rural adornments of the<br />
stage," and which, in the sixteenth century, were contrived by<br />
Serlio's arrangement of Coulisses to increase the delusion, may<br />
now, since the discoveries of Prevost and Daguerre, be made, in<br />
Barker's panoramas, to serve, in some degree, as a substitute<br />
for travelling through different regions. Panoramas are more<br />
productive of effect than scenic decorations, since the spectator,<br />
enclosed as it were within a magical circle, and wholly<br />
removed from all the disturbing influences of reality, may the<br />
more easily fancy that he is actually surrounded by a foreign<br />
scene. These compositions give rise to impressions which,<br />
after many years, often become wonderfully interwoven with<br />
the feelings awakened by the aspect of the scenes when actually<br />
beheld. Hitherto panoramas, which are alone effective<br />
when of considerable diameter, have been applied more frequently<br />
to the representation of cities and inhabited districts<br />
than to that of scenes in which nature revels in wild luxuriance<br />
and richness of life. An enchanting effect might be<br />
produced by a characteristic delineation of nature, sketched<br />
on the rugged declivities of the Himalaya and the Cordilleras,<br />
or in the midst of the Indian or South American river valleys,<br />
and much aid might be further derived by taking photographic<br />
pictures, which, although they certainly cannot give the leafy<br />
canopy of trees, would present the most perfect representation,<br />
of the form of colossal trunks, and the characteristic ramification<br />
of the different branches.<br />
All these means, the enumeration of which is specially<br />
comprised within the limits of the present work, are calculated<br />
to raise the feeling of admiration for nature; and I am of<br />
opinion that the knowledge of the works of creation, and an<br />
appreciation of their exalted grandeur, would be powerfully<br />
increased if, besides museums, and thrown open like them, to<br />
the public, a number of panoramic buildings, containing alter-<br />
nating pictures of landscapes of different geographical latitudes<br />
and from different zones of elevation, should be erected<br />
in our large cities. The conception of the natural unity, and<br />
the feeling of the harmonious accord pervading the universe,<br />
cannot fail to increase in vividness amongst men, in proportion<br />
as the means are multiplied, by which the phenomena of<br />
nature may be more characteristically and visibly manifested.