COSMOS, VOL. II - World eBook Library

COSMOS, VOL. II - World eBook Library COSMOS, VOL. II - World eBook Library

worldlibrary.sg
from worldlibrary.sg More from this publisher
20.06.2013 Views

PANORAMAS. 457 satirically described by Vitruvius and the Egyptian, Julius Pollux, as "exaggerated representations of rural adornments of the stage," and which, in the sixteenth century, were contrived by Serlio's arrangement of Coulisses to increase the delusion, may now, since the discoveries of Prevost and Daguerre, be made, in Barker's panoramas, to serve, in some degree, as a substitute for travelling through different regions. Panoramas are more productive of effect than scenic decorations, since the spectator, enclosed as it were within a magical circle, and wholly removed from all the disturbing influences of reality, may the more easily fancy that he is actually surrounded by a foreign scene. These compositions give rise to impressions which, after many years, often become wonderfully interwoven with the feelings awakened by the aspect of the scenes when actually beheld. Hitherto panoramas, which are alone effective when of considerable diameter, have been applied more frequently to the representation of cities and inhabited districts than to that of scenes in which nature revels in wild luxuriance and richness of life. An enchanting effect might be produced by a characteristic delineation of nature, sketched on the rugged declivities of the Himalaya and the Cordilleras, or in the midst of the Indian or South American river valleys, and much aid might be further derived by taking photographic pictures, which, although they certainly cannot give the leafy canopy of trees, would present the most perfect representation, of the form of colossal trunks, and the characteristic ramification of the different branches. All these means, the enumeration of which is specially comprised within the limits of the present work, are calculated to raise the feeling of admiration for nature; and I am of opinion that the knowledge of the works of creation, and an appreciation of their exalted grandeur, would be powerfully increased if, besides museums, and thrown open like them, to the public, a number of panoramic buildings, containing alter- nating pictures of landscapes of different geographical latitudes and from different zones of elevation, should be erected in our large cities. The conception of the natural unity, and the feeling of the harmonious accord pervading the universe, cannot fail to increase in vividness amongst men, in proportion as the means are multiplied, by which the phenomena of nature may be more characteristically and visibly manifested.

458 COSMOS. CULTIVATION OF TROPICAL PLANTS CONTRAST AND ASSEM- BLAGE OF VEGETABLE FORMS IMPRESSIONS INDUCED BY THE PHYSIOGNOMY AND CHARACTER OF THE VEGE- TATION. LANDSCAPE painting, notwithstanding the multiplication of its productions by engravings, and by the recent improvements in is still lithography, productive of a less powerful effect than that excited in minds susceptible of natural beauty, in hot- by the immediate aspect of groups of exotic plants houses or in gardens. I have already alluded to the subject of my own youthful experience, and mentioned that the sight of a colossal dragon-tree and of a fan palm in an old tower of the botanical garden at Berlin, implanted in my mind the seeds of an irresistible desire to undertake distant travels. He who is able to trace through the whole course of his impressions that which gave the first leading direction to his whole career, will not deny the influence of such a power. I would here consider the different impression produced and their associa- by the picturesque arrangement of plants, tion for the purposes of botanical exposition; in the first place, by groups distinguished for their size and mass, as Musaceae and Heliconiae, growing in thick clumps, and alternating with Corypha-palms, Araucarise, and Mimosae, and moss-covered trunks, from which shoot forth Dracontia, delicately leaved Ferns, and richly blossoming Orchidea3; and in the next, by an abundance of separate lowly plants, classed and cultivated in rows for the purpose of affording instruction in descriptive and systematic botany. In the first case, our attention is challenged by the luxuriant development of vegetation in Cecropise, Caroliniae, and light feathery Bamboos; by the picturesque association of the grand and noble forms, which embellish the shores of the Upper Orinoco, the wooded banks of the Amazon, or of the Huallaga, so vividly and admirably described by Martius and Edward Poppig ; and by the sentiment of longing for the lands in which the current of life flows more abundantly and richly, and of whose beauty a faint but still pleasing image is reflected to the mind by means of our hothouses which originally served as mere nurseries for sickly plants.

PANORAMAS. 457<br />

satirically described by Vitruvius and the Egyptian, Julius Pollux,<br />

as "exaggerated representations of rural adornments of the<br />

stage," and which, in the sixteenth century, were contrived by<br />

Serlio's arrangement of Coulisses to increase the delusion, may<br />

now, since the discoveries of Prevost and Daguerre, be made, in<br />

Barker's panoramas, to serve, in some degree, as a substitute<br />

for travelling through different regions. Panoramas are more<br />

productive of effect than scenic decorations, since the spectator,<br />

enclosed as it were within a magical circle, and wholly<br />

removed from all the disturbing influences of reality, may the<br />

more easily fancy that he is actually surrounded by a foreign<br />

scene. These compositions give rise to impressions which,<br />

after many years, often become wonderfully interwoven with<br />

the feelings awakened by the aspect of the scenes when actually<br />

beheld. Hitherto panoramas, which are alone effective<br />

when of considerable diameter, have been applied more frequently<br />

to the representation of cities and inhabited districts<br />

than to that of scenes in which nature revels in wild luxuriance<br />

and richness of life. An enchanting effect might be<br />

produced by a characteristic delineation of nature, sketched<br />

on the rugged declivities of the Himalaya and the Cordilleras,<br />

or in the midst of the Indian or South American river valleys,<br />

and much aid might be further derived by taking photographic<br />

pictures, which, although they certainly cannot give the leafy<br />

canopy of trees, would present the most perfect representation,<br />

of the form of colossal trunks, and the characteristic ramification<br />

of the different branches.<br />

All these means, the enumeration of which is specially<br />

comprised within the limits of the present work, are calculated<br />

to raise the feeling of admiration for nature; and I am of<br />

opinion that the knowledge of the works of creation, and an<br />

appreciation of their exalted grandeur, would be powerfully<br />

increased if, besides museums, and thrown open like them, to<br />

the public, a number of panoramic buildings, containing alter-<br />

nating pictures of landscapes of different geographical latitudes<br />

and from different zones of elevation, should be erected<br />

in our large cities. The conception of the natural unity, and<br />

the feeling of the harmonious accord pervading the universe,<br />

cannot fail to increase in vividness amongst men, in proportion<br />

as the means are multiplied, by which the phenomena of<br />

nature may be more characteristically and visibly manifested.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!