Untitled - The Alfred Russel Wallace Website
Untitled - The Alfred Russel Wallace Website Untitled - The Alfred Russel Wallace Website
486 NOTES OF A BOTANIST CHAP. from any accidental hollow at first and then con- tinually deepened by the pebbles and sand whirled round and round in them by the surging and eddying waves of the cataracts during the season of flood. 1 Although we have no elements wherefrom to o determine positively the date and mode of execution of the picture-writings, those questions seem to me to have been involved in unnecessary mystery. The instruments used in scraping such deep lines in the granite were probably chips of quartz crystal, which were the hardest cutting-instruments possessed by the aborigines of South America. In the Amazonian plain I know of but two extensive deposits of large rock-crystals one of which is a good way up the Rio Branco, and the other is at the foot of Mount Duida, near the village of Esme- ralda, therefore in the immediate neighbourhood of the Casiquiari. on the Pacific side of the Andes, namely, I know also of but one such deposit hills of Chongon near Guayaquil ; in the yet pieces of quartz, some of which have served as knives, others as lance- or arrow-heads, are found strewed about the sites of ancient towns and settlements through several degrees of latitude. Whatever the instrument used by the Indians of the Casiquiari, it is difficult to assign any limit to the time required for the execution of the ; figures but any one who has seen an Indian patiently scraping away for months at a bow or a lance before bringing it to the desired or who knows that it has symmetry and perfection, taken a lifetime to fashion and bore the white 1 [The supposed tracks of animals are doubtless works of art like the other figures, probably clue to a desire to imitate the well-formed impressions of feet that the hunter must continually meet with during his search for game. ED.]
INDIAN ROCK-PICTURES 487 stone which the Uaupes Indian wears suspended from his neck, will understand that time is no object to an Indian. I can fancy I see the young men and women sitting in the cool of the morning and evening, but especially in the moonlight nights, and amusing themselves by scratching on the rock any of the moment. A figure suggested by the caprice figure once sketched, any one, even a child, might aid in deepening the outlines. are often much in the style of Indeed, the designs certainly not at all superior to those which a child of five years old in a village school in England will draw for you on its slate ; and the modern inhabitants of the Casiquiari, Guainia, etc., paint the walls of their houses with various coloured earths in far more artistic designs. Having carefully examined a good deal of the so-called picture-writing, I am bound to come to the conclusion that it was executed^by the ancestors of Indians who at this day inhabit the region where it is found ; that their utensils, mode of life, etc., were similar to those still in use ; and that their degree of civilisation was certainly not greater probably less than that of their existing descendants. The execution of the figures may have ranged through several centuries, a period which in the existence of a savage people is but a year in that of the highly-civilised nations of modern Europe. In vain shall we seek any chronological information from the Indian, who never knows his own age, rarely that of his youngest child, and who refers all that happened before his own birth to a vague antiquity, wherein there are no dates and rarely any epochs to mark the sequence of events.
- Page 457 and 458: NARCOTICS AND STIMULANTS 435 leurs
- Page 459 and 460: NARCOTICS AND STIMULANTS 437 are ev
- Page 461 and 462: NARCOTICS AND STIMULANTS 439 with f
- Page 463 and 464: NARCOTICS AND STIMULANTS 441 than m
- Page 465 and 466: NARCOTICS AND STIMULANTS 443 had be
- Page 467 and 468: NARCOTICS AND STIMULANTS 445 (1843,
- Page 469 and 470: NARCOTICS AND STIMULANTS 447 Rio Ne
- Page 471 and 472: NARCOTICS AND STIMULANTS 449 Venezu
- Page 473 and 474: NARCOTICS AND STIMULANTS 451 T^ inc
- Page 475 and 476: NARCOTICS AND STIMULANTS 453 but I
- Page 477 and 478: NARCOTICS AND STIMULANTS 455 ridicu
- Page 479 and 480: CHAP, xxvi WARLIKE WOMEN 457 the mo
- Page 481 and 482: WARLIKE WOMEN 459 and travellers wh
- Page 483 and 484: WARLIKE WOMEN 461 account of this v
- Page 485 and 486: WARLIKE WOMEN 463 Towards the close
- Page 487 and 488: WARLIKE WOMEN 465 we learn from Hum
- Page 489 and 490: WARLIKE WOMEN 467 The accounts hear
- Page 491 and 492: WARLIKE WOMEN 469 May not also both
- Page 493 and 494: WARLIKE WOMEN 471 sun sank into it,
- Page 495 and 496: province WARLIKE WOMEN 473 of the A
- Page 497 and 498: CH. xxvn INDIAN ROCK-PICTURES 475 t
- Page 499 and 500: XXVII INDIAN ROCK-PICTURES 477 thei
- Page 501 and 502: XXVII INDIAN ROCK-PICTURES 479 down
- Page 503 and 504: XXVII INDIAN ROCK-PICTURES 481 A fe
- Page 505 and 506: i INDIAN ROCK-PICTURES 483 the high
- Page 507: XXVII INDIAN ROCK-PICTURES 485 toed
- Page 511 and 512: CHAPTER XXVIII A HIDDEN TREASURE OF
- Page 513 and 514: i, i HIDDEN TREASURE 491 track indi
- Page 515 and 516: HIDDEN TREASURE 493 I ascertained a
- Page 517 and 518: ing i HIDDEN TREASURE 495 correctio
- Page 519 and 520: i HIDDEN TREASURE 497 dillera cle Y
- Page 521 and 522: xxvin HIDDEN TREASURE 499 The parts
- Page 523 and 524: HIDDEN TREASURE 501 from whose top,
- Page 525 and 526: HIDDEN TREASURE 503 right, and pass
- Page 527 and 528: HIDDEN TREASURE 505 from which the
- Page 529 and 530: HIDDEN TREASURE 507 " Sublevacion c
- Page 531 and 532: HIDDEN TREASURE 509 The mines of Ll
- Page 533 and 534: HIDDEN TREASURE 511 of a quarrel wh
- Page 535 and 536: i HIDDEN TREASURE 513 species of Oc
- Page 537 and 538: XXVIII HIDDEN TREASURE 515 the curv
- Page 539 and 540: HIDDEN TREASURE 517 complete absenc
- Page 541 and 542: GLOSSARY OF NATIVE NAMES 1 AHACATE,
- Page 543 and 544: GLOSSARY OF NATIVE NAMES 521 CUYAS.
- Page 545 and 546: GLOSSARY OF NATIVE NAMES 523 RAIZ D
- Page 549 and 550: ABITAGUA ABITAGUA mountain, ii. 146
- Page 551 and 552: BIRD, musical, BIRD INDEX CAPTAIN 5
- Page 553 and 554: COMBRETACEA INDEX DIOCLEA 529 COMBR
- Page 555 and 556: ii. 264 FUCHSIAS, ii. 181, 249 FUCH
- Page 557 and 558: ITAUBA INDEX LYCOPODIA 533 ITAUBA (
INDIAN ROCK-PICTURES 487<br />
stone which the Uaupes Indian wears suspended<br />
from his neck, will understand that time is no object<br />
to an Indian. I can fancy I see the young men<br />
and women sitting in the cool of the morning and<br />
evening, but especially in the moonlight nights, and<br />
amusing themselves by scratching on the rock any<br />
of the moment. A<br />
figure suggested by the caprice<br />
figure once sketched, any one, even a child, might<br />
aid in deepening the outlines.<br />
are often much in the style of<br />
Indeed, the designs<br />
certainly not at all<br />
superior to those which a child of five years old<br />
in a village school in England will draw for you<br />
on its slate ; and the modern inhabitants of the<br />
Casiquiari, Guainia, etc., paint the walls of their<br />
houses with various coloured earths in far more<br />
artistic designs.<br />
Having carefully examined a good<br />
deal of the<br />
so-called picture-writing, I am bound to come to<br />
the conclusion that it was executed^by the ancestors<br />
of Indians who at this day inhabit the region where<br />
it is found ;<br />
that their utensils, mode of life, etc.,<br />
were similar to those still in use ;<br />
and<br />
that their<br />
degree of civilisation was certainly not greater<br />
probably less than that of their existing descendants.<br />
<strong>The</strong> execution of the figures may have<br />
ranged through several centuries, a period which<br />
in the existence of a savage people is but a year in<br />
that of the highly-civilised nations of modern Europe.<br />
In vain shall we seek any chronological information<br />
from the Indian, who never knows his own age,<br />
rarely that of his youngest child, and who refers<br />
all that happened before his own birth to a vague<br />
antiquity, wherein there are no dates and rarely any<br />
epochs to mark the sequence of events.