Untitled - The Alfred Russel Wallace Website

Untitled - The Alfred Russel Wallace Website Untitled - The Alfred Russel Wallace Website

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486 NOTES OF A BOTANIST CHAP. from any accidental hollow at first and then con- tinually deepened by the pebbles and sand whirled round and round in them by the surging and eddying waves of the cataracts during the season of flood. 1 Although we have no elements wherefrom to o determine positively the date and mode of execution of the picture-writings, those questions seem to me to have been involved in unnecessary mystery. The instruments used in scraping such deep lines in the granite were probably chips of quartz crystal, which were the hardest cutting-instruments possessed by the aborigines of South America. In the Amazonian plain I know of but two extensive deposits of large rock-crystals one of which is a good way up the Rio Branco, and the other is at the foot of Mount Duida, near the village of Esme- ralda, therefore in the immediate neighbourhood of the Casiquiari. on the Pacific side of the Andes, namely, I know also of but one such deposit hills of Chongon near Guayaquil ; in the yet pieces of quartz, some of which have served as knives, others as lance- or arrow-heads, are found strewed about the sites of ancient towns and settlements through several degrees of latitude. Whatever the instrument used by the Indians of the Casiquiari, it is difficult to assign any limit to the time required for the execution of the ; figures but any one who has seen an Indian patiently scraping away for months at a bow or a lance before bringing it to the desired or who knows that it has symmetry and perfection, taken a lifetime to fashion and bore the white 1 [The supposed tracks of animals are doubtless works of art like the other figures, probably clue to a desire to imitate the well-formed impressions of feet that the hunter must continually meet with during his search for game. ED.]

INDIAN ROCK-PICTURES 487 stone which the Uaupes Indian wears suspended from his neck, will understand that time is no object to an Indian. I can fancy I see the young men and women sitting in the cool of the morning and evening, but especially in the moonlight nights, and amusing themselves by scratching on the rock any of the moment. A figure suggested by the caprice figure once sketched, any one, even a child, might aid in deepening the outlines. are often much in the style of Indeed, the designs certainly not at all superior to those which a child of five years old in a village school in England will draw for you on its slate ; and the modern inhabitants of the Casiquiari, Guainia, etc., paint the walls of their houses with various coloured earths in far more artistic designs. Having carefully examined a good deal of the so-called picture-writing, I am bound to come to the conclusion that it was executed^by the ancestors of Indians who at this day inhabit the region where it is found ; that their utensils, mode of life, etc., were similar to those still in use ; and that their degree of civilisation was certainly not greater probably less than that of their existing descendants. The execution of the figures may have ranged through several centuries, a period which in the existence of a savage people is but a year in that of the highly-civilised nations of modern Europe. In vain shall we seek any chronological information from the Indian, who never knows his own age, rarely that of his youngest child, and who refers all that happened before his own birth to a vague antiquity, wherein there are no dates and rarely any epochs to mark the sequence of events.

INDIAN ROCK-PICTURES 487<br />

stone which the Uaupes Indian wears suspended<br />

from his neck, will understand that time is no object<br />

to an Indian. I can fancy I see the young men<br />

and women sitting in the cool of the morning and<br />

evening, but especially in the moonlight nights, and<br />

amusing themselves by scratching on the rock any<br />

of the moment. A<br />

figure suggested by the caprice<br />

figure once sketched, any one, even a child, might<br />

aid in deepening the outlines.<br />

are often much in the style of<br />

Indeed, the designs<br />

certainly not at all<br />

superior to those which a child of five years old<br />

in a village school in England will draw for you<br />

on its slate ; and the modern inhabitants of the<br />

Casiquiari, Guainia, etc., paint the walls of their<br />

houses with various coloured earths in far more<br />

artistic designs.<br />

Having carefully examined a good<br />

deal of the<br />

so-called picture-writing, I am bound to come to<br />

the conclusion that it was executed^by the ancestors<br />

of Indians who at this day inhabit the region where<br />

it is found ;<br />

that their utensils, mode of life, etc.,<br />

were similar to those still in use ;<br />

and<br />

that their<br />

degree of civilisation was certainly not greater<br />

probably less than that of their existing descendants.<br />

<strong>The</strong> execution of the figures may have<br />

ranged through several centuries, a period which<br />

in the existence of a savage people is but a year in<br />

that of the highly-civilised nations of modern Europe.<br />

In vain shall we seek any chronological information<br />

from the Indian, who never knows his own age,<br />

rarely that of his youngest child, and who refers<br />

all that happened before his own birth to a vague<br />

antiquity, wherein there are no dates and rarely any<br />

epochs to mark the sequence of events.

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