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Untitled - The Alfred Russel Wallace Website

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NARCOTICS AXD STIMULANTS 433<br />

dances, but it is also employed by. the payes in<br />

their divinations, and Bancroft's account of its use<br />

in Guayana corresponds so nearly with what was<br />

told to me on the Uaupes, that I cannot do better<br />

than transcribe it here.<br />

" <strong>The</strong> medicine-men, called Peii's [Stectman says<br />

Peiis or Pagayers], unite in themselves the sacer-<br />

dotal and medicinal functions. One of the imple-<br />

ments of the peii<br />

is a hollowed calabash (cuya)<br />

through the centre of which an axis is passed<br />

projecting about a foot on each side, the thick end<br />

forming a handle, the thin end decorated with<br />

feathers ; it is also carved and painted and perforated<br />

with small holes some lono-, some round<br />

o '<br />

and several quartz pebbles and red-and-black beans<br />

are put inside it, so that it forms a rattle. When<br />

the peii is called to a patient, he begins his exorcism<br />

at<br />

night, the alone with the<br />

lights being put out and he left<br />

patient. He rattles his maraca by<br />

at the same time a<br />

turning it slowly round, singing<br />

supplication to the Yawahoo. This goes on for say<br />

a couple of hours, when the peii is heard con-<br />

versing with the Yawahoo at least there are two<br />

distinct voices. Afterwards the peii makes a report<br />

in an ambiguous style, on what will be the event of<br />

the disorder. <strong>The</strong> exorcisms are repeated every<br />

night until after a favourable turn, when the peii<br />

pretends to extract the cause of the disorder by<br />

sucking the part affected, after which he pulls out<br />

of his mouth fish-bones, thorns, snake's teeth, or<br />

some such substance, which he has before concealed<br />

therein, but pretends to have been maliciously conveyed<br />

into the affected part by the Yawahoo. <strong>The</strong><br />

patient then fancies himself cured, and the influence<br />

VOL. II 2 F

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