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Arbeit macht frei: - Fredrick Töben

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lost the cutting edge of it by submitting to the Holocaust mantra. Sad, sad,<br />

sad that a people let themselves be pressured into such utter rubbish. It<br />

attests to the refined mental dictatorship that succeeded in enshrining this<br />

nonsense into common parlance, then into law.<br />

I progress well with my ‘<strong>Arbeit</strong> Macht Frei’ mug in pottery. Joe has been of<br />

great assistance in the painting three times with red, black and white, and<br />

then with the firing stage, that process where objects are nicely stacked in<br />

the oven or kiln overnight for firing. Memories of my time at the Merz<br />

School in 1971–73 where I dabbled in such matters come back.<br />

On Tuesday15 September I finally meet Charles Southwood, the pottery<br />

instructor who travels from Adelaide to supervise this rather popular activity<br />

on Mondays and Tuesdays. He is also the assistant chaplain at CTC. As we<br />

converse something did not add up. It was as if I had for years been<br />

listening to Charles’ voice, he seemed to be so familiar to me. When one of<br />

the fellows introduced me to him I went straight for it.<br />

‘Charles?’.<br />

‘Yes’.<br />

‘… and your surname?’.<br />

‘Southwood’.<br />

‘No!’.<br />

‘Yes’.<br />

‘No, Charles Southwood – ABC Classic FM?’.<br />

‘Yes’.<br />

‘F--- me dead. Charles Southwood, ABC Classic FM’.<br />

‘Yes’.<br />

‘Well, well’.<br />

I calmed down. I was in the presence of Charles Southwood, the ABC<br />

Classic FM music presenter, one of the great ones at the ABC. I felt<br />

privileged to meet him. When I was working for ABC-Radio’s Horsham<br />

office in 1989, I appreciated the classical music presentation that the ABC<br />

offered. During the 1960s we could only get 3WV/WL where such music<br />

was offered by John Kager.<br />

I did push the issue a little further and remind Charles that Englishmen<br />

really have difficulty with their stiff upper lip and their appreciation of<br />

music is generally socially determined, not inspirationally, as we see today<br />

with the deconstructionist composer Greenaway whose operatic creations<br />

are pure ugliness.<br />

336

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