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A division of <strong>Allegro</strong> MediA group<br />

JUNE 2013<br />

Release Date: <strong>June</strong> 11, 2013<br />

Order Due Date: May 21, 2013


tABLE OF CONtENtS<br />

Audiomax 17<br />

AVIE Records 3–4<br />

Berlin Classics 21–24<br />

BGS 33<br />

CAvi-music 20<br />

Challenge Classics 7–8<br />

Cobra 36<br />

col legno 20<br />

CORO 5–6<br />

Discovery <strong>Music</strong> & Vision 33<br />

DOREMI 30<br />

Editions Hortus 16<br />

Etcetera 29<br />

Flora 36<br />

Fryderyk Chopin Institute 18<br />

Herisson 27<br />

pORtLAND P: (800) 288–2007<br />

Adrian Mills, <strong>Classical</strong> Product Manager x 2037<br />

adrian.mills@allegromediagroup.com<br />

Andrea Aiello, Assistant Product Manager x 2036<br />

andrea.aiello@allegromediagroup.com<br />

Michael Tomlinson, Sales & Marketing Coordinator x 2041<br />

marketing@allegromediagroup.com<br />

Amy Micallef, Internet Marketing Coordinator x 2006<br />

amy.micallef@allegromediagroup.com<br />

NEW YORK P: (800) 288–2007<br />

Damon Sgobbo, Senior VP of Sales & Marketing x 2139<br />

damon.sgobbo@allegromediagroup.com<br />

Greg Beshers, Senior Director of Digital Strategy x 2088<br />

greg.beshers@allegromediagroup.com<br />

uS SALES P: (800) 288–2007<br />

Mike Marshall, Director of Special Markets Sales x 2071<br />

mike.marshall@allegromediagroup.com<br />

Virginia Papaia, West Coast Account Mgr. x 2066<br />

virginia.papaia@allegromediagroup.com<br />

Brian Poore, National Accounts Mgr. x 2075<br />

brian.poore@allegromediagroup.com<br />

Peter Wiley, Eastern Region Account Mgr. x 2126<br />

peter.wiley@allegromediagroup.com<br />

Bobbi Lee, Special Markets Account Mgr. x 2016<br />

bobbi.lee@allegromediagroup.com<br />

CANADA P: (289) 316–0513<br />

Kim Pullen, National Sales Manager x 1151<br />

kim.pullen@allegromediagroup.com<br />

allegro ClAssiCAl news<br />

Indésens 36<br />

KAIROS 20<br />

La Bottega Discantica 17<br />

LAWO Classics 28<br />

L’Encelade 36<br />

Melodiya 11–15<br />

Musique a la Chabotterie 35<br />

Myrios Classics 10<br />

OMAC Records 9<br />

Paraty 35<br />

Querstand 31–32<br />

Silverdoor 19<br />

SOMM Recordings 35<br />

Stone Records 33<br />

Stradivarius 25–26<br />

Tactus 34<br />

Jonathan McNally, Retail Distribution Manager x 1150<br />

jonathan.mcnally@allegromediagroup.com<br />

WWW.ALLEgROB2B.COM<br />

Place & track orders; check inventory; view promotional<br />

deals & schedules; browse tour itineraries; and more!<br />

FREE SHippiNg! (25 piECE MiN.)<br />

Order direct and save! Visa and Mastercard accepted.<br />

Call (800) 288–2007 to order or set up an account.<br />

2<br />

CONgRAtuLAtiONS tO<br />

thE hallé orchEstra<br />

BBC MuSiC MAgAziNE<br />

RECORDiNg OF tHE YEAR<br />

The Hallé’s much-acclaimed new recording of Elgar’s The Apostles is BBC<br />

<strong>Music</strong> Magazine’s Recording of <strong>the</strong> Year & Choral Winner of <strong>the</strong> Year!<br />

Conductor Sir Mark Elder graces <strong>the</strong> magazine’s May cover.<br />

ELgAR<br />

The Apostles<br />

Hallé Orchestra/Sir Mark Elder<br />

CD: HLE 7534<br />

Price Code: 2Q (SRP $31.99)<br />

Number of Discs: 2<br />

D u.S. ORDERS ONLY<br />

RAVE REViEWS FOR<br />

alExaNdEr striNg QUartEt<br />

CD HOTLIST: “String quartet arrangements of jazz standards are nothing<br />

new—and sometimes <strong>the</strong>y’re not even anything special. This album is,<br />

though … Everything is played beautifully, with a very nice balance between<br />

romantic yearning and jazzy swing. Highly recommended.”<br />

Alexander String Quartet<br />

gershwin & Kern<br />

CD: FCL 2008<br />

Price Code: O (SRP $13.99)<br />

Number of Discs: 1<br />

D u.S. ORDERS ONLY<br />

ALLEgRO CLASSiCAL WELCOMES<br />

silVErdoor p. 19<br />

The Silverdoor label was set up by Irish composer Roger Doyle primarily to<br />

release his magnum opus “BABEL,” which took him 10 years to compose and<br />

on which he had worked with 48 collaborators and composed 103 individual<br />

pieces of music. It celebrates <strong>the</strong> multiplicity of musical language and<br />

evolving technologies. Doyle composes with, and for, computers and orchestras<br />

equally, and regularly gives piano concerts of his music. In <strong>the</strong> coming months,<br />

he will re-launch <strong>the</strong> Silverdoor back catalog along with several new releases.<br />

Silverdoor comes to <strong>Allegro</strong> <strong>Classical</strong> via Launch <strong>Music</strong> International Ltd.<br />

tOp 10 RECENt RELEASES<br />

1. Wagner: The Ring Hotter/Fischer-Dieskau/Krauss (OPD 1504)<br />

2. America On Strings Mark O’Connor (OMC 18)<br />

3. I Do: The Wedding Album Polkastra (ANC 140)<br />

4. Bach: Six Partitas for Harpsichord Ton Koopman (CHR 72574)<br />

5. Palestrina Vol. 3 The Sixteen (CRO 16106)<br />

6. Stravinsky: Octet/L’Histoire du Soldat Eastman Wind Ensemble (AVR 2277)<br />

7. Sciarrino String Quartets Quartetto Prometeo (KRO 13212)<br />

8. Bach: Goldberg Variations Grigory Sokolov (MYD 1002049)<br />

9. Piano Rarities Vol. 3 Cyprien Katsaris (P21 45)<br />

10. Bruckner: Symphony No. 9 Herbert Blomstedt (QUE SACD 1215)


Claudio MONtEVERDi<br />

l’orfeo<br />

CD: AVR 2278<br />

Price Code: 2Q (SRP $31.99)<br />

Number of Discs: 2<br />

Double Slimline, Box Lot 21<br />

5% pREORDER DiSCOuNt<br />

D u.S. ORDERS ONLY<br />

Avie records<br />

Charles Daniel: tenor<br />

Taverner Consort & Players<br />

Andrew Parrott: conductor<br />

3<br />

MONTEVERDI: L’Orfeo<br />

“At <strong>the</strong> vanguard of stimulating research-driven concepts interpreted with enthralling musicality.” — Gramophone<br />

Andrew Parrott and <strong>the</strong> Taverner Consort & Players celebrate <strong>the</strong>ir 40 th anniversary with a magnificent recording of <strong>the</strong> world’s first<br />

operatic masterpiece. Parrott has been at <strong>the</strong> center of <strong>the</strong> early and baroque music scenes for over four decades, and his meticulous<br />

research brings a fresh perspective to <strong>the</strong> myth of love lost and found through <strong>the</strong> art of music. Befitting such an outstanding recording,<br />

<strong>the</strong> two-CD set is luxuriously packaged with extensive notes and <strong>the</strong> complete libretto with English translations in a 60-page booklet.<br />

Advertising in Gramophone, BBC <strong>Music</strong> Magazine, LISTEN, and Early <strong>Music</strong> America.<br />

E-blast to Avie mailing list (c. 5,000).<br />

ALSO AVAiLABLE<br />

J.S. BACH<br />

Trauer-<strong>Music</strong>: <strong>Music</strong> to Mourn prince leopold<br />

CD: AVR 2241<br />

Price Code: Q (SRP $15.99)<br />

Number of Discs: 1<br />

D u.S. ORDERS ONLY<br />

BUZZ alErt


Alexandra Silocea<br />

sound waves<br />

CD: AVR 2266<br />

Price Code: Q (SRP $15.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

5% pREORDER DiSCOuNt<br />

D u.S. ORDERS ONLY<br />

iNCLuDES WORLD pREMiERE<br />

Avie records<br />

4<br />

Alexandra Silocea: piano<br />

DEBUSSY: Poissons d’or • Reflets dans l’eau • L’isle joyeuse • RAVEL: Jeux d’eau • LISZT: Jeux d’eau a la Villa d’Este • Variations on a<br />

Cantata by Bach “Weinen, Klagen, Sorgen, Zagen” • Nuages gris • Orage • SCHUBERT/LISZT: Auf dem Wasser zu singen • Der Müller<br />

und der Bach • ROMBERG: Eärendil (premiere)<br />

“A revelation.” — Audiophile Audition<br />

Alexandra Silocea made something of a splash with her debut AVIE recording featuring <strong>the</strong> first five Piano Sonatas by Prokofiev, which<br />

“I don’t recall having heard being played better by anyone,” according to International Record Review. For her follow-up she immerses<br />

herself in <strong>the</strong> aqueous sonorities of some of <strong>the</strong> great pianistic composers of <strong>the</strong> 19 th and 20 th centuries. She also adds a distinctive stamp<br />

with a commission by young Norwegian composer Martin Romberg.<br />

Advertising in Gramophone, BBC <strong>Music</strong> Magazine, LISTEN, and International Piano.<br />

Priority for airplay on classical radio.<br />

E-blast to Avie mailing list (c. 5,000).<br />

ALSO AVAiLABLE<br />

pROKOFiEV<br />

piano sonatas 1–5<br />

CD: AVR 2183<br />

Price Code: Q (SRP $15.99)<br />

Number of Discs: 1<br />

D u.S. ORDERS ONLY


Bartłomiej p ˛EKiEL<br />

Ave Maria<br />

CD: CRO 16110<br />

Price Code: Q (SRP $15.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

5% pREORDER DiSCOuNt<br />

D u.S. ORDERS ONLY<br />

5<br />

Coro<br />

The Sixteen<br />

Eamonn Dougan: conductor<br />

P˛EKIEL: Audite mortales • Dulcis Amor Jesu • Resonet in laudibus • Magnum nomen Domini • Ave Maria • Assumpta est Maria •<br />

O Adoranda Trinitas • Nativitas tua • Missa Concertata La Lombardesca • Missa a 14 (Kyrie & Gloria)<br />

Associate Conductor of The Sixteen, Eamonn Dougan, makes his full conducting debut on CORO in <strong>the</strong> first of an exciting new series<br />

exploring some of Poland’s greatest choral composers. Bartłomiej P˛ekiel was one of <strong>the</strong> most eminent Polish composers of choral music of<br />

<strong>the</strong> 17 th century. He served at <strong>the</strong> court in Warsaw from around 1633, and became Kapellmeister from 1645–1655 — <strong>the</strong> first non-Italian to<br />

hold <strong>the</strong> post! Just 29 of his compositions survive today, and on this new album CORO presents 10 of his works for choir and orchestra.<br />

Advertising includes Gramophone, BBC <strong>Music</strong> Magazine, and more.<br />

Copies Mailed to U.S. press and radio stations.<br />

Radio Coverage on Classic FM and BBC Radio 3 (available worldwide via digital radio).<br />

ALSO AVAiLABLE<br />

<strong>the</strong> Sixteen<br />

The earth resounds<br />

CD: CRO 16097<br />

Price Code: Q (SRP $15.99)<br />

Number of Discs: 1<br />

BUZZ alErt<br />

BRAHMS<br />

ein deutsches requiem<br />

CD: CRO 16050<br />

Price Code: Q (SRP $15.99)<br />

Number of Discs: 1<br />

D u.S. ORDERS ONLY D u.S. ORDERS ONLY


Coro label feature


Sergei RACHMANiNOV<br />

piano works<br />

CD: CHR 72587<br />

Price Code: P (SRP $16.99)<br />

Number of Discs: 1<br />

O-Card Jewel, Box Lot 22<br />

D u.S. ORDERS ONLY<br />

James MACMiLLiAN<br />

Magnificat<br />

CD: CHR 72554<br />

Price Code: P (SRP $16.99)<br />

Number of Discs: 1<br />

O-Card Jewel, Box Lot 22<br />

D u.S. ORDERS ONLY<br />

Challenge Classics<br />

7<br />

Alexei Volodin: piano<br />

RACHMANINOV: Variations on a <strong>the</strong>me of Corelli, Op. 42 • Ten<br />

Preludes, Op. 23: Prelude No. 4 in D major • Ten Preludes, Op. 23:<br />

Prelude No. 5 in G minor • Thirteen Preludes, Op. 32: Prelude No. 12 in<br />

G sharp minor • Thirteen Preludes, Op. 32: Prelude No. 10 in B minor •<br />

Prelude, Op. 3, No. 2 in C sharp minor • Sonata No. 2 in B flat minor,<br />

Op. 36, 2 nd version • Etudes Tableaux, Op. 33, No. 3 in C minor • Etudes<br />

Tableaux, Op. 39, No. 1 in C minor • Etudes Tableaux, Op. 39, No. 3 in<br />

F sharp minor • Etudes Tableaux, Op. 39, No. 5 in E flat minor<br />

Alexei Volodin is one of today’s most outstanding Russian pianists.<br />

For his third recording on Challenge Classics, <strong>the</strong> artist focuses on<br />

beloved composer Sergei Rachmaninov. Volodin performs regularly<br />

with many prestigious orchestras including <strong>the</strong> London Symphony<br />

Orchestra, New York Philharmonic, Orchestre de la Suisse Romande,<br />

Moscow Tchaikovsky Symphony Orchestra, Russian National<br />

Orchestra, Vienna Symphony Orchestra, Ne<strong>the</strong>rlands Philharmonic,<br />

and Zurich Tonhalle Orchestra. In 2003 he won <strong>the</strong> First Prize at <strong>the</strong><br />

ninth edition of <strong>the</strong> Concours Géza Anda in Zurich, which launched<br />

his international career.<br />

Ne<strong>the</strong>rlands Radio Chamber Philharmonic<br />

Ne<strong>the</strong>rlands Radio Choir<br />

James MacMillian: conductor<br />

Edward Caswell: conductor<br />

MACMILLIAN: Ó • Tryst • Magnificat • Nunc Dimittis<br />

James MacMillan is one of today’s most successful living composers,<br />

also internationally active as a conductor. His musical language is<br />

flooded with influences from his Scottish heritage, Catholic faith,<br />

social conscience, and close connection with Celtic folk music, all<br />

blended with influences from Scandinavian and Eastern European<br />

music. MacMillan is currently Principal Guest Conductor of <strong>the</strong><br />

Ne<strong>the</strong>rlands Radio Chamber Philharmonic, and has conducted<br />

orchestras such as <strong>the</strong> Baltimore Symphony, Rotterdam Philharmonic,<br />

Munich Philharmonic, City of Birmingham Symphony Orchestra,<br />

Toronto Symphony, and Los Angeles Philharmonic. In 2012, he was<br />

presented with <strong>the</strong> prestigious ABO Award at <strong>the</strong> Association of<br />

British Orchestras’ annual conference.


Challenge Classics label feature


Mark O’CONNOR<br />

The improvised violin Concerto<br />

CD+DVD: OMC 19<br />

Price Code: L (SRP $11.99)<br />

Number of Discs: 2<br />

CD Wallet, Box Lot 45<br />

5% pREORDER DiSCOuNt<br />

D u.S. ORDERS ONLY<br />

oMAC records<br />

Mark O’Connor: composer, violin<br />

Boston Youth Symphony Orchestra<br />

Federico Cortese: conductor<br />

O’CONNOR: Improvised Violin Concerto • March of <strong>the</strong> Gypsy Fiddler<br />

Mark O’Connor has created a first in classical music: for <strong>the</strong> first time in 300 years of violin concertos, he has composed an orchestral<br />

concerto where <strong>the</strong> solo violin lead is completely improvised each time it is performed! This CD+DVD release includes O’Connor’s<br />

world premiere performance of his own “Improvised Violin Concerto” performed at Boston Symphony Hall. It also includes his<br />

composition “March of <strong>the</strong> Gypsy Fiddler,” a triple concerto featuring The Ahn Trio. Two fantastic youth orchestras are featured in <strong>the</strong><br />

performances — <strong>the</strong> Boston Youth Symphony Orchestra and <strong>the</strong> New Jersey Youth Orchestra — and proceeds from <strong>the</strong> sales of <strong>the</strong><br />

CD+DVD will go to benefit both organizations.<br />

DVD Specs: NTSC, Region 0, 16:9 (Widescreen), Color, English (Stereo), Not Rated, Run Time: 64 min.<br />

Press & Promotion handled by Shore Fire Media.<br />

UPCOMING PERFORMANCES<br />

May 5 Trenton, NJ – Trenton War Memorial Auditorium<br />

May 26 Napa Valley, CA – Lincoln Theater<br />

October 23 & 24 Indianapolis, IN – Butler University<br />

9


Ludwig van BEEtHOVEN<br />

string Quartets [Hybrid sACd]<br />

CD: MYR SACD 9<br />

Price Code: U (SRP $19.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

5% pREORDER DiSCOuNt<br />

D u.S. ORDERS ONLY<br />

Myrios Classics<br />

10<br />

Hagen Quartet<br />

BEETHOVEN: String Quartet No. 3 in D major, Op. 18/3 • String Quartet No. 5 in A major, Op. 18/5 • String Quartet No. 16 in<br />

F major, Op. 135<br />

“The Hagen Quartet holds you spellbound from first bar to last.” — BBC <strong>Music</strong> Magazine<br />

In its 2012/13 season, <strong>the</strong> Hagen Quartet brings <strong>the</strong> complete Beethoven string quartets to <strong>the</strong> most prominent musical centers of <strong>the</strong><br />

world, including New York, Tokyo, Paris, London, Vienna, and Salzburg. During <strong>the</strong> first half of this tour, <strong>the</strong> quartet went right from <strong>the</strong><br />

stage to <strong>the</strong> studio to record three of <strong>the</strong>ir favorite Beethoven quartets. Featuring Op. 18/3 and Op. 135, <strong>the</strong> album ranges from <strong>the</strong> very<br />

first quartet Ludwig van Beethoven wrote, to <strong>the</strong> very last.<br />

PLAYABLE IN ALL CD PLAYERS. For optimal sound, use compatible surround sound system.<br />

ALSO AVAiLABLE<br />

Hagen Quartet<br />

Hagen Quartet 30<br />

CD: MYR SACD 6<br />

Price Code: U (SRP $19.99)<br />

Number of Discs: 1<br />

BUZZ alErt<br />

Hagen Quartet<br />

introspective – retrospective<br />

CD: MYR SACD 7<br />

Price Code: U (SRP $19.99)<br />

Number of Discs: 1<br />

D u.S. ORDERS ONLY D u.S. ORDERS ONLY


David Oistrakh<br />

david oistrakh<br />

CD: MYD 1001931<br />

Price Code: 3R (SRP $53.99)<br />

Number of Discs: 5<br />

Digibox, Box Lot 5<br />

D u.S. ORDERS ONLY<br />

igor StRAViNSKY<br />

les Ballets russes<br />

CD: MYD 1001990<br />

Price Code: 2R (SRP $35.99)<br />

Number of Discs: 2<br />

Double Digipak, Box Lot 20<br />

D u.S. ORDERS ONLY<br />

11<br />

Melodiya<br />

David Oistrakh: violin<br />

TCHAIKOVSKY: Violin Concerto in D major, Op. 35 • TANEYEV: Concert<br />

Suite in G minor, Op. 28 • BRAHMS: Violin Concerto in D major, Op. 77 •<br />

Violin Sonata No. 2 in A major, Op. 100 • Violin Sonata No. 3 in D minor,<br />

Op. 108 • DVOˇRÁK: Violin Concerto in A major, Op. 53 • FRANCK:<br />

Violin Sonata in A major • VIOTTI: Violin Concerto No. 22 in A minor •<br />

BEETHOVEN: Violin Concerto in D major, Op. 61 • BACH: Violin Concerto<br />

No. 2 in E major, BWV 1042 • MOZART: Violin Concerto No. 3 in G major,<br />

K. 216 • MENDELSSOHN: Violin Concerto in E minor, Op. 64<br />

Among <strong>the</strong> numerous famous performers <strong>the</strong> 20 th century gave to <strong>the</strong><br />

world, David Oistrakh ranks especially high. Oistrakh recorded violin<br />

concertos by Bach, Mozart, Viotti, Beethoven, Tchaikovsky, Brahms, Dvoˇrák,<br />

and Taneyev in <strong>the</strong> 1950s and 1960s. He was in <strong>the</strong> prime of his performing<br />

career, appearing with some of <strong>the</strong> best conductors such as Nikolai Malko,<br />

Herbert von Karajan, Alexander Gauk, Kirill Kondrashin, and Gennady<br />

Rozhdestvensky. The performances of Brahms’ and Franck’s sonatas by David<br />

Oistrakh and Sviatoslav Richter, also featured in this set, has been unanimously<br />

recognized by domestic and foreign audiences as one of <strong>the</strong> 20 th century’s best<br />

achievements in <strong>the</strong> field of chamber music.<br />

The Academic Symphony Orchestra of <strong>the</strong> Moscow Philharmonic Society<br />

Dmitri Kitayenko: conductor<br />

The Moscow State Conservatory Symphony Orchestra<br />

Pierre Boulez: conductor<br />

The Big Symphony Orchestra of Central Television and All-Union Radio<br />

Vladimir Fedoseyev: conductor<br />

STRAVINSKY: The Firebird • Petrushka • The Rite of Spring<br />

History united <strong>the</strong> names of two geniuses, Igor Stravinsky and Sergei<br />

Diaghilev, in one of <strong>the</strong> brightest cultural phenomena of <strong>the</strong> previous<br />

century: <strong>the</strong> Russian Seasons in Paris. Stravinsky’s three Russian<br />

ballets — The Firebird, Petrushka, and The Rite of Spring — were fruits<br />

of <strong>the</strong>ir collaborative creative process. In aggregate, <strong>the</strong>se three ballets<br />

demonstrate <strong>the</strong> intensity of <strong>the</strong> composer’s creative evolution and<br />

acutely unexpected stylistic “twists” that would be characteristic for<br />

him in future.


pyotr il’yich tCHAiKOVSKY<br />

The Maid of orleans<br />

CD: MYD 1002053<br />

Price Code: 2R (SRP $35.99)<br />

Number of Discs: 3<br />

Triple Digipak, Box Lot 15<br />

D u.S. ORDERS ONLY<br />

pyotr il’yich tCHAiKOVSKY<br />

iolanta<br />

CD: MYD 1001697<br />

Price Code: 2R (SRP $35.99)<br />

Number of Discs: 2<br />

Double Digipak, Box Lot 20<br />

D u.S. ORDERS ONLY<br />

12<br />

Melodiya<br />

Irina Arkhipova, Evgeny Vladimirov, Andrey Sokolov: vocal soloists<br />

Academic Choir and Symphony Orchestra of All-Union Radio and Television<br />

Gennady Rozhdestvensky: conductor<br />

TCHAIKOVSKY: The Maid of Orleans (complete opera)<br />

Melodiya presents a recording of The Maid of Orleans, a rare opera<br />

masterpiece by Pyotr Il’yich Tchaikovsky realized by outstanding<br />

contemporary conductor Gennady Rozhdestvensky with <strong>the</strong> great<br />

Russian singer Irina Arkhipova performing <strong>the</strong> main part. The opera<br />

was recorded by <strong>the</strong> All-Union Radio Symphony Orchestra and Choir<br />

led by Rozhdestvensky, and also features two remarkable baritones:<br />

Sergei Yakovenko as Lionel and Vladimir Valaitis as Dunois.<br />

Vladimir Atlantov, Evgeny Nesterenko, Yuri Mazurok: vocal soloists<br />

Bolshoi Theatre Soloists, Chorus and Orchestra<br />

Mark Ermler: conductor<br />

TCHAIKOVSKY: Iolanta (complete opera)<br />

The first performance of Iolanta took place in St. Petersburg on <strong>the</strong> stage<br />

of <strong>the</strong> Mariinsky Theatre under <strong>the</strong> direction of Eduard Napravnik on<br />

December 6, 1892. The opera does not contain a single negative character;<br />

<strong>the</strong> entire dramaturgy of <strong>the</strong> composition revolves around <strong>the</strong> blindness of<br />

a beautiful young girl who does not perceive her handicap. This recording,<br />

carried out by <strong>the</strong> Bolshoi Theatre in 1976 under <strong>the</strong> direction of Mark<br />

Ermler, has a set of invaluable merits. First, it is distinct for its remarkable<br />

performers. But most importantly, <strong>the</strong> orchestra is permeated with an<br />

atmosphere of remarkable congruence and accord, which was an inseparable<br />

characteristic feature of <strong>the</strong> Bolshoi Theatre of <strong>the</strong> USSR and, unfortunately,<br />

would be lost in <strong>the</strong> next few decades…


Alexander BORODiN<br />

prince igor<br />

CD: MYD 1002080<br />

Price Code: 2R (SRP $35.99)<br />

Number of Discs: 3<br />

Triple Digipak, Box Lot 15<br />

D u.S. ORDERS ONLY<br />

Ruggero LEONCAVALLO<br />

pagliacci (del Monaco in Moscow)<br />

CD: MYD 1001663<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

D u.S. ORDERS ONLY<br />

13<br />

Melodiya<br />

Ivan Petrov, Tatiana Tugarinova, Vladimir Atlantov: vocal soloists<br />

Choir and Orchestra of <strong>the</strong> State Academic Bolshoi Theatre<br />

Mark Ermler: conductor<br />

BORODIN: Prince Igor (complete opera)<br />

Melodiya presents a complete recording of <strong>the</strong> epic Russian opera<br />

Prince Igor by Alexander Borodin! It took Borodin 19 years to<br />

compose this opera, based on <strong>the</strong> old Russian poem “The Tale<br />

of Igor’s Campaign” and also incorporating material from o<strong>the</strong>r<br />

sources. Eternally busy, <strong>the</strong> author combined composing with a chair<br />

in chemistry and an active social life, and never finished <strong>the</strong> work.<br />

Prince Igor reached us thanks to <strong>the</strong> effort of <strong>the</strong> composer’s friends<br />

Nikolai Rimsky-Korsakov and Alexander Glazunov, who managed<br />

to complete Borodin’s masterpiece. This recording — featuring a<br />

galaxy of outstanding soloists such as Ivan Petrov, Elena Obraztsova,<br />

Vladimir Atlantov, Alexander Vedernikov, and Arthur Eisen — is <strong>the</strong><br />

only one that features <strong>the</strong> music of <strong>the</strong> opera in its entirety!<br />

Mario del Monaco, Leocadia Maslennikova, Alexey Ivanov: vocal soloists<br />

Soloists, Choir and Orchestra of <strong>the</strong> Bolshoi Theatre<br />

Vasily Nebolsin: conductor<br />

LEONCAVALLO: Pagliacci (complete opera)<br />

In <strong>June</strong> 1959, Moscow gave a hearty welcome to Mario del Monaco, one of<br />

<strong>the</strong> best tenors in <strong>the</strong> world. This live recording from <strong>the</strong> Bolshoi Theatre on<br />

<strong>June</strong> 20, 1959 features <strong>the</strong> tenor along with Leocadia Maslennikova, Alexey<br />

Ivanov, Nikolay Timchenko, and Evgeny Belov, conducted by Vasily Nebolsin.<br />

Mario del Monaco sings in Italian, while <strong>the</strong> rest of <strong>the</strong> cast sings in Russian.


Sergei RACHMANiNOV<br />

Aleko<br />

CD: MYD 1001703<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

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Moscow Radio Symphony Orchestra<br />

famous overtures<br />

CD: MYD 1001662<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

D u.S. ORDERS ONLY<br />

14<br />

Melodiya<br />

Artur Eisen, Lyudmila Sergienko: vocal soloists<br />

Vasily Lanovoy: narrator<br />

USSR Academic Chorus of Radio & TV<br />

USSR State Academic Symphony Orchestra<br />

Evgeny Svetlanov: conductor<br />

RACHMANINOV: Aleko (complete opera)<br />

In 1892 <strong>the</strong> Moscow Conservatory graduated a group of talented young<br />

musicians, among <strong>the</strong>m <strong>the</strong> 19-year-old Sergei Rachmaninov. His amazing gift<br />

did not go unnoticed by <strong>the</strong> professors of <strong>the</strong> composition department. The<br />

object of <strong>the</strong>ir amazement was Rachmaninov’s diploma work, a one-act opera<br />

named Aleko that he created in just 17 days! Despite being his first test in <strong>the</strong><br />

genre, Rachmaninov’s piece was distinguished by a surprising integrity of plot,<br />

<strong>the</strong> vividness of <strong>the</strong> major psychological issues, and <strong>the</strong> freshness of intonation<br />

and melodic patterns. Rachmaninov took a fancy to Pushkin’s story about <strong>the</strong><br />

self-willed Zemfira, her dispassionate fa<strong>the</strong>r, and <strong>the</strong> savage stranger Aleko,<br />

who made a remarkable triangle of characters.<br />

Moscow Radio Symphony Orchestra<br />

Gennady Rozhdestvensky: conductor<br />

LALO: Overture to The King of Y’s • MASSENET: Phèdre, overture to <strong>the</strong><br />

tragedy of Jean-Baptiste Racine • HÉROLD: Overture to Zampa • THOMAS:<br />

Overture to Mignon • Overture to Raymond • VON SUPPÉ: Overture to The<br />

Beautiful Galatea • Overture to Light Cavalry • Overture to Poet and Peasant<br />

Gennady Nikolayevich Rozhdestvensky (b. 1931) is a world-famous conductor,<br />

pianist, composer, and researcher as well as a People’s Artist of <strong>the</strong> USSR and a<br />

professor. He directed many of <strong>the</strong> most important orchestras of Russia.


15<br />

Melodiya<br />

Frédéric CHOpiN & Alexander SCRiABiN<br />

24 preludes<br />

CD: MYD 1002066<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

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Johannes BRAHMS<br />

Complete symphonies<br />

CD: MYD 1001746<br />

Price Code: 2R (SRP $35.99)<br />

Number of Discs: 3<br />

Triple Digipak, Box Lot 15<br />

D u.S. ORDERS ONLY<br />

Rudolf Kehrer: piano<br />

CHOPIN: 24 Preludes, Op. 28 • SCRIABIN: 24 Preludes, Op. 11<br />

Melodiya presents Rudolf Kehrer, one of <strong>the</strong> most extraordinary and<br />

original representatives of <strong>the</strong> Russian piano school of <strong>the</strong> 20 th century.<br />

This remarkable musician is a rare combination of scientific and creative<br />

talents in one man. Born to a musical family, Kehrer started to study<br />

music at an early age but later became a ma<strong>the</strong>matics teacher. After a<br />

long break, he returned to his music studies. After Kehrer won First<br />

Prize at <strong>the</strong> All-Union Competition of <strong>Music</strong> Performers in 1961, he<br />

achieved his long-awaited fame. In 41 years of performing activities,<br />

<strong>the</strong> pianist gave over 2,000 concerts and taught at <strong>the</strong> conservatories<br />

in Tashkent, Moscow, and Vienna. Living at <strong>the</strong> junction of Russian<br />

and German cultures, Kehrer included in his repertoire Viennese<br />

classics and Russian composers. However, he always showed a<br />

preference for romanticism.<br />

USSR State Symphony Orchestra<br />

Evgeny Svetlanov: conductor<br />

BRAHMS: Symphony No. 1 in C minor, Op. 68 • Symphony No. 2 in D<br />

major, Op. 73 • Symphony No. 3 in F major, Op. 90 • Symphony No. 4 in E<br />

minor, Op. 98<br />

The content of Brahms’ four symphonies is contrasting: <strong>the</strong> monumental and<br />

epic First Symphony, <strong>the</strong> genre dance Second, <strong>the</strong> lyrical and dramatic Third,<br />

and <strong>the</strong> tragic Fourth. An extraordinary power of <strong>the</strong> composer’s art lies in<br />

its humanism and philosophical optimism. Evgeny Svetlanov (1928–2002),<br />

People’s Artist of <strong>the</strong> USSR (1968), is a great Russian conductor as well as a<br />

composer, pianist, and public figure. He recorded all symphonies by Brahms<br />

and Mahler, as well as symphonic compositions by Beethoven, Schubert,<br />

Schumann, Dvoˇrák, Grieg, Saint-Saëns, Bloch, Elgar, Shostakovich, Prokofiev,<br />

Shaporin, Khachaturian, Sviridov, Kabalevsky, and Eshpay.


Olivier MESSiAEN<br />

whitsun Mass<br />

CD: HOR 925<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

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J.S. BACH<br />

The poet <strong>Music</strong>ian<br />

CD: HOR 20<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

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BUZZ alErt<br />

editions Hortus<br />

16<br />

François Espinasse: organ<br />

MESSIAEN: Whitsun Mass • DARASSE: Organum VIII • AMY: Three Inventions<br />

His whole life, with imperturbable regularity, Olivier Messiaen played <strong>the</strong><br />

liturgical organ at <strong>the</strong> Trinity Church (Paris). His Whitsun Mass, however,<br />

is his only organ work explicitly tied to <strong>the</strong> mass. Xavier Darasse’s Organum<br />

VIII is impregnated with vivid, almost blinding colors in a complex rhythm,<br />

striking by its unusual instrumentation: a quintet of brass and organ, homage<br />

to <strong>the</strong> long resonances and <strong>the</strong> dynamic leaps of <strong>the</strong> brass. Three Inventions<br />

by Gilbert Amy are unquestionably among <strong>the</strong> most beautiful organ works of<br />

recent years. Their sonority and registrations frequently evoke <strong>the</strong> aes<strong>the</strong>tic<br />

of <strong>the</strong> classical organ. Their composition — brilliant, warm, and extremely<br />

varied — requires <strong>the</strong> interpreter to combine rhythmic precision with general<br />

flexibility. François Espinasse, official co-organist of Saint Séverin church in<br />

Paris and first-prizewinner in organ in Xavier Darasse’s class, finished his<br />

training with André Isoir.<br />

François Ménissier: organ<br />

BACH: a collection of organ works<br />

It is thanks to Albert Schweitzer that <strong>the</strong> Eglise Saint-Thomas in Strasbourg<br />

and its famous Silbermann organ holds a special place in <strong>the</strong> 20 th -century<br />

rediscovery of Bach’s organ works. In addition to writing <strong>the</strong> book Bach,<br />

<strong>the</strong> Poet-<strong>Music</strong>ian, in which he sought to explain <strong>the</strong> public’s instinctive<br />

attractions to <strong>the</strong> cantor’s works, Schweitzer was also titular organist at<br />

<strong>the</strong> Eglise de Saint-Thomas and a fierce defender of its instrument. It was<br />

also Schweitzer who originally had <strong>the</strong> idea of organizing a concert entirely<br />

devoted to Bach’s music on <strong>the</strong> anniversary of his death, July 28, 1908, an idea<br />

that was to be taken up again each succeeding year. These annual concerts<br />

became one of <strong>the</strong> most solid institutions of musical life in Strasbourg.


Audiomax<br />

la Bottega discantica<br />

17<br />

Gürzenich Quartet<br />

Ludwig van BEEtHOVEN & Johannes BRAHMS<br />

string Quartets<br />

CD: AMX 7031732<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

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girolamo FRESCOBALDi<br />

flowers and little flowers for organ<br />

CD: BDI 128<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 25<br />

D u.S. ORDERS ONLY<br />

BUZZ alErt<br />

BUZZ alErt<br />

BEETHOVEN: String Quartet No. 5 in A major, Op. 18 • BRAHMS: String<br />

Quartet No. 2 in A minor, Op. 51<br />

The Gürzenich Quartet’s latest CD release features not one but two classical<br />

heavyweights: Beethoven and Brahms! Drawing on <strong>the</strong> experience of <strong>the</strong>ir<br />

countless performances in <strong>the</strong> orchestra pit, which require split-second<br />

reactions to spontaneous impulses from <strong>the</strong> stage, <strong>the</strong> four musicians of <strong>the</strong><br />

Gürzenich Quartet have what it takes to produce gripping results.<br />

Edoardo Bellotti: organ<br />

FRESCOBALDI: music from Manuscript Vaticano Chigi Q IV 25: “Fiori<br />

<strong>Music</strong>ali” (Venezia, 1635), Aggiunta al “Primo Libro di Toccate” (Roma, 1637),<br />

Manuscript Londra Add. 40080 “Fioretti del Frescobaldi”: “Primo Libro di<br />

Capricci” (Roma, 1624) and “Secondo libro di Toccate” (Roma, 1627)<br />

In <strong>the</strong> 17 th century, <strong>the</strong> term “flower” was often used to allude to a poetic or<br />

musical composition. <strong>Music</strong> appears fresh and new with each performance, it<br />

expresses <strong>the</strong> feelings of <strong>the</strong> heart, and it inebriates like a precious flower. This<br />

is at least part of <strong>the</strong> meaning of <strong>the</strong> title of this anthology, dedicated to that<br />

monster of organists, Girolamo Frescobaldi. His works are justly distinguished<br />

among <strong>the</strong> various “flowers,” and offer a particularly refined bouquet.


CD: FCS 25<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

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CD: FCS 29<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

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CD: FCS 210<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

D u.S. ORDERS ONLY<br />

fryderyk Chopin society<br />

Frédéric CHOPIN<br />

Etudes, Op. 10<br />

Magdalena Lisak: piano<br />

CHOPIN: Etudes, Op. 10 • Polonaise in C minor, Op. 40, No. 2 • Polonaise in F minor, Op. 71,<br />

No. 3 • Mazurka, Op. 56 • Barcarolle in F sharp major, Op. 60 • Nocturne in C sharp minor<br />

This disc is ano<strong>the</strong>r installment in <strong>the</strong> series The Real Chopin, <strong>the</strong> world’s first phonographic<br />

collection of <strong>the</strong> complete works of Frédéric Chopin on period instruments. The first edition<br />

of <strong>the</strong> series was highly rated by critics around <strong>the</strong> world, and proved a great success on <strong>the</strong><br />

international record market, winning numerous prizes including a Diapason d’Or. This release<br />

features Magdalena Lisak, a prizewinner of <strong>the</strong> Chopin Competition, on an 1849 Erard.<br />

Frédéric CHOPIN<br />

Piano Concertos 1 & 2<br />

Yulianna Avdeeva: piano/Orchestra of <strong>the</strong> 18 th Century/Frans Brüggen: conductor<br />

CHOPIN: Piano Concerto in F minor, Op. 21 • Piano Concerto in E minor, Op. 11<br />

Following her sensational win at <strong>the</strong> 2010 International Frédéric Chopin Competition in<br />

Warsaw, Yulianna Avdeeva has given debut performances with <strong>the</strong> New York Philharmonic in<br />

Warsaw and New York, under Alan Gilbert. Now, she records both of Chopin’s concertos on<br />

a period instrument (Erard 1849) accompanied by specialist Frans Brüggen conducting his<br />

renowned Orchestra of <strong>the</strong> 18 th Century.<br />

Frédéric CHOPIN<br />

Grand Duo, Op. 15<br />

Dina Yoffe: piano/Daniel Vaiman: piano<br />

CHOPIN: Variations on Thomas Moore’s Song in D for Piano Four Hands • Rondo in C, Op. 73<br />

(working version) • Andante spianato and Grande Polonaise Brillante in E flat major, Op. 22 •<br />

Mazurka, Op. 17 • CHOPIN/FRANCHOMME: Grand Duo Concertante in E major, Op. 15<br />

Like <strong>the</strong> cycle The Real Chopin, <strong>the</strong> so-called White Series presents a complete set of <strong>the</strong> works<br />

of Frédéric Chopin — but on contemporary instruments! This disc features solo performances<br />

by Dina Yoffe as well as works for four hands and two pianos that <strong>the</strong> artist recorded with her<br />

son, Daniel Vayman.<br />

18


<strong>Allegro</strong> <strong>Classical</strong> welcomes silverdoor To our roster<br />

Roger DOYLE<br />

Budawanny<br />

CD: SVD 11<br />

Price Code: U (SRP $19.99)<br />

Number of Discs: 1<br />

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Roger DOYLE<br />

Thalia & oizzo no<br />

CD: SVD 12<br />

Price Code: U (SRP $19.99)<br />

Number of Discs: 1<br />

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19<br />

Roger Doyle: piano, syn<strong>the</strong>sizer<br />

Ger Flanagan: fiddle<br />

Seán Devitt: hand drum<br />

Trevor Knight: syn<strong>the</strong>sizer<br />

Sarah Grealish: vocals<br />

DOYLE: Opening <strong>Music</strong> • Priest On Motorbike • Moving In • Inspecting <strong>the</strong><br />

House • The Storm • The Vigil • Pregnant • The Boat Race • The Dance •<br />

The Parting • Ecce • Budawanny • Atlantean • Amhrán Mhuighinnse<br />

The music on this CD is comprised of <strong>the</strong> soundtracks of two films made by<br />

Irish filmmaker Bob Quinn in <strong>the</strong> 1980s, plus an arrangement of an old Irish<br />

song. The music was to play a central role in <strong>the</strong> feature film Budawanny,<br />

which was shot as a silent film in black and white. It required 70 minutes<br />

of music, uninterrupted by anyone talking over it (a composer’s dream!)<br />

The music has elements of Irish traditional music, European art music, and<br />

Middle Eastern music. Set in <strong>the</strong> west of Ireland, <strong>the</strong> film tells <strong>the</strong> story of a<br />

priest and a woman who fall in love, and <strong>the</strong> tragic events that follow.<br />

Roger Doyle: piano, electronic, concrete sounds, drum kit<br />

DOYLE: Bitter-Sweet Suite • Ceol Sidhe • Oizzo No • Obstinato • Two<br />

Movements For Flute And Strings • Theme From Emptigon • Extra Bit •<br />

Baby Grand • Thalia • Solar Eyes<br />

The music on this album represents Roger Doyle’s early works, repackaged<br />

and remastered in 2002. It includes his extremely rare self-released 1975 debut<br />

LP Oizzo No and his second LP Thalia from 1978, originally released on CBS<br />

Classics, all on one 77-minute album. The earliest piece is “Bitter-Sweet Suite”<br />

for out-of-tune piano, composed when he was 18. The latest, “Thalia,” was his<br />

first large-scale electronic piece, composed at age 26.


Matthias Schorn<br />

Clarinet Quintets<br />

CD: AVI 8553283<br />

Price Code: Q (SRP $15.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

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Wolfgang PUSCHNIG<br />

For <strong>the</strong> Love of It<br />

CAvi-music<br />

col legno KAiros<br />

CD: CNO 30007<br />

Price Code: S (SRP $18.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 25<br />

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Mark Feldman: violin/Bernarda Fink: mezzo-soprano/Wolfgang<br />

Puschnig: alto saxophone/Mike Richmond: double bass/<br />

Schnittpunktvokal/Vienna Flautists: flutes<br />

PUSCHNIG: Pod Klan?kom • Zwa Sternlan • Summalång • Glöckle<br />

vom Hamattål • Kaj Ti Je, Deklica • Nimbus • Iba die Stapflan<br />

This outstanding live recording from Wiener Konzerthaus,<br />

with jazz giants Mark Feldman and Mike Richmond, features<br />

celebrated Argentine mezzo-soprano Bernarda Fink singing what<br />

might be termed “trans-regional” folk songs: partly in Slovenian,<br />

partly in German.<br />

20<br />

Matthias Schorn: clarinet<br />

Minetti Quartet<br />

MOZART: Clarinet Quintet in A, K. 581 • BRAHMS: Clarinet Quintet in B<br />

minor, Op. 115 • SULZER: Invention for Clarinet and String Quartet<br />

Matthias Schorn is a young, upcoming soloist and principal clarinetist of <strong>the</strong><br />

Vienna Philharmonic. Here, he appears alongside <strong>the</strong> award-winning Minetti<br />

Quartet, one of <strong>the</strong> best Austrian string quartets. The disc features works<br />

by Mozart and Brahms as well as Balduin Sulzer, one of <strong>the</strong> most-profiled<br />

composers on <strong>the</strong> current Austrian classical music scene.<br />

Bernhard GANDER<br />

Monsters and Angels<br />

CD: KRO 13272<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 27<br />

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Arditti Quartet/Neue Vocalsolisten Stuttgart/ORF RSO Vienna/<br />

Peter Eötvös: conductor<br />

GANDER: dirty angel • khul • schöne worte • wegda! • horribile<br />

dictu • lovely monster<br />

These six works by Austrian composer Bernhard Gander<br />

demonstrate <strong>the</strong> composer’s high level of musical craftsmanship<br />

and brilliant, original manner of combining modern composition<br />

with rock and hip-hop. The works are performed by ensembles<br />

including <strong>the</strong> Arditti Quartet, Neue Vocalsolisten Stuttgart, and<br />

ORF RSO Vienna, among <strong>the</strong> leading interpreters of new music.


Heinrich BiBER<br />

rosenkranz sonata<br />

CD: BER 300531<br />

Price Code: 2O (SRP $27.99)<br />

Number of Discs: 2<br />

Double Digipak, Box Lot 14<br />

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Hildegard VON BiNgEN<br />

inspiration<br />

CD: BER 300425<br />

Price Code: S (SRP $18.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 26<br />

D u.S. ORDERS ONLY<br />

Berlin Classics<br />

21<br />

Annegret Siedel: baroque violins<br />

Bell’arte Salzburg<br />

Michael Freimuth: <strong>the</strong>orbo<br />

Hermann Hickethier: viola da gamba, violin<br />

Margit Schul<strong>the</strong>iß: organ, baroque harp, harpsichord<br />

BIBER: Sonata I in D Minor: Annunciation • Sonata II in A Major:<br />

Visitation • Sonata III in B Minor: Nativity • Sonata IV in D Minor:<br />

Presentation in <strong>the</strong> Temple • Sonata V in A Major: Discovery in <strong>the</strong><br />

Temple • Sonata VI in C Minor: Jesus in <strong>the</strong> Garden of Gethsemane •<br />

Sonata VII in F Major: Scourging • Sonata VIII in B Major: Crowning<br />

with Thorns • Sonata IX in A Minor: Way of <strong>the</strong> Cross • Sonata X in G<br />

Minor: Crucifixion • Sonata XI in G Major: Resurrection • Sonata XII<br />

in C Major: Ascension • Sonata XIII in D Minor: Gift of <strong>the</strong> Spirit •<br />

Sonata XIV in D Major: Assumption of Mary • Sonata XV in C Major:<br />

Coronation of Mary • Passacaglia in D Minor for solo violin<br />

The fifteen Mystery (Rosary) Sonatas by Heinrich Ignaz Franz Biber<br />

form a fascinating cyclical work. The use of fourteen different violin<br />

tunings (scordaturas), deviating from <strong>the</strong> instrument’s normal tuning<br />

in fifths, makes <strong>the</strong> sonata cycle unique in <strong>the</strong> history of <strong>the</strong> violin.<br />

Annegret Siedel, artistic director of <strong>the</strong> Bell’arte Salzburg ensemble,<br />

has recorded <strong>the</strong> Mystery Sonatas on nine different violins of <strong>the</strong><br />

17 th and 18 th centuries. She succeeds wonderfully in bringing out <strong>the</strong><br />

sacred character of <strong>the</strong> music, particularly in its meditative passages,<br />

without falling short of <strong>the</strong> music’s high technical demands.<br />

VocaMe<br />

Michael Popp: conductor<br />

VON BINGEN: Studium Divinitatis • O virga ac diadema I • O virga<br />

mediatrix • Tu rubes ut aurora • Columba aspexit • O quam mirabilis •<br />

O virtus Sapientiae • Rex noster • O spectabilis viri • O ignis Spiritus •<br />

Aer enim • Spiritus Sanctus • Cum processit • O tu illustrata • O virga<br />

ac diadema II<br />

The members of <strong>the</strong> VocaMe ensemble are convinced that inspired<br />

music needs to be revitalized with inspiration; <strong>the</strong>ir CD featuring<br />

music by <strong>the</strong> Byzantine composer Abbess Kassia caused quite a stir.<br />

Hildegard von Bingen herself spoke of being a non-scholar (“indocta”)<br />

and having experienced auditiones (“recitals,” of o<strong>the</strong>r-worldly music).<br />

This may help to explain <strong>the</strong> extraordinary significance of her music,<br />

which “seemed to emerge from nowhere and to disappear in similar<br />

manner,” as Michael Popp, artistic director of VocaMe, puts it in <strong>the</strong><br />

introduction to <strong>the</strong> CD.


CD: BER 300429<br />

Price Code: S (SRP $18.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

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CD: BER 300524<br />

Price Code: S (SRP $18.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 25<br />

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CD: BER 300523<br />

Price Code: S (SRP $18.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 25<br />

D u.S. ORDERS ONLY<br />

Berlin Classics<br />

Edward ELGAR<br />

Violin Concerto<br />

Ca<strong>the</strong>rine Manoukian: violin/Staatskapelle Weimar/Stefan Solyom: conductor<br />

ELGAR: Violin Concerto in B minor, Op. 61 • Salut d’Amour, Op. 12 • Offertoire<br />

Young violinist Ca<strong>the</strong>rine Manoukian finds no challenge too great. The Canadian artist is<br />

not only an impressive soloist, appearing with celebrated orchestras around <strong>the</strong> world, she<br />

has also added to her musical education with <strong>the</strong> world-famous Dorothy DeLay in New York<br />

by completing a Masters in <strong>Classical</strong> Philosophy. It was surely no accident that <strong>the</strong> emphasis<br />

laid on <strong>the</strong> <strong>the</strong>ory of aes<strong>the</strong>tics. Yet in <strong>the</strong> end, Ca<strong>the</strong>rine Manoukian decided on a career as a<br />

musician, and now presents her fifth recording. She has chosen <strong>the</strong> Elgar concerto, painted on<br />

a large canvas, and this globetrotting artist with German, Armenian, and Japanese roots has<br />

opted for something ra<strong>the</strong>r special: a live recording, performing with <strong>the</strong> Weimar Staatskapelle<br />

under <strong>the</strong> baton of her husband Stefan Solyom.<br />

Claude DEBUSSY<br />

Poèmes<br />

Stella Doufexis: mezzo-soprano/Daniel Heide: piano<br />

DEBUSSY: Nuit d’étoiles • Fleur des blés • Deux romances • Fêtes galantes • Le promenoir des<br />

deux amants • Trois poèmes de Stéphane Mallarmé • Cinq poèmes de Charles Baudelaire<br />

German-Greek mezzo-soprano Stella Doufexis is one of <strong>the</strong> most sought-after singers in her<br />

field, both on <strong>the</strong> operatic stage and on <strong>the</strong> concert podium. She has given guest performances<br />

with renowned German orchestras as well as <strong>the</strong> BBC Symphony Orchestra, Israel Philharmonic<br />

Orchestra, Ensemble Intercontemporain, Orchestre de Paris, London Symphony Orchestra,<br />

and <strong>the</strong> Mahler Chamber Orchestra, among many o<strong>the</strong>rs. Now, she releases two new CD<br />

recitals presenting diverse facets of French art song, from <strong>the</strong> Romantic music of Berlioz to <strong>the</strong><br />

impressionism of Debussy and Ravel.<br />

Stella Doufexis<br />

Nuits d’été<br />

Stella Doufexis: mezzo-soprano/Deutsche Staatsphilharmonie Rheinland-Pfalz/Karl-Heinz<br />

Steffens: conductor<br />

BERLIOZ: Les Nuits d’été, Op. 7 • CHAUSSON: Poèmes De l’amour Et De La Mer, Op. 19:<br />

Nos. 1–3 • RAVEL: Shéhérazade (3 Songs)<br />

Stella Doufexis conducts us into <strong>the</strong> tender darkness of summer nights full of promise, in<br />

which hearing is more acute than sight. To a background of subdued orchestral colors, <strong>the</strong><br />

singer pours out her heartfelt mezzo, summoning up poetic dream images. The consummate<br />

instrumentation of Berlioz, Chausson, and Ravel is a testimony to a continuing tradition:<br />

rarely do works of <strong>the</strong> 19 th and 20 th centuries blend so harmoniously toge<strong>the</strong>r.<br />

22


Berlin Classics (vinyl)<br />

Berlin Classics Presents “ETERNA CUTS”<br />

a limited series of audiophile re-releases of selected legendary recordings originally released on<br />

<strong>the</strong> GDR Eterna label. The music was transferred from <strong>the</strong> original tapes without any digital<br />

processing, and pressed straight onto 180-gram vinyl. The vinyl sets, consisting of between two<br />

and five LPs per recording, are exact replicas of <strong>the</strong> original Eterna releases right down to <strong>the</strong><br />

artwork. All of <strong>the</strong> up-to-date information is contained in a detachable outer sleeve, and<br />

a separate enclosure inside <strong>the</strong> inner sleeve featuring <strong>the</strong> history of <strong>the</strong> Eterna label plus<br />

all relevant information on <strong>the</strong> purely analogue audio transfer technique. Fur<strong>the</strong>rmore, each<br />

outer sleeve of <strong>the</strong>se limited editions is hand-numbered. One thing is sure: <strong>the</strong>se recordings never<br />

sounded better, or so much like <strong>the</strong> originals!<br />

VINYL: BER 300525<br />

Price Code: 3P (SRP $50.99)<br />

Number of Discs: 2<br />

LP Jacket, Box Lot 12<br />

D u.S. ORDERS ONLY<br />

VINYL: BER 300526<br />

Price Code: 3P (SRP $50.99)<br />

Number of Discs: 2<br />

LP Jacket, Box Lot 10<br />

D u.S. ORDERS ONLY<br />

Ludwig van BEETHOVEN<br />

Missa solemnis in D major, Op. 123<br />

Anna Tomowa-Sintow: soprano/Annelies Burmeister: alto/Peter Schreier: tenor/Hermann<br />

Christian Polster: bass/Leipzig Radio Choir/Gewandhausorchester Leipzig/Kurt Masur: conductor<br />

BEETHOVEN: Missa solemnis in D major, Op. 123<br />

Beethoven’s most significant mass, conducted by maestro Kurt Masur and performed by famous<br />

musicians: this recording convincingly reflects <strong>the</strong> great composer’s humanist ideals in a way that<br />

is rarely heard. Here, belief and enlightenment blend in <strong>the</strong> most moving manner.<br />

Franz SCHUBERT<br />

Die schöne Müllerin<br />

Peter Schreier: tenor/Walter Olbertz: piano<br />

SCHUBERT: Die schöne Müllerin, Op. 25<br />

Schubert’s Die schöne Müllerin is at first glance a series of cheerful songs, which on closer<br />

listening reveals an ostensibly ideal world with dark undertones. Peter Schreier is a master of <strong>the</strong><br />

great art song genre, for whom a beautiful tone, clear articulation, and sensitive and intelligent<br />

interpretation have always been paramount.<br />

23


VINYL: BER 300528<br />

Price Code: 25C (SRP $149.99)<br />

Number of Discs: 5<br />

Vinyl Box Set, Box Lot 7<br />

D u.S. ORDERS ONLY<br />

VINYL: BER 300527<br />

Price Code: 8L (SRP $95.99)<br />

Number of Discs: 4<br />

LP Jacket, Box Lot 9<br />

D u.S. ORDERS ONLY<br />

VINYL: BER 300529<br />

Price Code: 4S (SRP $75.99)<br />

Number of Discs: 3<br />

LP Jacket, Box Lot 9<br />

D u.S. ORDERS ONLY<br />

Berlin Classics (vinyl)<br />

Richard WAGNER<br />

Parsifal<br />

Leipzig Radio Choir/Berlin Radio Choir/Thomanenchor Leipzig/Leipzig Radio Symphony<br />

Orchestra/Herbert Kegel: conductor<br />

WAGNER: Parsifal<br />

This concert recording represents a real stroke of luck, for which we can thank Herbert Kagel,<br />

a conductor who championed music during <strong>the</strong> GDR era that was not viewed as “politically<br />

correct.” This 1975 recording of Parsifal, featuring snappy tempos and devoid of <strong>the</strong> usual mystique<br />

surrounding Wagner, is an interpretation that seems to have evolved well ahead of its time.<br />

J.S. BACH<br />

St. Mat<strong>the</strong>w Passion<br />

Peter Schreier: tenor/Dresdner Kreuzchor/Gewandhausorchester Leipzig/Rudolf & Erhard<br />

Mauersberger: conductors<br />

J.S. BACH: St. Mat<strong>the</strong>w Passion<br />

This recording marks <strong>the</strong> artistic peak of two choral legends of <strong>the</strong> past century: Rudolf<br />

Mauersberger, who was choral director at <strong>the</strong> Dresden Kreuzchor, and his bro<strong>the</strong>r Erhard, who<br />

held that post at <strong>the</strong> Thomanerchor in Leipzig. Here, <strong>the</strong>y join forces with <strong>the</strong>ir choirs and some<br />

renowned soloists in Bach’s St. Mat<strong>the</strong>w Passion.<br />

W.A. MOZART<br />

Die Entführung aus dem Serail<br />

Chor der Staatsoper Dresden/Dresden Staatskapelle/Otmar Suitner: conductor<br />

MOZART: Die Entführung aus dem Serail<br />

Otmar Suitner’s Mozart interpretations during his years in Berlin are legendary. This recording of<br />

Die Entführung demonstrates that <strong>the</strong> Austrian conductor was already well aware, when he worked<br />

in Dresden, of how to portray Mozart’s dramatic verve and his psychological sensitivity. This is a real<br />

gem, recorded in <strong>the</strong> Lukaskirche in Dresden, where so many recordings with Suitner were made.<br />

24


Ennio MORRiCONE<br />

lemma<br />

CD: STV 33876<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 20<br />

D u.S. ORDERS ONLY<br />

WORLD pREMiERE RECORDiNgS<br />

Alessandro SOLBiAti<br />

piano works<br />

CD: STV 33909<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 20<br />

D u.S. ORDERS ONLY<br />

stradivarius<br />

25<br />

Quartetto Noferini<br />

Rocco Parisi: clarinet, bass clarinet<br />

Andrea Noferini: cello<br />

Gabriele Rota: piano<br />

E. MORRICONE: Ipotesi for clarinet & piano • V Studio (Catalogo) for <strong>the</strong><br />

piano • Come un’onda for bass clarinet • Riflessi three pieces for cello • Vivo<br />

for string trio • A L. P. 1928 for string quartet • Metamorfosi di Violetta for<br />

clarinet & string quartet • E. MORRICONE & A. MORRICONE: Lemma for<br />

two clarinets & two pianos • A. MORRICONE: Traccia for clarinet & piano<br />

This CD of world premiere recordings is devoted to Ennio Morricone’s<br />

“classical-contemporary” music, which is very far in intention and language<br />

from <strong>the</strong> usual soundtrack repertoire. The booklet includes a letter from<br />

Morricone, with detailed notes on each composition. The disc is completed<br />

by a piece written by Ennio Morricone with his son Andrea (“Lemma”), as<br />

well as a composition by <strong>the</strong> latter (“Traccia”).<br />

Emanuela Piemonti: piano<br />

Alfonso Alberti: piano<br />

SOLBIATI: Sonata seconda for piano • Interludi for piano • Fête for piano •<br />

Like as <strong>the</strong> Waves for piano four-hands<br />

From <strong>the</strong> liner notes by Guido Salvetti: “The four piano pieces brought<br />

toge<strong>the</strong>r on this CD offer a complete vision of that part of Alessandro<br />

Solbiati’s creative world that belongs to <strong>the</strong> piano; no longer an ‘instrumentfor’<br />

expressing a musical thought, but — as has really happened with <strong>the</strong>y<br />

who gave us <strong>the</strong> marvels of <strong>the</strong> Wohltemperiertes Klavier or of <strong>the</strong> 32 Sonatas<br />

or of <strong>the</strong> Préludes — a character endowed with a soul and thought where we<br />

meet <strong>the</strong> elements from a long and magnificent past.”<br />

aLSO avaiLabLE<br />

SOLBiAti<br />

Agli inquieti spiriti<br />

CD: STV 33635<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

d U.S. ORdERS ONLY<br />

SOLBiAti<br />

By My window<br />

CD: STV 33681<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

d U.S. ORdERS ONLY


Raphaël CENDO<br />

rokh<br />

CD: STV 33926<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 20<br />

D u.S. ORDERS ONLY<br />

Mario Caroli<br />

undine<br />

CD: STV 33935<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 20<br />

D u.S. ORDERS ONLY<br />

stradivarius<br />

26<br />

Ensemble Alternance<br />

CENDO: Rokh 1 • Rokh 2 • Rokh 3<br />

The return of Ensemble Alternance! After <strong>the</strong>ir experience with Mark André,<br />

<strong>the</strong> ensemble is back with young, talented composer Raphaël Cendo, whose<br />

style is all <strong>the</strong> rage in Paris and, above all, at <strong>the</strong> IRCAM. Rokh, bred during his<br />

Italian residence at Villa Medici in Rome, is a clear example of this new way of<br />

writing music, which uses instruments to create sounds never heard before.<br />

aLSO avaiLabLE<br />

Mario Caroli: flute<br />

Keiko Nakayama: piano<br />

Ensemble Alternance<br />

Marc Andre<br />

CD: STV 33837<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

d U.S. ORdERS ONLY<br />

Ensemble Alternance<br />

neverland<br />

CD: STV 33755<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

d U.S. ORdERS ONLY<br />

MENDELSSOHN: Sonata in F, Op. 4 • WIDOR: Suite • REINECKE: Sonata<br />

Undine, Op. 167 • TAFFANEL: Grande Fantaisie for flute and piano on<br />

<strong>the</strong>mes from <strong>the</strong> opera Mignon by Ambroise Thomas<br />

From <strong>the</strong> liner notes by Mario Caroli: “Why a romantic program? Those<br />

closest to me know how often, as always, I changed my mind on <strong>the</strong> program!<br />

If in <strong>the</strong> end I have chosen what you hear, it is, perhaps, because what is<br />

considered to be (not very exactly and, chronologically speaking, with<br />

much inaccuracy) <strong>the</strong> ‘romantic spirit’ represents a ‘revealed mystery’ for<br />

me. In reality, <strong>the</strong> only piece to be ‘historically’ romantic in this program is<br />

Mendelssohn’s Sonata in F, Op. 4. The rest of <strong>the</strong> program was born on <strong>the</strong><br />

threshold of <strong>the</strong> nineteenth century, or even <strong>the</strong> twentieth. But what remains<br />

of ‘romantic’ in <strong>the</strong>se works is <strong>the</strong> spirit, besides <strong>the</strong> preservation of <strong>the</strong><br />

stylistic elements.”


georg philipp tELEMANN<br />

oboe and Bassoon sonatas<br />

CD: HRN 3<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

D u.S. ORDERS ONLY<br />

Domenico SCARLAtti<br />

Harpsichord sonatas<br />

CD: HRN 4<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

D u.S. ORDERS ONLY<br />

27<br />

Hérisson<br />

David Walter: oboe<br />

Fany Maselli: bassoon<br />

Mathieu Dupouy: harpsichord<br />

Rémi Cassaigne: <strong>the</strong>orbo<br />

Valérie Dulac: cello<br />

TELEMANN: Trio in E flat major • Sonata for bassoon in F minor •<br />

Sonata for oboe in B major • Sonata for bassoon in E minor • Sonata for<br />

oboe in E minor • Sonata for oboe in G minor<br />

“And if <strong>the</strong> performer feels joy, you will feel pleasure.” This is how<br />

Telemann concluded his advice to young composers in his autobiography.<br />

Perhaps never before has a composer given so much to instrumentalists,<br />

writing an incalculable number of pieces for a whole variety of ensembles<br />

throughout a life characterized by an almost unbelievable facility<br />

combined with a rare capacity for hard work. Let us <strong>the</strong>refore reach out<br />

towards <strong>the</strong> happiness this music gives us, <strong>the</strong> joy of playing, and <strong>the</strong><br />

composer’s pleasure. Did not Telemann himself say, “The notes sought<br />

me out more than I sought <strong>the</strong>m?”<br />

Mathieu Dupouy: harpsichord<br />

SCARLATTI: a collection of harpsichord sonatas<br />

Domenico Scarlatti found himself in <strong>the</strong> awkward situation of being <strong>the</strong><br />

son of one of Europe’s most celebrated composers, Alessandro Scarlatti<br />

(1660–1725). Domenico, for all his efforts, never achieved <strong>the</strong> immense<br />

glory of his fa<strong>the</strong>r in <strong>the</strong> field of opera, and for a long time his career was<br />

overshadowed. It was only after his appointment as harpsichord teacher<br />

to Maria Barbara of Braganza that he seemed to finally find his own<br />

inimitable style. At <strong>the</strong> height of his artistic maturity, Scarlatti had his<br />

sonatas copied into albums dedicated to Maria Barbara and seemed — to<br />

borrow Ralph Kirkpatrick’s wonderful expression — to write “as though<br />

reliving his life.” The remarkable harpsichord-tiorbino on this album<br />

(Napoli, ca. 1710) is currently <strong>the</strong> only known example to have survived<br />

with its original disposition intact: one keyboard with <strong>the</strong> usual brass<br />

strings, and a second keyboard with gut strings.


C.p.E. BACH<br />

empfindsamkeit! symphonies & Concertos<br />

[Hybrid sACd]<br />

CD: LAW SACD 1038<br />

Price Code: U (SRP $19.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

D u.S. ORDERS ONLY<br />

Valen trio<br />

piano Trios [Hybrid sACd]<br />

CD: LAW SACD 1037<br />

Price Code: U (SRP $19.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

D u.S. ORDERS ONLY<br />

lAwo Classics<br />

28<br />

Barokkanerne<br />

Alfredo Bernardini: oboe<br />

Christian Kjos: harpsichord<br />

C.P.E. BACH: Symphony in E minor, Wq 178 (1756) • Oboe Concerto in E flat<br />

major, Wq 165 (1765) • Harpsichord Concerto in D minor, Wq 17 (1745) •<br />

Symphony in D major, Wq 183/1 (1776)<br />

Period instrument ensemble Barokkanerne presents Carl Philipp Emanuel<br />

Bach in a debut recording with LAWO Classics. Led by Alfredo Bernardini,<br />

<strong>the</strong> group performs groundbreaking symphonies and concertos of this<br />

ardent next-eldest son of Johann Sebastian Bach. The music spans more<br />

than 30 years of C.P.E. Bach’s life as a composer, from his engagement as<br />

court musician in Berlin to his last years as director of music in Hamburg.<br />

This is Sturm and Drang and Enlightenment at its fieriest! Italian baroque<br />

oboe specialist Alfredo Bernardini, one of <strong>the</strong> world’s leading performers<br />

of early music, has garnered a number of international prizes for his many<br />

recordings. He is, among o<strong>the</strong>r things, <strong>the</strong> founder and artistic director of <strong>the</strong><br />

ensemble ZEFIRO. Principal harpsichordist Christian Kjos is a sought-after<br />

performer who, as a member of <strong>the</strong> quintet Ensemble Meridiana, has won a<br />

number of prizes at international early music competitions.<br />

PLAYABLE IN ALL CD PLAYERS.<br />

For optimal sound, use compatible surround sound system.<br />

Valen Trio<br />

HVOSLEF: Trio (2010) • VALEN: Trio, Op. 5 (1917–24) • EGGE: Trio,<br />

Op. 14 (1940)<br />

The trios selected for this recording represent three generations of Norwegian<br />

composers and trace an interesting line, both historically and musically,<br />

through <strong>the</strong> past hundred years. Valen’s Trio is a transitional work from his<br />

late Romantic tonal compositional style to atonal expression. It is regarded<br />

as <strong>the</strong> breakthrough work in <strong>the</strong> development of his personal style. Egge’s<br />

Trio is an epic, solemn work based in part on <strong>the</strong> Winter War between <strong>the</strong><br />

Soviet Union and Finland. It is a major work in Egge’s output, in format and<br />

expression comparable with Shostakovich’s Trio in E minor. The work has<br />

seldom been performed since its premiere in 1941. Hvoslef’s Trio was written<br />

for <strong>the</strong> Valen Trio. He heard <strong>the</strong>m play in January 2010, and was filled with<br />

enthusiasm for <strong>the</strong> musicians, both as individuals and as a group. Much has<br />

been written about Hvoslef’s original and vivid tonal imagination, and it is<br />

absolutely vital for this work.<br />

PLAYABLE IN ALL CD PLAYERS.<br />

For optimal sound, use compatible surround sound system.


Simeon ten HOLt<br />

Hommage<br />

CD: ETC 1467<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digibook, Box Lot 20<br />

D u.S. ORDERS ONLY<br />

WORLD pREMiERE RECORDiNg<br />

Franz SCHuBERt<br />

Complete works for fortepiano Trio<br />

CD: ETC 1495<br />

Price Code: 2N (SRP $25.99)<br />

Number of Discs: 2<br />

Jewel Case, Box Lot 25<br />

D u.S. ORDERS ONLY<br />

29<br />

etcetera<br />

Simeon ten Holt: piano<br />

HOLT: Bagatellen<br />

This homage to recently deceased composer Simeon ten Holt includes a unique<br />

recording from 1978 featuring Simeon ten Holt playing his own composition<br />

“Bagatellen,” a recording made in his home studio that was never released.<br />

Jan Vermeulen: piano<br />

Christine Busch: violin<br />

France Springuel: cello<br />

SCHUBERT: Piano Trio No. 1 in B flat major, Op. 99 D. 898 • Notturno<br />

in E flat major, Op. 100 D. 929 • Piano Trio No. 2 in E flat major, Op. 100<br />

D. 929 • Piano Trio in B flat major, D. 28<br />

Jan Vermeulen is considered one of today’s most prominent fortepiano<br />

virtuosos. After his piano studies at <strong>the</strong> Brussels Conservatory, his<br />

interest and urge for au<strong>the</strong>nticity pushed him in <strong>the</strong> direction of<br />

historical instruments. His pioneering recording of <strong>the</strong> sonatas of C.M.<br />

von Weber at <strong>the</strong> beginning of <strong>the</strong> ’90s marked <strong>the</strong> start of a flourishing<br />

career. In that same period he founded <strong>the</strong> Florestan Fortepiano Trio<br />

(later renamed Tröndlin Trio), one of <strong>the</strong> first to perform <strong>the</strong> classical<br />

romantic repertoire on au<strong>the</strong>ntic instruments. Now, Jan Vermeulen<br />

harvests worldwide fame with this recording of Schubert’s complete<br />

piano works for Etcetera, an opus magnum completed in 2010. His<br />

extensive discography has received great acclaim from <strong>the</strong> international<br />

press, and he is widely praised as “<strong>the</strong> ideal Schubert interpreter.”


Nathan Milstein<br />

Nathan Milstein Collection Vol. 2<br />

Nathan Milstein: violin/Jean Martinon: conductor/Carl Schuricht:<br />

conductor<br />

TCHAIKOVSKY: Violin Concerto in D major, Op. 35 • MOZART:<br />

Violin Concerto No. 5 in A major, K. 219 • BACH: Chaconne<br />

from Partita No. 2 for solo violin in D, BWV 1004 • PAGANINI:<br />

Caprices, Op. 1: No. 11 in C major & No. 5 in F minor<br />

ON CD FOR THE FIRST TIME: <strong>the</strong> second in a series featuring<br />

live recordings of legendary violinist Nathan Milstein!<br />

Robert Aitken<br />

Sonatas for Flute and Harpsichord<br />

CD: DHR 7752<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

D u.S. ORDERS ONLY<br />

FiRSt tiME ON CD<br />

CD: DHR 6611<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

D u.S. ORDERS ONLY<br />

FiRSt tiME ON CD<br />

Robert Aitken: flute/Greta Kraus: harpsichord/Vancouver Chamber<br />

Orchestra/John Eliot Gardiner: conductor<br />

J.S. BACH: Sonata for Flute and Harpsichord in B minor, BWV 1030 •<br />

Sonata for Flute and Harpsichord in E flat major, BWV 1031 •<br />

Sonata for Flute and Harpsichord in A major, BWV 1032 • Partita<br />

for Flute and Harpsichord in C minor, BWV 997 • C.P.E. BACH:<br />

Flute Concerto in D minor, Wq 22<br />

ON CD FOR THE FIRST TIME: recordings from 1969–1981 by<br />

Robert Aitken, one of <strong>the</strong> leading flute soloists of our time noted<br />

for his outstanding interpretations of classical repertoire and<br />

extraordinary insight into contemporary music.<br />

30<br />

doreMi<br />

Julian von Karolyi<br />

Julian von Karolyi Vol. 2<br />

Julian von Karolyi: piano<br />

CD: DHR 8009<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

D u.S. ORDERS ONLY<br />

FiRSt tiME ON CD<br />

HAYDN: Piano Concerto in D Major, Hob. XIII/11 •<br />

BEETHOVEN: Piano Concerto No. 5 in E flat major, Op. 73,<br />

“Emperor” • SCHUBERT: Wandererfantasie<br />

ON CD FOR THE FIRST TIME: a second volume of recordings by<br />

Julian von Karolyi, one of <strong>the</strong> leading pianists of <strong>the</strong> 20 th century<br />

who has now unjustly faded into obscurity.<br />

CD: DHR 7996<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

D u.S. ORDERS ONLY<br />

Francisco Tarrega<br />

El Círculo <strong>Music</strong>al: Tarrega, His Disciples &<br />

Their Students<br />

Francisco Tarrega, Miguel Llobet, Daniel Fortea, Bartolome<br />

Calayatud, Andres Segovia, Josefina Robledo, and more: guitars<br />

A collection of recordings by guitarist Francisco Tarrega, his<br />

disciples, and <strong>the</strong>ir students<br />

One of <strong>the</strong> most important historical classical guitar releases ever!<br />

Francisco Tarrega was <strong>the</strong> fa<strong>the</strong>r of <strong>the</strong> modern guitar, his influence<br />

immeasurable. In addition to <strong>the</strong> master playing his own music,<br />

this CD includes recordings by his disciples, most never reissued<br />

since <strong>the</strong> 1920s and ’30s. The CD also highlights what may be<br />

<strong>the</strong> first solo guitar recording ever made, as early as 1897: a wax<br />

recording by Simon Ramirez of <strong>the</strong> famous Romance d’Amour.


Ralph VAugHAN WiLLiAMS<br />

A sea symphony [Hybrid sACd]<br />

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Various Artists<br />

Orgelstadt Halberstadt<br />

Querstand<br />

BUZZ alErt<br />

31<br />

Geraldine McGreevy: soprano<br />

Tommi Hakala: baritone<br />

MDR Symphony Orchestra<br />

MDR Radio Choir<br />

Howard Arman: conductor<br />

VAUGHAN WILLIAMS: A Sea Symphony<br />

A new entry in <strong>the</strong> successful “MDR Edition” series,<br />

featuring recordings by <strong>the</strong> MDR Symphony Orchestra,<br />

MDR Choir, and MDR Children’s Choir. This CD contains<br />

one of <strong>the</strong> most important symphonies of <strong>the</strong> 20 th century,<br />

conducted by Howard Arman (winner of <strong>the</strong> 2005<br />

ECHO Award), and features soloists Geraldine McGreevy<br />

(internationally renowned opera and concert singer) and<br />

Tommi Hakala (BBC Singer of <strong>the</strong> World 2003).<br />

PLAYABLE IN ALL CD PLAYERS.<br />

For optimal sound, use compatible surround sound system.<br />

Harald Vogel, Christoph Bossert, Claus-Erhard Heinrich, Klaus-Jürgen Teutschbein, Bernhard Wieczorek,<br />

Hans-Ola Ericsson, Jean-Charles Ablitzer: organ<br />

A collection of organ pieces from <strong>the</strong> Halberstadt district in Germany featuring <strong>the</strong> composers J.S. Bach,<br />

Michael Praetorius, Oliver Messiaen, John Cage, and o<strong>the</strong>rs<br />

This new CD presents an interesting overview of <strong>the</strong> rich organ landscape of Halberstadt (Saxony-Anhalt),<br />

a most important town for <strong>the</strong> history of organ building. Nicolaus Faber’s large 1361 organ was <strong>the</strong> largest<br />

in <strong>the</strong> world in <strong>the</strong>se times! The program contains a wide spectrum of organ music, from Adam Ileborgh<br />

(15 th century) to Hans Otte (1992), as well as improvisations by Claus-Erhard Heinrich (Halberstadt<br />

Ca<strong>the</strong>dral organist).


Franz SCHMIDT<br />

Symphony No. 1<br />

MDR Symphony Orchestra/Fabio Luisi: conductor<br />

SCHMIDT: Symphony No. 1 in E major<br />

The first CD in a series consisting of all four symphonies by<br />

Austrian composer Franz Schmidt, considered <strong>the</strong> end point in<br />

<strong>the</strong> symphonic tradition line Schubert-Bruckner-Brahms. A rarity<br />

both in concert and on CD!<br />

Franz SCHMIDT<br />

Symphony No. 3<br />

MDR Symphony Orchestra/Fabio Luisi: conductor<br />

SCHMIDT: Symphony No. 3 in A major<br />

CD: QUE 503<br />

Price Code: R (SRP $17.99)<br />

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CD: QUE 505<br />

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Schmidt’s Third Symphony is very lyrical, said to have been <strong>the</strong><br />

composer’s own favorite, and represents a return to <strong>the</strong> “classical”<br />

four-movement layout.<br />

Querstand<br />

32<br />

Franz SCHMIDT<br />

Symphony No. 2<br />

MDR Symphony Orchestra/Fabio Luisi: conductor<br />

SCHMIDT: Symphony No. 2 in E flat major<br />

The second CD in <strong>the</strong> series shows Schmidt’s first steps away from<br />

<strong>the</strong> “classical” symphony form: only three movements, <strong>the</strong> second<br />

one being “<strong>the</strong>me with variations.” The “Hungarian” <strong>the</strong>mes in <strong>the</strong><br />

final movement are inspired by history — both of Austria, and of<br />

Schmidt’s family<br />

Franz SCHMIDT<br />

Symphony No. 4<br />

MDR Symphony Orchestra/Fabio Luisi: conductor<br />

SCHMIDT: Symphony No. 4<br />

CD: QUE 504<br />

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Schmidt’s most personal work, <strong>the</strong> Fourth Symphony was a kind<br />

of Requiem for his daughter Emma, who had died in 1932 during<br />

<strong>the</strong> birth of her son.


CD: DMV 103<br />

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CD: BGS 121<br />

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CD: SNR 8025<br />

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discovery <strong>Music</strong> & vision<br />

Christopher GUNNING<br />

Agatha Christie’s Poirot: <strong>Music</strong> from <strong>the</strong> Television Series<br />

Christopher Gunning: piano/Stan Sulzmann: soprano & alto sax/David Emmanuel: viola/Nick Rodwell:<br />

clarinet/Leslie Pearson: piano/Stan Sulzmann: tenor sax/Anthony Pleeth: cello/Viktor Simcisko: violin<br />

GUNNING: ‘Poirot’ <strong>Music</strong> from <strong>the</strong> Television Series: The Belgian Detective (Theme from Agatha<br />

Christie’s Poirot) • A Country Retreat • The ABC Murders • Grey Cells • To <strong>the</strong> Lakes! • The Double<br />

Clue • War • The Innocence of Caroline Crale • Amyas’s Last Painting • How Does Your Garden Grow •<br />

The Death of Mrs. Inglethorpe • The Height of Fashion • One-two-buckle-my-shoe • The Victory Ball •<br />

Death on <strong>the</strong> Nile<br />

This Poirot album has been unavailable for many years, and is now reissued on Discovery <strong>Music</strong> &<br />

Vision with bonus tracks never before released on CD. All tracks were composed by Christopher<br />

Gunning, who has won BAFTA Awards for La Vie en Rose, Middlemarch, and Porterhouse Blue.<br />

VIDA Guitar Quartet<br />

Rhapsody<br />

33<br />

Bgs<br />

VIDA Guitar Quartet/Mark Ashford, Mark Eden, Helen Sanderson, Christopher Stell: guitars<br />

GERSHWIN arr. STELL: Rhapsody in Blue • ARNOLD arr. ASHFORD: English Dances Set II Op. 33 •<br />

GORB arr. EDEN: Yiddish Dances<br />

Rhapsody is a collection of new works and arrangements by <strong>the</strong> world-class VIDA Guitar Quartet. The<br />

pieces are united by a loose programmatic <strong>the</strong>me of dance music as interpreted by different classical<br />

composers, covering <strong>the</strong> swing-band dance music of Gershwin’s “Rhapsody in Blue,” Malcolm Arnold’s<br />

“English Dances,” Gaelic folk-melodies in David Crittenden’s “A Scottish Fantasy,” and <strong>the</strong> Klezmer<br />

rhythms of traditional Yiddish communities.<br />

stone records<br />

Roger QUILTER<br />

The Complete Quilter Songbook Vol. 1<br />

Mark Stone: baritone/Stephen Barlow: piano<br />

QUILTER: Who is Silvia? • When daffodils begin to peer • How should I your true love know? • Sigh no<br />

more, ladies • In <strong>the</strong> highlands • Over <strong>the</strong> land is April • A London spring • Come away, death • O mistress<br />

mine • Blow, blow, thou winter wind • Trollie lollie laughter • A coronal • Passing dreams • A land of<br />

silence • In spring • ‘Tis Saint Valentine’s day • Hark, hark, <strong>the</strong> lark • Come Lady-Day • Come unto <strong>the</strong>se<br />

yellow sands • Tell me where is fancy bred • I will go with my fa<strong>the</strong>r a-ploughing • Cherry Valley • I wish<br />

and I wish • and more<br />

Roger Quilter is one of <strong>the</strong> best-loved song composers of <strong>the</strong> 20 th century, yet until now <strong>the</strong>re has been<br />

no complete edition of his songs. This is <strong>the</strong> first of four discs that will rectify this, with each release<br />

focusing on different poets. The first volume features Quilter’s settings of Shakespeare, Dowson, and<br />

Stevenson. The disc, originally released by Sony, has been rearranged, remastered, and redesigned,<br />

adding detailed notes for each track.


CD: TCT 490001<br />

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34<br />

Tactus<br />

Anonima Frottolisti<br />

Indecent <strong>Music</strong><br />

Anonima Frottolisti<br />

FOGLIANI: La canzone della mala Zotta • Fortuna d’un gran tempo • DEMOFONTE: A che son<br />

hormai conduco • CAPRIOLI: E d’un bel mattin d’amore • BARTOLUCCI: La mi fa solfare •<br />

TROMBONCINO: Gli è pur cocente‘l fier desir • Ostinato vo’ seguire • Zephyro spira e‘l bel<br />

tempo rimena • SCOTTO: Turlulù la capra è mozza • PESENTI: Io vorria esser colu’ • Uscirallo<br />

o resterallo • CARA: Tante volte sì, sì, sì • CARA/BOSSINIENSIS: Per fuggir d’amor le punte •<br />

ANON: Un cavalier di Spagna • L’ultimo dì di Maggio un cavalier di Spagna • Che faralla, che<br />

diralla • Il Marchese di Salutio • Quasi sempre avanti il dì • SANTACROCE: De la da l’acqua •<br />

STRINGARI: Son più matti in questo mondo<br />

This project is based on <strong>the</strong> premise that <strong>the</strong> 15 th century related <strong>the</strong> blending of two cultural<br />

universes: <strong>the</strong> written and <strong>the</strong> oral. The boundary between <strong>the</strong> two contexts apparently was so thin<br />

that it allowed <strong>the</strong> two traditions to coexist within <strong>the</strong> same universe of communication: idioms,<br />

allegorical figures, and quotations thus converged into <strong>the</strong> same cultural interpretation angle.<br />

Ensemble Primi Toni<br />

Ghirlanda Sacra<br />

Ensemble Primi Toni<br />

MONTEVERDI: Ecce sacrum paratum • Currite populi • O quam pulchra es • Salve Regina •<br />

PIRULI: Inter natos mulierum • Ave dulcissima Maria • ROVETTA: O Maria quam pulchra es •<br />

GRANDI: O quam tu pulchra es • BERTI: Hodie apparuerunt delitiae • CAPRIOLI: In lectulo per<br />

noctes • Congratulamini mihi omnes • Quam pulchra es spetiosa • Cantabo Domino • Exaudi me<br />

Domine • FINETTI: Domine quis habitabi • Beata es virgo Maria • CASTELLO: Sonata Quarta. A<br />

Doi. Sopran & Trombon overo Violeta • Exultate Deo • USPER: Vulnerasti cor meum • Nativitas<br />

tua • ROVETTO: Gaudete omnes • PICCHI: Salve Christe • and more<br />

These religious prescriptions were received and implemented by great composers like Palestrina,<br />

Nanino, Ruffo, Asola, and Croce, major figures in <strong>the</strong> musical panorama of <strong>the</strong> second half of <strong>the</strong><br />

16 th century. However, right at <strong>the</strong> end of this tumultuous century a kind of musical revolution<br />

took place, whose origins were recognizable within specific cultural debates arising from <strong>the</strong><br />

development of Italian and Florentine Humanism in particular. This called polyphony into<br />

question, opening <strong>the</strong> gates of music to a world of human emotion.<br />

Antonio Maria MUSILLI<br />

Organ Works<br />

Alessandro Bianconi: organ<br />

MUSILLI: a collection of organ works<br />

Fa<strong>the</strong>r Antonio Maria Musilli (1792–1880) was a music <strong>the</strong>orist and a composer. He was a member<br />

of <strong>the</strong> monastery of Velletri, which belonged to <strong>the</strong> Roman Catholic Province; he was very fond<br />

of music and <strong>the</strong>refore on November 20, 1825 <strong>the</strong> Prior of <strong>the</strong> Friars Minor Conventual Luigi<br />

Battistini sent him to Assisi to study with Fa<strong>the</strong>r Antonio Maria Amone (1768–1848). Once Fa<strong>the</strong>r<br />

Amone died, he was sent by his new Prior Antonio Barbetti to Naples, to study under <strong>the</strong> guidance<br />

of famous Maestro Nicola Zingarelli.


CD: SMM 124<br />

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CD: MCH 605012<br />

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Billy MAYERL<br />

Piano <strong>Music</strong> Vol. I<br />

Philip Martin: piano<br />

soMM recordings<br />

MAYERL: Autumn Crocus • Wistaria • Evening Primrose • Aquarium Suite: Willow Moss • Moorish<br />

Idol • Fantail • Whirligig • Marigold • From a Spanish Lattice • Puppets Suite: Golliwog • Judy • Punch •<br />

Weeping Willow • Railroad Rhythm • Siberian Lament • Three Contrasts: Ladybird • Pastoral • Fiddle<br />

Dance • The Harp of <strong>the</strong> Winds • Shallow Waters • Robots<br />

Irish-born pianist and composer Philip Martin has become famous for his interpretations of American<br />

and British jazz and ragtime music. He is a well-known figure in concert halls in <strong>the</strong> UK, Europe, and <strong>the</strong><br />

U.S., where he has held residencies at various American universities and been a guest of <strong>the</strong> Tanglewood<br />

and Aspen <strong>Music</strong> Festivals. He has recorded extensively for Hyperion, Chandos, Nimbus, and BBC,<br />

among o<strong>the</strong>rs.<br />

35<br />

paraty<br />

Jean-Philippe RAMEAU<br />

Rameau in Caracas<br />

Soloists of <strong>the</strong> Simón Bolívar Symphony Orchestra of Venezuela/Bruno Procopio: conductor<br />

RAMEAU: Opera excerpts from: Zoroastre • Tragédie Lyrique (Paris, 1756) • Dardanus • Tragédie<br />

Lyrique (Paris, 1739) • Castor et Pollux • Tragédie Lyrique (Paris, 1737) • Acan<strong>the</strong> et Céphise ou La<br />

Sympathie • Pastorale Héroïque (Versailles, 1751) • Les Indes Galantes • Opéra-Ballet (Paris, 1735)<br />

The Soloists of <strong>the</strong> Simón Bolívar Symphony Orchestra of Venezuela have invited Bruno Procopio<br />

to conduct a program dedicated entirely to Jean-Philippe Rameau. Discovering French Baroque<br />

music is an astonishing adventure for <strong>the</strong> Venezuelan musicians, and it marks <strong>the</strong>ir first foray into<br />

18 th century French classical music. This recording session is also a foretaste of <strong>the</strong> celebration to<br />

come in 2014: <strong>the</strong> 250 th anniversary of <strong>the</strong> composer’s death.<br />

Musiques à la Chabotterie<br />

Antonio VIVALDI<br />

6 Concertos for Flute<br />

La Simphonie du Marais/Hugo Reyne: recorder, director<br />

VIVALDI: 6 Concertos for Flute (recorder)<br />

6 Concertos for Recorder adds to a series of nine previous CDs for <strong>the</strong> label Musiques à la Chabotterie,<br />

which have been acclaimed by <strong>the</strong> media including Classica Choc, Diapason Découverte, Le Monde de<br />

la Musique Choc, Goldberg 5 Étoiles, and more. A tribute to Hugo Reyne’s teachers and to those whose<br />

playing have inspired him, this album features Vivaldi concertos that have carried Reyne through his life.


Cobra records flora<br />

Música Temprana<br />

Songs and Dances from Trujillo, Peru<br />

Música Temprana/Adrián Rodríguez Van der Spoel: director<br />

Complete musical works of <strong>the</strong> Codex Trujillo del Perú<br />

(1780–1790)<br />

This CD is among <strong>the</strong> very few recordings of <strong>the</strong> complete musical<br />

works of <strong>the</strong> Codex Trujillo del Perú (1780–1790), as compiled<br />

by Spanish Bishop Martínez Compañón. The variety of <strong>the</strong> 20<br />

pieces reflects <strong>the</strong> area’s cultural wealth, with an exciting blend of<br />

Spanish colonial baroque music and indigenous sounds.<br />

Camille SAINT-SAËNS<br />

Chamber <strong>Music</strong> with Winds<br />

CD: CBA 36<br />

Price Code: R (SRP $17.99)<br />

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indésens l’encelade<br />

CD: IDS 19<br />

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Maurice Allard: bassoon/Maurice Bourgue: oboe/Gilbert Coursier:<br />

horn/Roger Delmotte: trumpet/Maurice Gabai: clarinet/Jacques<br />

Toulon: trombone/and more<br />

SAINT-SAËNS: Sonata for bassoon and piano, Op. 168 • Sonata<br />

for clarinet and piano, Op. 167 • Sonata for oboe and piano,<br />

Op. 166 • Romance for horn and piano, Op. 36 • Cavatine for<br />

trombone and piano, Op. 144 • Septuor, Op. 65<br />

This CD demonstrates that Saint-Saëns is <strong>the</strong> origin of <strong>the</strong> “French<br />

wind tradition.” Although very classical, <strong>the</strong> three 1921 sonatas<br />

announce <strong>the</strong> “Groupe des Six” neoclassicism, particularly Poulenc.<br />

36<br />

J.S. BACH<br />

Six sonatas for solo violin and harpsichord<br />

François Fernandez: violin/Benjamin Alard: harpsichord/Philippe<br />

Pierlot: bass viol<br />

J.S. BACH: Sonata I in B minor, BWV 1014 • Sonata II in A major,<br />

BWV 1015 • Sonata III in E major, BWV 1016 • Sonata IV in C<br />

minor, BWV 1017 • Sonata V in F minor, BWV 1018 • Sonata VI in<br />

G major, BWV 1019 • Sonata in G major, BWV 1021<br />

Bach’s chamber music masterpieces interpreted by two<br />

outstanding musicians!<br />

J.S. BACH & François COUPERIN<br />

Harpsichord Works<br />

Jean-Luc Ho: harpsichord<br />

CD: FLO 1909<br />

Price Code: 2R (SRP $35.99)<br />

Number of Discs: 2<br />

Double Digipak, Box Lot 15<br />

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CD: LDL 1101<br />

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J.S. BACH: French Overture, BWV 831 • COUPERIN: Huitième Ordre<br />

In this recording, Jean-Luc Ho pairs Bach’s French Overture with<br />

<strong>the</strong> Huitième Ordre, one of Couperin’s most celebrated works.<br />

Both are played with <strong>the</strong> French “art of playing <strong>the</strong> harpsichord,”<br />

as expounded by Couperin and adopted by Bach, bringing to light<br />

<strong>the</strong> connection between <strong>the</strong>se two masterpieces.

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