Download the June Classical - Allegro Music
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A division of Allegro MediA group JUNE 2013 Release Date: June 11, 2013 Order Due Date: May 21, 2013
- Page 2 and 3: tABLE OF CONtENtS Audiomax 17 AVIE
- Page 4 and 5: Alexandra Silocea sound waves CD: A
- Page 6 and 7: Coro label feature
- Page 8 and 9: Challenge Classics label feature
- Page 10 and 11: Ludwig van BEEtHOVEN string Quartet
- Page 12 and 13: pyotr il’yich tCHAiKOVSKY The Mai
- Page 14 and 15: Sergei RACHMANiNOV Aleko CD: MYD 10
- Page 16 and 17: Olivier MESSiAEN whitsun Mass CD: H
- Page 18 and 19: CD: FCS 25 Price Code: R (SRP $17.9
- Page 20 and 21: Matthias Schorn Clarinet Quintets C
- Page 22 and 23: CD: BER 300429 Price Code: S (SRP $
- Page 24 and 25: VINYL: BER 300528 Price Code: 25C (
- Page 26 and 27: Raphaël CENDO rokh CD: STV 33926 P
- Page 28 and 29: C.p.E. BACH empfindsamkeit! symphon
- Page 30 and 31: Nathan Milstein Nathan Milstein Col
- Page 32 and 33: Franz SCHMIDT Symphony No. 1 MDR Sy
- Page 34 and 35: CD: TCT 490001 Price Code: T (SRP $
- Page 36: Cobra records flora Música Tempran
A division of <strong>Allegro</strong> MediA group<br />
JUNE 2013<br />
Release Date: <strong>June</strong> 11, 2013<br />
Order Due Date: May 21, 2013
tABLE OF CONtENtS<br />
Audiomax 17<br />
AVIE Records 3–4<br />
Berlin Classics 21–24<br />
BGS 33<br />
CAvi-music 20<br />
Challenge Classics 7–8<br />
Cobra 36<br />
col legno 20<br />
CORO 5–6<br />
Discovery <strong>Music</strong> & Vision 33<br />
DOREMI 30<br />
Editions Hortus 16<br />
Etcetera 29<br />
Flora 36<br />
Fryderyk Chopin Institute 18<br />
Herisson 27<br />
pORtLAND P: (800) 288–2007<br />
Adrian Mills, <strong>Classical</strong> Product Manager x 2037<br />
adrian.mills@allegromediagroup.com<br />
Andrea Aiello, Assistant Product Manager x 2036<br />
andrea.aiello@allegromediagroup.com<br />
Michael Tomlinson, Sales & Marketing Coordinator x 2041<br />
marketing@allegromediagroup.com<br />
Amy Micallef, Internet Marketing Coordinator x 2006<br />
amy.micallef@allegromediagroup.com<br />
NEW YORK P: (800) 288–2007<br />
Damon Sgobbo, Senior VP of Sales & Marketing x 2139<br />
damon.sgobbo@allegromediagroup.com<br />
Greg Beshers, Senior Director of Digital Strategy x 2088<br />
greg.beshers@allegromediagroup.com<br />
uS SALES P: (800) 288–2007<br />
Mike Marshall, Director of Special Markets Sales x 2071<br />
mike.marshall@allegromediagroup.com<br />
Virginia Papaia, West Coast Account Mgr. x 2066<br />
virginia.papaia@allegromediagroup.com<br />
Brian Poore, National Accounts Mgr. x 2075<br />
brian.poore@allegromediagroup.com<br />
Peter Wiley, Eastern Region Account Mgr. x 2126<br />
peter.wiley@allegromediagroup.com<br />
Bobbi Lee, Special Markets Account Mgr. x 2016<br />
bobbi.lee@allegromediagroup.com<br />
CANADA P: (289) 316–0513<br />
Kim Pullen, National Sales Manager x 1151<br />
kim.pullen@allegromediagroup.com<br />
allegro ClAssiCAl news<br />
Indésens 36<br />
KAIROS 20<br />
La Bottega Discantica 17<br />
LAWO Classics 28<br />
L’Encelade 36<br />
Melodiya 11–15<br />
Musique a la Chabotterie 35<br />
Myrios Classics 10<br />
OMAC Records 9<br />
Paraty 35<br />
Querstand 31–32<br />
Silverdoor 19<br />
SOMM Recordings 35<br />
Stone Records 33<br />
Stradivarius 25–26<br />
Tactus 34<br />
Jonathan McNally, Retail Distribution Manager x 1150<br />
jonathan.mcnally@allegromediagroup.com<br />
WWW.ALLEgROB2B.COM<br />
Place & track orders; check inventory; view promotional<br />
deals & schedules; browse tour itineraries; and more!<br />
FREE SHippiNg! (25 piECE MiN.)<br />
Order direct and save! Visa and Mastercard accepted.<br />
Call (800) 288–2007 to order or set up an account.<br />
2<br />
CONgRAtuLAtiONS tO<br />
thE hallé orchEstra<br />
BBC MuSiC MAgAziNE<br />
RECORDiNg OF tHE YEAR<br />
The Hallé’s much-acclaimed new recording of Elgar’s The Apostles is BBC<br />
<strong>Music</strong> Magazine’s Recording of <strong>the</strong> Year & Choral Winner of <strong>the</strong> Year!<br />
Conductor Sir Mark Elder graces <strong>the</strong> magazine’s May cover.<br />
ELgAR<br />
The Apostles<br />
Hallé Orchestra/Sir Mark Elder<br />
CD: HLE 7534<br />
Price Code: 2Q (SRP $31.99)<br />
Number of Discs: 2<br />
D u.S. ORDERS ONLY<br />
RAVE REViEWS FOR<br />
alExaNdEr striNg QUartEt<br />
CD HOTLIST: “String quartet arrangements of jazz standards are nothing<br />
new—and sometimes <strong>the</strong>y’re not even anything special. This album is,<br />
though … Everything is played beautifully, with a very nice balance between<br />
romantic yearning and jazzy swing. Highly recommended.”<br />
Alexander String Quartet<br />
gershwin & Kern<br />
CD: FCL 2008<br />
Price Code: O (SRP $13.99)<br />
Number of Discs: 1<br />
D u.S. ORDERS ONLY<br />
ALLEgRO CLASSiCAL WELCOMES<br />
silVErdoor p. 19<br />
The Silverdoor label was set up by Irish composer Roger Doyle primarily to<br />
release his magnum opus “BABEL,” which took him 10 years to compose and<br />
on which he had worked with 48 collaborators and composed 103 individual<br />
pieces of music. It celebrates <strong>the</strong> multiplicity of musical language and<br />
evolving technologies. Doyle composes with, and for, computers and orchestras<br />
equally, and regularly gives piano concerts of his music. In <strong>the</strong> coming months,<br />
he will re-launch <strong>the</strong> Silverdoor back catalog along with several new releases.<br />
Silverdoor comes to <strong>Allegro</strong> <strong>Classical</strong> via Launch <strong>Music</strong> International Ltd.<br />
tOp 10 RECENt RELEASES<br />
1. Wagner: The Ring Hotter/Fischer-Dieskau/Krauss (OPD 1504)<br />
2. America On Strings Mark O’Connor (OMC 18)<br />
3. I Do: The Wedding Album Polkastra (ANC 140)<br />
4. Bach: Six Partitas for Harpsichord Ton Koopman (CHR 72574)<br />
5. Palestrina Vol. 3 The Sixteen (CRO 16106)<br />
6. Stravinsky: Octet/L’Histoire du Soldat Eastman Wind Ensemble (AVR 2277)<br />
7. Sciarrino String Quartets Quartetto Prometeo (KRO 13212)<br />
8. Bach: Goldberg Variations Grigory Sokolov (MYD 1002049)<br />
9. Piano Rarities Vol. 3 Cyprien Katsaris (P21 45)<br />
10. Bruckner: Symphony No. 9 Herbert Blomstedt (QUE SACD 1215)
Claudio MONtEVERDi<br />
l’orfeo<br />
CD: AVR 2278<br />
Price Code: 2Q (SRP $31.99)<br />
Number of Discs: 2<br />
Double Slimline, Box Lot 21<br />
5% pREORDER DiSCOuNt<br />
D u.S. ORDERS ONLY<br />
Avie records<br />
Charles Daniel: tenor<br />
Taverner Consort & Players<br />
Andrew Parrott: conductor<br />
3<br />
MONTEVERDI: L’Orfeo<br />
“At <strong>the</strong> vanguard of stimulating research-driven concepts interpreted with enthralling musicality.” — Gramophone<br />
Andrew Parrott and <strong>the</strong> Taverner Consort & Players celebrate <strong>the</strong>ir 40 th anniversary with a magnificent recording of <strong>the</strong> world’s first<br />
operatic masterpiece. Parrott has been at <strong>the</strong> center of <strong>the</strong> early and baroque music scenes for over four decades, and his meticulous<br />
research brings a fresh perspective to <strong>the</strong> myth of love lost and found through <strong>the</strong> art of music. Befitting such an outstanding recording,<br />
<strong>the</strong> two-CD set is luxuriously packaged with extensive notes and <strong>the</strong> complete libretto with English translations in a 60-page booklet.<br />
Advertising in Gramophone, BBC <strong>Music</strong> Magazine, LISTEN, and Early <strong>Music</strong> America.<br />
E-blast to Avie mailing list (c. 5,000).<br />
ALSO AVAiLABLE<br />
J.S. BACH<br />
Trauer-<strong>Music</strong>: <strong>Music</strong> to Mourn prince leopold<br />
CD: AVR 2241<br />
Price Code: Q (SRP $15.99)<br />
Number of Discs: 1<br />
D u.S. ORDERS ONLY<br />
BUZZ alErt
Alexandra Silocea<br />
sound waves<br />
CD: AVR 2266<br />
Price Code: Q (SRP $15.99)<br />
Number of Discs: 1<br />
Jewel Case, Box Lot 25<br />
5% pREORDER DiSCOuNt<br />
D u.S. ORDERS ONLY<br />
iNCLuDES WORLD pREMiERE<br />
Avie records<br />
4<br />
Alexandra Silocea: piano<br />
DEBUSSY: Poissons d’or • Reflets dans l’eau • L’isle joyeuse • RAVEL: Jeux d’eau • LISZT: Jeux d’eau a la Villa d’Este • Variations on a<br />
Cantata by Bach “Weinen, Klagen, Sorgen, Zagen” • Nuages gris • Orage • SCHUBERT/LISZT: Auf dem Wasser zu singen • Der Müller<br />
und der Bach • ROMBERG: Eärendil (premiere)<br />
“A revelation.” — Audiophile Audition<br />
Alexandra Silocea made something of a splash with her debut AVIE recording featuring <strong>the</strong> first five Piano Sonatas by Prokofiev, which<br />
“I don’t recall having heard being played better by anyone,” according to International Record Review. For her follow-up she immerses<br />
herself in <strong>the</strong> aqueous sonorities of some of <strong>the</strong> great pianistic composers of <strong>the</strong> 19 th and 20 th centuries. She also adds a distinctive stamp<br />
with a commission by young Norwegian composer Martin Romberg.<br />
Advertising in Gramophone, BBC <strong>Music</strong> Magazine, LISTEN, and International Piano.<br />
Priority for airplay on classical radio.<br />
E-blast to Avie mailing list (c. 5,000).<br />
ALSO AVAiLABLE<br />
pROKOFiEV<br />
piano sonatas 1–5<br />
CD: AVR 2183<br />
Price Code: Q (SRP $15.99)<br />
Number of Discs: 1<br />
D u.S. ORDERS ONLY
Bartłomiej p ˛EKiEL<br />
Ave Maria<br />
CD: CRO 16110<br />
Price Code: Q (SRP $15.99)<br />
Number of Discs: 1<br />
Jewel Case, Box Lot 25<br />
5% pREORDER DiSCOuNt<br />
D u.S. ORDERS ONLY<br />
5<br />
Coro<br />
The Sixteen<br />
Eamonn Dougan: conductor<br />
P˛EKIEL: Audite mortales • Dulcis Amor Jesu • Resonet in laudibus • Magnum nomen Domini • Ave Maria • Assumpta est Maria •<br />
O Adoranda Trinitas • Nativitas tua • Missa Concertata La Lombardesca • Missa a 14 (Kyrie & Gloria)<br />
Associate Conductor of The Sixteen, Eamonn Dougan, makes his full conducting debut on CORO in <strong>the</strong> first of an exciting new series<br />
exploring some of Poland’s greatest choral composers. Bartłomiej P˛ekiel was one of <strong>the</strong> most eminent Polish composers of choral music of<br />
<strong>the</strong> 17 th century. He served at <strong>the</strong> court in Warsaw from around 1633, and became Kapellmeister from 1645–1655 — <strong>the</strong> first non-Italian to<br />
hold <strong>the</strong> post! Just 29 of his compositions survive today, and on this new album CORO presents 10 of his works for choir and orchestra.<br />
Advertising includes Gramophone, BBC <strong>Music</strong> Magazine, and more.<br />
Copies Mailed to U.S. press and radio stations.<br />
Radio Coverage on Classic FM and BBC Radio 3 (available worldwide via digital radio).<br />
ALSO AVAiLABLE<br />
<strong>the</strong> Sixteen<br />
The earth resounds<br />
CD: CRO 16097<br />
Price Code: Q (SRP $15.99)<br />
Number of Discs: 1<br />
BUZZ alErt<br />
BRAHMS<br />
ein deutsches requiem<br />
CD: CRO 16050<br />
Price Code: Q (SRP $15.99)<br />
Number of Discs: 1<br />
D u.S. ORDERS ONLY D u.S. ORDERS ONLY
Coro label feature
Sergei RACHMANiNOV<br />
piano works<br />
CD: CHR 72587<br />
Price Code: P (SRP $16.99)<br />
Number of Discs: 1<br />
O-Card Jewel, Box Lot 22<br />
D u.S. ORDERS ONLY<br />
James MACMiLLiAN<br />
Magnificat<br />
CD: CHR 72554<br />
Price Code: P (SRP $16.99)<br />
Number of Discs: 1<br />
O-Card Jewel, Box Lot 22<br />
D u.S. ORDERS ONLY<br />
Challenge Classics<br />
7<br />
Alexei Volodin: piano<br />
RACHMANINOV: Variations on a <strong>the</strong>me of Corelli, Op. 42 • Ten<br />
Preludes, Op. 23: Prelude No. 4 in D major • Ten Preludes, Op. 23:<br />
Prelude No. 5 in G minor • Thirteen Preludes, Op. 32: Prelude No. 12 in<br />
G sharp minor • Thirteen Preludes, Op. 32: Prelude No. 10 in B minor •<br />
Prelude, Op. 3, No. 2 in C sharp minor • Sonata No. 2 in B flat minor,<br />
Op. 36, 2 nd version • Etudes Tableaux, Op. 33, No. 3 in C minor • Etudes<br />
Tableaux, Op. 39, No. 1 in C minor • Etudes Tableaux, Op. 39, No. 3 in<br />
F sharp minor • Etudes Tableaux, Op. 39, No. 5 in E flat minor<br />
Alexei Volodin is one of today’s most outstanding Russian pianists.<br />
For his third recording on Challenge Classics, <strong>the</strong> artist focuses on<br />
beloved composer Sergei Rachmaninov. Volodin performs regularly<br />
with many prestigious orchestras including <strong>the</strong> London Symphony<br />
Orchestra, New York Philharmonic, Orchestre de la Suisse Romande,<br />
Moscow Tchaikovsky Symphony Orchestra, Russian National<br />
Orchestra, Vienna Symphony Orchestra, Ne<strong>the</strong>rlands Philharmonic,<br />
and Zurich Tonhalle Orchestra. In 2003 he won <strong>the</strong> First Prize at <strong>the</strong><br />
ninth edition of <strong>the</strong> Concours Géza Anda in Zurich, which launched<br />
his international career.<br />
Ne<strong>the</strong>rlands Radio Chamber Philharmonic<br />
Ne<strong>the</strong>rlands Radio Choir<br />
James MacMillian: conductor<br />
Edward Caswell: conductor<br />
MACMILLIAN: Ó • Tryst • Magnificat • Nunc Dimittis<br />
James MacMillan is one of today’s most successful living composers,<br />
also internationally active as a conductor. His musical language is<br />
flooded with influences from his Scottish heritage, Catholic faith,<br />
social conscience, and close connection with Celtic folk music, all<br />
blended with influences from Scandinavian and Eastern European<br />
music. MacMillan is currently Principal Guest Conductor of <strong>the</strong><br />
Ne<strong>the</strong>rlands Radio Chamber Philharmonic, and has conducted<br />
orchestras such as <strong>the</strong> Baltimore Symphony, Rotterdam Philharmonic,<br />
Munich Philharmonic, City of Birmingham Symphony Orchestra,<br />
Toronto Symphony, and Los Angeles Philharmonic. In 2012, he was<br />
presented with <strong>the</strong> prestigious ABO Award at <strong>the</strong> Association of<br />
British Orchestras’ annual conference.
Challenge Classics label feature
Mark O’CONNOR<br />
The improvised violin Concerto<br />
CD+DVD: OMC 19<br />
Price Code: L (SRP $11.99)<br />
Number of Discs: 2<br />
CD Wallet, Box Lot 45<br />
5% pREORDER DiSCOuNt<br />
D u.S. ORDERS ONLY<br />
oMAC records<br />
Mark O’Connor: composer, violin<br />
Boston Youth Symphony Orchestra<br />
Federico Cortese: conductor<br />
O’CONNOR: Improvised Violin Concerto • March of <strong>the</strong> Gypsy Fiddler<br />
Mark O’Connor has created a first in classical music: for <strong>the</strong> first time in 300 years of violin concertos, he has composed an orchestral<br />
concerto where <strong>the</strong> solo violin lead is completely improvised each time it is performed! This CD+DVD release includes O’Connor’s<br />
world premiere performance of his own “Improvised Violin Concerto” performed at Boston Symphony Hall. It also includes his<br />
composition “March of <strong>the</strong> Gypsy Fiddler,” a triple concerto featuring The Ahn Trio. Two fantastic youth orchestras are featured in <strong>the</strong><br />
performances — <strong>the</strong> Boston Youth Symphony Orchestra and <strong>the</strong> New Jersey Youth Orchestra — and proceeds from <strong>the</strong> sales of <strong>the</strong><br />
CD+DVD will go to benefit both organizations.<br />
DVD Specs: NTSC, Region 0, 16:9 (Widescreen), Color, English (Stereo), Not Rated, Run Time: 64 min.<br />
Press & Promotion handled by Shore Fire Media.<br />
UPCOMING PERFORMANCES<br />
May 5 Trenton, NJ – Trenton War Memorial Auditorium<br />
May 26 Napa Valley, CA – Lincoln Theater<br />
October 23 & 24 Indianapolis, IN – Butler University<br />
9
Ludwig van BEEtHOVEN<br />
string Quartets [Hybrid sACd]<br />
CD: MYR SACD 9<br />
Price Code: U (SRP $19.99)<br />
Number of Discs: 1<br />
Jewel Case, Box Lot 25<br />
5% pREORDER DiSCOuNt<br />
D u.S. ORDERS ONLY<br />
Myrios Classics<br />
10<br />
Hagen Quartet<br />
BEETHOVEN: String Quartet No. 3 in D major, Op. 18/3 • String Quartet No. 5 in A major, Op. 18/5 • String Quartet No. 16 in<br />
F major, Op. 135<br />
“The Hagen Quartet holds you spellbound from first bar to last.” — BBC <strong>Music</strong> Magazine<br />
In its 2012/13 season, <strong>the</strong> Hagen Quartet brings <strong>the</strong> complete Beethoven string quartets to <strong>the</strong> most prominent musical centers of <strong>the</strong><br />
world, including New York, Tokyo, Paris, London, Vienna, and Salzburg. During <strong>the</strong> first half of this tour, <strong>the</strong> quartet went right from <strong>the</strong><br />
stage to <strong>the</strong> studio to record three of <strong>the</strong>ir favorite Beethoven quartets. Featuring Op. 18/3 and Op. 135, <strong>the</strong> album ranges from <strong>the</strong> very<br />
first quartet Ludwig van Beethoven wrote, to <strong>the</strong> very last.<br />
PLAYABLE IN ALL CD PLAYERS. For optimal sound, use compatible surround sound system.<br />
ALSO AVAiLABLE<br />
Hagen Quartet<br />
Hagen Quartet 30<br />
CD: MYR SACD 6<br />
Price Code: U (SRP $19.99)<br />
Number of Discs: 1<br />
BUZZ alErt<br />
Hagen Quartet<br />
introspective – retrospective<br />
CD: MYR SACD 7<br />
Price Code: U (SRP $19.99)<br />
Number of Discs: 1<br />
D u.S. ORDERS ONLY D u.S. ORDERS ONLY
David Oistrakh<br />
david oistrakh<br />
CD: MYD 1001931<br />
Price Code: 3R (SRP $53.99)<br />
Number of Discs: 5<br />
Digibox, Box Lot 5<br />
D u.S. ORDERS ONLY<br />
igor StRAViNSKY<br />
les Ballets russes<br />
CD: MYD 1001990<br />
Price Code: 2R (SRP $35.99)<br />
Number of Discs: 2<br />
Double Digipak, Box Lot 20<br />
D u.S. ORDERS ONLY<br />
11<br />
Melodiya<br />
David Oistrakh: violin<br />
TCHAIKOVSKY: Violin Concerto in D major, Op. 35 • TANEYEV: Concert<br />
Suite in G minor, Op. 28 • BRAHMS: Violin Concerto in D major, Op. 77 •<br />
Violin Sonata No. 2 in A major, Op. 100 • Violin Sonata No. 3 in D minor,<br />
Op. 108 • DVOˇRÁK: Violin Concerto in A major, Op. 53 • FRANCK:<br />
Violin Sonata in A major • VIOTTI: Violin Concerto No. 22 in A minor •<br />
BEETHOVEN: Violin Concerto in D major, Op. 61 • BACH: Violin Concerto<br />
No. 2 in E major, BWV 1042 • MOZART: Violin Concerto No. 3 in G major,<br />
K. 216 • MENDELSSOHN: Violin Concerto in E minor, Op. 64<br />
Among <strong>the</strong> numerous famous performers <strong>the</strong> 20 th century gave to <strong>the</strong><br />
world, David Oistrakh ranks especially high. Oistrakh recorded violin<br />
concertos by Bach, Mozart, Viotti, Beethoven, Tchaikovsky, Brahms, Dvoˇrák,<br />
and Taneyev in <strong>the</strong> 1950s and 1960s. He was in <strong>the</strong> prime of his performing<br />
career, appearing with some of <strong>the</strong> best conductors such as Nikolai Malko,<br />
Herbert von Karajan, Alexander Gauk, Kirill Kondrashin, and Gennady<br />
Rozhdestvensky. The performances of Brahms’ and Franck’s sonatas by David<br />
Oistrakh and Sviatoslav Richter, also featured in this set, has been unanimously<br />
recognized by domestic and foreign audiences as one of <strong>the</strong> 20 th century’s best<br />
achievements in <strong>the</strong> field of chamber music.<br />
The Academic Symphony Orchestra of <strong>the</strong> Moscow Philharmonic Society<br />
Dmitri Kitayenko: conductor<br />
The Moscow State Conservatory Symphony Orchestra<br />
Pierre Boulez: conductor<br />
The Big Symphony Orchestra of Central Television and All-Union Radio<br />
Vladimir Fedoseyev: conductor<br />
STRAVINSKY: The Firebird • Petrushka • The Rite of Spring<br />
History united <strong>the</strong> names of two geniuses, Igor Stravinsky and Sergei<br />
Diaghilev, in one of <strong>the</strong> brightest cultural phenomena of <strong>the</strong> previous<br />
century: <strong>the</strong> Russian Seasons in Paris. Stravinsky’s three Russian<br />
ballets — The Firebird, Petrushka, and The Rite of Spring — were fruits<br />
of <strong>the</strong>ir collaborative creative process. In aggregate, <strong>the</strong>se three ballets<br />
demonstrate <strong>the</strong> intensity of <strong>the</strong> composer’s creative evolution and<br />
acutely unexpected stylistic “twists” that would be characteristic for<br />
him in future.
pyotr il’yich tCHAiKOVSKY<br />
The Maid of orleans<br />
CD: MYD 1002053<br />
Price Code: 2R (SRP $35.99)<br />
Number of Discs: 3<br />
Triple Digipak, Box Lot 15<br />
D u.S. ORDERS ONLY<br />
pyotr il’yich tCHAiKOVSKY<br />
iolanta<br />
CD: MYD 1001697<br />
Price Code: 2R (SRP $35.99)<br />
Number of Discs: 2<br />
Double Digipak, Box Lot 20<br />
D u.S. ORDERS ONLY<br />
12<br />
Melodiya<br />
Irina Arkhipova, Evgeny Vladimirov, Andrey Sokolov: vocal soloists<br />
Academic Choir and Symphony Orchestra of All-Union Radio and Television<br />
Gennady Rozhdestvensky: conductor<br />
TCHAIKOVSKY: The Maid of Orleans (complete opera)<br />
Melodiya presents a recording of The Maid of Orleans, a rare opera<br />
masterpiece by Pyotr Il’yich Tchaikovsky realized by outstanding<br />
contemporary conductor Gennady Rozhdestvensky with <strong>the</strong> great<br />
Russian singer Irina Arkhipova performing <strong>the</strong> main part. The opera<br />
was recorded by <strong>the</strong> All-Union Radio Symphony Orchestra and Choir<br />
led by Rozhdestvensky, and also features two remarkable baritones:<br />
Sergei Yakovenko as Lionel and Vladimir Valaitis as Dunois.<br />
Vladimir Atlantov, Evgeny Nesterenko, Yuri Mazurok: vocal soloists<br />
Bolshoi Theatre Soloists, Chorus and Orchestra<br />
Mark Ermler: conductor<br />
TCHAIKOVSKY: Iolanta (complete opera)<br />
The first performance of Iolanta took place in St. Petersburg on <strong>the</strong> stage<br />
of <strong>the</strong> Mariinsky Theatre under <strong>the</strong> direction of Eduard Napravnik on<br />
December 6, 1892. The opera does not contain a single negative character;<br />
<strong>the</strong> entire dramaturgy of <strong>the</strong> composition revolves around <strong>the</strong> blindness of<br />
a beautiful young girl who does not perceive her handicap. This recording,<br />
carried out by <strong>the</strong> Bolshoi Theatre in 1976 under <strong>the</strong> direction of Mark<br />
Ermler, has a set of invaluable merits. First, it is distinct for its remarkable<br />
performers. But most importantly, <strong>the</strong> orchestra is permeated with an<br />
atmosphere of remarkable congruence and accord, which was an inseparable<br />
characteristic feature of <strong>the</strong> Bolshoi Theatre of <strong>the</strong> USSR and, unfortunately,<br />
would be lost in <strong>the</strong> next few decades…
Alexander BORODiN<br />
prince igor<br />
CD: MYD 1002080<br />
Price Code: 2R (SRP $35.99)<br />
Number of Discs: 3<br />
Triple Digipak, Box Lot 15<br />
D u.S. ORDERS ONLY<br />
Ruggero LEONCAVALLO<br />
pagliacci (del Monaco in Moscow)<br />
CD: MYD 1001663<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 30<br />
D u.S. ORDERS ONLY<br />
13<br />
Melodiya<br />
Ivan Petrov, Tatiana Tugarinova, Vladimir Atlantov: vocal soloists<br />
Choir and Orchestra of <strong>the</strong> State Academic Bolshoi Theatre<br />
Mark Ermler: conductor<br />
BORODIN: Prince Igor (complete opera)<br />
Melodiya presents a complete recording of <strong>the</strong> epic Russian opera<br />
Prince Igor by Alexander Borodin! It took Borodin 19 years to<br />
compose this opera, based on <strong>the</strong> old Russian poem “The Tale<br />
of Igor’s Campaign” and also incorporating material from o<strong>the</strong>r<br />
sources. Eternally busy, <strong>the</strong> author combined composing with a chair<br />
in chemistry and an active social life, and never finished <strong>the</strong> work.<br />
Prince Igor reached us thanks to <strong>the</strong> effort of <strong>the</strong> composer’s friends<br />
Nikolai Rimsky-Korsakov and Alexander Glazunov, who managed<br />
to complete Borodin’s masterpiece. This recording — featuring a<br />
galaxy of outstanding soloists such as Ivan Petrov, Elena Obraztsova,<br />
Vladimir Atlantov, Alexander Vedernikov, and Arthur Eisen — is <strong>the</strong><br />
only one that features <strong>the</strong> music of <strong>the</strong> opera in its entirety!<br />
Mario del Monaco, Leocadia Maslennikova, Alexey Ivanov: vocal soloists<br />
Soloists, Choir and Orchestra of <strong>the</strong> Bolshoi Theatre<br />
Vasily Nebolsin: conductor<br />
LEONCAVALLO: Pagliacci (complete opera)<br />
In <strong>June</strong> 1959, Moscow gave a hearty welcome to Mario del Monaco, one of<br />
<strong>the</strong> best tenors in <strong>the</strong> world. This live recording from <strong>the</strong> Bolshoi Theatre on<br />
<strong>June</strong> 20, 1959 features <strong>the</strong> tenor along with Leocadia Maslennikova, Alexey<br />
Ivanov, Nikolay Timchenko, and Evgeny Belov, conducted by Vasily Nebolsin.<br />
Mario del Monaco sings in Italian, while <strong>the</strong> rest of <strong>the</strong> cast sings in Russian.
Sergei RACHMANiNOV<br />
Aleko<br />
CD: MYD 1001703<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 30<br />
D u.S. ORDERS ONLY<br />
Moscow Radio Symphony Orchestra<br />
famous overtures<br />
CD: MYD 1001662<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 30<br />
D u.S. ORDERS ONLY<br />
14<br />
Melodiya<br />
Artur Eisen, Lyudmila Sergienko: vocal soloists<br />
Vasily Lanovoy: narrator<br />
USSR Academic Chorus of Radio & TV<br />
USSR State Academic Symphony Orchestra<br />
Evgeny Svetlanov: conductor<br />
RACHMANINOV: Aleko (complete opera)<br />
In 1892 <strong>the</strong> Moscow Conservatory graduated a group of talented young<br />
musicians, among <strong>the</strong>m <strong>the</strong> 19-year-old Sergei Rachmaninov. His amazing gift<br />
did not go unnoticed by <strong>the</strong> professors of <strong>the</strong> composition department. The<br />
object of <strong>the</strong>ir amazement was Rachmaninov’s diploma work, a one-act opera<br />
named Aleko that he created in just 17 days! Despite being his first test in <strong>the</strong><br />
genre, Rachmaninov’s piece was distinguished by a surprising integrity of plot,<br />
<strong>the</strong> vividness of <strong>the</strong> major psychological issues, and <strong>the</strong> freshness of intonation<br />
and melodic patterns. Rachmaninov took a fancy to Pushkin’s story about <strong>the</strong><br />
self-willed Zemfira, her dispassionate fa<strong>the</strong>r, and <strong>the</strong> savage stranger Aleko,<br />
who made a remarkable triangle of characters.<br />
Moscow Radio Symphony Orchestra<br />
Gennady Rozhdestvensky: conductor<br />
LALO: Overture to The King of Y’s • MASSENET: Phèdre, overture to <strong>the</strong><br />
tragedy of Jean-Baptiste Racine • HÉROLD: Overture to Zampa • THOMAS:<br />
Overture to Mignon • Overture to Raymond • VON SUPPÉ: Overture to The<br />
Beautiful Galatea • Overture to Light Cavalry • Overture to Poet and Peasant<br />
Gennady Nikolayevich Rozhdestvensky (b. 1931) is a world-famous conductor,<br />
pianist, composer, and researcher as well as a People’s Artist of <strong>the</strong> USSR and a<br />
professor. He directed many of <strong>the</strong> most important orchestras of Russia.
15<br />
Melodiya<br />
Frédéric CHOpiN & Alexander SCRiABiN<br />
24 preludes<br />
CD: MYD 1002066<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 30<br />
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Johannes BRAHMS<br />
Complete symphonies<br />
CD: MYD 1001746<br />
Price Code: 2R (SRP $35.99)<br />
Number of Discs: 3<br />
Triple Digipak, Box Lot 15<br />
D u.S. ORDERS ONLY<br />
Rudolf Kehrer: piano<br />
CHOPIN: 24 Preludes, Op. 28 • SCRIABIN: 24 Preludes, Op. 11<br />
Melodiya presents Rudolf Kehrer, one of <strong>the</strong> most extraordinary and<br />
original representatives of <strong>the</strong> Russian piano school of <strong>the</strong> 20 th century.<br />
This remarkable musician is a rare combination of scientific and creative<br />
talents in one man. Born to a musical family, Kehrer started to study<br />
music at an early age but later became a ma<strong>the</strong>matics teacher. After a<br />
long break, he returned to his music studies. After Kehrer won First<br />
Prize at <strong>the</strong> All-Union Competition of <strong>Music</strong> Performers in 1961, he<br />
achieved his long-awaited fame. In 41 years of performing activities,<br />
<strong>the</strong> pianist gave over 2,000 concerts and taught at <strong>the</strong> conservatories<br />
in Tashkent, Moscow, and Vienna. Living at <strong>the</strong> junction of Russian<br />
and German cultures, Kehrer included in his repertoire Viennese<br />
classics and Russian composers. However, he always showed a<br />
preference for romanticism.<br />
USSR State Symphony Orchestra<br />
Evgeny Svetlanov: conductor<br />
BRAHMS: Symphony No. 1 in C minor, Op. 68 • Symphony No. 2 in D<br />
major, Op. 73 • Symphony No. 3 in F major, Op. 90 • Symphony No. 4 in E<br />
minor, Op. 98<br />
The content of Brahms’ four symphonies is contrasting: <strong>the</strong> monumental and<br />
epic First Symphony, <strong>the</strong> genre dance Second, <strong>the</strong> lyrical and dramatic Third,<br />
and <strong>the</strong> tragic Fourth. An extraordinary power of <strong>the</strong> composer’s art lies in<br />
its humanism and philosophical optimism. Evgeny Svetlanov (1928–2002),<br />
People’s Artist of <strong>the</strong> USSR (1968), is a great Russian conductor as well as a<br />
composer, pianist, and public figure. He recorded all symphonies by Brahms<br />
and Mahler, as well as symphonic compositions by Beethoven, Schubert,<br />
Schumann, Dvoˇrák, Grieg, Saint-Saëns, Bloch, Elgar, Shostakovich, Prokofiev,<br />
Shaporin, Khachaturian, Sviridov, Kabalevsky, and Eshpay.
Olivier MESSiAEN<br />
whitsun Mass<br />
CD: HOR 925<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Jewel Case, Box Lot 25<br />
D u.S. ORDERS ONLY<br />
J.S. BACH<br />
The poet <strong>Music</strong>ian<br />
CD: HOR 20<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Jewel Case, Box Lot 25<br />
D u.S. ORDERS ONLY<br />
BUZZ alErt<br />
editions Hortus<br />
16<br />
François Espinasse: organ<br />
MESSIAEN: Whitsun Mass • DARASSE: Organum VIII • AMY: Three Inventions<br />
His whole life, with imperturbable regularity, Olivier Messiaen played <strong>the</strong><br />
liturgical organ at <strong>the</strong> Trinity Church (Paris). His Whitsun Mass, however,<br />
is his only organ work explicitly tied to <strong>the</strong> mass. Xavier Darasse’s Organum<br />
VIII is impregnated with vivid, almost blinding colors in a complex rhythm,<br />
striking by its unusual instrumentation: a quintet of brass and organ, homage<br />
to <strong>the</strong> long resonances and <strong>the</strong> dynamic leaps of <strong>the</strong> brass. Three Inventions<br />
by Gilbert Amy are unquestionably among <strong>the</strong> most beautiful organ works of<br />
recent years. Their sonority and registrations frequently evoke <strong>the</strong> aes<strong>the</strong>tic<br />
of <strong>the</strong> classical organ. Their composition — brilliant, warm, and extremely<br />
varied — requires <strong>the</strong> interpreter to combine rhythmic precision with general<br />
flexibility. François Espinasse, official co-organist of Saint Séverin church in<br />
Paris and first-prizewinner in organ in Xavier Darasse’s class, finished his<br />
training with André Isoir.<br />
François Ménissier: organ<br />
BACH: a collection of organ works<br />
It is thanks to Albert Schweitzer that <strong>the</strong> Eglise Saint-Thomas in Strasbourg<br />
and its famous Silbermann organ holds a special place in <strong>the</strong> 20 th -century<br />
rediscovery of Bach’s organ works. In addition to writing <strong>the</strong> book Bach,<br />
<strong>the</strong> Poet-<strong>Music</strong>ian, in which he sought to explain <strong>the</strong> public’s instinctive<br />
attractions to <strong>the</strong> cantor’s works, Schweitzer was also titular organist at<br />
<strong>the</strong> Eglise de Saint-Thomas and a fierce defender of its instrument. It was<br />
also Schweitzer who originally had <strong>the</strong> idea of organizing a concert entirely<br />
devoted to Bach’s music on <strong>the</strong> anniversary of his death, July 28, 1908, an idea<br />
that was to be taken up again each succeeding year. These annual concerts<br />
became one of <strong>the</strong> most solid institutions of musical life in Strasbourg.
Audiomax<br />
la Bottega discantica<br />
17<br />
Gürzenich Quartet<br />
Ludwig van BEEtHOVEN & Johannes BRAHMS<br />
string Quartets<br />
CD: AMX 7031732<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Jewel Case, Box Lot 25<br />
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girolamo FRESCOBALDi<br />
flowers and little flowers for organ<br />
CD: BDI 128<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 25<br />
D u.S. ORDERS ONLY<br />
BUZZ alErt<br />
BUZZ alErt<br />
BEETHOVEN: String Quartet No. 5 in A major, Op. 18 • BRAHMS: String<br />
Quartet No. 2 in A minor, Op. 51<br />
The Gürzenich Quartet’s latest CD release features not one but two classical<br />
heavyweights: Beethoven and Brahms! Drawing on <strong>the</strong> experience of <strong>the</strong>ir<br />
countless performances in <strong>the</strong> orchestra pit, which require split-second<br />
reactions to spontaneous impulses from <strong>the</strong> stage, <strong>the</strong> four musicians of <strong>the</strong><br />
Gürzenich Quartet have what it takes to produce gripping results.<br />
Edoardo Bellotti: organ<br />
FRESCOBALDI: music from Manuscript Vaticano Chigi Q IV 25: “Fiori<br />
<strong>Music</strong>ali” (Venezia, 1635), Aggiunta al “Primo Libro di Toccate” (Roma, 1637),<br />
Manuscript Londra Add. 40080 “Fioretti del Frescobaldi”: “Primo Libro di<br />
Capricci” (Roma, 1624) and “Secondo libro di Toccate” (Roma, 1627)<br />
In <strong>the</strong> 17 th century, <strong>the</strong> term “flower” was often used to allude to a poetic or<br />
musical composition. <strong>Music</strong> appears fresh and new with each performance, it<br />
expresses <strong>the</strong> feelings of <strong>the</strong> heart, and it inebriates like a precious flower. This<br />
is at least part of <strong>the</strong> meaning of <strong>the</strong> title of this anthology, dedicated to that<br />
monster of organists, Girolamo Frescobaldi. His works are justly distinguished<br />
among <strong>the</strong> various “flowers,” and offer a particularly refined bouquet.
CD: FCS 25<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 30<br />
D u.S. ORDERS ONLY<br />
CD: FCS 29<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 30<br />
D u.S. ORDERS ONLY<br />
CD: FCS 210<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 30<br />
D u.S. ORDERS ONLY<br />
fryderyk Chopin society<br />
Frédéric CHOPIN<br />
Etudes, Op. 10<br />
Magdalena Lisak: piano<br />
CHOPIN: Etudes, Op. 10 • Polonaise in C minor, Op. 40, No. 2 • Polonaise in F minor, Op. 71,<br />
No. 3 • Mazurka, Op. 56 • Barcarolle in F sharp major, Op. 60 • Nocturne in C sharp minor<br />
This disc is ano<strong>the</strong>r installment in <strong>the</strong> series The Real Chopin, <strong>the</strong> world’s first phonographic<br />
collection of <strong>the</strong> complete works of Frédéric Chopin on period instruments. The first edition<br />
of <strong>the</strong> series was highly rated by critics around <strong>the</strong> world, and proved a great success on <strong>the</strong><br />
international record market, winning numerous prizes including a Diapason d’Or. This release<br />
features Magdalena Lisak, a prizewinner of <strong>the</strong> Chopin Competition, on an 1849 Erard.<br />
Frédéric CHOPIN<br />
Piano Concertos 1 & 2<br />
Yulianna Avdeeva: piano/Orchestra of <strong>the</strong> 18 th Century/Frans Brüggen: conductor<br />
CHOPIN: Piano Concerto in F minor, Op. 21 • Piano Concerto in E minor, Op. 11<br />
Following her sensational win at <strong>the</strong> 2010 International Frédéric Chopin Competition in<br />
Warsaw, Yulianna Avdeeva has given debut performances with <strong>the</strong> New York Philharmonic in<br />
Warsaw and New York, under Alan Gilbert. Now, she records both of Chopin’s concertos on<br />
a period instrument (Erard 1849) accompanied by specialist Frans Brüggen conducting his<br />
renowned Orchestra of <strong>the</strong> 18 th Century.<br />
Frédéric CHOPIN<br />
Grand Duo, Op. 15<br />
Dina Yoffe: piano/Daniel Vaiman: piano<br />
CHOPIN: Variations on Thomas Moore’s Song in D for Piano Four Hands • Rondo in C, Op. 73<br />
(working version) • Andante spianato and Grande Polonaise Brillante in E flat major, Op. 22 •<br />
Mazurka, Op. 17 • CHOPIN/FRANCHOMME: Grand Duo Concertante in E major, Op. 15<br />
Like <strong>the</strong> cycle The Real Chopin, <strong>the</strong> so-called White Series presents a complete set of <strong>the</strong> works<br />
of Frédéric Chopin — but on contemporary instruments! This disc features solo performances<br />
by Dina Yoffe as well as works for four hands and two pianos that <strong>the</strong> artist recorded with her<br />
son, Daniel Vayman.<br />
18
<strong>Allegro</strong> <strong>Classical</strong> welcomes silverdoor To our roster<br />
Roger DOYLE<br />
Budawanny<br />
CD: SVD 11<br />
Price Code: U (SRP $19.99)<br />
Number of Discs: 1<br />
Jewel Case, Box Lot 25<br />
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Roger DOYLE<br />
Thalia & oizzo no<br />
CD: SVD 12<br />
Price Code: U (SRP $19.99)<br />
Number of Discs: 1<br />
Jewel Case, Box Lot 25<br />
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19<br />
Roger Doyle: piano, syn<strong>the</strong>sizer<br />
Ger Flanagan: fiddle<br />
Seán Devitt: hand drum<br />
Trevor Knight: syn<strong>the</strong>sizer<br />
Sarah Grealish: vocals<br />
DOYLE: Opening <strong>Music</strong> • Priest On Motorbike • Moving In • Inspecting <strong>the</strong><br />
House • The Storm • The Vigil • Pregnant • The Boat Race • The Dance •<br />
The Parting • Ecce • Budawanny • Atlantean • Amhrán Mhuighinnse<br />
The music on this CD is comprised of <strong>the</strong> soundtracks of two films made by<br />
Irish filmmaker Bob Quinn in <strong>the</strong> 1980s, plus an arrangement of an old Irish<br />
song. The music was to play a central role in <strong>the</strong> feature film Budawanny,<br />
which was shot as a silent film in black and white. It required 70 minutes<br />
of music, uninterrupted by anyone talking over it (a composer’s dream!)<br />
The music has elements of Irish traditional music, European art music, and<br />
Middle Eastern music. Set in <strong>the</strong> west of Ireland, <strong>the</strong> film tells <strong>the</strong> story of a<br />
priest and a woman who fall in love, and <strong>the</strong> tragic events that follow.<br />
Roger Doyle: piano, electronic, concrete sounds, drum kit<br />
DOYLE: Bitter-Sweet Suite • Ceol Sidhe • Oizzo No • Obstinato • Two<br />
Movements For Flute And Strings • Theme From Emptigon • Extra Bit •<br />
Baby Grand • Thalia • Solar Eyes<br />
The music on this album represents Roger Doyle’s early works, repackaged<br />
and remastered in 2002. It includes his extremely rare self-released 1975 debut<br />
LP Oizzo No and his second LP Thalia from 1978, originally released on CBS<br />
Classics, all on one 77-minute album. The earliest piece is “Bitter-Sweet Suite”<br />
for out-of-tune piano, composed when he was 18. The latest, “Thalia,” was his<br />
first large-scale electronic piece, composed at age 26.
Matthias Schorn<br />
Clarinet Quintets<br />
CD: AVI 8553283<br />
Price Code: Q (SRP $15.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 30<br />
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Wolfgang PUSCHNIG<br />
For <strong>the</strong> Love of It<br />
CAvi-music<br />
col legno KAiros<br />
CD: CNO 30007<br />
Price Code: S (SRP $18.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 25<br />
D u.S. ORDERS ONLY<br />
Mark Feldman: violin/Bernarda Fink: mezzo-soprano/Wolfgang<br />
Puschnig: alto saxophone/Mike Richmond: double bass/<br />
Schnittpunktvokal/Vienna Flautists: flutes<br />
PUSCHNIG: Pod Klan?kom • Zwa Sternlan • Summalång • Glöckle<br />
vom Hamattål • Kaj Ti Je, Deklica • Nimbus • Iba die Stapflan<br />
This outstanding live recording from Wiener Konzerthaus,<br />
with jazz giants Mark Feldman and Mike Richmond, features<br />
celebrated Argentine mezzo-soprano Bernarda Fink singing what<br />
might be termed “trans-regional” folk songs: partly in Slovenian,<br />
partly in German.<br />
20<br />
Matthias Schorn: clarinet<br />
Minetti Quartet<br />
MOZART: Clarinet Quintet in A, K. 581 • BRAHMS: Clarinet Quintet in B<br />
minor, Op. 115 • SULZER: Invention for Clarinet and String Quartet<br />
Matthias Schorn is a young, upcoming soloist and principal clarinetist of <strong>the</strong><br />
Vienna Philharmonic. Here, he appears alongside <strong>the</strong> award-winning Minetti<br />
Quartet, one of <strong>the</strong> best Austrian string quartets. The disc features works<br />
by Mozart and Brahms as well as Balduin Sulzer, one of <strong>the</strong> most-profiled<br />
composers on <strong>the</strong> current Austrian classical music scene.<br />
Bernhard GANDER<br />
Monsters and Angels<br />
CD: KRO 13272<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 27<br />
5% pREORDER DiSCOuNt<br />
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Arditti Quartet/Neue Vocalsolisten Stuttgart/ORF RSO Vienna/<br />
Peter Eötvös: conductor<br />
GANDER: dirty angel • khul • schöne worte • wegda! • horribile<br />
dictu • lovely monster<br />
These six works by Austrian composer Bernhard Gander<br />
demonstrate <strong>the</strong> composer’s high level of musical craftsmanship<br />
and brilliant, original manner of combining modern composition<br />
with rock and hip-hop. The works are performed by ensembles<br />
including <strong>the</strong> Arditti Quartet, Neue Vocalsolisten Stuttgart, and<br />
ORF RSO Vienna, among <strong>the</strong> leading interpreters of new music.
Heinrich BiBER<br />
rosenkranz sonata<br />
CD: BER 300531<br />
Price Code: 2O (SRP $27.99)<br />
Number of Discs: 2<br />
Double Digipak, Box Lot 14<br />
D u.S. ORDERS ONLY<br />
Hildegard VON BiNgEN<br />
inspiration<br />
CD: BER 300425<br />
Price Code: S (SRP $18.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 26<br />
D u.S. ORDERS ONLY<br />
Berlin Classics<br />
21<br />
Annegret Siedel: baroque violins<br />
Bell’arte Salzburg<br />
Michael Freimuth: <strong>the</strong>orbo<br />
Hermann Hickethier: viola da gamba, violin<br />
Margit Schul<strong>the</strong>iß: organ, baroque harp, harpsichord<br />
BIBER: Sonata I in D Minor: Annunciation • Sonata II in A Major:<br />
Visitation • Sonata III in B Minor: Nativity • Sonata IV in D Minor:<br />
Presentation in <strong>the</strong> Temple • Sonata V in A Major: Discovery in <strong>the</strong><br />
Temple • Sonata VI in C Minor: Jesus in <strong>the</strong> Garden of Gethsemane •<br />
Sonata VII in F Major: Scourging • Sonata VIII in B Major: Crowning<br />
with Thorns • Sonata IX in A Minor: Way of <strong>the</strong> Cross • Sonata X in G<br />
Minor: Crucifixion • Sonata XI in G Major: Resurrection • Sonata XII<br />
in C Major: Ascension • Sonata XIII in D Minor: Gift of <strong>the</strong> Spirit •<br />
Sonata XIV in D Major: Assumption of Mary • Sonata XV in C Major:<br />
Coronation of Mary • Passacaglia in D Minor for solo violin<br />
The fifteen Mystery (Rosary) Sonatas by Heinrich Ignaz Franz Biber<br />
form a fascinating cyclical work. The use of fourteen different violin<br />
tunings (scordaturas), deviating from <strong>the</strong> instrument’s normal tuning<br />
in fifths, makes <strong>the</strong> sonata cycle unique in <strong>the</strong> history of <strong>the</strong> violin.<br />
Annegret Siedel, artistic director of <strong>the</strong> Bell’arte Salzburg ensemble,<br />
has recorded <strong>the</strong> Mystery Sonatas on nine different violins of <strong>the</strong><br />
17 th and 18 th centuries. She succeeds wonderfully in bringing out <strong>the</strong><br />
sacred character of <strong>the</strong> music, particularly in its meditative passages,<br />
without falling short of <strong>the</strong> music’s high technical demands.<br />
VocaMe<br />
Michael Popp: conductor<br />
VON BINGEN: Studium Divinitatis • O virga ac diadema I • O virga<br />
mediatrix • Tu rubes ut aurora • Columba aspexit • O quam mirabilis •<br />
O virtus Sapientiae • Rex noster • O spectabilis viri • O ignis Spiritus •<br />
Aer enim • Spiritus Sanctus • Cum processit • O tu illustrata • O virga<br />
ac diadema II<br />
The members of <strong>the</strong> VocaMe ensemble are convinced that inspired<br />
music needs to be revitalized with inspiration; <strong>the</strong>ir CD featuring<br />
music by <strong>the</strong> Byzantine composer Abbess Kassia caused quite a stir.<br />
Hildegard von Bingen herself spoke of being a non-scholar (“indocta”)<br />
and having experienced auditiones (“recitals,” of o<strong>the</strong>r-worldly music).<br />
This may help to explain <strong>the</strong> extraordinary significance of her music,<br />
which “seemed to emerge from nowhere and to disappear in similar<br />
manner,” as Michael Popp, artistic director of VocaMe, puts it in <strong>the</strong><br />
introduction to <strong>the</strong> CD.
CD: BER 300429<br />
Price Code: S (SRP $18.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 30<br />
D u.S. ORDERS ONLY<br />
CD: BER 300524<br />
Price Code: S (SRP $18.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 25<br />
D u.S. ORDERS ONLY<br />
CD: BER 300523<br />
Price Code: S (SRP $18.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 25<br />
D u.S. ORDERS ONLY<br />
Berlin Classics<br />
Edward ELGAR<br />
Violin Concerto<br />
Ca<strong>the</strong>rine Manoukian: violin/Staatskapelle Weimar/Stefan Solyom: conductor<br />
ELGAR: Violin Concerto in B minor, Op. 61 • Salut d’Amour, Op. 12 • Offertoire<br />
Young violinist Ca<strong>the</strong>rine Manoukian finds no challenge too great. The Canadian artist is<br />
not only an impressive soloist, appearing with celebrated orchestras around <strong>the</strong> world, she<br />
has also added to her musical education with <strong>the</strong> world-famous Dorothy DeLay in New York<br />
by completing a Masters in <strong>Classical</strong> Philosophy. It was surely no accident that <strong>the</strong> emphasis<br />
laid on <strong>the</strong> <strong>the</strong>ory of aes<strong>the</strong>tics. Yet in <strong>the</strong> end, Ca<strong>the</strong>rine Manoukian decided on a career as a<br />
musician, and now presents her fifth recording. She has chosen <strong>the</strong> Elgar concerto, painted on<br />
a large canvas, and this globetrotting artist with German, Armenian, and Japanese roots has<br />
opted for something ra<strong>the</strong>r special: a live recording, performing with <strong>the</strong> Weimar Staatskapelle<br />
under <strong>the</strong> baton of her husband Stefan Solyom.<br />
Claude DEBUSSY<br />
Poèmes<br />
Stella Doufexis: mezzo-soprano/Daniel Heide: piano<br />
DEBUSSY: Nuit d’étoiles • Fleur des blés • Deux romances • Fêtes galantes • Le promenoir des<br />
deux amants • Trois poèmes de Stéphane Mallarmé • Cinq poèmes de Charles Baudelaire<br />
German-Greek mezzo-soprano Stella Doufexis is one of <strong>the</strong> most sought-after singers in her<br />
field, both on <strong>the</strong> operatic stage and on <strong>the</strong> concert podium. She has given guest performances<br />
with renowned German orchestras as well as <strong>the</strong> BBC Symphony Orchestra, Israel Philharmonic<br />
Orchestra, Ensemble Intercontemporain, Orchestre de Paris, London Symphony Orchestra,<br />
and <strong>the</strong> Mahler Chamber Orchestra, among many o<strong>the</strong>rs. Now, she releases two new CD<br />
recitals presenting diverse facets of French art song, from <strong>the</strong> Romantic music of Berlioz to <strong>the</strong><br />
impressionism of Debussy and Ravel.<br />
Stella Doufexis<br />
Nuits d’été<br />
Stella Doufexis: mezzo-soprano/Deutsche Staatsphilharmonie Rheinland-Pfalz/Karl-Heinz<br />
Steffens: conductor<br />
BERLIOZ: Les Nuits d’été, Op. 7 • CHAUSSON: Poèmes De l’amour Et De La Mer, Op. 19:<br />
Nos. 1–3 • RAVEL: Shéhérazade (3 Songs)<br />
Stella Doufexis conducts us into <strong>the</strong> tender darkness of summer nights full of promise, in<br />
which hearing is more acute than sight. To a background of subdued orchestral colors, <strong>the</strong><br />
singer pours out her heartfelt mezzo, summoning up poetic dream images. The consummate<br />
instrumentation of Berlioz, Chausson, and Ravel is a testimony to a continuing tradition:<br />
rarely do works of <strong>the</strong> 19 th and 20 th centuries blend so harmoniously toge<strong>the</strong>r.<br />
22
Berlin Classics (vinyl)<br />
Berlin Classics Presents “ETERNA CUTS”<br />
a limited series of audiophile re-releases of selected legendary recordings originally released on<br />
<strong>the</strong> GDR Eterna label. The music was transferred from <strong>the</strong> original tapes without any digital<br />
processing, and pressed straight onto 180-gram vinyl. The vinyl sets, consisting of between two<br />
and five LPs per recording, are exact replicas of <strong>the</strong> original Eterna releases right down to <strong>the</strong><br />
artwork. All of <strong>the</strong> up-to-date information is contained in a detachable outer sleeve, and<br />
a separate enclosure inside <strong>the</strong> inner sleeve featuring <strong>the</strong> history of <strong>the</strong> Eterna label plus<br />
all relevant information on <strong>the</strong> purely analogue audio transfer technique. Fur<strong>the</strong>rmore, each<br />
outer sleeve of <strong>the</strong>se limited editions is hand-numbered. One thing is sure: <strong>the</strong>se recordings never<br />
sounded better, or so much like <strong>the</strong> originals!<br />
VINYL: BER 300525<br />
Price Code: 3P (SRP $50.99)<br />
Number of Discs: 2<br />
LP Jacket, Box Lot 12<br />
D u.S. ORDERS ONLY<br />
VINYL: BER 300526<br />
Price Code: 3P (SRP $50.99)<br />
Number of Discs: 2<br />
LP Jacket, Box Lot 10<br />
D u.S. ORDERS ONLY<br />
Ludwig van BEETHOVEN<br />
Missa solemnis in D major, Op. 123<br />
Anna Tomowa-Sintow: soprano/Annelies Burmeister: alto/Peter Schreier: tenor/Hermann<br />
Christian Polster: bass/Leipzig Radio Choir/Gewandhausorchester Leipzig/Kurt Masur: conductor<br />
BEETHOVEN: Missa solemnis in D major, Op. 123<br />
Beethoven’s most significant mass, conducted by maestro Kurt Masur and performed by famous<br />
musicians: this recording convincingly reflects <strong>the</strong> great composer’s humanist ideals in a way that<br />
is rarely heard. Here, belief and enlightenment blend in <strong>the</strong> most moving manner.<br />
Franz SCHUBERT<br />
Die schöne Müllerin<br />
Peter Schreier: tenor/Walter Olbertz: piano<br />
SCHUBERT: Die schöne Müllerin, Op. 25<br />
Schubert’s Die schöne Müllerin is at first glance a series of cheerful songs, which on closer<br />
listening reveals an ostensibly ideal world with dark undertones. Peter Schreier is a master of <strong>the</strong><br />
great art song genre, for whom a beautiful tone, clear articulation, and sensitive and intelligent<br />
interpretation have always been paramount.<br />
23
VINYL: BER 300528<br />
Price Code: 25C (SRP $149.99)<br />
Number of Discs: 5<br />
Vinyl Box Set, Box Lot 7<br />
D u.S. ORDERS ONLY<br />
VINYL: BER 300527<br />
Price Code: 8L (SRP $95.99)<br />
Number of Discs: 4<br />
LP Jacket, Box Lot 9<br />
D u.S. ORDERS ONLY<br />
VINYL: BER 300529<br />
Price Code: 4S (SRP $75.99)<br />
Number of Discs: 3<br />
LP Jacket, Box Lot 9<br />
D u.S. ORDERS ONLY<br />
Berlin Classics (vinyl)<br />
Richard WAGNER<br />
Parsifal<br />
Leipzig Radio Choir/Berlin Radio Choir/Thomanenchor Leipzig/Leipzig Radio Symphony<br />
Orchestra/Herbert Kegel: conductor<br />
WAGNER: Parsifal<br />
This concert recording represents a real stroke of luck, for which we can thank Herbert Kagel,<br />
a conductor who championed music during <strong>the</strong> GDR era that was not viewed as “politically<br />
correct.” This 1975 recording of Parsifal, featuring snappy tempos and devoid of <strong>the</strong> usual mystique<br />
surrounding Wagner, is an interpretation that seems to have evolved well ahead of its time.<br />
J.S. BACH<br />
St. Mat<strong>the</strong>w Passion<br />
Peter Schreier: tenor/Dresdner Kreuzchor/Gewandhausorchester Leipzig/Rudolf & Erhard<br />
Mauersberger: conductors<br />
J.S. BACH: St. Mat<strong>the</strong>w Passion<br />
This recording marks <strong>the</strong> artistic peak of two choral legends of <strong>the</strong> past century: Rudolf<br />
Mauersberger, who was choral director at <strong>the</strong> Dresden Kreuzchor, and his bro<strong>the</strong>r Erhard, who<br />
held that post at <strong>the</strong> Thomanerchor in Leipzig. Here, <strong>the</strong>y join forces with <strong>the</strong>ir choirs and some<br />
renowned soloists in Bach’s St. Mat<strong>the</strong>w Passion.<br />
W.A. MOZART<br />
Die Entführung aus dem Serail<br />
Chor der Staatsoper Dresden/Dresden Staatskapelle/Otmar Suitner: conductor<br />
MOZART: Die Entführung aus dem Serail<br />
Otmar Suitner’s Mozart interpretations during his years in Berlin are legendary. This recording of<br />
Die Entführung demonstrates that <strong>the</strong> Austrian conductor was already well aware, when he worked<br />
in Dresden, of how to portray Mozart’s dramatic verve and his psychological sensitivity. This is a real<br />
gem, recorded in <strong>the</strong> Lukaskirche in Dresden, where so many recordings with Suitner were made.<br />
24
Ennio MORRiCONE<br />
lemma<br />
CD: STV 33876<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Jewel Case, Box Lot 20<br />
D u.S. ORDERS ONLY<br />
WORLD pREMiERE RECORDiNgS<br />
Alessandro SOLBiAti<br />
piano works<br />
CD: STV 33909<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Jewel Case, Box Lot 20<br />
D u.S. ORDERS ONLY<br />
stradivarius<br />
25<br />
Quartetto Noferini<br />
Rocco Parisi: clarinet, bass clarinet<br />
Andrea Noferini: cello<br />
Gabriele Rota: piano<br />
E. MORRICONE: Ipotesi for clarinet & piano • V Studio (Catalogo) for <strong>the</strong><br />
piano • Come un’onda for bass clarinet • Riflessi three pieces for cello • Vivo<br />
for string trio • A L. P. 1928 for string quartet • Metamorfosi di Violetta for<br />
clarinet & string quartet • E. MORRICONE & A. MORRICONE: Lemma for<br />
two clarinets & two pianos • A. MORRICONE: Traccia for clarinet & piano<br />
This CD of world premiere recordings is devoted to Ennio Morricone’s<br />
“classical-contemporary” music, which is very far in intention and language<br />
from <strong>the</strong> usual soundtrack repertoire. The booklet includes a letter from<br />
Morricone, with detailed notes on each composition. The disc is completed<br />
by a piece written by Ennio Morricone with his son Andrea (“Lemma”), as<br />
well as a composition by <strong>the</strong> latter (“Traccia”).<br />
Emanuela Piemonti: piano<br />
Alfonso Alberti: piano<br />
SOLBIATI: Sonata seconda for piano • Interludi for piano • Fête for piano •<br />
Like as <strong>the</strong> Waves for piano four-hands<br />
From <strong>the</strong> liner notes by Guido Salvetti: “The four piano pieces brought<br />
toge<strong>the</strong>r on this CD offer a complete vision of that part of Alessandro<br />
Solbiati’s creative world that belongs to <strong>the</strong> piano; no longer an ‘instrumentfor’<br />
expressing a musical thought, but — as has really happened with <strong>the</strong>y<br />
who gave us <strong>the</strong> marvels of <strong>the</strong> Wohltemperiertes Klavier or of <strong>the</strong> 32 Sonatas<br />
or of <strong>the</strong> Préludes — a character endowed with a soul and thought where we<br />
meet <strong>the</strong> elements from a long and magnificent past.”<br />
aLSO avaiLabLE<br />
SOLBiAti<br />
Agli inquieti spiriti<br />
CD: STV 33635<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
d U.S. ORdERS ONLY<br />
SOLBiAti<br />
By My window<br />
CD: STV 33681<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
d U.S. ORdERS ONLY
Raphaël CENDO<br />
rokh<br />
CD: STV 33926<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 20<br />
D u.S. ORDERS ONLY<br />
Mario Caroli<br />
undine<br />
CD: STV 33935<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Jewel Case, Box Lot 20<br />
D u.S. ORDERS ONLY<br />
stradivarius<br />
26<br />
Ensemble Alternance<br />
CENDO: Rokh 1 • Rokh 2 • Rokh 3<br />
The return of Ensemble Alternance! After <strong>the</strong>ir experience with Mark André,<br />
<strong>the</strong> ensemble is back with young, talented composer Raphaël Cendo, whose<br />
style is all <strong>the</strong> rage in Paris and, above all, at <strong>the</strong> IRCAM. Rokh, bred during his<br />
Italian residence at Villa Medici in Rome, is a clear example of this new way of<br />
writing music, which uses instruments to create sounds never heard before.<br />
aLSO avaiLabLE<br />
Mario Caroli: flute<br />
Keiko Nakayama: piano<br />
Ensemble Alternance<br />
Marc Andre<br />
CD: STV 33837<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
d U.S. ORdERS ONLY<br />
Ensemble Alternance<br />
neverland<br />
CD: STV 33755<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
d U.S. ORdERS ONLY<br />
MENDELSSOHN: Sonata in F, Op. 4 • WIDOR: Suite • REINECKE: Sonata<br />
Undine, Op. 167 • TAFFANEL: Grande Fantaisie for flute and piano on<br />
<strong>the</strong>mes from <strong>the</strong> opera Mignon by Ambroise Thomas<br />
From <strong>the</strong> liner notes by Mario Caroli: “Why a romantic program? Those<br />
closest to me know how often, as always, I changed my mind on <strong>the</strong> program!<br />
If in <strong>the</strong> end I have chosen what you hear, it is, perhaps, because what is<br />
considered to be (not very exactly and, chronologically speaking, with<br />
much inaccuracy) <strong>the</strong> ‘romantic spirit’ represents a ‘revealed mystery’ for<br />
me. In reality, <strong>the</strong> only piece to be ‘historically’ romantic in this program is<br />
Mendelssohn’s Sonata in F, Op. 4. The rest of <strong>the</strong> program was born on <strong>the</strong><br />
threshold of <strong>the</strong> nineteenth century, or even <strong>the</strong> twentieth. But what remains<br />
of ‘romantic’ in <strong>the</strong>se works is <strong>the</strong> spirit, besides <strong>the</strong> preservation of <strong>the</strong><br />
stylistic elements.”
georg philipp tELEMANN<br />
oboe and Bassoon sonatas<br />
CD: HRN 3<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 30<br />
D u.S. ORDERS ONLY<br />
Domenico SCARLAtti<br />
Harpsichord sonatas<br />
CD: HRN 4<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 30<br />
D u.S. ORDERS ONLY<br />
27<br />
Hérisson<br />
David Walter: oboe<br />
Fany Maselli: bassoon<br />
Mathieu Dupouy: harpsichord<br />
Rémi Cassaigne: <strong>the</strong>orbo<br />
Valérie Dulac: cello<br />
TELEMANN: Trio in E flat major • Sonata for bassoon in F minor •<br />
Sonata for oboe in B major • Sonata for bassoon in E minor • Sonata for<br />
oboe in E minor • Sonata for oboe in G minor<br />
“And if <strong>the</strong> performer feels joy, you will feel pleasure.” This is how<br />
Telemann concluded his advice to young composers in his autobiography.<br />
Perhaps never before has a composer given so much to instrumentalists,<br />
writing an incalculable number of pieces for a whole variety of ensembles<br />
throughout a life characterized by an almost unbelievable facility<br />
combined with a rare capacity for hard work. Let us <strong>the</strong>refore reach out<br />
towards <strong>the</strong> happiness this music gives us, <strong>the</strong> joy of playing, and <strong>the</strong><br />
composer’s pleasure. Did not Telemann himself say, “The notes sought<br />
me out more than I sought <strong>the</strong>m?”<br />
Mathieu Dupouy: harpsichord<br />
SCARLATTI: a collection of harpsichord sonatas<br />
Domenico Scarlatti found himself in <strong>the</strong> awkward situation of being <strong>the</strong><br />
son of one of Europe’s most celebrated composers, Alessandro Scarlatti<br />
(1660–1725). Domenico, for all his efforts, never achieved <strong>the</strong> immense<br />
glory of his fa<strong>the</strong>r in <strong>the</strong> field of opera, and for a long time his career was<br />
overshadowed. It was only after his appointment as harpsichord teacher<br />
to Maria Barbara of Braganza that he seemed to finally find his own<br />
inimitable style. At <strong>the</strong> height of his artistic maturity, Scarlatti had his<br />
sonatas copied into albums dedicated to Maria Barbara and seemed — to<br />
borrow Ralph Kirkpatrick’s wonderful expression — to write “as though<br />
reliving his life.” The remarkable harpsichord-tiorbino on this album<br />
(Napoli, ca. 1710) is currently <strong>the</strong> only known example to have survived<br />
with its original disposition intact: one keyboard with <strong>the</strong> usual brass<br />
strings, and a second keyboard with gut strings.
C.p.E. BACH<br />
empfindsamkeit! symphonies & Concertos<br />
[Hybrid sACd]<br />
CD: LAW SACD 1038<br />
Price Code: U (SRP $19.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 30<br />
D u.S. ORDERS ONLY<br />
Valen trio<br />
piano Trios [Hybrid sACd]<br />
CD: LAW SACD 1037<br />
Price Code: U (SRP $19.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 30<br />
D u.S. ORDERS ONLY<br />
lAwo Classics<br />
28<br />
Barokkanerne<br />
Alfredo Bernardini: oboe<br />
Christian Kjos: harpsichord<br />
C.P.E. BACH: Symphony in E minor, Wq 178 (1756) • Oboe Concerto in E flat<br />
major, Wq 165 (1765) • Harpsichord Concerto in D minor, Wq 17 (1745) •<br />
Symphony in D major, Wq 183/1 (1776)<br />
Period instrument ensemble Barokkanerne presents Carl Philipp Emanuel<br />
Bach in a debut recording with LAWO Classics. Led by Alfredo Bernardini,<br />
<strong>the</strong> group performs groundbreaking symphonies and concertos of this<br />
ardent next-eldest son of Johann Sebastian Bach. The music spans more<br />
than 30 years of C.P.E. Bach’s life as a composer, from his engagement as<br />
court musician in Berlin to his last years as director of music in Hamburg.<br />
This is Sturm and Drang and Enlightenment at its fieriest! Italian baroque<br />
oboe specialist Alfredo Bernardini, one of <strong>the</strong> world’s leading performers<br />
of early music, has garnered a number of international prizes for his many<br />
recordings. He is, among o<strong>the</strong>r things, <strong>the</strong> founder and artistic director of <strong>the</strong><br />
ensemble ZEFIRO. Principal harpsichordist Christian Kjos is a sought-after<br />
performer who, as a member of <strong>the</strong> quintet Ensemble Meridiana, has won a<br />
number of prizes at international early music competitions.<br />
PLAYABLE IN ALL CD PLAYERS.<br />
For optimal sound, use compatible surround sound system.<br />
Valen Trio<br />
HVOSLEF: Trio (2010) • VALEN: Trio, Op. 5 (1917–24) • EGGE: Trio,<br />
Op. 14 (1940)<br />
The trios selected for this recording represent three generations of Norwegian<br />
composers and trace an interesting line, both historically and musically,<br />
through <strong>the</strong> past hundred years. Valen’s Trio is a transitional work from his<br />
late Romantic tonal compositional style to atonal expression. It is regarded<br />
as <strong>the</strong> breakthrough work in <strong>the</strong> development of his personal style. Egge’s<br />
Trio is an epic, solemn work based in part on <strong>the</strong> Winter War between <strong>the</strong><br />
Soviet Union and Finland. It is a major work in Egge’s output, in format and<br />
expression comparable with Shostakovich’s Trio in E minor. The work has<br />
seldom been performed since its premiere in 1941. Hvoslef’s Trio was written<br />
for <strong>the</strong> Valen Trio. He heard <strong>the</strong>m play in January 2010, and was filled with<br />
enthusiasm for <strong>the</strong> musicians, both as individuals and as a group. Much has<br />
been written about Hvoslef’s original and vivid tonal imagination, and it is<br />
absolutely vital for this work.<br />
PLAYABLE IN ALL CD PLAYERS.<br />
For optimal sound, use compatible surround sound system.
Simeon ten HOLt<br />
Hommage<br />
CD: ETC 1467<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Digibook, Box Lot 20<br />
D u.S. ORDERS ONLY<br />
WORLD pREMiERE RECORDiNg<br />
Franz SCHuBERt<br />
Complete works for fortepiano Trio<br />
CD: ETC 1495<br />
Price Code: 2N (SRP $25.99)<br />
Number of Discs: 2<br />
Jewel Case, Box Lot 25<br />
D u.S. ORDERS ONLY<br />
29<br />
etcetera<br />
Simeon ten Holt: piano<br />
HOLT: Bagatellen<br />
This homage to recently deceased composer Simeon ten Holt includes a unique<br />
recording from 1978 featuring Simeon ten Holt playing his own composition<br />
“Bagatellen,” a recording made in his home studio that was never released.<br />
Jan Vermeulen: piano<br />
Christine Busch: violin<br />
France Springuel: cello<br />
SCHUBERT: Piano Trio No. 1 in B flat major, Op. 99 D. 898 • Notturno<br />
in E flat major, Op. 100 D. 929 • Piano Trio No. 2 in E flat major, Op. 100<br />
D. 929 • Piano Trio in B flat major, D. 28<br />
Jan Vermeulen is considered one of today’s most prominent fortepiano<br />
virtuosos. After his piano studies at <strong>the</strong> Brussels Conservatory, his<br />
interest and urge for au<strong>the</strong>nticity pushed him in <strong>the</strong> direction of<br />
historical instruments. His pioneering recording of <strong>the</strong> sonatas of C.M.<br />
von Weber at <strong>the</strong> beginning of <strong>the</strong> ’90s marked <strong>the</strong> start of a flourishing<br />
career. In that same period he founded <strong>the</strong> Florestan Fortepiano Trio<br />
(later renamed Tröndlin Trio), one of <strong>the</strong> first to perform <strong>the</strong> classical<br />
romantic repertoire on au<strong>the</strong>ntic instruments. Now, Jan Vermeulen<br />
harvests worldwide fame with this recording of Schubert’s complete<br />
piano works for Etcetera, an opus magnum completed in 2010. His<br />
extensive discography has received great acclaim from <strong>the</strong> international<br />
press, and he is widely praised as “<strong>the</strong> ideal Schubert interpreter.”
Nathan Milstein<br />
Nathan Milstein Collection Vol. 2<br />
Nathan Milstein: violin/Jean Martinon: conductor/Carl Schuricht:<br />
conductor<br />
TCHAIKOVSKY: Violin Concerto in D major, Op. 35 • MOZART:<br />
Violin Concerto No. 5 in A major, K. 219 • BACH: Chaconne<br />
from Partita No. 2 for solo violin in D, BWV 1004 • PAGANINI:<br />
Caprices, Op. 1: No. 11 in C major & No. 5 in F minor<br />
ON CD FOR THE FIRST TIME: <strong>the</strong> second in a series featuring<br />
live recordings of legendary violinist Nathan Milstein!<br />
Robert Aitken<br />
Sonatas for Flute and Harpsichord<br />
CD: DHR 7752<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Jewel Case, Box Lot 25<br />
D u.S. ORDERS ONLY<br />
FiRSt tiME ON CD<br />
CD: DHR 6611<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Jewel Case, Box Lot 25<br />
D u.S. ORDERS ONLY<br />
FiRSt tiME ON CD<br />
Robert Aitken: flute/Greta Kraus: harpsichord/Vancouver Chamber<br />
Orchestra/John Eliot Gardiner: conductor<br />
J.S. BACH: Sonata for Flute and Harpsichord in B minor, BWV 1030 •<br />
Sonata for Flute and Harpsichord in E flat major, BWV 1031 •<br />
Sonata for Flute and Harpsichord in A major, BWV 1032 • Partita<br />
for Flute and Harpsichord in C minor, BWV 997 • C.P.E. BACH:<br />
Flute Concerto in D minor, Wq 22<br />
ON CD FOR THE FIRST TIME: recordings from 1969–1981 by<br />
Robert Aitken, one of <strong>the</strong> leading flute soloists of our time noted<br />
for his outstanding interpretations of classical repertoire and<br />
extraordinary insight into contemporary music.<br />
30<br />
doreMi<br />
Julian von Karolyi<br />
Julian von Karolyi Vol. 2<br />
Julian von Karolyi: piano<br />
CD: DHR 8009<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
Jewel Case, Box Lot 25<br />
D u.S. ORDERS ONLY<br />
FiRSt tiME ON CD<br />
HAYDN: Piano Concerto in D Major, Hob. XIII/11 •<br />
BEETHOVEN: Piano Concerto No. 5 in E flat major, Op. 73,<br />
“Emperor” • SCHUBERT: Wandererfantasie<br />
ON CD FOR THE FIRST TIME: a second volume of recordings by<br />
Julian von Karolyi, one of <strong>the</strong> leading pianists of <strong>the</strong> 20 th century<br />
who has now unjustly faded into obscurity.<br />
CD: DHR 7996<br />
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Francisco Tarrega<br />
El Círculo <strong>Music</strong>al: Tarrega, His Disciples &<br />
Their Students<br />
Francisco Tarrega, Miguel Llobet, Daniel Fortea, Bartolome<br />
Calayatud, Andres Segovia, Josefina Robledo, and more: guitars<br />
A collection of recordings by guitarist Francisco Tarrega, his<br />
disciples, and <strong>the</strong>ir students<br />
One of <strong>the</strong> most important historical classical guitar releases ever!<br />
Francisco Tarrega was <strong>the</strong> fa<strong>the</strong>r of <strong>the</strong> modern guitar, his influence<br />
immeasurable. In addition to <strong>the</strong> master playing his own music,<br />
this CD includes recordings by his disciples, most never reissued<br />
since <strong>the</strong> 1920s and ’30s. The CD also highlights what may be<br />
<strong>the</strong> first solo guitar recording ever made, as early as 1897: a wax<br />
recording by Simon Ramirez of <strong>the</strong> famous Romance d’Amour.
Ralph VAugHAN WiLLiAMS<br />
A sea symphony [Hybrid sACd]<br />
CD: QUE SACD 731<br />
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Various Artists<br />
Orgelstadt Halberstadt<br />
Querstand<br />
BUZZ alErt<br />
31<br />
Geraldine McGreevy: soprano<br />
Tommi Hakala: baritone<br />
MDR Symphony Orchestra<br />
MDR Radio Choir<br />
Howard Arman: conductor<br />
VAUGHAN WILLIAMS: A Sea Symphony<br />
A new entry in <strong>the</strong> successful “MDR Edition” series,<br />
featuring recordings by <strong>the</strong> MDR Symphony Orchestra,<br />
MDR Choir, and MDR Children’s Choir. This CD contains<br />
one of <strong>the</strong> most important symphonies of <strong>the</strong> 20 th century,<br />
conducted by Howard Arman (winner of <strong>the</strong> 2005<br />
ECHO Award), and features soloists Geraldine McGreevy<br />
(internationally renowned opera and concert singer) and<br />
Tommi Hakala (BBC Singer of <strong>the</strong> World 2003).<br />
PLAYABLE IN ALL CD PLAYERS.<br />
For optimal sound, use compatible surround sound system.<br />
Harald Vogel, Christoph Bossert, Claus-Erhard Heinrich, Klaus-Jürgen Teutschbein, Bernhard Wieczorek,<br />
Hans-Ola Ericsson, Jean-Charles Ablitzer: organ<br />
A collection of organ pieces from <strong>the</strong> Halberstadt district in Germany featuring <strong>the</strong> composers J.S. Bach,<br />
Michael Praetorius, Oliver Messiaen, John Cage, and o<strong>the</strong>rs<br />
This new CD presents an interesting overview of <strong>the</strong> rich organ landscape of Halberstadt (Saxony-Anhalt),<br />
a most important town for <strong>the</strong> history of organ building. Nicolaus Faber’s large 1361 organ was <strong>the</strong> largest<br />
in <strong>the</strong> world in <strong>the</strong>se times! The program contains a wide spectrum of organ music, from Adam Ileborgh<br />
(15 th century) to Hans Otte (1992), as well as improvisations by Claus-Erhard Heinrich (Halberstadt<br />
Ca<strong>the</strong>dral organist).
Franz SCHMIDT<br />
Symphony No. 1<br />
MDR Symphony Orchestra/Fabio Luisi: conductor<br />
SCHMIDT: Symphony No. 1 in E major<br />
The first CD in a series consisting of all four symphonies by<br />
Austrian composer Franz Schmidt, considered <strong>the</strong> end point in<br />
<strong>the</strong> symphonic tradition line Schubert-Bruckner-Brahms. A rarity<br />
both in concert and on CD!<br />
Franz SCHMIDT<br />
Symphony No. 3<br />
MDR Symphony Orchestra/Fabio Luisi: conductor<br />
SCHMIDT: Symphony No. 3 in A major<br />
CD: QUE 503<br />
Price Code: R (SRP $17.99)<br />
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CD: QUE 505<br />
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Schmidt’s Third Symphony is very lyrical, said to have been <strong>the</strong><br />
composer’s own favorite, and represents a return to <strong>the</strong> “classical”<br />
four-movement layout.<br />
Querstand<br />
32<br />
Franz SCHMIDT<br />
Symphony No. 2<br />
MDR Symphony Orchestra/Fabio Luisi: conductor<br />
SCHMIDT: Symphony No. 2 in E flat major<br />
The second CD in <strong>the</strong> series shows Schmidt’s first steps away from<br />
<strong>the</strong> “classical” symphony form: only three movements, <strong>the</strong> second<br />
one being “<strong>the</strong>me with variations.” The “Hungarian” <strong>the</strong>mes in <strong>the</strong><br />
final movement are inspired by history — both of Austria, and of<br />
Schmidt’s family<br />
Franz SCHMIDT<br />
Symphony No. 4<br />
MDR Symphony Orchestra/Fabio Luisi: conductor<br />
SCHMIDT: Symphony No. 4<br />
CD: QUE 504<br />
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CD: QUE 506<br />
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Schmidt’s most personal work, <strong>the</strong> Fourth Symphony was a kind<br />
of Requiem for his daughter Emma, who had died in 1932 during<br />
<strong>the</strong> birth of her son.
CD: DMV 103<br />
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CD: BGS 121<br />
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CD: SNR 8025<br />
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discovery <strong>Music</strong> & vision<br />
Christopher GUNNING<br />
Agatha Christie’s Poirot: <strong>Music</strong> from <strong>the</strong> Television Series<br />
Christopher Gunning: piano/Stan Sulzmann: soprano & alto sax/David Emmanuel: viola/Nick Rodwell:<br />
clarinet/Leslie Pearson: piano/Stan Sulzmann: tenor sax/Anthony Pleeth: cello/Viktor Simcisko: violin<br />
GUNNING: ‘Poirot’ <strong>Music</strong> from <strong>the</strong> Television Series: The Belgian Detective (Theme from Agatha<br />
Christie’s Poirot) • A Country Retreat • The ABC Murders • Grey Cells • To <strong>the</strong> Lakes! • The Double<br />
Clue • War • The Innocence of Caroline Crale • Amyas’s Last Painting • How Does Your Garden Grow •<br />
The Death of Mrs. Inglethorpe • The Height of Fashion • One-two-buckle-my-shoe • The Victory Ball •<br />
Death on <strong>the</strong> Nile<br />
This Poirot album has been unavailable for many years, and is now reissued on Discovery <strong>Music</strong> &<br />
Vision with bonus tracks never before released on CD. All tracks were composed by Christopher<br />
Gunning, who has won BAFTA Awards for La Vie en Rose, Middlemarch, and Porterhouse Blue.<br />
VIDA Guitar Quartet<br />
Rhapsody<br />
33<br />
Bgs<br />
VIDA Guitar Quartet/Mark Ashford, Mark Eden, Helen Sanderson, Christopher Stell: guitars<br />
GERSHWIN arr. STELL: Rhapsody in Blue • ARNOLD arr. ASHFORD: English Dances Set II Op. 33 •<br />
GORB arr. EDEN: Yiddish Dances<br />
Rhapsody is a collection of new works and arrangements by <strong>the</strong> world-class VIDA Guitar Quartet. The<br />
pieces are united by a loose programmatic <strong>the</strong>me of dance music as interpreted by different classical<br />
composers, covering <strong>the</strong> swing-band dance music of Gershwin’s “Rhapsody in Blue,” Malcolm Arnold’s<br />
“English Dances,” Gaelic folk-melodies in David Crittenden’s “A Scottish Fantasy,” and <strong>the</strong> Klezmer<br />
rhythms of traditional Yiddish communities.<br />
stone records<br />
Roger QUILTER<br />
The Complete Quilter Songbook Vol. 1<br />
Mark Stone: baritone/Stephen Barlow: piano<br />
QUILTER: Who is Silvia? • When daffodils begin to peer • How should I your true love know? • Sigh no<br />
more, ladies • In <strong>the</strong> highlands • Over <strong>the</strong> land is April • A London spring • Come away, death • O mistress<br />
mine • Blow, blow, thou winter wind • Trollie lollie laughter • A coronal • Passing dreams • A land of<br />
silence • In spring • ‘Tis Saint Valentine’s day • Hark, hark, <strong>the</strong> lark • Come Lady-Day • Come unto <strong>the</strong>se<br />
yellow sands • Tell me where is fancy bred • I will go with my fa<strong>the</strong>r a-ploughing • Cherry Valley • I wish<br />
and I wish • and more<br />
Roger Quilter is one of <strong>the</strong> best-loved song composers of <strong>the</strong> 20 th century, yet until now <strong>the</strong>re has been<br />
no complete edition of his songs. This is <strong>the</strong> first of four discs that will rectify this, with each release<br />
focusing on different poets. The first volume features Quilter’s settings of Shakespeare, Dowson, and<br />
Stevenson. The disc, originally released by Sony, has been rearranged, remastered, and redesigned,<br />
adding detailed notes for each track.
CD: TCT 490001<br />
Price Code: T (SRP $14.99)<br />
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CD: TCT 620080<br />
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Number of Discs: 3<br />
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CD: TCT 791302<br />
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34<br />
Tactus<br />
Anonima Frottolisti<br />
Indecent <strong>Music</strong><br />
Anonima Frottolisti<br />
FOGLIANI: La canzone della mala Zotta • Fortuna d’un gran tempo • DEMOFONTE: A che son<br />
hormai conduco • CAPRIOLI: E d’un bel mattin d’amore • BARTOLUCCI: La mi fa solfare •<br />
TROMBONCINO: Gli è pur cocente‘l fier desir • Ostinato vo’ seguire • Zephyro spira e‘l bel<br />
tempo rimena • SCOTTO: Turlulù la capra è mozza • PESENTI: Io vorria esser colu’ • Uscirallo<br />
o resterallo • CARA: Tante volte sì, sì, sì • CARA/BOSSINIENSIS: Per fuggir d’amor le punte •<br />
ANON: Un cavalier di Spagna • L’ultimo dì di Maggio un cavalier di Spagna • Che faralla, che<br />
diralla • Il Marchese di Salutio • Quasi sempre avanti il dì • SANTACROCE: De la da l’acqua •<br />
STRINGARI: Son più matti in questo mondo<br />
This project is based on <strong>the</strong> premise that <strong>the</strong> 15 th century related <strong>the</strong> blending of two cultural<br />
universes: <strong>the</strong> written and <strong>the</strong> oral. The boundary between <strong>the</strong> two contexts apparently was so thin<br />
that it allowed <strong>the</strong> two traditions to coexist within <strong>the</strong> same universe of communication: idioms,<br />
allegorical figures, and quotations thus converged into <strong>the</strong> same cultural interpretation angle.<br />
Ensemble Primi Toni<br />
Ghirlanda Sacra<br />
Ensemble Primi Toni<br />
MONTEVERDI: Ecce sacrum paratum • Currite populi • O quam pulchra es • Salve Regina •<br />
PIRULI: Inter natos mulierum • Ave dulcissima Maria • ROVETTA: O Maria quam pulchra es •<br />
GRANDI: O quam tu pulchra es • BERTI: Hodie apparuerunt delitiae • CAPRIOLI: In lectulo per<br />
noctes • Congratulamini mihi omnes • Quam pulchra es spetiosa • Cantabo Domino • Exaudi me<br />
Domine • FINETTI: Domine quis habitabi • Beata es virgo Maria • CASTELLO: Sonata Quarta. A<br />
Doi. Sopran & Trombon overo Violeta • Exultate Deo • USPER: Vulnerasti cor meum • Nativitas<br />
tua • ROVETTO: Gaudete omnes • PICCHI: Salve Christe • and more<br />
These religious prescriptions were received and implemented by great composers like Palestrina,<br />
Nanino, Ruffo, Asola, and Croce, major figures in <strong>the</strong> musical panorama of <strong>the</strong> second half of <strong>the</strong><br />
16 th century. However, right at <strong>the</strong> end of this tumultuous century a kind of musical revolution<br />
took place, whose origins were recognizable within specific cultural debates arising from <strong>the</strong><br />
development of Italian and Florentine Humanism in particular. This called polyphony into<br />
question, opening <strong>the</strong> gates of music to a world of human emotion.<br />
Antonio Maria MUSILLI<br />
Organ Works<br />
Alessandro Bianconi: organ<br />
MUSILLI: a collection of organ works<br />
Fa<strong>the</strong>r Antonio Maria Musilli (1792–1880) was a music <strong>the</strong>orist and a composer. He was a member<br />
of <strong>the</strong> monastery of Velletri, which belonged to <strong>the</strong> Roman Catholic Province; he was very fond<br />
of music and <strong>the</strong>refore on November 20, 1825 <strong>the</strong> Prior of <strong>the</strong> Friars Minor Conventual Luigi<br />
Battistini sent him to Assisi to study with Fa<strong>the</strong>r Antonio Maria Amone (1768–1848). Once Fa<strong>the</strong>r<br />
Amone died, he was sent by his new Prior Antonio Barbetti to Naples, to study under <strong>the</strong> guidance<br />
of famous Maestro Nicola Zingarelli.
CD: SMM 124<br />
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CD: PTY 512120<br />
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CD: MCH 605012<br />
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Billy MAYERL<br />
Piano <strong>Music</strong> Vol. I<br />
Philip Martin: piano<br />
soMM recordings<br />
MAYERL: Autumn Crocus • Wistaria • Evening Primrose • Aquarium Suite: Willow Moss • Moorish<br />
Idol • Fantail • Whirligig • Marigold • From a Spanish Lattice • Puppets Suite: Golliwog • Judy • Punch •<br />
Weeping Willow • Railroad Rhythm • Siberian Lament • Three Contrasts: Ladybird • Pastoral • Fiddle<br />
Dance • The Harp of <strong>the</strong> Winds • Shallow Waters • Robots<br />
Irish-born pianist and composer Philip Martin has become famous for his interpretations of American<br />
and British jazz and ragtime music. He is a well-known figure in concert halls in <strong>the</strong> UK, Europe, and <strong>the</strong><br />
U.S., where he has held residencies at various American universities and been a guest of <strong>the</strong> Tanglewood<br />
and Aspen <strong>Music</strong> Festivals. He has recorded extensively for Hyperion, Chandos, Nimbus, and BBC,<br />
among o<strong>the</strong>rs.<br />
35<br />
paraty<br />
Jean-Philippe RAMEAU<br />
Rameau in Caracas<br />
Soloists of <strong>the</strong> Simón Bolívar Symphony Orchestra of Venezuela/Bruno Procopio: conductor<br />
RAMEAU: Opera excerpts from: Zoroastre • Tragédie Lyrique (Paris, 1756) • Dardanus • Tragédie<br />
Lyrique (Paris, 1739) • Castor et Pollux • Tragédie Lyrique (Paris, 1737) • Acan<strong>the</strong> et Céphise ou La<br />
Sympathie • Pastorale Héroïque (Versailles, 1751) • Les Indes Galantes • Opéra-Ballet (Paris, 1735)<br />
The Soloists of <strong>the</strong> Simón Bolívar Symphony Orchestra of Venezuela have invited Bruno Procopio<br />
to conduct a program dedicated entirely to Jean-Philippe Rameau. Discovering French Baroque<br />
music is an astonishing adventure for <strong>the</strong> Venezuelan musicians, and it marks <strong>the</strong>ir first foray into<br />
18 th century French classical music. This recording session is also a foretaste of <strong>the</strong> celebration to<br />
come in 2014: <strong>the</strong> 250 th anniversary of <strong>the</strong> composer’s death.<br />
Musiques à la Chabotterie<br />
Antonio VIVALDI<br />
6 Concertos for Flute<br />
La Simphonie du Marais/Hugo Reyne: recorder, director<br />
VIVALDI: 6 Concertos for Flute (recorder)<br />
6 Concertos for Recorder adds to a series of nine previous CDs for <strong>the</strong> label Musiques à la Chabotterie,<br />
which have been acclaimed by <strong>the</strong> media including Classica Choc, Diapason Découverte, Le Monde de<br />
la Musique Choc, Goldberg 5 Étoiles, and more. A tribute to Hugo Reyne’s teachers and to those whose<br />
playing have inspired him, this album features Vivaldi concertos that have carried Reyne through his life.
Cobra records flora<br />
Música Temprana<br />
Songs and Dances from Trujillo, Peru<br />
Música Temprana/Adrián Rodríguez Van der Spoel: director<br />
Complete musical works of <strong>the</strong> Codex Trujillo del Perú<br />
(1780–1790)<br />
This CD is among <strong>the</strong> very few recordings of <strong>the</strong> complete musical<br />
works of <strong>the</strong> Codex Trujillo del Perú (1780–1790), as compiled<br />
by Spanish Bishop Martínez Compañón. The variety of <strong>the</strong> 20<br />
pieces reflects <strong>the</strong> area’s cultural wealth, with an exciting blend of<br />
Spanish colonial baroque music and indigenous sounds.<br />
Camille SAINT-SAËNS<br />
Chamber <strong>Music</strong> with Winds<br />
CD: CBA 36<br />
Price Code: R (SRP $17.99)<br />
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indésens l’encelade<br />
CD: IDS 19<br />
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Maurice Allard: bassoon/Maurice Bourgue: oboe/Gilbert Coursier:<br />
horn/Roger Delmotte: trumpet/Maurice Gabai: clarinet/Jacques<br />
Toulon: trombone/and more<br />
SAINT-SAËNS: Sonata for bassoon and piano, Op. 168 • Sonata<br />
for clarinet and piano, Op. 167 • Sonata for oboe and piano,<br />
Op. 166 • Romance for horn and piano, Op. 36 • Cavatine for<br />
trombone and piano, Op. 144 • Septuor, Op. 65<br />
This CD demonstrates that Saint-Saëns is <strong>the</strong> origin of <strong>the</strong> “French<br />
wind tradition.” Although very classical, <strong>the</strong> three 1921 sonatas<br />
announce <strong>the</strong> “Groupe des Six” neoclassicism, particularly Poulenc.<br />
36<br />
J.S. BACH<br />
Six sonatas for solo violin and harpsichord<br />
François Fernandez: violin/Benjamin Alard: harpsichord/Philippe<br />
Pierlot: bass viol<br />
J.S. BACH: Sonata I in B minor, BWV 1014 • Sonata II in A major,<br />
BWV 1015 • Sonata III in E major, BWV 1016 • Sonata IV in C<br />
minor, BWV 1017 • Sonata V in F minor, BWV 1018 • Sonata VI in<br />
G major, BWV 1019 • Sonata in G major, BWV 1021<br />
Bach’s chamber music masterpieces interpreted by two<br />
outstanding musicians!<br />
J.S. BACH & François COUPERIN<br />
Harpsichord Works<br />
Jean-Luc Ho: harpsichord<br />
CD: FLO 1909<br />
Price Code: 2R (SRP $35.99)<br />
Number of Discs: 2<br />
Double Digipak, Box Lot 15<br />
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CD: LDL 1101<br />
Price Code: R (SRP $17.99)<br />
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Digipak, Box Lot 30<br />
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J.S. BACH: French Overture, BWV 831 • COUPERIN: Huitième Ordre<br />
In this recording, Jean-Luc Ho pairs Bach’s French Overture with<br />
<strong>the</strong> Huitième Ordre, one of Couperin’s most celebrated works.<br />
Both are played with <strong>the</strong> French “art of playing <strong>the</strong> harpsichord,”<br />
as expounded by Couperin and adopted by Bach, bringing to light<br />
<strong>the</strong> connection between <strong>the</strong>se two masterpieces.