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BIOGRAPHY of ST GEMMA GALGANI - Get a Free Blog

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false devotion. Hide me away from the world, and shut me up where no one will see me. . . . I want to get<br />

away from this sort <strong>of</strong> life and save my soul.'<br />

WRITING DOWN AND CONTROL OF HER EC<strong>ST</strong>ASIES<br />

There is one thing for which we ought to be very grateful to Father Germanus, his instruction to the Giannini<br />

family to record what Gemma said while she was in ecstasy. Thus we have obtained a marvelous treasure <strong>of</strong><br />

heavenly wisdom that bears comparison ' with all that is sublime and beautiful in the writings <strong>of</strong> the Saints,<br />

with the colloquies <strong>of</strong> St. Augustine, the meditations <strong>of</strong> St. Bernard and St. Anselm, the mystical treatises <strong>of</strong><br />

St. John <strong>of</strong> the Cross and St. Theresa <strong>of</strong> Jesus, and with the ecstasies <strong>of</strong> St. Mary Magdalen de' Pazzi;<br />

everywhere and always there is great precision <strong>of</strong> ideas, the theology, whether dogmatic or mystical, being<br />

exact on all occasions. What is particularly admirable is the ingenuousness and childlike simplicity which is<br />

revealed in every phrase <strong>of</strong> the Ecstatic <strong>of</strong> Lucca.' [Positio super revisione scriptorum, p. 47.]<br />

By this expedient, the truth <strong>of</strong> what Gemma, after an ecstasy, saw and heard, could be exactly established,<br />

for, being under an obligation to send an account <strong>of</strong> her ecstasies to her director, these accounts were<br />

compared with what had been taken down during the ecstasies, and were always found to agree perfectly.<br />

With regard to this matter, it is well to quote a deposition <strong>of</strong> Mother Gemma Giannini, who was among the<br />

most assiduous in writing down these colloquies:<br />

‘As far as we could judge, Gemma was never aware <strong>of</strong> the fact that we used to keep an account <strong>of</strong> what she<br />

uttered in ecstasy, because we took care to be out <strong>of</strong> the room when she returned to her senses. When she<br />

was in ecstasy there was no excess <strong>of</strong> any kind, neither <strong>of</strong> tears nor <strong>of</strong> laughter. She never did anything<br />

extravagantly unusual, or the least unedifying. She was always natural, and even when she had ecstasies<br />

that were more beautiful than usual, or saw apparitions that must have filled her with fervent enthusiasm,<br />

they had no observable effect upon her afterwards. During the ecstasies she was insensible and as it were<br />

dead to every impression, so that she gave no sign <strong>of</strong> feeling, even when as a test her head and forehead<br />

were pricked with pins. When the ecstasy was over she felt pain where she had been pricked, but she did<br />

not know why. After her ecstasies she was never so weak that she had to go to bed, and was able to<br />

undertake the household work as usual.'<br />

The reader must pardon us for repeating what has been stated before, but we are most anxious to omit<br />

nothing that will help to place Gemma's ecstasies in their true light.<br />

As mentioned before, these ecstasies began when Gemma was still in her own home, and reached their<br />

greatest development while she lived with the Gianninis. During her first stay at the Convent <strong>of</strong> the'<br />

Mantellate ' Nuns she had several. As she was not living within the enclosure but in the part reserved for<br />

outsiders, and was accustomed to spend most <strong>of</strong> her time in the Church, the nuns used to watch her from<br />

the grille in the hope <strong>of</strong> surprising her in ecstasy. On one occasion in order to assure themselves that she<br />

was in ecstasy, they had recourse to means that were certainly unusual. During the day from midday until<br />

one o'clock, Gemma used to perform her daily hour as guard to the Sacred Heart <strong>of</strong> Jesus, and was as a<br />

rule in ecstasy. The nuns opened the door leading from their choir to the Church and seeing Gemma<br />

kneeling on one side <strong>of</strong> the altar <strong>of</strong> the Blessed Sacrament, in a posture that suggested that she was in<br />

ecstasy, they struck her over the shoulders with a long cane. 'We struck her as if striking a wall,' deposed<br />

Sister M. Julia <strong>of</strong> St. Joseph. But Gemma did not seem to feel the blows or awake from her ecstasy.<br />

EC<strong>ST</strong>ATIC LEVITATION<br />

Levitation is a phenomenon sometimes associated with ecstasy. When it occurs, the body seems no longer<br />

subject to the laws <strong>of</strong> gravity, and is raised into the air. Father Germanus assures us that Gemma manifested<br />

this phenomenon, although rarely. The centre <strong>of</strong> attraction for Gemma in the Giannini household was a<br />

devotional Crucifix, almost life-size, that hung in the dining-room. Her heart on fire with love for her divine<br />

Spouse, she <strong>of</strong>ten drew near to kiss His feet. Sometimes, however, she longed to kiss the adorable side<br />

also. But how was she to reach it? At that moment she was seized by a rapture and found herself raised<br />

above the earth, her arms around the Crucifix.<br />

One day in September, 1901, something more remarkable occurred. Gemma was preparing the table for<br />

dinner, but her heart being more than usually on fire with love, she could not keep her eyes away from the<br />

Crucifix. At length she could hold out no longer, and from her heart a cry arose : , 0 my Jesus, let me come to<br />

85

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