BIOGRAPHY of ST GEMMA GALGANI - Get a Free Blog
BIOGRAPHY of ST GEMMA GALGANI - Get a Free Blog
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color <strong>of</strong> her eyes. The greater part <strong>of</strong> her work in the Giannini household had to do with the little children.<br />
She understood innocence and got on well with her charges. She liked to have sweets to give to them to<br />
help to make them all the more docile. These sweets she would obtain through Aunt Cecilia from the eldest<br />
boy <strong>of</strong> the family, who was then studying at the University <strong>of</strong> Pisa. Needless to say, she never tasted those<br />
dainties herself.<br />
HER SPIRIT OF PENANCE<br />
That which was related in the foregoing paragraph reveals Gemma's spirit <strong>of</strong> mortification. In mortification<br />
Gemma was a heroine. Whoever considers how prone young girls are to vanity will readily admit that she<br />
was heroic, not only in her manner <strong>of</strong> dressing, but also in what Cecilia Giannini says about her: 'Never did I<br />
see her look at herself in a mirror.'<br />
We have already seen how Gemma burned with the desire <strong>of</strong> practicing penance: and more will be said on<br />
this subject in the course <strong>of</strong> this work. Her heart became inflamed at the contemplation <strong>of</strong> Jesus Crucified.<br />
Her one desire was to be like Him. At table she provided herself with a chair somewhat lower than the others<br />
so that she would be more hidden. Her place at table was in the corner near Aunt Cecilia, very much in the<br />
background. She ate so little that Chevalier Matthew would sometimes say jokingly: 'You had better eat a<br />
little, Gemma, or I shall. make you take some medicine to give you an appetite.' She used to answer with<br />
one <strong>of</strong> her sweetest smiles. Annetta deposed: 'She would take her soup with a spoon that had holes in it, so<br />
as to let it appear that she was drinking it, and then when she thought she was unobserved, she took her<br />
plate to the kitchen, and was reproved by Aunt Cecilia for doing so. We used to say: "Find fault with us, but<br />
why mortify Gemma." Now and again Aunt Cecilia commanded her in virtue <strong>of</strong> holy obedience to eat, and<br />
she did so, but she had to vomit it up again.' These last words refer particularly to the complete abstinence<br />
from every food which she practiced from Pentecost to June, 1902, during which period she lived entirely on<br />
Sacramental Communion.<br />
According to Signora Justina Giannini, Gemma slept very little. Sometimes when she was asked in the<br />
morning how she had slept, she answered: , A short hour!' She also knew how to mortify her flesh with tools<br />
<strong>of</strong> her own making. On one occasion Aunt Cecilia found her in a faint on the ground, which was all covered<br />
with blood, and near her there was a scourge <strong>of</strong> iron. This Aunt Cecilia prudently hid under her clothes, so<br />
that when Gemma revived, she would think that she had not been observed by anyone. Thus Chevalier<br />
Matthew deposed : ' I heard my sister say that she ( Gemma) had a scourge, and that she used to beat<br />
herself with it. I can truly say that she fasted always, and it really appeared to me that she could not live in<br />
that way without a miracle.' And Brother Famiano declared: 'If she had been allowed to continue she would<br />
have shortened her life through mortification. Once she let me see a knotted cord which I under-stood she<br />
had worn around her waist. Her confessor had ordered her to take it <strong>of</strong>f because the knots had eaten their<br />
way into her flesh. On one occasion she wanted me to exchange a scourge which was <strong>of</strong> iron for hers which<br />
was <strong>of</strong> cord, which as I noticed was covered with blood-stains.'<br />
But there were those who watched over the Servant <strong>of</strong> God and who moderated the ardours <strong>of</strong> her desire for<br />
penance. Several times, both her confessor and her director deprived her <strong>of</strong> her instruments <strong>of</strong> penance.<br />
Father Germanus had done so and thus describes them: 'A belt studded with sixty sharp iron points; a<br />
scourge likewise <strong>of</strong> iron, with five thongs, and a long knotted cord in which she had inserted nails, which she<br />
wore tight around her waist.' With regard to this matter Mother Gemma deposed: 'She was obedient to her<br />
confessor when he moderated the ardour <strong>of</strong> her penance, and a thing that made me and all at home marvel<br />
was that the exercise <strong>of</strong> mortification, even though she was in delicate health, never exhausted her or made<br />
her incapable <strong>of</strong> carrying out her duties in the family. She did indeed seem to be sustained by a supernatural<br />
strength.'<br />
THE ANGELIC VIRTUE<br />
She who dealt so intimately with the Angels, and who was adorned with so many virtues, could not but be<br />
also remarkable for that virtue which is called angelic. This virtue was visible in her exterior, and appeared in<br />
a special way in her countenance, so much so that Father Andreuccetti could say: 'Her look was something<br />
unique, and I was struck by it to an extraordinary degree, although I cannot describe what it was that struck<br />
me or how or why.' And he sums up his impressions <strong>of</strong> her in one pregnant phrase: 'The only human thing<br />
about Gemma was her body.'<br />
The reader already knows something <strong>of</strong> the way in which she strove all her life to keep this beautiful virtue<br />
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