Atlantica April 1932 - Italic Institute of America
Atlantica April 1932 - Italic Institute of America Atlantica April 1932 - Italic Institute of America
- Page 2 and 3: BANCO DI NAPOLI TRUST COMPANY OF NE
- Page 4 and 5: RASSEGNA DEI LIBRI ITALIANI ATLANTI
- Page 6 and 7: ATLANTICA'S OBSERVATORY TFIE WRITIN
- Page 8 and 9: Boolcs In Reuiew THE SOII.\'EIS O/
- Page 10 and 11: TOPICS or rHE MOllTl-l THE MAJESTY
- Page 12 and 13: 5B the l3ing'han 4% beer bill, urgi
- Page 14 and 15: 60 the lrorli of Anclrea }lattioli,
- Page 16 and 17: (( The "Dummy Show" ll. \:OIr rrean
- Page 18 and 19: (r-l usual thirrg for the hero of t
- Page 20 and 21: 66 strain on the structure, the ent
- Page 22 and 23: TheMqn Who Come Bock Gtannini Regai
- Page 24 and 25: Remarks on Americanization By J. R.
- Page 26 and 27: HE lteparations Confelence u,ill be
- Page 28 and 29: 74 that on the continJnt there shal
- Page 30 and 31: :. ! i.. ng rre- : il r i: for .,E"
- Page 32 and 33: slh, dftt tcrr st' d hrfo n dnifim
- Page 34 and 35: l The ltotians in theUnited Sares I
- Page 36 and 37: -. : .:r- :t' :: -: rL- ]E as re- .
- Page 38 and 39: 1l :.- -' ATTANTIIA in Italiano PRO
- Page 40 and 41: -T- :t_: '-1i -: -: "-::: : li ie:
- Page 42 and 43: ;abriello Frascati da Brescta : :hi
- Page 44 and 45: clel popolo siciliano. Niuna arte 6
- Page 46 and 47: * { f j { I i li- I"1.)GAN'|E e mag
- Page 48 and 49: al successo me1lo un elemento di cs
- Page 50 and 51: \\-HERE ATLANTICA \{AY BE OBTAINb,D
BANCO DI NAPOLI TRUST COMPANY<br />
OF NEW YORK<br />
Gheck Aceoulnts<br />
Thrift Aeeounts<br />
GENTPAL BANKINC<br />
TOPETGN DEPAQTMENT TP!JST DEPAPTITTNT<br />
MONEY ORDERS<br />
CABLE TRANSFERS<br />
LETTERS OF CREDIT<br />
TRAVELERS' CHECKS<br />
Affiliated with the<br />
LtAratdo della Stampa<br />
legEc tlttt I quotlaliani e perlodici<br />
ttallani ed esteri ed lnvta ognl<br />
glorno al suol abbonatl i rita?tt<br />
degtl artlcoll e dette notlzie che ll<br />
rlguardlno Derconalmente o rela.<br />
tivl ad argomentl clre particotar.<br />
nente ll lnteressino, con la lndicazlone<br />
dctla alata e del tttolo det<br />
glornelc o della rlvlsta che tl ha<br />
pubbUcatl._=<br />
Richieste e chiarimenti firesso laDireqione;<br />
Piazza Campo Marzio, 3<br />
Roma (12O) Telefono 65-867<br />
THE PUBLIC BE PLEASED<br />
$4.oo to<br />
BOSTON<br />
$3.0o to<br />
PROVIDENCE<br />
(Above fares include berth<br />
in cabin)<br />
The splendid steamers <strong>of</strong> this<br />
line sail from Pier I I N. R. (ft.<br />
<strong>of</strong> Liberty St., N. Y.) daily and<br />
Sunday, 6'00 p.m. O;tside staterooms,<br />
with running water, $ 1.00<br />
Phone: BArclay 7- I 800<br />
ORCHESTRA AND DANCING<br />
COf ONIAL<br />
LINE<br />
tsANCO I'I NAPOLI<br />
Naples, Italy<br />
The oldest bank in the world. Total reso'rces 9,ooo,ooo,ooo lire<br />
BOOKS ABROAD<br />
A Quarterly Publication Devoted to Comment<br />
on Foreign Books<br />
Issued by the University <strong>of</strong> Oklahoma press<br />
University <strong>of</strong> Oklahoma, Norman<br />
ROY TEMPI-E HOUSE, University <strong>of</strong> Oktrahoma,<br />
"l am,surprised that anything so competent in its chosen field should be<br />
availab-le to anyone interesteJ ir Erropea'literature. There is . s"nt"<br />
Claus. "<br />
Pr<strong>of</strong>essor Simon Deptula, Lehigh University.<br />
"Your review is getting better and better."<br />
Pr<strong>of</strong>essor Domenico Vittorini,<br />
". . . Molto irt"res"arte." Pr<strong>of</strong>essor .A.lberto<br />
facolti di Giurisprudenza,<br />
University <strong>of</strong> Pennsylvania.<br />
Bertolino, Bibliotecario della<br />
R. Universiti di Siena, Italy.<br />
BOOKS ABROAD, now 35c. an issue and $1 a year, was<br />
established by Roy Ternple Flouse in l9Z? to pro,mote international<br />
understanding by disseminating riterary information.<br />
For advertising rates write to Todd Downing, Advertising<br />
Manager BOOKS ABROAD, University <strong>of</strong> Oklahoma, Norman,<br />
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Entered as secanrl-clrxs rnatter March 16, <strong>1932</strong>, at the pasr ATLANTICA, VaL Xil, No. 2, <strong>April</strong>, <strong>1932</strong>.<br />
O.ffice at New yor|, N. y., under tbe Aa <strong>of</strong> Marci 3, 1879.<br />
I<br />
1
t<br />
r-<br />
Ix COMING ISSUES<br />
EDWARD CORSI, Commissioner <strong>of</strong> Immigration at Ellis Island, in a<br />
series <strong>of</strong> interviews, will reveal conditions as they are at present at the famous<br />
"gateway to the nation".<br />
H. E. VITTORIO EMANUELE ORLANDO, {ormer Premier <strong>of</strong> Italy, and one <strong>of</strong> the Big Four<br />
at the Versailles Peace Conference, will write on th: Depression as observed during his recent visit to<br />
New York.<br />
PROF. WALTE,R BULLOCK writes on the in'luence <strong>of</strong> feminlne literary groups during the Renaissance<br />
in Italy.<br />
EDOARDO MAROLLA reveals the accompl'shments <strong>of</strong> Father Maraschi, who founded the University<br />
<strong>of</strong> San Franclsco almost a century ago.<br />
DINO FERRARI <strong>of</strong> the New York Times dis:usses the absorbing question <strong>of</strong> the ltalian-<strong>America</strong>ns<br />
in the modern field <strong>of</strong> literature.<br />
STATEMENT OF THE O\TNERSHIP, MANAGEMENT, CIRCULATION,<br />
Etc. REQUIRED BY THE ACT OF CONGRESS OF AUGUST 24, 1912 <strong>of</strong><br />
published monthly at New York, N<br />
Slata ol' Oo"U<br />
^.rt I<br />
County <strong>of</strong> New York {<br />
"".,<br />
Before me. a Notary Publlc. in and for the State and County<br />
aforesaid, personally appeareal -4.lberto Gromo-Garabelri. vho<br />
havjrg been aluly sworn accoralirg to l:llv deposes and says that<br />
he is the Ilusiness N{anager <strong>of</strong> the ATLANTICA and that the<br />
followirg is. to the best <strong>of</strong> his k"olvledge a'.i beli'f. a trur'<br />
statement <strong>of</strong> the cwnership, m?!ragement (and if a dairy papr:r.<br />
the circulation), etc., <strong>of</strong> rhe aforesaid pubtication fcr the datc<br />
shos'n in the abovE capti.)'. required by the Act <strong>of</strong> August 2+.<br />
1912, embodied in section .111. Postal La.1vs anal Regulatio:ls to<br />
rvit:<br />
1. That the names &nal adCress,.s <strong>of</strong> the Dublisher, editor,<br />
managitrg editor, and business managers are:<br />
Publisher: FILIPPO CASSOLA. 33 11-. ?oth St., Ne$' Yorli<br />
city.<br />
Fiditor: l'ILIPPO C:'ASSOLA<br />
City.<br />
lfanasins Editor: DOMINICI{ L.\}IONICA,<br />
New York City.<br />
ATI,.4NTICA<br />
for <strong>April</strong> 1, <strong>1932</strong> colporated concern, its name anal addless, as<br />
cach individual member, must be givcn).<br />
St., Nelv Yorli<br />
33 \\'. ?oth st.,<br />
Rusiness \Ianager: ALT]IIR'IO Gltor\1!) G-\RAIJIILLT, 33 \\'<br />
i0th St., Ne\v Yorli City.<br />
2. That the o1vtrer is: (If oNnod by a corporation its namc)<br />
and addross rnust be stateal and also immediateiy thereunder the<br />
names and adalresses <strong>of</strong> stockholtl€rs owning or holding one per<br />
cont or more <strong>of</strong> totai amount <strong>of</strong> stock. If not owned by :1<br />
corporation, the names anal adalress.'s <strong>of</strong> the individual olvners<br />
must be giveu. If o\+ned by a firm, company' or other unin-<br />
ARE YOU OF SICILIAN<br />
If ltou arer You will want<br />
SPECIAL CLUBBING<br />
ATLANTICA<br />
7he ltaiian trlanthly Reaiew<br />
:I:} \I'EST 7O1.II S1.RED,I<br />
IL\f YONN CI1'I<br />
FILIPPO C:ISSOLA.<br />
3il \Icst ?Oth St., 1,\e\. Yorlr Citt'.<br />
as those <strong>of</strong><br />
3. That tbe kno\\'n boldholders, rnortg:ii8eos, ,Lnd other s|cut-<br />
' hold.'rs olvning or holdir8 1 p.r cenl or more <strong>of</strong> total ilDount<br />
bonds, mortgages. or othlr secur-tics are: NONE.<br />
4. That the t\.o paragraphs next above, giving: the nam(.s <strong>of</strong><br />
the o\r'ners, st{}ckholders.:rnd securjty holders, if any, contain<br />
not only the list <strong>of</strong> stocliholders and security hold.rs as they<br />
appear upon the bocks <strong>of</strong> the companf- but also, in cases where<br />
the stckholder or security holder itpp^ars upon tho bool(s <strong>of</strong> the<br />
cempany as trustee or in any other fiduciary relarion, the name<br />
<strong>of</strong> the person or corporation for Nhom such trustee is acting is<br />
given; also that tbe said two paragraphs contain st.ltements embracing<br />
affirnt's full knolvledge and belief as to the circumstances<br />
anal condit.ions under $'hjch stocliholders and s.curity<br />
holalers lvho do not appear upon the books <strong>of</strong> the cotrpanll as<br />
trustees, hold stock an.l securities in anl' capacity other than<br />
that <strong>of</strong> a bona fiile olvner; and this aliant has no reasoD to<br />
bclieve that any other person, associaltioil. or corl)orati{)l has<br />
any interest direct or indirect in the said -
RASSEGNA DEI LIBRI ITALIANI<br />
ATLANTICA <strong>of</strong>fre ai suoi lettori i sotto elencati nuovi libri italiani, con<br />
grande risparmio suiprezzi correnti. un addizionare sconto del 15 per cento<br />
verri accordato ai nostri abbonati. ogni mese verri pubbri"uto .rr, "r"*o<br />
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da check o money order ad ATLANTICA BooK SERVICE, 33<br />
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A_Albertini - B'EET HO V EN,<br />
L'UOMO - Ed. Flli Bocca St.ad<br />
Nuoua e riueduta erl,izione tlella rLotu<br />
opera d,ell' AIb er tini.<br />
Corrado Alvaro - LA SIGNORA<br />
DELL'ISOLA - rEd. Carabba ..g.90<br />
Breui nouelle immaginatiue ed, im_<br />
ln essiotListiche.<br />
Riccardo Bacchelli - LA CONGIU-<br />
RA DI DON GIULIO D'IESTE _<br />
Ed. Treves ...........93.00<br />
Quest'u.I,ti,ma opera clel Bacchell;i apporta<br />
un'i,mportante contributo allo studi.o<br />
delle condizioni, storichc e politiche<br />
tli Fenara, sotto iI clonti,,nio Esiense.<br />
Antonio Banfi - VITA DI GALI-<br />
LEO GALILEI - Ed. .,La Cultura"<br />
.............. ...........g2.00<br />
. / ,. so tt tt.,a erud:[ct b:cg,t:tlia na<br />
il _diuertent,c ed onnetlottico' racconto<br />
della uita tLi utt slranrl'uomo.<br />
Massimo Bontempelli - LA FAMr-<br />
GLIA DrEL FABBRO - Ed- Mon-<br />
dadori ............ ...........$1.00<br />
.Romat'zo che si sy6lgp ir, utra picrola<br />
ritladirte pellrgolu c prot,ituiale'in cui<br />
.\, scoprrr u,,rt. delitto d,i cu,i I'autore rima_<br />
tte ,ig.noralo. Il ..'lat tarciu" suiltLpp,6 1s<br />
pIu tnt pctt.\ul? sil uezioni the, presentale<br />
con f,ne tLmoristno e con la euid,enza de_<br />
gli ouuptrim, ttli .uiltuti, 1o,,,,o a; qi"lin<br />
ttu.ou.o t'oItr,ntc del Bontetn pelli trnu dci<br />
t't igliori rontn tt z i rxLicrtti.<br />
G. A. Borgese - D'ANNUNZIO _<br />
Ed. Bompfani ...............................g1.20<br />
Questo uolu,me app(fi.so riel lg0g s.u.scito'<br />
uiuaci d,iscu*sioni, che su.bito ne atLe_<br />
starono I'importanza, Ia u.itali,ta' e Ia<br />
r_e.n I ral i I n' r i s pp t I o 4I l' t t y ra rl a n t, urt zi o no.<br />
L'attuale ristantpe. rtnrctl, irt r-irrolozione<br />
un l.ibro di alto ualore cyitico che.<br />
oltre ad rs* re spr',.r'hiu ledel, Ji trn montenlo<br />
irtlerrsytnlis*itnn,lcllo uitrt itttpl-<br />
I.ettuale ita,Liana., lt,a iI nterito tl,i auer sc._<br />
lnalo pr7 printo qttello t.lte attror o0U;<br />
rlmanp lo pnrla pitt' t'it'r, ,1, ll'u1n ra ,)) I<br />
poeta.<br />
Mario Caracciolo - L'ITALIA E I<br />
SUOI ALLEATI NELLA GRAN:<br />
DE GUERRA Ed. Mondadori g1.00<br />
Con sono c acuto inLent{intento storico<br />
I'autore mette in rilieuo auuenimenti che<br />
cara.tteriaeano ,i rapporti Jra l,Italia e i<br />
suoi allectti. d,uronte Ia Grande Guerra.<br />
Mario Carli & G. A. Fanelli - AN-<br />
TOLOGIA DEGLI SCRITTORI<br />
FASCISTI - Ed. Bemporad g3.50<br />
Rapidu uisione della cu\tura ,italiana.<br />
t'ontpmporonro c deII'ittll tt, ttzfl (sct.r.;totn<br />
, tt. d.i essrt ,lnl Fnscistn'o<br />
F. Ciarlantini - AL PAESE DELLE<br />
STELLE - Ed. Alpes ....................91.20<br />
_ Impressioni di un ltali,ontt sugli Stali<br />
Ur"-iti.<br />
Delfino Cinelli CINQUEMILA<br />
LIRE - Ed. Treves ....................9r.20<br />
..Rotmanzo dall' emozionante e d,ramntatico<br />
intrecc.io.<br />
BqL{3tto Croce - STORIA D,EU_<br />
5gP_A nEL SECOLO XiX _<br />
Ed. Laterza ...........g2.50<br />
..S,1oria de\lp.loile politiche nel gecoLo<br />
.\ IA con spenale sl udio del liberolisno<br />
oome teoria tli Gouerno.<br />
G. E_. Curatolo - ANITA GARIBAL_<br />
DI -_ Ed. Treves, Treccani & T"_<br />
mrnelll ...................$1.60<br />
Tutta la uita rletla compagna (JeIl,E_<br />
roe,- accuratamente sturJiata e descritta<br />
tLaLIo gloriosa giouinezzo ;" l^ri;ia'ii<br />
Ia sp0rela Iomba irt Rottrugno.<br />
Raffietlo De Rensis CRITICHE<br />
- E<br />
9 }:o^N4qHr ivru srCAii o i-Inl<br />
FIGO BOITO - Ed. tr""", ts:.}<br />
. lr9l9ndo stutlio suL|,arte e sull,uiatn-<br />
ta' del piu' srande musicisi"-;;i-R:;';;_<br />
tli,rmento.<br />
Alnaldo Fraccaroli - NOSTRA VI_<br />
TA eUOTIDTANA _- na. - rr._<br />
ves ................ ...........91.50<br />
..''l"Sgt di be*s,r fitos<strong>of</strong>io" rom(, l.outure<br />
l,t cht.enta,nel x,,l.lntilolo, uiuaci s(pnp dpl_<br />
tft UIto d oOnl .gtontO r&cronletr t.On briO<br />
q& uno det y4tgl.rttri gi,trt,nliJi IlolQni.<br />
Ug!e{o- Fracchia - SCEIIE E cEN_<br />
Tr- qr CAMPAGNA _ Ea. M;_<br />
dadori ............ ...........g1.00<br />
, Rn.rrurt"l t ,'l,a.prendono ispiraziunc dal_<br />
t.(t' t'ttd d utt pt'rolo poese Digurr. srrit_<br />
lt (on prosa tun,lpnte e prcciia.<br />
C_arlo Emodio Gadda - LA MADON_<br />
NA _D|EI FILOSOFI - ea. S"_<br />
lari ................ ........9r.00<br />
Raccolta di nouelle che riuelano utt<br />
lemperarnento di grand.e ualore e untt<br />
rt(urtt protnpssa Lli arlp It)uo c t,,tnt.a.<br />
Carlo Gatti - VERDI _. Edrzione<br />
Alpes ...................910.00<br />
Iliografi.a dnl grande tnusicisttt basata<br />
su nltol)e lonti d,ocu,mentate. LIagttiften<br />
"<br />
edizione irt rlue rolumi.<br />
Angelo Gatti ILIA ED ALBIER-<br />
TO Ed. Mondadori -<br />
................91.6U<br />
Roma,nzo. -<br />
G'ovanni Gentile - LA FILOSOFIA<br />
DELL'ARTE - Ed. Treves ....$3.00<br />
Un fondam.entale laroro per Io studio<br />
delle teorie esLetiche d,el Gentile.<br />
50<br />
Giulio Augusto Levi - GIACOMO<br />
LEOPARDI - Ed. Princ;pato 92.50<br />
Ottitma biogra/ia e stud.io tlella uita ed<br />
opere deL poeta.<br />
Dott. G. Loeber - MAI PAURA -<br />
. Ed. Hoepli ...........$1.30<br />
Quaranta spunti pieni rli ragionato ott<br />
i).o Ou,:,;t lpera ebbe ,urt etLlrtlle<br />
sTtccesEo nei paesi nordici e ben meritaua<br />
di esser riuelakt. ai lettori italiani.<br />
Fausto Maria Martini ,- Il, SI]-EN-<br />
ZIO - Ed. Mondadori ...............$1.00<br />
' t' tr;uo q ui' ad otni rioa ,iI suo<br />
parlarc sommessu, 11 ',1s ,uspirir, , il suo<br />
aonf.darsi. e ritrarsi, Ia sua fidunia e la<br />
sua perytlessita', il suo bisogno di. conlorLo<br />
e insieme iI sosltetto deLla pieta'<br />
e su tutto queLfaccorata dolcezza che<br />
neL suo bel uoltct subito szLccedeua aI<br />
baleno rXun sorriso".<br />
(dalla Tnefazi,one di Ugo Ojetti)<br />
Paolo Mas no MONTE IGNOSO<br />
-<br />
- E. Bompian: ............................91.0U<br />
Ilom.anzo. Drammatiche situaeiont<br />
crcate con seli.qo di ueritrt.' t: d,i, arte.<br />
Micucci - RE, PAPI E DONNE<br />
NELLA VISIONE DANTESCA _<br />
E. Flli. Bocca .................. .......91.40<br />
Stwlio cosciertz,ioso e pre(:iro che mette<br />
zn ul,ua e tLLLoL'o lur:e ligllyp c],ella Dztiria<br />
Cornmeclio.<br />
Lyd'a Morelli - LA CASA CHE<br />
VORREI AVERE Edizione<br />
Hoepli ...................$3.00<br />
llarlni.fico uolunte t:orrttktto di p,iu,, di,<br />
3aa .Ulustraziotti, ou,ida indispertsable aa<br />
0{/111 dotill.(.
['t<br />
I<br />
i<br />
.l<br />
\<br />
Giovanni Nencioni - IL FURBO -<br />
Ed. Mondadori ...."...........................$.Zs BOOKS AT LOWER PRICES<br />
Racconto pid che rom,<br />
terso situaztfii,;:*6;;:ff3#r:#ffi Special Offer to Subscribers Through <strong>Atlantica</strong>'s<br />
ti pur rron ecced,end,a ne<br />
!fi:,f"{";ai;-i;;;#,"iuu;,nce "<br />
Ugo Ojetti - VENTI LTETTERE -<br />
Ed. Treves ........... 91.20<br />
Rtr,'colln dclle lettere pubblicaLe nella<br />
r't t'tn "Pegaso" n.egli anni lg?f e lg30.<br />
Gu:do Piovene - LA VEDOVA AL-<br />
LEGRA - Ed. Buratti ............g1.20<br />
Ratconti creati da un(x nxente soggettit'tr.<br />
pieni di colare e tli arte_<br />
Luigi Pirandello - MCCHI E I<br />
GIOVANI - Ed. Mondaaori ._.$t.eO<br />
Qt(.sLo uasto e potettle romanzo pi_<br />
ta.,td,p.u.teno,.uera ppopca della guerra di<br />
tu !.tta, 16c1,to prima della glrcrra e ot-<br />
,tet da molti anni, esaurito,- e, una delle<br />
. '- ttntro!iL,p _t.ra le piu' itmportanti e<br />
^'t!Jttt.hcutiue d.ella lctteratura italiana<br />
toti.tempor(meo. L'auLore ne ha ora perritt:ss1t<br />
la.ristampa dapo auer com.pieta_<br />
tttentc riuedu,to e rimaneggiata ii Rot7latl.zo.<br />
Mario Puccini - TEBREI _ Ed. Ce_<br />
schina ............ ...........$r.jo<br />
Romanzo che ha un Ebreo quale pro_<br />
tagurista. Acuta stud,io tl,ell'anina ebrai_<br />
ca douuto alla penna di uno scrittrsre<br />
cattolico.<br />
Corrado Ricci - FIGURE E FAN-<br />
ASMI - Ed. Hoepti ................g2.s0<br />
Uno fra i piu' colti e noti cri,tici italiani<br />
tratta d,i temi diu,ersi, cXa Dante a<br />
)I arglterita dd Sauoia.<br />
Elisa Ricci - MILLE SANTI NEL-<br />
L'ARTE - Ed. Hoepti ............$4.80<br />
-.<br />
Biografie di San/i raggruppati secondo<br />
I' o1d)ne del calenderii "in' un magnifco<br />
t'olu.me anicch'ito da ZM llustrazioni.<br />
G. Titta Rosa -<br />
IL VARCO NEL<br />
MURO - rEd. Carabba ................g.90<br />
Raccolta rli 18 nouelle che si leggono<br />
con uiuo piacere Tter la loro consiiienza<br />
e al temlto stessa per La, Jaciti,ta e ia<br />
sco r uol zza t he le r,sorse di scritLtrr;<br />
tttrlrttlicu c I aspri, rrza lpllcraria ltattno<br />
doto all ardore.<br />
Giovanni Semprini - PICCOLO DI-<br />
ZIONARIO DI CUL"URA FILO.<br />
SOFICA - Ed. Aetna "..........g2.50<br />
, Breue introduzione aXIo studio d"ella filos<strong>of</strong>ia.<br />
Angelo Sodini ARIEL ARMATO<br />
-<br />
- Ed. Mondadori ..........."............93.50<br />
biograf.co su Gabriele d|Annun-<br />
,i:.r"rlio<br />
Corrado Tedeschi SIBTERIA ROS-<br />
SA E MANCIURIA - IN FIAMME<br />
- Ed. Barbera ............................92.00<br />
Viuaci e real'i,sti,che impressi,oni di un<br />
uinggo attrauerso la Sibera e la Manc'iuri,a,<br />
com,piuto d,al conispond,ente del<br />
quotidiano di Torino, "La Stampa".<br />
ituiFt" Book Service<br />
On all, the books listetl'belou, all <strong>of</strong> u:lti
ATLANTICA'S OBSERVATORY<br />
TFIE WRITING ON THE WALL?<br />
W i"",T",li; *; J_#i4i?if*<br />
looking to reduction or limitation <strong>of</strong><br />
armaments, _[rany were the iltroductory<br />
speeches that were ireard. None<br />
<strong>of</strong> them, holever, received the thunderous<br />
applause accorded to Dino<br />
Grandi <strong>of</strong> Italy, ancl, to a lesser extent,<br />
lVlaxirn Litr.inov <strong>of</strong> Soviet Russia.<br />
This was made the subject <strong>of</strong><br />
'' contment in the dail1' press in th,s<br />
cou n tr)'.<br />
But thc "Nation", that liberal weekly<br />
edited by Mr. Villard, u.ent further.<br />
Delving bencatli thc surface in its editorial<br />
conment, it rvondered w-hat this<br />
rneant fur rleruocracl , irr the ft'lloll'inil<br />
rvords:<br />
"It is a deplorable contnterttarg ott<br />
lhe present statc 6l jentocralic ttctlions<br />
Llto,t the best presentaLions ol the case<br />
lm clisarnzam,enL haue been rnade b,y<br />
Lhe represertLatiues oJ cottnt.ries 11ctugrngd<br />
bA dictators. Signor (|ranrJi, for<br />
ILaLy, *,toept away the uhole 'mass' oJ<br />
lormulas anrl petlA tecltnicali(ies<br />
tuhich wrre cluttering ul, !ltc srcne unrl<br />
'put the proposition on the broad basis<br />
oJ justice und fai,r-dealirt11. In substance<br />
and. form and in the ntouirtg<br />
quaLity ol oratoryl his speech,ucs n-?t-<br />
'perp. It contrasted uiuidl,g ui,tlz tlrc<br />
hard,'metal,ltic wh:i,ne ol Tardieu. Lituinou,<br />
tor tlrc Souiet dictatorsltip, uas<br />
no less eJlectiua in a diflerent style.<br />
With unecpected, moderation ol tone<br />
anrl lanEuage he dissectecl the uarious<br />
plans ol playino at disormamcnt and<br />
ra|rnly buL Triti[.essly erpos, d the hgpocrieies<br />
ol th,e d:iff erent gouernments.<br />
"One cannot help uorul.ering if the<br />
preemincnce oJ these litL:o oouernntents<br />
dt tll.is conlerertcr Iras somp ,le r p significancc.<br />
l)o llrp soitorous.,t.oii"citpd;<br />
eloe ttlion(Lry pltr,l itttrl, s n! Sir Jol,n<br />
Simon, lhe t,t,r.lirrp rcr,trtrtrtcndaliotrs<br />
ol the (inite,tl Stcttes, an.rl the medieuttl<br />
proposals <strong>of</strong> Fronce nt,t (n7 tlLctt d,ent otacS'<br />
is lnr ,tlot.'1 it,. lltr proeest ilJ<br />
[eray/ .0r Ilrqt llttlJ ttrp o),1u it, tlte<br />
rrct ol sloagllin,l ,tJJ !lr, ,,1,1 jcad sA.itt<br />
rnd. ui.ll..ttpJteur It, tL tu u, ttn(J Itri,Jl,ler<br />
coat u'illt the comhtg gernrutiotts? Tlrc<br />
latLer mell be Lhe case, but tlw circ,ulrn_<br />
salnce t.hat the most uital, aontri.buti.ort.s<br />
rnatle so lnr to fhis ronleretre hit,i<br />
been trottt, aountries operating. utujl;t<br />
't rhdn{tt rl urtlr r sr{rl,/. .r/i thaL it is ,,,t<br />
ro tt-ri.flp11r'r $47 the ,rriting oi l!.t<br />
wall."<br />
Whether it is ,'the lvriting on tlc<br />
wal1" or not, wc canliot ignor"e the fact<br />
that in times <strong>of</strong> crisis sucl,r as the present,<br />
dernocratic governments Ijbor<br />
under trenrendous difficulties, ancl ar.:<br />
cveryrvhere being ar.rxiously exanrinetl<br />
for defects, <strong>of</strong> rvhich thcre ire rlany.<br />
TARIFFS AND TRADE SLUMPS<br />
E VERY\\rHERE, it seenrs, but in<br />
f'- <strong>of</strong>ficial circles it is recognized that<br />
when the prcsent administration<br />
at Washington put through its infamous<br />
tariff against the advice <strong>of</strong> the<br />
$ ./t<br />
\-.'sS4<br />
ST.N<br />
,1.r:i..\-n)<br />
- (.at.rt/ jn ;Le Broatll,n Eali<br />
country's lcading ecouomists, it rnacie<br />
a gravc nristake, a mistake lvhich,<br />
boomerang-like, has novr,' retunred to<br />
a{flict the hapless Hoover adrninistration.<br />
'I'he I)elrartnreut <strong>of</strong> Comtnerce has<br />
issued a surve-v <strong>of</strong> the f oreign tarif i<br />
situatiorr fol l(tJ I. describing irr cletail<br />
tlre meastrre. takclr hl ullrei countries<br />
to excludc inrporls cluring the slump.<br />
ll'he steps taken inclucltcl not oniy increases<br />
in intport cluties, but quota<br />
linritations. import restrictions in other<br />
forms, cxchange controls and even<br />
gold embargoes. But what it fails<br />
discrectly to state is that these steirs<br />
were for thc ruost part retaliatory in<br />
i1atllre, and directed against the United<br />
States for its pioneering rvith prohibitive<br />
tariffs.<br />
Startling in its inrpact is thc fact<br />
that the value oI Arrrcricarr ( xlrorts<br />
rlurirrg l93l declirrcd lry no lcs; than<br />
S1.400.000.000 as corrrpared with rlrc<br />
preceding year. This drop oI almost<br />
one and a half billion is <strong>of</strong> course at,<br />
tributable largely to European retaiiatory<br />
tariff measures. As though this<br />
terrifrc slump were uot enough, the<br />
5urve) s fiudings irrdicate tl,jt ..tlrc<br />
llreasurcs in process and the plans ir.r<br />
prospect i1l the various countries earlv<br />
in <strong>1932</strong> foreslradon' sti1l further coritraction<br />
in international traile cluring<br />
the year ahead, including many markets<br />
<strong>of</strong> primary interest to Arnericar.t<br />
cxports. "<br />
The surveS.' goes on to say that, in<br />
the opinion <strong>of</strong> its compiler any change<br />
52<br />
in the movenlent torn''ard restricting<br />
trade through import control would<br />
depend mostly on an early solution <strong>of</strong><br />
the internatronal financial situation and<br />
on the appearance <strong>of</strong> indubitable signs<br />
<strong>of</strong> recovery from dcprcssion.<br />
But, to use the homely old phrase,<br />
isn't this putting the cart before thc<br />
horse ?<br />
TH'E DECLINE OF OUR<br />
LINGUISTIC ISOLATION<br />
Il ECAUSE <strong>of</strong> the geographical isolff<br />
ation oi United States and<br />
because ^the.. Englislr is rhe language<br />
spoken throughout practically a1i <strong>of</strong> the<br />
North <strong>America</strong>n continent, Anrericans<br />
have in the past tende
i<br />
.\nd let ir rrot be forgolteu, in addiri,rn,<br />
that Italiarr, as a culturai iarigi:age.<br />
has no peer among the ltodern<br />
languages <strong>of</strong> the world.<br />
THE WINES OF ITALY<br />
rf HE rvirrrs <strong>of</strong> Italy, oI course, havc<br />
I been ce,ebraled rrr ,ong and story,<br />
and they are known the world<br />
,-r\-er. It is interestirrg to learn, through<br />
a bulletin <strong>of</strong> the Istituto Nazionale per<br />
'.'Esportazione <strong>of</strong> Rome, that Italy<br />
ranks second alltol.lg the largest wine<br />
producing countries <strong>of</strong> the ."vorld, comrng<br />
second to France and ahead or<br />
:1ain, as thc following figures for<br />
11130 (the latest year for lvhich com-<br />
;,1ere figures are available) shorv:<br />
F:arrce: 12.011.074 hectolitres; Italy:<br />
i!..117 830, and Spain: 16.660.38'1. (A<br />
-reciolitre is equal to 26.12 gallons).<br />
In this connection, Italy's export<br />
::acie in ihis commodity is inportant.<br />
-\'{ost <strong>of</strong> the exports consist <strong>of</strong> ordinary<br />
'.'.'rnes (in barrels, deniijohrrs and tank<br />
cars ), rvhicl-r account f or nearly f ouri,tirs<br />
<strong>of</strong> the total. Of this it is rn-<br />
:.-resting to llote that most <strong>of</strong> it goes<br />
:r Sriitzerlarrd, ald llre rest to other<br />
aLruntries such as Germany, Austria,<br />
Brazil. the Italian colonies, and even<br />
France.<br />
\\-ith longing eyes, probably, do<br />
Irrance, Italy. an
Boolcs In Reuiew<br />
THE SOII.\'EIS O/ PETRARAH"<br />
Translated, by Joseph Aws"ander.<br />
!36 p*gq. Neu l'orl:: Lungmons,<br />
Grecn & Co. $2.b0.<br />
f T is as refreshing as it is rare these<br />
f days to come upor a poetical masterpiece<br />
that has been translated, not<br />
by a learned, plodding pedant, but by a<br />
modern poet <strong>of</strong> the first rank himself,<br />
who is unselfish enough to devote fivc<br />
years <strong>of</strong> his productive li{e to the translation<br />
<strong>of</strong> tfi'e complete cycle <strong>of</strong> sonnets<br />
on Laura which it took Petrarch fifty<br />
years to compose. 'I'his is the first<br />
time that a single translator, and a<br />
poet at that, lras cver translated the<br />
227 sonnets written
I<br />
i<br />
1<br />
I<br />
I<br />
I<br />
{ rt<br />
I<br />
I<br />
I<br />
I<br />
I<br />
rl<br />
t<br />
ATI,ANTIIA<br />
Founded h 1923<br />
CONTENTS FOR APRIL, <strong>1932</strong><br />
In the table <strong>of</strong> contents below, an asterisk before an<br />
article denotes that that article appears in Italian in the<br />
section "<strong>Atlantica</strong> in Italiano".<br />
*Prohibition at the Crossroads. . . Dominick Latnonica<br />
*The Renaissance <strong>of</strong> Science in Italy. ,, Pr<strong>of</strong> . Artu,ro Cast.iglion.i ........<br />
*The "Dummy Show". .. AtnL For ...."......... 62<br />
*Messina-Its Artistic Renascence. . . Sante Giouanni D,Arrigo.......... . 65<br />
*The Man Who Came Back.. . JIcLttlzew A. Me\chiorre..............._........ 68<br />
*Remarks on <strong>America</strong>nization., . J. R. Scoppa<br />
Selections From the Italian press<br />
Music.. . Ilargherita Tirirtrl,clli<br />
What Readers Think <strong>of</strong> the New <strong>Atlantica</strong><br />
Sports ...........<br />
*The Sad Lover, a short story. .. SiLuio W. RoIa<br />
The Italians in the Un:.ted States ............<br />
<strong>Atlantica</strong> in Italiano<br />
<strong>Atlantica</strong>'s Observatory<br />
Books in Review<br />
Topics <strong>of</strong> the Month.. . If,osario lrtgctrgiola<br />
F. Cassola, M. D., Editor & Publisher; Dominick Lamonica, Managing Editor;<br />
-\lberto Gromo-Garabelli, Business Xlanagcr; Contributing Editoi;: --Gionutrui<br />
Schiavo, Matthew A. Melchiorre. Published Monthly. Annuil subscription, $3.50.<br />
Single copy 35c. E.ditorial and General Offices, 33 West T0th Street, Nelv York<br />
Citl'. Telephone TRafalgar 7-1828. Copyright <strong>1932</strong>. All manuscripis should be<br />
typewritten, acaompanied with return postage and addressed to the Editor. No<br />
responsibilitf is assurned for unsolicited manuscripts.<br />
C<strong>of</strong>yight <strong>1932</strong>. l,tro article or stor)r in this nwgashtc can<br />
;tltolh or in fart witJt,out sf ccial f t:rntission.<br />
57<br />
59<br />
70<br />
,t<br />
76<br />
7t|<br />
78<br />
79<br />
81<br />
85<br />
52<br />
s4<br />
56<br />
be rePrinted i<br />
I<br />
The Cover<br />
This Month<br />
p ennnSnNTS the ,Tempio di Err\<br />
cole", a monument which, because<br />
<strong>of</strong> its gracious lines and its<br />
serene majesty, is one <strong>of</strong> the glories<br />
<strong>of</strong> Sicily.<br />
It was erected by Terone, it is believed,<br />
in the Sixth Century, dedicated<br />
to Hercuies, and was famous in antiquity<br />
for the bronze statue <strong>of</strong> the demigod<br />
and a pa,nting <strong>of</strong> Zeus, both nonexistent<br />
today.<br />
The remalning columns were raised<br />
during the recent archeological work<br />
promoted by the Fascist government<br />
for the restoration <strong>of</strong> the Greek temples<br />
<strong>of</strong> Agrigento and Selinunte, and<br />
for the conservation <strong>of</strong> th:s Greek architectonic<br />
group,, the most important<br />
that exists in the world today outsicre<br />
<strong>of</strong> Greece.<br />
Lo Ncstro<br />
Copertino ,<br />
D APPnPSPNTA il "Tempio di<br />
l\ Ercole", monumento che, per la<br />
grazia del1e sue linee e la serena<br />
maesta' e' una delle glorie della Sicilia.<br />
Fu eretto nel VI secolo, credesi da<br />
Terone, fu dedicato ad Ercoie e fu famoso<br />
nell'antichita' per la statua in<br />
bronzo del semidio e per una pittura di<br />
Zeusi entrambi ora non pirl: esistenti.<br />
Le colonne superstiti furono risollevate<br />
ultimamente nei recenti lavori archeologici<br />
promossi da,l governo fascista<br />
per la restaurazlone dei templi Greci<br />
di Agrigento e Selinunte e per la<br />
conservazlone di questo gruppo architettonico<br />
greco che il piu' importante<br />
che esista nel mondo fuori dalla Grecia.<br />
Subscribers are requested to notify this <strong>of</strong>fice one month in advance concerning change<br />
<strong>of</strong> address, otherwise we will not be held responsible {or undeiivered copies. When ordering<br />
a change, please give both new and old addresses. We would appreciate hearing from sub-<br />
scribers when copies are not delivered.<br />
55
TOPICS or rHE MOllTl-l<br />
THE MAJESTY OF THE LAW<br />
'Y'l rvas Chief lustice Ta{t who,<br />
f a ie,.' years lreiore his death,<br />
cleclared in strong terms that<br />
the administration <strong>of</strong> criminal<br />
justice in these United States rvas<br />
plainly a disgrace. The statement<br />
at the tirne created a veritable<br />
furore, but even those rvhcr<br />
thought it someu'hat too severe<br />
never for a moment cloubted its<br />
accuracy.<br />
Norv comes t1-re kidnaping <strong>of</strong><br />
Coionel Lindbergl-r's boy ancl<br />
everybody - e\ren the most ca1lous<br />
<strong>of</strong> hurnan beings - stands<br />
aghast ancl n'onclers whose chikl<br />
it rvi1l be next. Clearly, our system<br />
<strong>of</strong> law and order has collapsed,<br />
patticularly lvhen the distraught<br />
parents have to appeal to<br />
criminals and racketeers to help<br />
them recover their beloved child.<br />
What l.ras happened to the larv<br />
agencies <strong>of</strong> the country ancl to<br />
our adn-rinistration o{ criminal<br />
justice? Iloth have failed Colonel<br />
Lindbergh at the crisis.<br />
It is true that kidnapings are<br />
not ne$'. Rut it is also true that<br />
kiclnaping as a systenratic and<br />
sa lc rrcket is <strong>of</strong> lrut re('ent origirr.<br />
The irnpartial observer rnust recognize<br />
that kiclnapirrg. like most<br />
<strong>of</strong> the rackets n,hich taint <strong>America</strong>n<br />
Society toclay, is a 1t1.-product<br />
<strong>of</strong> that vast aucl lucrative racket<br />
rvhich the Volstead Act has foisted<br />
upou the <strong>America</strong>n people.<br />
\\rhat are 1'lre going to do about<br />
it? No one rea1ly knor,vs, for the<br />
causes <strong>of</strong> the evil go cleeper than<br />
a superficial exanrinatior-r might<br />
ilrclicate. Yet, if exanrples are tc)<br />
be o{ an1' l-relp, iet 1s recall that<br />
Italy too, ur-rtil rer:entiy, hacl her<br />
racketeers. It makes 1ittle difference<br />
that they were ca1le
fTtFIE slang<br />
I erlrression,<br />
"r(l \\-ellSCl'<br />
.: ltilt tfU elegant<br />
're. lrut it is one<br />
r :ri,.h erer.t- Contn.tisslltiln<br />
.linorys<br />
;rrli under stands.<br />
-\: rrplrliecl to the<br />
i er-.r-11i21" process<br />
L si:enringl-v be-<br />
:i:' lroth for and<br />
;,{xinst trnything,<br />
ir hzrs come to be<br />
;i trrill't <strong>of</strong> the lanrlr.ilge<br />
Of Amerii'lrr<br />
legislation,<br />
.ike "straddling"<br />
,rr' "sitting on the<br />
ience.'' Particulru'ls<br />
has it been<br />
itss,rritlted l ith<br />
-he -subject <strong>of</strong><br />
Pr'r-r[ifj1iot , t,he<br />
trrust highly coni.r'ilver.sial<br />
matter<br />
ln -\merican polirir-s<br />
for the past<br />
,lecade.<br />
But even the<br />
' on slllDlltilte slidll<br />
Prohibition ot the<br />
-zl--<br />
-tr'a.;<br />
it-<br />
Crossroods<br />
By Dominick Lomonico<br />
Our Own Prometheus<br />
CON\S\ra${\ON<br />
RO(-\<<br />
, Ft n 7 Ie Yark Herald-Tribr*<br />
r:oulcl uruster the<br />
rnajorrity neer:led<br />
to bring bacli<br />
frorn r:onsider.ation<br />
bv the lronetlry<br />
Jutlicitrr,l-<br />
0omnrittee <strong>of</strong> thr:<br />
Ilouse, to tJre<br />
House floor. for<br />
lrarliirruenta,ry<br />
action, the Bec'li-<br />
Linthicum propo<br />
sal to modif.r the<br />
l.9th Amcndrnent,<br />
l-hich \\'its t,he<br />
bone <strong>of</strong> contention.<br />
lluch less<br />
did thr:r. hope to<br />
Irale the t\\'o<br />
thirds ne('essar.)r<br />
to ptrss iit. \\'hat<br />
ther- dicl desire,<br />
trnd lrc'hieveri elen<br />
be1'onrl tr-hai.<br />
tltey Iratl lool
5B<br />
the l3ing'han 4% beer bill, urging<br />
its adopfiop. Prohibrition, it<br />
founcl <strong>of</strong>ficially, has increased<br />
the use <strong>of</strong> hard liquors, reduced.<br />
the consurnption <strong>of</strong> mild malt<br />
beverages, p,r:omotecl crime and<br />
intoxicatfon, and hur.t t,]re<br />
cause <strong>of</strong> true terlperance.<br />
It repeated 'what has so<br />
<strong>of</strong>,t,en been said. in its favor<br />
before : that it l'oultl<br />
employ hunrh'eds <strong>of</strong> thousanc'ls<br />
r'vho n0\\' give<br />
length to bretrdlinrs, that<br />
it n-ould gire ir substantial<br />
boost to :rgl'icu11-ure,<br />
and that it, n'oulcl also<br />
itcl'eate a tax source rnucit<br />
gretrter tha,n rtn-y other'<br />
single piece <strong>of</strong> legislation."<br />
-1 f ORtr sisnificirnt, hon'<br />
M is the n'ay it<br />
has rnacle "r"". party leaders<br />
studrl' rvith close attention<br />
the pltrtforurs they are<br />
no\Y prelraring for the<br />
coming elector.al calnpaign.<br />
The traditional po-<br />
Iitit:al leacler is one rrhose ear<br />
is close to the ground., in order<br />
to sense the nrmblings <strong>of</strong> public<br />
opinion. And it talies no traineil<br />
politician to realize that a<br />
\Yet or liberal plank must be inserted<br />
in the platfomr, otherulise<br />
their canse is lost. li'or the<br />
Itrret tide is one that no King<br />
Canute <strong>of</strong> a Dr-v leader can<br />
stem, and the l)rys are norv<br />
rapidly losing grounrl. In a<br />
)'ear or so, it nray n'ell be a rotrt.<br />
Irt is not unduly optimistic <strong>of</strong><br />
the Wets to d.eclare jubilantiy<br />
that the Novenber elections<br />
rvill retuln far more anti-Prohibitionists<br />
than Prohibitionists.<br />
Straw votes like that <strong>of</strong><br />
the ('I"itel'ary Digest" strongly<br />
rindicate that a goodly number<br />
<strong>of</strong> Dry Congressmen l ill be replacecl<br />
by others rnore nearly representative<br />
<strong>of</strong> the people's opinions<br />
on Prohibition.<br />
\Vhen the Wets assune the<br />
lead in the House-and it is a<br />
safe assumption that this will<br />
take place after the elections-<br />
ATI-ANTICA, APRIL, <strong>1932</strong><br />
even though they may lach the<br />
two-thirds en4bling them to r.esubmit<br />
the matter to the peoprle,<br />
they will be in a position to refuse<br />
appropriations for enfot'cement,<br />
n hich the 18th Amend-<br />
SnG<br />
jtite+G'*<br />
The Renqissonce<br />
<strong>of</strong> Science in ltoly<br />
fTl I{tr },iu'i l)lirJ'ed b5'for.eign<br />
I<br />
Its Signifcaruce in Earopean Ciuilization<br />
'l tlrlel)ts. iu the Italian<br />
universities particularly<br />
-:, the lield <strong>of</strong> medicine, is clr:r,.<br />
ilrsrrittetl b.v the records that<br />
-,le -rtill to be found, in the nit-<br />
., n's books. ri'hich show t,h:ri,<br />
-i-t luuDs€kn.s fr.equently inter.<br />
-''.:I-r€d. especially on behalf <strong>of</strong><br />
-fLe I'e:lulality <strong>of</strong> anatomical les-<br />
:,tilS,<br />
Thtrt the number <strong>of</strong> foreign<br />
:,udents <strong>of</strong> Germanic origin enl,,ller1<br />
n'as in continual increase<br />
is shos'n by the fact that in<br />
l-;--r:i the various na,tional<br />
=irTuulrs represented in the nari,rn.<br />
among \,hom $,ere Swiss,<br />
B,,rhg111uo*, Danes, Flemings<br />
;ind Poles, each electetl a repreentatile<br />
<strong>of</strong> their own.<br />
The Engiish had from the very<br />
l,eginning sent a great number<br />
, 'f students to stucly at Padua.<br />
Brit to the other Italian nniversities<br />
foreign students also<br />
flc"cked in great numbers. At<br />
Pitvia there already teaches in<br />
I1.i9 for those from the other:<br />
sicle <strong>of</strong> the mourrtains trilippo<br />
D'Allemagnal in 1484 Oherto, a<br />
ijermanr in the Facultj' <strong>of</strong> rnedicinel<br />
at Sena the foreigners<br />
irre gathered in a nulnerous<br />
group; at Perugia the "societas<br />
{er'rnAnorum et gallorutntt,<br />
founded irr14L4, acquires, early<br />
in the Cinquecento, the riglrt to<br />
elect the rector ever,y thirrl year.<br />
-\t Rorne the German hospital<br />
By Pr<strong>of</strong>. Arturo Castiglioni<br />
(In two parts: Part two)<br />
t:alled ('S. Spirito in S. Sassia"<br />
is a center n.here foreign physic'<br />
irrns, stutli-,nls anrl ptrtients gather';<br />
:rt Ilologna the foreign nations<br />
pla,.,r a lir.elJ- part in the<br />
nniversity life; and I'errara alsir<br />
enjoys great fame because <strong>of</strong> her<br />
scientists.<br />
'Ihe irnportance <strong>of</strong> anatornical<br />
teachring in Italy is so manifesl<br />
ancl rvell-known that it need not<br />
lre gone into it at length. Al-<br />
Iol' me only to recall that Yesalius<br />
tvas a studenti and an instructor<br />
at the University <strong>of</strong> Padua,<br />
and that only through the<br />
enlightenetl protection <strong>of</strong> the<br />
Ilepublic n,as he enabled to continue<br />
his studies. \rolcher Coiter,<br />
the Fleming, (1534-1575),<br />
Felice Platter <strong>of</strong> tsasle (1536-<br />
1614), Gaspare Bauhin (l-570-<br />
L62+), and Pieter Paaw da Amsterdam<br />
(1534 " 1617), \yere<br />
scholars in the Italian universities.<br />
Among the Spanish anatomists,<br />
outstanding rvas Valverde<br />
de Amusco, a pupil <strong>of</strong><br />
Realdo Colombo, n'ho publisherl<br />
in 1556 an rrAnatornyt: <strong>of</strong> his<br />
on'rr in Sparish l'lrich rvas l'idel;'<br />
circulated and becarne one <strong>of</strong><br />
the most and studied boolrs <strong>of</strong><br />
the Reanissance.<br />
\\rhen one considers that il<br />
Italy the anatornists hatl at<br />
their disposal a quantity <strong>of</strong><br />
r:orpses, so that Colombo claimcd<br />
to have exarnined rnore than<br />
ru thousarrrl <strong>of</strong> them, one cail<br />
casil;- see the le:rsorl I'h1' front<br />
: (-)<br />
nll parts <strong>of</strong> the rvorltl students<br />
converged on the ft:rlitr,n unir-ersities.<br />
I\f O less irru)orlrrrt u cle tlrc<br />
t\ relal iorrs beilr'eerr lta l1'<br />
and the other European<br />
rountries n'ith regarcl to surgery;<br />
this is easy to understancl<br />
ils rl conselluence <strong>of</strong> the progress<br />
in anatornical st,utlies. Daremberg<br />
in his magnificent IIistory<br />
asserts that surgery in<br />
France r-as taught bv Italians,<br />
nnd it is n'ell to recall in this<br />
connectirtn the rvor.li <strong>of</strong> Guirlo<br />
(iuidi, :r lflorentine, rr'ho $'as<br />
phvsician to the King <strong>of</strong> lrr.ance<br />
and n,ho published at P:rr.is in<br />
1544, in the printsholr <strong>of</strong> pietr,o<br />
(itrutier, that magnificent booli:<br />
"Chirurgi:t e graeco in latinunr<br />
conYersa", rvhich, also fronr the<br />
tl pograp,hica I viel point. br:<br />
cause <strong>of</strong> the rnagnifcent illustrations<br />
t,hat embetlish it. is<br />
one <strong>of</strong> the rnost beautiful netlical<br />
boolis pr.inted rlur:ing thc<br />
licrraissance.<br />
In 1587 at Padua there begarr<br />
the teachring <strong>of</strong> pathology<br />
throug"h the efforts <strong>of</strong> G. B. cla<br />
n:[onte, ancl as pupils he had \ran<br />
Ileurne and Sc;hrevelius di Leit1a,<br />
n ho later brought their clinical<br />
teachings to Ffoilancl,<br />
ru.here it reacherl its greatest<br />
splendor.<br />
The stucly <strong>of</strong> the natural<br />
sciences is reborn in a new corrr:eption.<br />
enrinen.tly Italian, iu
60<br />
the lrorli <strong>of</strong> Anclrea }lattioli, a<br />
Sienese, n-ho collected. in one<br />
rnonurnental booh the fruits <strong>of</strong><br />
his long obsen'ations and very<br />
accurate studies. IIis n ork had<br />
an enornous diffusion in all the<br />
countries <strong>of</strong> Europe, a series <strong>of</strong><br />
editions rvere publishecl outsicle<br />
<strong>of</strong> Ital,1,, anil it constitutetl for'<br />
rrlmost three centuries the classic<br />
text on pharmacology. No<br />
Iess pr<strong>of</strong>ound n-as the influence<br />
exerted by the tr.orh <strong>of</strong> Ulisse<br />
Aldrovandi, a Rolognese, head<br />
pitysician and instructor in zoo-<br />
Iogical and botanical studies,<br />
who founcled the botanical gardens<br />
and the museum <strong>of</strong> natural<br />
history in Bologna, and that <strong>of</strong><br />
Andrea Cesalpino, n hom I"inneo<br />
considered the first to lay dourn<br />
the solid bases for the stuily <strong>of</strong><br />
botany, ancl <strong>of</strong> lr-hom Nordenshejoeld<br />
rvrites that his system<br />
is the flrst foundecl essentially<br />
on comparative morphologic:rl<br />
examination.<br />
f<br />
Ir, as we hrve seen. during all<br />
^ <strong>of</strong> the Cinqueeento, foleign<br />
students flockecl to Italy from<br />
all parts <strong>of</strong> Burope, no less interesting<br />
i,s the worh <strong>of</strong> the It'<br />
alians rvho were called to, foreign<br />
countries to practice their<br />
pr<strong>of</strong>ession and ,to teach in the<br />
universities. To cite a fet' among<br />
the most illustrious: Gio'<br />
vanni Manardi u'as for many<br />
years physician to the King <strong>of</strong><br />
Ilungary; Luigi Marliani, <strong>of</strong><br />
Milan, was consultant to Maximilian<br />
II and to Charles V;<br />
Giulio Alessandrini, <strong>of</strong> Trento,<br />
rvas physician to the Emperor<br />
Ir'erclinand I, to Maximilian I I<br />
and to Rudolph II l Prospero<br />
Borgarucci, a native <strong>of</strong> Canziano<br />
near Gubbio, was for a<br />
long time at the French Court;<br />
Leonardo Bottalio, <strong>of</strong> Asti, n'as<br />
physician to King llenry III <strong>of</strong><br />
If rance I Giovanni Argentero,<br />
born at 'Castelnuovo in Piedrnont<br />
jn -l 513, n'as for more than<br />
five years a physic'ian at Lyons<br />
ancl there achieved great fame.<br />
Ilaolo l{inuzio, <strong>of</strong> whom Tira-<br />
ATLANTICA, APRIL,<strong>1932</strong><br />
boschi speahs considerably, also<br />
practired there for a long time.<br />
Gabriello l'rascati <strong>of</strong> Briescla<br />
n.as ctrlled to the Court <strong>of</strong> Philip<br />
II, Krins <strong>of</strong> Spain, about 1580.<br />
Apollonio )Ienabeno, philosopher<br />
and p,hysiciztn <strong>of</strong> l{ilarr,<br />
Iearned in natural history anrl<br />
cultivator <strong>of</strong> Latin poetry, n'as<br />
physician to the King <strong>of</strong><br />
Su'itzerland, John III, and<br />
publishecl in 1581 a treatise corrcerning<br />
the ebb and flon, <strong>of</strong> the<br />
tr':rters trround Siochirolnr.<br />
'fivo illustrious Italian physicians<br />
practiced rnedicine in Poland:<br />
one rvas Antonio Gazio,<br />
rvho had been a student at Padua,<br />
and the others'as Jacopr-r<br />
Irerclinancli <strong>of</strong> Bari, u'ho w:ls<br />
c:riled to Poland, became physician<br />
to Sigismund II, ancl published<br />
in Cracow inL542 a treatise<br />
on the preservation fronr<br />
plagues. At the same Court<br />
there lived about 1574 Nicoto<br />
Buccella <strong>of</strong> Padua called as<br />
physician by King Stephen ancl<br />
rvho died there in 1610.<br />
flr, after this rapid exarnina-<br />
I tion <strong>of</strong> the culbural relations<br />
bet'ween Italy and the other<br />
countries <strong>of</strong> Europe in the Renirissance<br />
n'e seeh to examine<br />
what happens in t,he Seicen'tor<br />
the era in rvhjch experimentai<br />
science asserts itself definitivel_v,<br />
we find that in this era <strong>of</strong><br />
grave political and econom'ic situations<br />
for trtaly, and no less<br />
for Germany, desolated by fiery<br />
religious wars, France, Ilolland<br />
and England begin to rise to<br />
their greatest heights. trYe note<br />
in this period how the exchange<br />
<strong>of</strong> ideas and hnowledge bet;ween<br />
Italy ancl the other eountries.<br />
althongh less extensive than<br />
during the Renaissance, still is<br />
hept very much aiive. Marcello<br />
l{alpighi, creator <strong>of</strong> the modern<br />
anatomy <strong>of</strong> plants, presents his<br />
studies before the London Royal<br />
Society I Flarvey, after har'ing<br />
studied at Padua with Fabrizio<br />
D'Aequapendente, mahes<br />
linoryn the r:esults <strong>of</strong> his studies<br />
almost simultaneously in lflanders<br />
anrl in Ital;', in England<br />
and in Gerrnan-v; Nicolot Stenone,<br />
a Dane, and a r.ery diligeni<br />
student in the Unir,ersity <strong>of</strong><br />
Piszr; Olaf Rudbeck a Swede,<br />
cornpletes his nrost important<br />
stndies in the University <strong>of</strong> Pad.ua.<br />
Adlriano Spigelio <strong>of</strong> Brussels<br />
studied at P:rdu.a, n'here he<br />
rvas listed in the roster <strong>of</strong> the<br />
(ieman natiion, arrcl rvhere he<br />
taught anatorny from 1618 to<br />
1624. Ot.,her instructors <strong>of</strong> foreign<br />
bilth in Ital;,' n'ere Giovanni<br />
\\resling ancl Giovanrli<br />
Giorgio lVirsung, both anatomists<br />
<strong>of</strong> great fame. The anatom;'<br />
that has its great develpment<br />
in Elolland trnd in France<br />
still has its point <strong>of</strong> departure<br />
in the Italian schools, and trhe<br />
neo-Efippocratism nhich in the<br />
Dnglish school <strong>of</strong> Syd.enham<br />
reaches its most noted point in<br />
this ,century shon s evidence <strong>of</strong><br />
the reiations between the great<br />
Nordic schools and those <strong>of</strong><br />
Italy.<br />
nO \* C tr R NI\G these,inter.na-<br />
V tional lelations, rvhich can<br />
be said to have been born in<br />
Italy, it is important to rnention<br />
one <strong>of</strong> it,s most important fac,tors,<br />
the foundation <strong>of</strong> scientific<br />
acidemies. The .(Accarlemia<br />
dei L'incei", founded irr<br />
Rome by Prince Irederico Cesi,<br />
had foreign scientists among its<br />
first and most noted members,<br />
among them Giovanni Ecchio.<br />
It is these academies that are<br />
rapidly founded in the Italian<br />
cities, in Germany, trngland<br />
France, the centers <strong>of</strong> scientific<br />
research, at a 'tirne n'hen there<br />
is to be noted a decadence <strong>of</strong> the<br />
universities, inflexible in their<br />
doctrinaire forms. They represent<br />
a very important stage in<br />
the history <strong>of</strong> the spread <strong>of</strong><br />
scientific thought hecause although<br />
the academies belong at<br />
first to that closed organism<br />
that is the republic <strong>of</strong> the learned,<br />
ruled by its own laws and<br />
living rvithin its own con{ines,
I<br />
I<br />
i<br />
I<br />
- -:r " i,*tl aril the end <strong>of</strong> the Cin-<br />
,'l: ,:lrr,t irnd. the beginning Of<br />
.:.: >":,rrnlo. because in the aca-<br />
-*' -i> rhere gathered also per-<br />
- :- i,rreiSn to the class <strong>of</strong> the<br />
- -, --,irs trr pl<strong>of</strong>ession, and be-<br />
--r itrer aclopted as the 1an-<br />
- . ,1,: uf use the national<br />
- r-*'.1*. especiali;' in Italy, they<br />
i r -i ir gleal step forward on<br />
--: .,i-irr to the popularization.<br />
- :rl-ure. Little by little the<br />
:- :..':eniies. for just this reason,<br />
:r'":e*:,l in importance the uni-<br />
":r':.ries. which ,continue to<br />
r .illrril themseh'es narrowl.v<br />
': .he conser'vers <strong>of</strong> the ancient<br />
,: rr*litions.<br />
Ti,r\r ard the enrl <strong>of</strong> the Sei-<br />
,, rl-riio there appear the flrst<br />
s -c111iflg journals, <strong>of</strong> which the<br />
".T 'r,u'nal des Savants" sees the<br />
'rhr irt Paris in 1675 : but it is<br />
rl eresting to note t,hat the first<br />
;,,'tririca1 journal, the ('Gazette<br />
i* France", is created by a phy-<br />
.ilian. Te<strong>of</strong>rasto Renaudot, who<br />
-s celtainly no less the able<br />
j"nrnzrlist than he is the genial<br />
rx'girnizer <strong>of</strong> nelfare institutes<br />
:i-'I' the poor. AncI the relations<br />
r.,err-een Italy ancl France ber:r.rme<br />
such that three years after<br />
.he appear:ance <strong>of</strong> the French<br />
s,-'ientific journal there begins<br />
l,ublication, through the I'orli<br />
,-'f the abbot l'rancesco Nazat'i,<br />
tr't'<strong>of</strong>essor at liome, the ('Giorna.<br />
ie c'lei Letterati", and in 1672<br />
the '(Giornale Yeneto dei [.etter'arti't<br />
<strong>of</strong> l{orettti, which frecluenlh'reported.<br />
news ancl notes from<br />
rhe French journal.<br />
If we seek to sum up briefly<br />
the result <strong>of</strong> our observations,<br />
ri-e will r:each the conirlttsion<br />
that the scientific Renaissa.rrt:e.<br />
and particularly that <strong>of</strong> merrlicine<br />
and the natural sciences,<br />
has its beginning in Italy, contemporaneously<br />
with the Renaissance<br />
in art and for the<br />
THE RENAISSANCE O1.- SCIENCE IN<br />
sirrne reasons, that is, the con<br />
ditions <strong>of</strong> the environrnent, and<br />
the political arrd socjtrl fact,s irr'<br />
voh'ed; and it has the sante<br />
character:istics, that is, the for''<br />
niation <strong>of</strong> individualism, the return<br />
to the study <strong>of</strong> the classics,<br />
anrl the passionate love o{<br />
nature.<br />
llhe Italian scientific Renaissance<br />
<strong>of</strong> the Cinquecento marlis<br />
the beginning <strong>of</strong> a serlies <strong>of</strong> cuitural<br />
currents from Italy to all<br />
tire countries <strong>of</strong> Europe. This<br />
intellectual movement is deter'mineil<br />
b.v the traditions <strong>of</strong> thr:<br />
Italian schools, by the liberty ot<br />
instruetion, by the rvealth <strong>of</strong> the<br />
collection existing in Italy, bylhe<br />
,systematizatjon <strong>of</strong> anatom'<br />
ical teachings, b.y the use <strong>of</strong> the<br />
Latin tongue as the scientifir<br />
language, an.d linzLlly by the<br />
great scientific actii'tities <strong>of</strong> the<br />
Italian printshops.<br />
'l'he center <strong>of</strong> these cultural<br />
relations resides in the finst period<br />
in the Italian universities,<br />
rvhence floch students from ali<br />
par.ts <strong>of</strong> Europe; in the exchange<br />
<strong>of</strong> instructors and physicians<br />
among the various unirersities<br />
ancl Courts. In tlrc<br />
second period, tor'ard the beg^inning<br />
<strong>of</strong> the Seicento r,i.ith ile<br />
clacadence <strong>of</strong> the Italian univer'si,ties,<br />
the academies assume t,his<br />
{unction; then with the rise <strong>of</strong><br />
sr:ientiflc journal the exchangtr<br />
<strong>of</strong>' cultural relations becomes<br />
nore and more intense.<br />
I,l must renernber that the<br />
Italian schools <strong>of</strong> the Renaissance,<br />
and Padua iin particular,<br />
are the forges <strong>of</strong> the scientific<br />
movement <strong>of</strong> the Renaissance,<br />
s.hether it be in the field<br />
<strong>of</strong> the biological studies or in<br />
that <strong>of</strong> the experimental studies.<br />
At Paclua is concentratetl all <strong>of</strong><br />
",w<br />
ITALY 61<br />
the intc.rnational s ci en ti fi c<br />
nroveurerrt, and it, is there that<br />
all the rnost noted men <strong>of</strong> Europe<br />
stud;', from Yesalius to<br />
\rorstio, from Copernicus to<br />
Halvey. In the Italian school.<br />
through a witle mor-ement, the<br />
fundamental program <strong>of</strong> l'hiclt<br />
Leonardo had expressed in thtt<br />
r.ords : tt'lo littotr, how to see",<br />
anrl r'hiclr Galileo had concluclerl<br />
l.ith Lhe sa1'-ing: ((Natirre is<br />
rvrittcn in matlientatical let"<br />
ters", the scientiflc Ilenaissance<br />
has its beginning. Irrom this<br />
great movement tou-ard, truth<br />
lncl freed.orn in stud.-v, an esthetic<br />
and histortical moYement<br />
compar:er1 u.ith the rerolutionary<br />
ancl iconoclastic one <strong>of</strong> Lutheran<br />
Gernan_v, studies in<br />
every par:t <strong>of</strong> Europe drarv their'<br />
beginnings or strength. The<br />
spirit or the tratlition <strong>of</strong> the Itrrl,irn<br />
sc.hools lives irgain in EIolland<br />
ancl in England, in France<br />
ancl in Germany, ancl rvhen, irt<br />
the Seicento, the political power<br />
<strong>of</strong> Italy marhs a period oi'<br />
decadence and the great French,<br />
Dutch and English schools, and<br />
later the German, reaoh a flour.<br />
ishing point. intellectual relations<br />
with the Italian schools<br />
are maintained.<br />
Thus dn the fleld <strong>of</strong> the spreatl<br />
<strong>of</strong> scientiflc ideas I'taly <strong>of</strong> the<br />
I-ieruissance played a part <strong>of</strong> the<br />
highest import,ance. Dominated<br />
in large part by foreigners, shc<br />
remained. dominant in the<br />
,schools, and there she welcomed<br />
fraternally students from all<br />
parts <strong>of</strong> the n orld. 'I'hus she understood<br />
and explainecl the idea<br />
that science does not recognize<br />
bounclaries and that,the concept<br />
<strong>of</strong> humanity assigning man his<br />
place in the cosmos and fixing<br />
his laws, sta.nds above and be-<br />
1'ond the limits <strong>of</strong> space anrl<br />
time' (Th.e et'rd.)
((<br />
The "Dummy Show"<br />
ll. \:OIr rrean the<br />
rlrunmy show !" reply<br />
t}e urchins <strong>of</strong> New<br />
\-orli's I ittle I,talI frorn rvhom<br />
1'ou hirve inquiretl the n'ay to<br />
the tuitt'iotrette theatre. And<br />
cven ill yott folltlw theil' tiirec:-<br />
1ions .vou irre liliely to pass the<br />
rrrt-rdest, tlool <strong>of</strong> Signor tr{anteo's<br />
little 1rlit1'house. It is no hetter<br />
lighterl tltittr atry <strong>of</strong> tlte neighlroring<br />
gr'ocery stores or pastry<br />
shops, irrrl, although the theatre<br />
has lterett itr the same location<br />
fur thret: \-ears, tltere is no narne<br />
orr its n?lrro\\i non-cornmit'tal<br />
['ront.<br />
T h e t'(' ztre llo ticliets, <strong>of</strong><br />
(iourse. Signortr l{anteo accepts<br />
1'our tluirt'ter in shy silence, and<br />
1-ou trtllic \-our rila,Y to one <strong>of</strong><br />
the stil'f l'ood.en seats in the<br />
Irtrrretr l ir'less hall. Norvhere<br />
perhalrs il the realrrr <strong>of</strong> the Anrerican<br />
theatre is there less concern<br />
l ith the rrrechanics <strong>of</strong><br />
plity:loirrg irlt,l ntol'e <strong>of</strong> the traditional<br />
slri r'it <strong>of</strong> the ancient<br />
theatre.<br />
The rrretr in the autlience-son}etir)les<br />
tltere are no w0men<br />
irt all-nr e for the ntost Part<br />
r nitldlt'-n getl worliingrnen. What<br />
)'orlng lrlen iu'e tirere al'e lihely<br />
to n'ear t'ir1n and to lieep thelrr<br />
on all tlrrrilg the performance"<br />
'I'here is not a i.ratent leather<br />
liead irr tlit-' t'r'owtl. Many <strong>of</strong><br />
these spct'tir.tols are illiterate,<br />
lrut thtr- ll:tYe come long distauces<br />
:t lter it harrl tlal"s lvork<br />
to revel itr the c.eniurY-oltl<br />
thritls oI tlrt-r'(()t'lantlo Ilurioso"<br />
c.r'cle.<br />
'I'his tn-eltieth centurY New<br />
Yorli lrttlience attettds the shorv<br />
Italian Marionettes in I'{ew York<br />
By Ann, Fox<br />
irr the spirit <strong>of</strong> the Sicilian rnarionette<br />
aucliences <strong>of</strong> Columbus'<br />
day. 'Ihese quiet-r'oicetl men<br />
htrve corue to enjoy an episode<br />
tuf :r stor.1' that the;' lirros' arrd<br />
that their' lathcrs ioved. TheS'<br />
treat the performance with the<br />
comfortirltle camaracleries <strong>of</strong> an<br />
old friend. They smoke, drink<br />
pop, eat peanuts and fruit, and<br />
drop ashes, bottles, shucks and<br />
skins orr thc floor. And. the<br />
second the r:ttt'titiin goes lrp thc)stop<br />
talhing.<br />
'loward the cerrter <strong>of</strong> the<br />
little lrrrt'li drop str:ides a tall<br />
hnight ir shining armor. The<br />
rnost irnaginative hig'h-school<br />
freshnan to n'hom ttll'anhoett<br />
has just opetred up the lialeicloscopic<br />
ronance <strong>of</strong> the (lrusades<br />
never envisionetl a more glamorous<br />
hero th:rn the gold.en knight<br />
orr tlre iittle stage. L dazzling<br />
and chivalrous flgure he is ln<br />
his intricately n'orhed coat <strong>of</strong><br />
rnil,il, su-orrl in his right hand,<br />
shieltl in his left, a vari-colored<br />
lrlume flonring fron the crest <strong>of</strong><br />
his torvering hehnet.<br />
6lUl)l)l'l\1,\ rr Iittle sheep<br />
D-mtI rirrltles lraclrstage, the<br />
signal for the pianirst out front<br />
t o stop playing. Grandiloquentl.v<br />
thc burnished. hnight<br />
begins to spetrlr. As the sonolous<br />
ctilerr
5'-trlir: str'ectator is likely to cle-<br />
:,rn'i- for identification on the<br />
":.i'"riki-ng gestures <strong>of</strong> the marioni<br />
rtls- \\-hicherer knight is<br />
"-l;ins smite,s his shield, shakes<br />
;:s :lirtering head, and takes a<br />
: rii step for'war'il. It is evidenr<br />
:: '::.1 rhe rehemence <strong>of</strong> the smit-<br />
_r g atnr-1 shaking thar all is not<br />
" *i] wirh the Christian host.<br />
irrl,r the tense scene limps a<br />
-:;ur' shr'ilking figure. Elis is<br />
" , - ;he heroic uroulcl <strong>of</strong> the ma-<br />
-.! -'' rrrr_r.nlielons before rvhom<br />
r i iiilDrls stutterrng. This ri-<br />
,. - -rilt'uslf inarticulate little<br />
, r ri. rlrr'e is the comic relief, <strong>of</strong><br />
. -r'se. FIe is a common soldier.<br />
T:r: rlrrlience began to laugh<br />
; ": rrrinute he set. uncertain foot<br />
rr rhe stage. But ruhat he<br />
- ;.1Ixages t0 stutter before he is<br />
r h;skerl an-ay thron,s Charle-<br />
'-;1sne's shining heroes into<br />
-unking iits anil stomping prorssirrll<br />
ilto the x,ings.<br />
TiLe pianist oub front resumes<br />
:.s plaring, but the curtain is<br />
r,'. lowered. An imaginative<br />
..ridience needs neither entre<br />
:,:te curtain nor ingenious<br />
l;ghting effects. The young<br />
rrl.r]r,r <strong>of</strong> a deus ex machina<br />
: Eilf h tlown oYer the drop<br />
:n'i rr-aft it overhead. Nimble<br />
r 'rlrls flngers turn bacli tlrop<br />
afier drop until one appropriate<br />
i, rr the next scene comes to<br />
-ighr. This must be the Sarr"cL)<br />
r'ailllr. The 0trrint-rtts r't'e-<br />
:,'tnr flaunts above the barbaric<br />
'rlrr€d tents lihe a pagarl new<br />
Irrrrrrn. It is the Saracen camp,<br />
fr-ir a graYe row <strong>of</strong> trousered<br />
trnenries <strong>of</strong> Christianitv flles bef,'r'e<br />
the drop.<br />
T)RUBABL\- no phase <strong>of</strong> Sit<br />
guor )lanteo's versaLiliLy is<br />
more fascinating than his por'tr'il1dl<br />
<strong>of</strong> Saracen types. AII the<br />
tlhr'istian faces he has made<br />
handsome in a sans peur sans<br />
l'elrroche fashion. But each pagan<br />
face is hauntingly characrelfu].<br />
The Moors are black<br />
irnrl polyerful, the Tarttr,r.s yeltr,rn-<br />
and crafty, but no two ot<br />
THE "DU\{i\[Y SHOW''<br />
them are gir.en the same expression<br />
<strong>of</strong> countenance. There is<br />
one pallid moustachetl oriental<br />
potentate in the Moslem horcle<br />
$Iho, for dignity and an air <strong>of</strong><br />
rtrce, rnight be the Kubla Kltan<br />
]rimself. Signor tr{anteo shades<br />
th,is character's lines with lestraint<br />
and authorit"y and delivers<br />
them in a voice reniniscent<br />
<strong>of</strong> Mei Lan l-ang's.<br />
The council <strong>of</strong> the infirier<br />
chiefs is less solemn than orre<br />
has a right to expect from so<br />
dignifietl looking a conclare.<br />
One <strong>of</strong> the characters raises a<br />
high shrer,vish voice in headtossing<br />
protest against something<br />
or other. Yes, 'ir.ouldn't<br />
you know it? There are $ omen<br />
warriors among the Saracens as<br />
there are among the Christians.<br />
Ariosto's story, be it remembered.,<br />
trea"ts the L'r'usacles not as a<br />
beau gest.e, as does the '(Chanson<br />
de Iloland," or as tr spiritual<br />
cluest as c1o the Arthurian legends,<br />
but as a bacl
(r-l<br />
usual thirrg for the hero <strong>of</strong> the<br />
evening to lav lott- it dozen ttar'<br />
liors irr srvift procession, lear'ing<br />
tht,rrr pilerl lrip-cleelt in i,<br />
brtrss itnd t'elr-et ttrc,ss on the<br />
-\t:t g-e.<br />
D I,.li ll.\ I'S l Irile tlre tield <strong>of</strong><br />
l' ('iu'nilx-e is lreirrg t'lelt'ctl<br />
lotr tlecicle to shake <strong>of</strong>f the d,eafcrring<br />
s1rell <strong>of</strong> the crusades by tt<br />
rratter'-<strong>of</strong>-fat't r,isit back <strong>of</strong> the<br />
s('crles. \'ou push asid"e the<br />
ilru'ro\\- curttrin to the left <strong>of</strong> the<br />
stage irntl find -l ourself conf'r'onted<br />
b1' three glittering rorvs<br />
<strong>of</strong> trnrrt'rl krrights rarrgetl on the<br />
thr"ee rrya ilirble sicles <strong>of</strong> the<br />
r'oor1. Ilrte nnd thcre in the<br />
lrhalarrx ill'e luoked irrra,.1. lovely<br />
Iortg-hirit'r.rl litrlies itltri (1er'emollrorrslr-<br />
r'estrnented ecclesiitstics,<br />
the tnrsting charge s <strong>of</strong> the<br />
I r ri stlirr g solclier'-v.<br />
Ilnt. rrll at oncc the latter<br />
seern tri hrrt'e shed their horrendous<br />
aspect. 'I'hey are no longer<br />
giant-,r. 'lhey are only marioncttes<br />
irlrout ihree feet high. ft<br />
is :r gt'ittluuted series <strong>of</strong> drops<br />
that gives tlrese P; gmies therr<br />
ep,ic 'heiglr1.<br />
If this bil <strong>of</strong> stagecraft increa.ses<br />
\'oul' r'espect for Signor<br />
lfanteo. close irrspecl,ion <strong>of</strong> the<br />
rrra,r'ioltt,ltcs ittrd the rvorli <strong>of</strong><br />
lrrot1 trtitru l ill rlrarrge .\'olll' l'('spect<br />
to u'ottder and to admirai<br />
ion f ot' tlre llanteo farnily.<br />
Surelr sotrt' <strong>of</strong> these nobl,Y tlesignerl<br />
itnll r'lelicatelv ernb'ossed<br />
suits <strong>of</strong> tnrtil deserve to be mu-<br />
.seunr pieces, rnllch as it n'ould<br />
crnbrtrass Siglor }fanreo to hear<br />
citlrer'his hrnditvorli or his<br />
i heatlec:t'it ft chara.cteriz,ed as<br />
irrt. it is Signora Jfanteo tt'htr<br />
fashious tlrc tlttsttttnes <strong>of</strong> tlte<br />
llclies itttrl other turannorerl<br />
r:haractet's itnd ihe fabric garrnents<br />
o 1' tirtl tt'ai'r'iorts elrscntble's.<br />
'l'lte efflect <strong>of</strong> her<br />
neerllen'orli is luxttrious indeett'<br />
l'or sltt' r'olrrhines velvets, brocntles<br />
illt(l g,olt1 crubroid.er-v ln<br />
A:I'I,AN]]ICA, APRIL, <strong>1932</strong><br />
,Along the back they stand in a mattial row." !d<br />
rich color st hentes attcl intricate<br />
patterns.<br />
Your risit ba.clistage allocates<br />
for you the unconcerned hancis<br />
that reucltecl clon-lt to change<br />
the bar'li th'o1r or to adjust zl<br />
knightll' head or' :r jammed<br />
sword. 'I'he hands belong to the<br />
hanclsonte young marionette<br />
rnanipul.ators, the Signor's sons.<br />
Ele has four <strong>of</strong> them, slight <strong>of</strong><br />
build., but pol'erful enough to<br />
tnanage 135 lb. urarionettes<br />
rvith vigor and hutnor'. The hosp,itable<br />
)'onng lad,y I'ho ans\Yers<br />
all your questions is the Signor's<br />
tlaughter. She reads the<br />
fenale loles. The gravelY<br />
courteorts Jove rvho is rnuclr too<br />
busy reatling and rlireeting to<br />
lrrswer qtestions is Signor'<br />
]'[anteo.<br />
0n l-atching tlie Performarce<br />
from the front -Yoll hacl occasional<br />
gliutltses <strong>of</strong> expressive<br />
hand.s that gesticulated out <strong>of</strong><br />
the nittgs in cataclysrnic mornents.<br />
Thosc l'ere the Signorts<br />
talenterl ltatrds, helping him to<br />
tear a pitssion to tatters anrl to<br />
rags. l{e rea,ds his Parts sc}<br />
s-vmpathetit'ali.v that his blue<br />
eyes fulurinrrte l'ith feeling arrcl<br />
the sn-elt r'olls frotn his earnest'<br />
face utrtl tttttple bod.v. Yet he t'.an<br />
tletach hituse'lf ft'tttrt tlte mosl,<br />
)righ-1rott'crerl <strong>of</strong> his hnightl"v<br />
outbursts to signal the 'correction<br />
<strong>of</strong> a marionette gesture or<br />
frorvn disap,proval <strong>of</strong> his daughter's<br />
reading. The house <strong>of</strong><br />
Nlanteo, marh you, has been<br />
producing rtrarionette shows for<br />
eighty -vears, first in Italy, later<br />
in the Argentine, and for eight<br />
years in Nerv Yorli.<br />
As you edge Your \\'aY out <strong>of</strong><br />
the narron' wing bach to the<br />
smohy irall you rnust be careful<br />
not to distrnct the attention ot<br />
the au'clience from the stage'<br />
These patrons <strong>of</strong> one <strong>of</strong> the ordest<br />
forns <strong>of</strong> tlramatic art are<br />
not slorv to snarl a sharP Latm<br />
rebulie at any source <strong>of</strong> distraction.<br />
They tolerate onlY those<br />
outsiders who attend as respecrfully<br />
as they d.o.<br />
Illiterate they rnaY be, but<br />
not uncultured, these butchers<br />
and bahers and . candlestlck<br />
mahers n ho ignore the cinema<br />
and strip-teasing burlestlue lor<br />
,the romantic atlyentures <strong>of</strong> an<br />
eig-hth centut'-v n-arrior hero.<br />
Who hnorvs but these dummYshow<br />
tladitionalists al'e the<br />
spiritual, if not the lineal descenclants<br />
<strong>of</strong> the trandit chief<br />
who released Ario'sto on discovering<br />
that his caPtive was<br />
the author <strong>of</strong> "Ollanclo Furiosott?<br />
1
Messino !ts Artistic<br />
.1.: :' , :rncient that they are<br />
- .: il t1.re iegencls o{ the<br />
. Ircuples <strong>of</strong> rvidely differ-<br />
-iilir. sr-rcceeded one another<br />
. :i.t,,rr'. ancl ail left traces<br />
=:: civilization.<br />
-: ::ie seconcl hali oi the 6i-<br />
':::,1.-- ..i1t1111-. holve\ref, the city<br />
: : ,oast oi bcing a famous<br />
: ',r:: ui l'run'ranist culture ancl<br />
'<br />
= i-il.ipiace <strong>of</strong> great and glori-<br />
-.- :..:i>ts. such as Antonello cla<br />
:::-rtii. trilippo .ftiv:rra, t-hc,<br />
.= -rclare
66<br />
strain on the structure, the entire<br />
reinforced concrete cage <strong>of</strong> which<br />
is regarded as a great pil1ar set<br />
firm1y in the ground, is less if the<br />
moving mass is reduced in height.<br />
The third problem, the architectural<br />
one, proved complex. Messina<br />
u.as a historical site r'vhich<br />
commanded the highest respect<br />
and rn'-hich her future development<br />
must necessarily keep in mind. In<br />
harmony r,vith her climate, her co-<br />
1or, her happy lights, Messina required<br />
buildings with spacious entrances,<br />
rvide and open stairways,<br />
terraces, and balconies.<br />
But, on the other hand, the artist's<br />
personaiity lvould naturally<br />
be influenced by his pr<strong>of</strong>essional<br />
environment and by the new tendencies<br />
rvl.rich architecture took<br />
after the "eclectic" epoch. Hor,vever,<br />
in this period o{ troubled<br />
search for the nerv, the architects<br />
could not abandon themselves<br />
blindly, especially not to the foreign<br />
experimental tendencies<br />
u'hich were not ah,vays suitable to<br />
regions like southern ltaly.<br />
f N other rvords, the new city <strong>of</strong><br />
f Nlessina has iollowed only in<br />
some \\'ays the newest ideas<br />
in architecture, so that her buildings<br />
have been completed in a<br />
style which is affected only in<br />
rvise moderation by modern influences.<br />
Thus there is rationalism<br />
in her architecture, but not<br />
under that strict form in which<br />
all ornamentation is renounced. A<br />
sane and beautiful balance has<br />
has been obtained by accepting<br />
the modern simplicity and combining<br />
it u'ith the traditional<br />
characteristics.<br />
Messina has many <strong>of</strong> these<br />
buildings, but I shall limit myself<br />
to only one, lvhich represents the<br />
synthesis o{ the best artistic tendencies<br />
<strong>of</strong> the city: That is the<br />
"Palazzo di Giustizia," considered<br />
by noted critics as one <strong>of</strong> the<br />
best in the worlci. In it the architect<br />
Piacentini conceived <strong>of</strong> an<br />
architecture truly rational in reference<br />
to beauty <strong>of</strong> form, puritY<br />
o{ style, and simplicity <strong>of</strong> line. It<br />
is a well baiancecl creation standing<br />
in a spacious square in serene<br />
and solemn majesty. It is reallY<br />
a temple <strong>of</strong> justice which sYmbolizes<br />
the calm serenity <strong>of</strong> a sage.<br />
In the interior <strong>of</strong> this marvelous<br />
creation errery court room, with<br />
its mystic apse and its effect <strong>of</strong><br />
simple and austere solemnitY,<br />
fsrms a divine temPle. It is a<br />
new an
' .::...f. alld the white<br />
- ' : :hr beautifui lvin-<br />
: . :.::iltd one oI laces<br />
': -... :', hands, the rvealttr<br />
. . -::--: h,-,rizontal bands<br />
" . : r:r:,' rhe sides <strong>of</strong> the<br />
' - .-r-r:i\'. the artistic la-<br />
. -.- "'. rth their rich oval<br />
: i:::iriii portil which<br />
- i: :-, rrom a dfeam-<br />
' - ,- .. ln.rired suci-r tleauty<br />
: _ :. -if terl to a plane<br />
"-: r- r:r,le to icel the subl-<br />
. t:r inc l<br />
.- it ,rnce stood. It is<br />
- :iccrr(1. It n'i1l oper-<br />
:. .- 'i a clock-like mech,<br />
\I - .,llr (llters the churclr<br />
l ! i - irr pres.ed by the<br />
- .:.-iic appcararrce <strong>of</strong> the<br />
r: . l'hc constructicln, ar-<br />
:: :,::., -''' slre aking, is in the<br />
- . :- I-:,tin cross ; the r:entral<br />
,'-:::. iarger ancl more spa-<br />
.. - .....-: -,he laterai ones, is di\.-<br />
:r-'ir colonn:ides, the first<br />
'.,,.:-,:ch are oi tnal'b1e with<br />
- : -:.:i, granite u,ith clelicate<br />
. :..- -ihe palement is made<br />
: . --" :,its oi colorecl marbie<br />
--:.a., il geornetric ltgures, the<br />
:.: i- lraintecl in rich ancl fan-<br />
-,. ' :'i,iiarrt colors o{ marrtel-<br />
- ::iI,,n_\'. 'l'he rr'alls o{ tl-re<br />
:: :-::\ r lrrcak that unitv rvhich<br />
,: ', irar-e heen obtaincci"if a ra-<br />
.- .olution had been sought.<br />
. , :-rcr- hetr.ilder us someu.hat.<br />
, ,.-rn,,:t inrmediatell' rve arc<br />
.'.1rrrri br- thc po\\'cr <strong>of</strong> tlre<br />
:. lr-r- the state1l. ricl'rness <strong>of</strong><br />
.: r'tr' :rttrl tli.l,, 'siti, )n ' 'i th(<br />
.-:-. l')'the nrarry colors altci the<br />
.:::--alrle, charnr rii thc various<br />
- ,:. ,rf tl-re light rvhich inurr-<br />
:: iirc ytenuurbrn.<br />
' ::--r't1'rir-rg to the snr:Lllcst cle-<br />
, l-:.. been placecl $'ith extremc<br />
, taste. The atmosphere this<br />
--:.i-: helps us {eel the srveet<br />
', - nr-stic n-relod1' <strong>of</strong> the statel,r'<br />
::.:i ii-hich is norv onc <strong>of</strong> tht<br />
,-: in the l-orld.<br />
,:-. the niosaics <strong>of</strong> the :rpse thc<br />
' ;:ling saints and kings are lost<br />
their rlreanr oi hunrilitv. If<br />
:.t i. struck fir. the tecirrrical<br />
' :r'.\' ;il1(l cx,trri*ite artistic scrrs
TheMqn Who Come Bock<br />
Gtannini Regains Corutrol <strong>of</strong> Transarnerica<br />
((l .ha1l d,r mv lerel best for<br />
f tlre stockholders. hut I am<br />
neither a miracle man nor<br />
a superman and I am relYing uoor-r<br />
ih" continuous co-oPeratton<br />
unA ""tt.tu=iasric suPPort o{ the<br />
stockholders ancl {riends ol<br />
ftutt.u-"tica and our splendid institution."<br />
With this staterrent'<br />
Arnedeo P. Giannini a{ter a<br />
strenuous and h ard -f ou ght<br />
.ituggf., recently acknorvleclged<br />
the ?iusi <strong>of</strong> thousands <strong>of</strong> shareholclers,<br />
many <strong>of</strong> them ltaliarrs'<br />
in sweeping him back into thc<br />
chairmaushiP <strong>of</strong> the huge Transanrerica<br />
CorPoration.<br />
Elisha Walker, tlie \\ra11 Street<br />
banker rvho assumecl Giannini's<br />
oo.itio" in control oi the instilui;""<br />
"p"" the retirement o[ the<br />
latter, r,vas the loser in a fight<br />
for control that attracted the atiention<br />
<strong>of</strong> the entire country ancl<br />
stockholders in more than twentY<br />
foreign countries'<br />
The result brings out <strong>of</strong> retire-<br />
*.*-and Places again into .the<br />
financial field the son ot an ltallalr<br />
immigrant who rose from Pov-<br />
.ttu t'" a cotntnan
F<br />
: - ::::ci!a1 and 1no-qt<br />
:-::i r:s ancl does not<br />
. *.:. '-,pportunity to<br />
. .:::-e1r'es regarding<br />
::.= --- sale. lnerger <strong>of</strong><br />
.. . a:-,i no assurance<br />
-- : gether remain in<br />
' . -. institutions."<br />
l. ' .'tu'een the Gian-<br />
- ',-'-:.lker groups be-<br />
:1t: and larger and<br />
::. an open break<br />
,: i, ,,i ,\merica, with<br />
- :lre. in Ne',1' York,<br />
''. ith t1-re National<br />
.ta1 u-as announced<br />
: '.::se d that the direct-<br />
. :. .. ::::e;tt <strong>of</strong> Transamerrca<br />
- .:.:-, its pledges to him<br />
.- - =:::ed. and indicated he<br />
:-:.r:.: the field to regain<br />
- .ire company he<br />
, :..:-- ,iganized mass meet-<br />
: :.. - r::er stockholders' gatha.<br />
::-:r,ughout the country,<br />
' -: =.'ial emphasis on the<br />
' - .- -,ast. rvhere live the<br />
:..-,' - i the stockholders, in<br />
:,.::: :: to consolidate feeling<br />
"-..:: '- :1.e group headed 1ry<br />
: -.: -,,'"'a1ker-<br />
MESSINA -<br />
: -;iicious fragrance o{ the<br />
--.,--j- and lemon blossoms, one<br />
, , . i.l.red bv the s<strong>of</strong>t balmy sea<br />
::-is and the rhl.thmic dashing<br />
: - :..,'a\-es as regular as the pul-<br />
:.r uf the heart beat.<br />
-- r. also <strong>of</strong> great interest to re-<br />
.:re ancient citv <strong>of</strong> Savoca,<br />
- : -,-i.d on a high rock ',vhich<br />
- ... rlajestically above the rivie-<br />
. ,: Sarfia Teresa di Riva. It<br />
'.:: at ancient castle from tvhich<br />
: can enjoy a splendid panora-<br />
::... and has also many magnifi-<br />
-.:. churches, rich in interesting<br />
' -:ks oi art. The church <strong>of</strong> St-.<br />
, ::.i <strong>of</strong> Agro is a priceless rvork<br />
- a.:t. constructed <strong>of</strong> fantastic<br />
- .:',,-hrome stone in the golden<br />
.J;,-ri cl.raracteristic Siciliin ar-<br />
- l-i:ectr-ire.<br />
- -,:though the present city <strong>of</strong><br />
- --irra has rrnrlergone an inevit-<br />
,.' -. displacement {rom its origin-<br />
.-. r,:an. it alu,a)'s remains in the<br />
- :-rr <strong>of</strong> an amphitheatre around<br />
-:. iarnous port. It is laid out ac-<br />
THII IIAN \Vl:TO CAMIi IIACK<br />
The fight which ensued be-<br />
1\\-eelr tlre Ciarrnini an,l \\-alker<br />
factions took on the colorful<br />
trapoings <strong>of</strong> a political campaign.<br />
E,acl'r group torrrecl the country<br />
hurling accusations at the other.<br />
Each acctisation ltrought a rlenial<br />
and a counter-accusation.<br />
The charges made bv Giannini,<br />
as reported in "Tirne" (Feb. 15,<br />
<strong>1932</strong>), containecl among them :<br />
The steaclr- clecline <strong>of</strong> TTiiisamerica<br />
ancl t1.re stopping <strong>of</strong> the<br />
clividend.<br />
The abanclonlrent <strong>of</strong> tl-re<br />
branch-balrking progran-r.<br />
The unu,arrantecl disposal oi<br />
the Bank o{ <strong>America</strong> <strong>of</strong> Nerv<br />
York.<br />
Sacrifice <strong>of</strong> procluctir.e assets at<br />
bargain prices at private sales.<br />
The raising <strong>of</strong> salaries, ancl extravagant<br />
expense account. . . employment<br />
<strong>of</strong> many unnecessary<br />
high salariecl <strong>of</strong>ficials.<br />
Tf HESE charges \\'ere ans\\.er-<br />
I erl irr kind hy the tlren rnanagement<br />
<strong>of</strong> the Transamerica<br />
Corporation. As the time<br />
neared for the stockholders' meeting<br />
at Wilmington, on Feb. 15,<br />
7932, interest in tl-re battle f or<br />
control <strong>of</strong> Transamerica had<br />
ITS ARTISTIC RENASCENCE<br />
(CorttirulecJ Jront, Page 67)<br />
cording to the modern conception<br />
<strong>of</strong> urban construction, with-long<br />
avenues !,hot enjoy a peaceful<br />
vietv <strong>of</strong> the sea. The long and<br />
r'vide Via Garibaldi is verv biautiful,<br />
as is also the interesting "Passeggiata<br />
cle1la Marina", which<br />
makes possible an enjoyment <strong>of</strong><br />
the treauties <strong>of</strong> the port and<br />
Strait o{ N{essinii..<br />
But the most beautiful and the<br />
r.nost interesting <strong>of</strong> all is the<br />
splendid "Strada della Circonval-<br />
Lazione" rvhich, hugging the<br />
nrountainside with picturesque<br />
turns, leads towards the highest<br />
tops <strong>of</strong> the Peloritani mountains.<br />
These i,vinding roads can be covered<br />
in a short time with an autornobile.<br />
But lor those rvho t-ish<br />
to enjoy the scenery it is suggestecl<br />
that they go by slower means<br />
o{ travel. It is only in this rvay<br />
that the beauties <strong>of</strong> the town are<br />
revealed, beauties rvhich increase<br />
rvith eacl-r step.<br />
69<br />
reacheci a peak unsur-passed ir.r<br />
corporate history.<br />
That the Giannini charges<br />
struck home can be seen rvhen,<br />
in lh" spectacular battle <strong>of</strong><br />
pr_oxies, i.5.371.528 c.,lrt <strong>of</strong> " po._<br />
sihle. l-t.15J.9J0 tnppled Etisha<br />
rr atker lrorrr tlre clrairmanslrio<br />
arrd irrstalle,l -\merleo n C;r""i";<br />
to his fornrer position.<br />
-It is a nra t 1 er ni opin iorr<br />
u,hether Transanrerica *iii ,.._<br />
gain.the position it once had, a<br />
I)os1t1on u'l-riclr car riecl r,r.ith it<br />
asser.s <strong>of</strong> S1.100.000.000. At prei_<br />
ent. its assets. like thosc <strong>of</strong> ,;;;;<br />
corporatiolr.<br />
il:ll.r<br />
lrar.e rfr"_,r;<br />
ed i the_v no\\- lotal approximateil.<br />
$300000.000. Tlre tlir.-"r.r'."i-Jr<br />
Lrtannlilt ts a hrrge one; others<br />
than he u.oul
Remarks on <strong>America</strong>nization<br />
By J. R. SCOPPA<br />
Principal, P. S. 92, the Bronx, N' Y'<br />
OO o{ten <strong>America</strong>nizatior.r<br />
movements have failed bea<br />
cattsc thev rvere l;ased olt<br />
the supposition that all foreign<br />
elements in our populatton are 1nicrior<br />
to the ola native stock'<br />
Programs <strong>of</strong> r'velfare and educationil<br />
organizations have beerr<br />
practicallrr {utile. Much time,<br />
ef tort an
mumrsfrderabll- since 19i3. For exounmpil,e"<br />
tftre United States has inamnlred<br />
it= expenditures 197 per<br />
:rer:: _iapan. 142 per cent; Great<br />
*-=ir- {2 per cent; France 30<br />
;cs' crrr: Ital-v. {l per cent, and<br />
R.:a-
HE lteparations Confelence<br />
u,ill be lield in June, follot'ing<br />
an agreement reached<br />
by the govelnments interested.<br />
"1'he object <strong>of</strong> the Con-<br />
{erence", says a dispatcl-r <strong>of</strong> the<br />
Ste{ani Nervs Bureau, "u'i11 be to<br />
come to an a€lreement regarding<br />
zi lasting settlement <strong>of</strong> the question<br />
raised in the report <strong>of</strong> the<br />
llasle experts and ('ollcerning<br />
lvays and means <strong>of</strong> overcoming<br />
the economic and financial di{ficulties<br />
lvhich have brought about<br />
and rvhich may prolong the present<br />
rn'orlcl clepression."<br />
This decision taken by the gol'ernments<br />
should be rvelcomed<br />
for tu'o reasons: first oi all because<br />
the Conference, u'hich at<br />
first seemed to have ireen postponed<br />
sine die, u'i1l be heici on a<br />
fixed date; and in the seconcl<br />
piace, because it proposes a "last-<br />
REPARATIONS<br />
(From an editorial in "ll Legionario" <strong>of</strong> Rome)<br />
HE l{on. Satr-ruel Dickstein,<br />
Congressman fronr Nerv<br />
York State, has srrbn-rittecl<br />
to that body a bill aiming<br />
at the exclusion <strong>of</strong> foreign artists<br />
from <strong>America</strong>n "talliies".<br />
<strong>America</strong>n movies for the Auterican<br />
!<br />
And norv there is beirtg raisccl<br />
at Hollyu'ood that oclious banner,<br />
jingoistic ancl chauvinistic, rvhich<br />
rvas un{urled not long ago for<br />
some time in Nes' \'lork against<br />
foreign artists <strong>of</strong> the stage, an
C<br />
I<br />
f<br />
F<br />
5<br />
s<br />
F.<br />
e<br />
F<br />
e<br />
il<br />
-<br />
E<br />
F<br />
!-<br />
e<br />
;<br />
l'<br />
t<br />
i<br />
:<br />
the ltalian Press<br />
rm rrle"uu- and the most fruitful {rom<br />
llr'e 6--..n,'.mic_<br />
tr-alenrino. Chaplin, Arliss, Garr',-,--hrvaiier.<br />
-[annings and so<br />
nnnsrnn ,i,ithers orve to <strong>America</strong> their<br />
iiflr'miert succrsses; but on the other<br />
ln-r'm' fl- the]- har-e contributecl in<br />
lam"g'e p,art to the gigantic dem'eful<br />
i,ment. to the victories and<br />
rhe w-ealth <strong>of</strong> this flourishing Am*er-lran<br />
industry.<br />
[mL th.r rreld <strong>of</strong> the theatre, as in<br />
r\i,e{Fr alaistic fie1d, there has al_<br />
wa"rs bern a great international<br />
.exocft,a:ge oi "stars", and this excftmmgr<br />
has s1;iritually and econo-<br />
ITALY AND FRANCE<br />
ooo<br />
(From an editorial by ,Concetto Pettinato in "La<br />
$ta'npa" <strong>of</strong> Turin)<br />
Htr article publishecl not<br />
long ago in the "Tem,ps" <strong>of</strong><br />
Paris has been follorvecl bv<br />
quite a fer,v others <strong>of</strong> th!<br />
:urmt character, r.l'hich have app'ear-rd<br />
in papers <strong>of</strong> ltoth the Left<br />
L:,r the Right. For the first time<br />
;i::ce the War, a certain unanim-<br />
,l"r 5s6111. to be alrout to establish<br />
rtsrl: in France concer-ning the<br />
::,r-.-enience o1 5llirsging Frar-rcoirulian<br />
amity {rom - among the<br />
i.:Ir: -<br />
ooo<br />
-\lr,trrt-faces that are too suclden<br />
al-!\a_\-s leerl to perplexity. 'l-rue<br />
it i: that, on the surface, this par-<br />
:icular about-face may l;e explainc1:<br />
b1- the change in pilot at the<br />
'-'uai d'Orsar'. On second examilation.<br />
holrlr.er, this explanation<br />
,i.-,ts not holil goocl. I-aval ha,"<br />
t'cen dictating Frencl.r fore;gir po1-<br />
r\_r uuL srrlce Ille t)eglnnlng c)I f<br />
icr- not since the lteginni<br />
lij3l. btrt irorrr tlre l,ecirruirrg <strong>of</strong><br />
l!'31. Berthelot, r,vlro, as e\reryone<br />
knows, l'as the soul <strong>of</strong> I-aval's<br />
predecessors. has not ruor-erl<br />
lrom his throue. r\ ci-range in lrersons,<br />
therefore, \\,e l-rar.e not had<br />
rnically given nerv life to every<br />
unclertaking; it has lecl to the rapid<br />
dei'elopment <strong>of</strong> the arts in all<br />
countries, especialiv in the younger-<br />
natic-rns.<br />
'l-cr put up barriers to this excl"range<br />
n,oulcl be an unpardonaltle<br />
rnistake and learl to certain harn<br />
\\,-e are glacl, there{ore, to report<br />
that the Anrerican press has alrercly<br />
begun to manifest its hostilitv<br />
to the l)ickstein project, just<br />
as, in its time, it u'as hostile to-,zrnd<br />
wrecked- the proposals against<br />
the sigrrir-rg up <strong>of</strong> stage artists<br />
rvho l.cre not <strong>America</strong>n citizens.<br />
Why shoulcl there be a change in<br />
po1ic1'?<br />
ooo<br />
'lhe present shift is a matter <strong>of</strong><br />
zut improvisation, ancl not a<br />
slorr.ly maturing policy. Sorne<br />
ohesrvers naturally suggest that<br />
tlie secret <strong>of</strong> this suclclen lvarrnth<br />
can be founcl in the rn.orry instilled<br />
in France by the clisarmament<br />
c, )li Ierence. This snpl,usition is<br />
rr't 1111liLa1t, l)11t to nre it seems<br />
ttro re:trit'tir c. trIotc irtrportant<br />
:rre the rvorries occasionecl by the<br />
rli[ficult-r' <strong>of</strong> re-estahli-hing' a prelr'ar<br />
Jlntente rvith Great Britain.<br />
l'he rise to power o{ the Tories,<br />
on rvhom France hacl placed such<br />
great hopes, has in this respect,<br />
bern a bitter clelusion.<br />
F-rance nou, is a victirn <strong>of</strong> a bizarre<br />
r.icious circle: the stronger<br />
she becomes tire rveaker Anglo-<br />
Fre nch frienclship becomes, ancl<br />
the rveaker Anglo-F'rench frienclship<br />
becomes, the rveaker F-rance<br />
fee1s. Paradoxically, one rnigl-rt<br />
aln'rost say that to lte strong,<br />
France should be weak, at least,<br />
n,eak enough not to cast her shailon<br />
or.er E-ngian11.<br />
73<br />
The tariff barriers against the<br />
proclucts <strong>of</strong> soil or industry-.<br />
which lrls, r har c u r,,rrght inialculable<br />
clamage cannot be blind-<br />
1y appliecl to art anrl artists, without<br />
mortally uroun
74<br />
that on the continJnt there shall<br />
be no more groups <strong>of</strong> interests organized<br />
in exclusion <strong>of</strong> others.<br />
The era <strong>of</strong> constellations is finished,<br />
or, to put it better, the duty <strong>of</strong><br />
everv great people is in applying<br />
itseif to rvhat has been finished"<br />
As regards Italy, she rn'ould be<br />
rlcing scmething <strong>of</strong> doubtfui<br />
rvorth in abandoning her presentday<br />
libertv <strong>of</strong> movement in order,<br />
as the oracles <strong>of</strong> the Parisian<br />
l)ress seem to imply, to take her<br />
HE conilict betrveen China<br />
and Japan has Put the<br />
United States in an em-<br />
barassing position. The<br />
ATLANTICA, APRIL,<strong>1932</strong><br />
place in the system <strong>of</strong> French Europe,<br />
taking on herself the enormous<br />
burden <strong>of</strong> defending an order<br />
o{ things that leiks on all sides,<br />
and u'hich France herself now no<br />
ionger knor'vs hor.v to uphold<br />
against the natural destiny <strong>of</strong> all<br />
decaving things.<br />
The subject <strong>of</strong> Franco-Italian<br />
frienclship, rvhen once it expands<br />
outside <strong>of</strong> the compass <strong>of</strong> the<br />
good relations based on neighborliness<br />
and business (which are deooo<br />
WHAT ABCUT SOMALILAND?<br />
(From an editorial by Marco Pomilio in "L'Azione<br />
Coloniale" <strong>of</strong> Rome)<br />
RULY, lve speak too littte Furthermore,. having Ior - the<br />
<strong>of</strong> Somaliland in the daily time being territories not endowand<br />
periodical press ot ed with the best attributes <strong>of</strong> fer-<br />
Italy. On those rare oc- tility and prosperity does- not at<br />
casions lviren the pen <strong>of</strong> the co- all mean, in substance, that our<br />
lonial or pseuclo-colonial rvriter solid, traditional virtues as colonturns<br />
to it, it is usually to beat izers should not find a yay o!<br />
down t',vo three obviols paths' digging forth commercial and<br />
that have already been traversed marketable values out <strong>of</strong> the<br />
and re-traversei hundreds <strong>of</strong> many thousands <strong>of</strong> square kilotimes.<br />
meters now in our possession in<br />
x< * * Airica. To do this, it is necessary<br />
It is saicl : rve have the worse to begin by knowing exactly all<br />
African territories. Very true, that can be'done and all that can<br />
this, when one thinks <strong>of</strong> the mag- be drawn from our colonies, frorn<br />
nificent attributes given to t[e all our colonies rvithout distincmandates<br />
ancl the -territories <strong>of</strong> tion. Today there is much talk<br />
other nations in comparisoh to our going on about Tripolitania; it is<br />
rights, keener today than yester- just that this should be so, for it<br />
AJy, ;,-, the Black iontinenl. is the land in which Fascism has<br />
<strong>America</strong>ns are f ollorving lvith<br />
keen eyes the events in the Far<br />
East, where they have vital Political<br />
and economic interests to<br />
safeguard. Since the JaPanese<br />
advance began, they have entertained<br />
trro contrasting sentiments:<br />
on one hand, the desire to<br />
keep out o{ the trouble and not to<br />
let it precipitate them into a general<br />
imbroglio by some false<br />
move, ancl on the other, the firm<br />
clesire to contain within reason-<br />
ooo<br />
AMERICA AND THE ORIENT<br />
(From an article in "Il Mattino" <strong>of</strong> Naples by its<br />
New York correspondent.)<br />
able limits the expansionist aims<br />
<strong>of</strong> Japanese imperialism.<br />
The <strong>America</strong>ns want to keeP<br />
out <strong>of</strong> the Manchurian confiict,<br />
they want to keeP out <strong>of</strong> anY<br />
r'voild war that may follow the<br />
breaking <strong>of</strong> international treaties'<br />
But while {heir determination is<br />
firm to keep the peace and to hold<br />
themselves alo<strong>of</strong> from the clash<br />
<strong>of</strong> Oriental peoples, they are finding<br />
themselves, against their will,<br />
immersed up to their necks in the<br />
Asiatic imbroglio. <strong>America</strong> cannot<br />
withdraw from the field <strong>of</strong> action<br />
or decline any responsibilty<br />
rvitl-rout going back on its own<br />
siretl antl desiralrle alwaYs and<br />
n'ith everyone), implies the premise<br />
<strong>of</strong> a rvide revision o{ the<br />
French foreign policy, which is today<br />
too dangerous for Peace becartse<br />
it is too much in contrast<br />
with the necessity for a haruronious<br />
and eqluable adjustment on<br />
the continent. Is France PreParec1<br />
for such revision? It does not<br />
seem as yet that the rePlY to this<br />
cluestion is rvhat it ought to be'<br />
giveu the most organic and<br />
iorverful example <strong>of</strong> its colonizing<br />
uirtu". and caPabilities. It is'<br />
however, also true that manY<br />
people spbak <strong>of</strong> it because it is<br />
1".., to do so, considering that<br />
what has been done <strong>of</strong>fers a large<br />
amount <strong>of</strong> material for comment<br />
and appraisal, some <strong>of</strong> rvhich has<br />
ended up by being-we cannot<br />
avoid the ugly rvord-standardized.<br />
Conclusion: besides TriPolitania,<br />
the press should occuPY itsel{<br />
exhaustively, r,vith clear and<br />
especially interesting treatm.ents,<br />
also with the other colonies, in all<br />
their economic asPects.<br />
In the meanwhile, as to that<br />
which most directlY regards us,<br />
we intend to begin in the verY<br />
near future to iliustrate, as exhaustively<br />
as possibie, the various<br />
possibilities which Somaliland<br />
-<strong>of</strong>fers to men <strong>of</strong> good rvill.<br />
treaties, rvithout contrilluting toward<br />
destroYing the \-ery organization<br />
she created so as not to be<br />
involved in future wars.<br />
The Nine-Power TreatY, which<br />
suarantees the territorial and adininistrative<br />
integrity ot China, is<br />
a treaty promoted bY <strong>America</strong>,<br />
and <strong>America</strong> did not live uP to it<br />
'"vhen she failed to invoke it against<br />
lapan, who had violated it'<br />
itr" .u-i applies to the Kellogg<br />
Pact. But the Hoover Administration<br />
did somethrng worse: bY<br />
letting Japan know that <strong>America</strong><br />
would keep out <strong>of</strong> the conflict, not<br />
only did she give JaPan a free<br />
hand, but she cut <strong>of</strong>f the waY for<br />
active intervention bY the League<br />
<strong>of</strong> Nations, thus weakening beforehand<br />
any possible action on<br />
its part.
M{JSIC<br />
By Morgherito Tirindelli<br />
RESPIGHI'S "MARIA<br />
EGIZIACA" PREMIERED<br />
rf HE edvrrrt <strong>of</strong> Ottorirro Respighi<br />
I and Bernardirro Molinari and the<br />
^ revival <strong>of</strong> Bellirri's "sounambula"<br />
have eclipsecl the importance <strong>of</strong> ali<br />
other events during thc last six weeks.<br />
Of these, the production oi Respighi's<br />
"Maria Egiziaca" \vas perhaps the<br />
n-Lost auspicious. f'his new r','ork <strong>of</strong><br />
the Maestro lvas given r''ith the aid <strong>of</strong><br />
the New York Philharmonic Orchestra<br />
and soloists, first {or the pension fund<br />
concert and secondly as a part <strong>of</strong> the<br />
rcgular Philharmonic subscription conccrts.<br />
"Maria Egiziaca" is subtitled<br />
\,Iystery Triptych for concert," and the<br />
composer asks his listetrers to "hear<br />
and r'vatch siniply, credulousll', iike the<br />
faithful pcople n'ho assist at a mystery<br />
or a religious procession." In a personal<br />
talk with the rvriter, the composer<br />
sairl tlrat irr rlris rvork he tried to<br />
bridge the gap between opera and concert,<br />
rvhile more broadil' speaking he<br />
has successfulll' created a work which<br />
belongs in its drarnatic form to the<br />
l)ure, simple mystery plays <strong>of</strong> the<br />
\,f iddle Ages, rvhile employing thc<br />
rnodern musical idiom.<br />
The importance <strong>of</strong> Respigl'ri as a<br />
composer rnacle the performance on<br />
Nlarch 17 a significant one and a large<br />
and represcntative audience was at<br />
hand to bccorne acquainted n'ith this<br />
next to iast u'ork <strong>of</strong> the musician who<br />
also conceived the "Pines <strong>of</strong> Rorne"<br />
and the "Sunken Bell".<br />
T1're picturesqueuess <strong>of</strong> the performance<br />
added to its ir.rterest. The stagc<br />
at Carnegie Ha1l had a superimposed<br />
platform to the right <strong>of</strong> t'hich a small<br />
errchestra supl'licd llte accotttpanimettt<br />
and syrnpbouic illustration for the personages<br />
who saug aud acted the mystery<br />
1n three episodes, connected with<br />
orcl.restral interludcs. At the rear ol<br />
the platform there rvas a golden trtptych<br />
u'ith tlvo closcd doors swung<br />
open, after ar-r interlude, by a pair or<br />
angels, The inside <strong>of</strong> thc triptych revealed<br />
three pictures set side by side<br />
in the golde n {tame: the harbor <strong>of</strong><br />
Alexandria, a desert beyoud the Jorclan<br />
and the cloor <strong>of</strong> the Tcmple ot<br />
Jerusalem. 'llhe auditoriunr was kcpt<br />
in darkness, illumination cetrtering on<br />
the perfornrance. There t'as a chorus<br />
<strong>of</strong> nixed voices.<br />
Briefly, the libretto exposes the sius<br />
<strong>of</strong> Mary <strong>of</strong> Egypt, her repentance and<br />
expiation. 'I.'l're composer was confronted<br />
rn'ith the difficu1ty <strong>of</strong> mixing<br />
his music lr'ith the style <strong>of</strong> his subject'<br />
a f act 'lvhich he bridged del'tly, producing<br />
music <strong>of</strong> feeling aud al'w'ays <strong>of</strong><br />
masterful rvorkmanship. He rvas also<br />
expert in clepicting the character <strong>of</strong><br />
rlysticism ancl religious fervor with<br />
both draura and passiou; meiodY<br />
abounds ancl the r,vriting is fluent es-<br />
pecially in the vocal 1ine. 'I'he u.ork<br />
opens up possibilities ancl lvhether or<br />
not these are ever carried into being,<br />
the fa.ct remains that Respighi has <strong>of</strong> -<br />
fered an original solution to the routine<br />
<strong>of</strong> concert and opera which is grorving<br />
obviously uniuterestir.rg.<br />
ma", but nonetheless ef fective. Miss<br />
Pons and Mr. Gigli sl-rared in a demonstration<br />
vrhich they truly deserved,<br />
for. neither artist has been heard to<br />
better aclvantage.<br />
O<br />
COMMENTS OF MUSICAL<br />
INTEREST<br />
f he participants were Charlotte<br />
Boerner as Maria, Nelson Eddy as the<br />
Abbot and Pilgrim, Alfredo Tedesco as<br />
the Sailor and Leper,, Hclen Gleason<br />
as the Mate, Blind Woman and Angel's<br />
Voice ancl Myrtle Leonard as Anotlrer<br />
Matc and Beggar.<br />
o<br />
,LA SONNAMBULA''<br />
FTER an absence <strong>of</strong> sixteen Years<br />
from the Metropolitan OPera<br />
stage, Vincenzo tsellini's "La<br />
Sonnambula" was revived for the parabourrdiug<br />
iu rttelo,ll'. I<br />
Evcryone knon's Lr1' tlris time tlrat /G\<br />
rhe 1'lot <strong>of</strong> "sonnanrbula" revolves / \<br />
arourrd rlre supposcd urrfaithfu.luess_ <strong>of</strong> t ffit:* ) stnrn cESTER GARDINI<br />
Arrrina, due to lier sounanrbulistic ha- \ W ; I -<br />
r-r H L, nrost itt:portallt recent all-<br />
I nouncenlettt h"a.on'" frortl the<br />
r' boarrl <strong>of</strong> Llre Philharrrtonic Symphony<br />
concerts to the effect that Toscaniui<br />
will return on <strong>April</strong> 28 to concluct<br />
one colcert for tl-re benefit <strong>of</strong> the<br />
unenrployecl rnusicians <strong>of</strong> Amertca.<br />
o<br />
It is run-rorecl that Ifolinari will rcturn<br />
this sunrllter to conduct on the<br />
Pacific Coast.<br />
o<br />
Respighi has returtrecl to Italy to resurne<br />
his classes at Sauta Cecilia ancl<br />
to begin work on a "choral orchestral<br />
symphony for tl-reatrical performance,"<br />
for which he will have the collaboration<br />
<strong>of</strong> D'Annunzio otr the libretto,<br />
rvhich rvi11 be cal1ec1 "La Vergine e la<br />
C itta'."<br />
o<br />
Giuseppe cle Luca has been nomiuated<br />
for Grand Officer <strong>of</strong> the Crown <strong>of</strong><br />
Italy by the King.<br />
o<br />
Ottorino Respighi and Pizzetti have<br />
been nominated as nrembers o{ the<br />
Royal Acaclemy <strong>of</strong> Ita11'.<br />
e<br />
Rose Teutoui, artist pupil <strong>of</strong> Enrico<br />
Rosati, replaced Charlotte Boeruer it-t<br />
a recital <strong>of</strong> R espighi n-rusic given ai<br />
the Casa Italiana by 11t. Dante Alighicri<br />
Society, u'hen the latter artlst<br />
was unable to participatc clue to i1!ness'<br />
Miss Tentoni possesses a voice <strong>of</strong> tlatrrral<br />
lreauty att,l Porver.<br />
o<br />
Many dinner, receptions aud soirees<br />
r'vere given during the Respighi sojourn<br />
in New York, outstanding being those<br />
<strong>of</strong> Berta Gerster Gardini, X'Iaria Carreras<br />
and Mrs. Liolel Perera.<br />
O<br />
Irma Aivano, artist pupil <strong>of</strong> lvladame<br />
Carreras, was hearcl in a recital at<br />
'Iown Hal1 rluring }larch and displayed<br />
a fine technical development. An,<br />
other talent under tl-re guidance ot<br />
ticular interprctation <strong>of</strong> Lily Pons as Madame Carreras is Glarrco D'Attili'<br />
ten-year-old child rvonder rvho was<br />
Amina and Gigli as Elvino. The trvo<br />
recently heard in a private audition at<br />
artist coui
:. ! i..<br />
ng<br />
rre-<br />
:<br />
il r<br />
i:<br />
for<br />
.,E"HAT READERS THINK<br />
OF TFIE NE\T ATLANTICA<br />
::. ---1. ietrers that we have received concerning the new feat-<br />
::: :.::.. in the March issue. Herewith we reproduce a few.<br />
' -:_: ajtttca:<br />
:.,: \Iarch number <strong>of</strong><br />
- , :.., i: s'ith great inter-<br />
,-..: '. a.:r interesting num-<br />
-::::. aD1\- edited and ad-<br />
-'. - I see no reason rvhy<br />
- : - :t.rr be in the honre<br />
: ;.:..r-reading Italian who<br />
, , :::at irr preserving and<br />
: ::: .l:tural traditions the<br />
: :::- Eenuine contributior]<br />
. _ :nelr acoptlotl.<br />
-- _.rdia1lt,,<br />
EDWARD CORSI<br />
_...- aj Jnmtigra.tiort,<br />
- i.: I;lartd, N. Y<br />
;-LtIanlica:<br />
:::--a has norv become a<br />
:,-a:ion; arrd as a cultural<br />
': i sal that it is devoted<br />
'::: ,tCl cauSe.<br />
],,'u 1]'11/ Congratulations<br />
l.::.<br />
'i'cr1' truJy yours,<br />
JOHN J. FRESCHI<br />
:, .rt <strong>of</strong> (]one ' rLt Nl,"s orzr,<br />
-\-r u' I"orl Cr,lrr<br />
, -::'- :r pubblicare nel numero<br />
-.:::i 8th) del mio giornale<br />
r : :: t-liicago) la mia mode-<br />
:.. ::'. orclinc alla sua pubbli-<br />
- --- i.r:ica", che tanto contri-<br />
- -:--r:tdcre f italianita' in A-<br />
.. creJrrru pirr' corrr.cnicrrtc<br />
:.-- -.:to giudizio anziche' co-<br />
::- ..:1ettera. Corr r-nigliori au-<br />
, . . .':-ui.<br />
Devmo-<br />
OSCAR DURANT'E<br />
Chir:a ,t<br />
' -' i-: the up.preciatiort utrit-<br />
. Durart,te, u:ho, as lljs let-<br />
: .-lqte. is also ui.ce-prtsidttft<br />
:,:,1o Board ol Edttctttion).<br />
: :::- I' con piacere che Atlan-<br />
. :::ieressante rivista bilingue<br />
: ? nLrye anni rappresenta un<br />
' .. :,;l ir l irr quc,ti paesi, seguc<br />
. .r i1rrp1',r rrtaggiore c risport-<br />
: .:::cI.tc al ilobile :copo il]]-<br />
, : ,tirantare fra gli italo-arle-<br />
.-, i t iLtarlini di alrre rraziorra-<br />
;:iisto riconoscinento dc11a<br />
::: ::a1ica attraverso i secoli.<br />
- . :::-ista dovrebbe essere. a pa-<br />
..: . i1 "\:ade tr{ecurn" di ogr.rr<br />
: re live da questa partc clel-<br />
.t.': ,,r ol Atluntiur,:<br />
: ::r ,;c.ugltl-v itr accorcl with the<br />
:: :i ai -\tlarrtica has sct for<br />
, :-ar-e been grcatly intcrestecl<br />
: r enr <strong>of</strong> thc secorrcl gerlera-<br />
::. italians who came to Alnc-<br />
: ::. begirrning <strong>of</strong> the cclrturlr'.<br />
:: :'.' i arnillg a living, the trans-<br />
:= :: :lie cultural inheritances <strong>of</strong><br />
. ::.r\ ii a. :rcglected.<br />
- - .i - .nc,rrrrl qerrcration rrorv<br />
find thenrselves lvanting to appreciate<br />
tho-se inheritanccs but lacking the<br />
means or mode. <strong>Atlantica</strong> solves<br />
the problem. It supplies the mcans.<br />
Those not knor,ving the langnage, car-t<br />
obtain an harmonious account <strong>of</strong> the<br />
cultural, historical, contmercial and<br />
social rise <strong>of</strong> the Ital-ians at holre and<br />
abroad.<br />
Yours ver-v tru'y,<br />
PETER SAMMARTINO<br />
CoLIege oJ the City oJ Neu 1'orl;,<br />
'l'o th,e EdiLor oJ Atkm,tica:<br />
I have alual: lreerr arr arlrrr.rcr ol<br />
)'our magazine <strong>Atlantica</strong> a1ld nry<br />
er.rthusiasm has grown upotr reaciing<br />
1'our last nurnbers. Topics touchirrg<br />
on political questionsJ on literature antl<br />
art blend in then vcry beautifully and<br />
adcl a great deal to one'-s culture. \{aga-zines<br />
play an important aprt in dcveloping<br />
the cultural background <strong>of</strong> the<br />
average man. They bring culture into<br />
the home and they supplement schools<br />
and universities in sprcacting it. Our<br />
rlodern .cociety neecls such a vehicle oi<br />
culturc very [ruch and Atlatica<br />
has a rviclc field before itself in entering,<br />
at it cloes, the homc <strong>of</strong> our Anrerican<br />
citizens ol Italian extraction.<br />
\\iith regards, I anr<br />
Sincerell.<br />
Pr<strong>of</strong>. DOM1ENICO VITTORINI<br />
(|nit,ersit11 oJ Pennsyluani.a,<br />
Philatlelphia, Pa.<br />
To th.e Editar oJ <strong>Atlantica</strong>'.<br />
\Ve rvish to thank you for the in{ormation<br />
you sent. You may be surc<br />
that \vc woul,l lot a.k ior I our Illagazine<br />
unless wc found it <strong>of</strong> real use.<br />
The Library is not in a position to exprcss<br />
any more <strong>of</strong> an opinion than this<br />
in regard to periodicals. \\'e are anxious<br />
to rcceive your magazine and to<br />
preserve it for permarlent use.<br />
Very truly yours,<br />
K. D. METCALF,<br />
C hiel ol the IleJt'reru:e De'partntettt<br />
New York, PLrb-ltc Libraru<br />
1'o the Editot' oj Atl,antica'.<br />
Your nerv :\tlantica, in m1' opinion,<br />
has an irresi:tible cye appeal and<br />
does credit to tl.rc creative artistry <strong>of</strong><br />
our Italian race.<br />
Tl.re nragazine itself, nith its innovations<br />
that :rre progressive, should attract<br />
new subscriber. irom thq rising<br />
generation born <strong>of</strong> Italian imnrigrant<br />
parents, r'vho are so little accluaintecl<br />
rrith the rvonderful hcritagc that has<br />
come down to them.<br />
A rnagazine rvith a definite ntissiott.<br />
srrch as your <strong>Atlantica</strong>, has assumed,<br />
can do a great service in keeping alive<br />
lhe love <strong>of</strong> r.rrother coul]trf iu our ltcarts<br />
ancl keep that menory grecn, e\rer<br />
rnirclful <strong>of</strong> the race fronr rl'hich rve<br />
irave sprung. because no lnal] can cver<br />
a1rou11t to much rvho is not linked<br />
77<br />
rvith the highest aspirations <strong>of</strong> his<br />
race, and no man who would despise<br />
the noble traditions <strong>of</strong> his Fathers and<br />
Nfothcrs can evcr come to suprelnacy<br />
<strong>of</strong> an-v va1ue.<br />
Cordially yours,<br />
P1ETER CAMPON<br />
Binglmmton, N. Y.<br />
To the Editor oJ <strong>Atlantica</strong>:<br />
Ab.out two ]'ears ago, a copy <strong>of</strong><br />
AtlzLntica calne by chance into<br />
rny hands. It interested rne because,<br />
having relatiorrs irr many ways r'vith<br />
Italians and Arnericans <strong>of</strong> Itaiian origrn,<br />
it seerned to me to contain al uuusual<br />
variet-v <strong>of</strong> l.ell selected informa.<br />
tion both iu E,nglish and Italian particularly<br />
rvell suited to both trtalians<br />
ar-rd to those intercsted in Italian ianguage,<br />
litcrature, history, fiue arts, politics,<br />
and, especial11.-, the clail-v happen-<br />
:,ng both in t1-ris country aucl in Italy<br />
that are noteworthl'.<br />
The fact that this magazinc has gone<br />
on successfull-v for nine years is pro<strong>of</strong><br />
in itself tirat it appeals to a goodly<br />
trumber <strong>of</strong> reaclers rvho appreciate the<br />
material it contair.rs.<br />
X[oreover tlrc revicri' is progressive<br />
and abreast <strong>of</strong> .tirnes, r,r.ith an<br />
eJe c\rer to improvement" The \{arch<br />
<strong>1932</strong> number, for instance, is notcworthy<br />
in this respect, the r.runrber <strong>of</strong><br />
outstancling contriltutions being noticeable<br />
as are also the ir.rnovations and<br />
irnprovernents. Although particularly<br />
rvcll applied to our I1alo-Arlerican<br />
constituency, thcre is at the same time<br />
nruch that cannot fail to be <strong>of</strong> interest<br />
ancl <strong>of</strong> value to the general reader. To<br />
all such Atlarrtica ; may be. cordially<br />
and unreservedly recornrnendecl.<br />
JAMES GEDDES<br />
(.'lL'nrcn Dept. <strong>of</strong> R.on'tctrtcz l.anguailt-s<br />
B o.s t on (.i n i t, er s it tJ<br />
To th.e Editol oJ Atlaruticct'<br />
A *,ord about Atiantica. lhe<br />
getteral make-rrp {t]'pc. fornrat, l)rler)<br />
r: good. \\-itlr 1'our irrterrtiorr ro continue<br />
"<strong>Atlantica</strong> in Italiar.ro" I thoroughly<br />
disagrec. It means nothiug but<br />
an unrlecessary outlay <strong>of</strong> money. Sonte<br />
<strong>of</strong> the articles ]'ou use are ligl-rt, anci<br />
by light I mean that they are not<br />
nreatv enough, amateurish (e. g. 'I'ile<br />
(irorr tlL <strong>of</strong> Italian irr Arnerica). Your<br />
"Selections from the Italian Press" are<br />
rrot and tlierr irrulevarrl.<br />
In closing, <strong>of</strong> course, I do .r,vish to<br />
cxpress to you nty heartfelt good<br />
n-ishes for your eclitorial success. And.<br />
if I rrray be oI any service lo you.<br />
please do not hesitate to call on me"<br />
Sincerely yours,<br />
A. MARINONI<br />
Uniuersity <strong>of</strong> Arkansas<br />
Fauetteu,ille, Ark.<br />
'l'o lhe Editor ol At,lanti,ca:<br />
I rcccive and carefully peruse l,rour<br />
rcvr'er'". <strong>Atlantica</strong>, and I nust say I am<br />
r, r,r' sali=fied rr ith it> reccrrf jmIroverrrents,<br />
befitting the further dcveloprrrent<br />
oi thc nragazile.<br />
tr'ery trtLl.y yours<br />
BENIAMINO. GIGLI
SPORTS<br />
CUCCINELLO TRADED TO<br />
BROOKLYN<br />
.f N the most imuortant deal <strong>of</strong><br />
L the spring bascball Perior[.<br />
Ernest Lombardi, Babe Herman<br />
and Wally Gilbert <strong>of</strong> the<br />
Brooklyn club lvere traded to<br />
Cincinnati for Anthony Cuccinello,<br />
Joe Stripp ancl ClYde Sukeforth.<br />
The tracle brings to the Blooklyn<br />
Robins one <strong>of</strong> the most PoPular<br />
Italian ball players in the<br />
majors, and at thc same time<br />
sencls to Cincinnati another ltalian,<br />
r,vho, in his first year <strong>of</strong> major<br />
league baseball, bicls fair to reacl<br />
the heights.<br />
Tony Cuccinello, a native <strong>of</strong><br />
Long Island City, has made rapid<br />
strides in reaching the top o{<br />
the baseball world. A tyPical<br />
product <strong>of</strong> the numerous sandlots<br />
scattered throughout the countrY,<br />
Cuccinello first broke into organized<br />
baseball with the Syracuse<br />
nine <strong>of</strong> the International League.<br />
This was followed by brief aPpearances<br />
rvith Lar'vrence, L)atrville.<br />
and Columbus. In 1930 Cuccinello<br />
signecl up rvith thc Cincinnati<br />
Reds as an infielder.<br />
The first year with Cincinnati<br />
found "Chick", as he is familiarly<br />
called, in a utility role. Last year<br />
the Astoria Italian lvas a fixture<br />
at second base and batted fo,r a<br />
percentage <strong>of</strong> .318.<br />
Ernest Lombardi, husky catcher,<br />
alternated at the BrooklYn<br />
backstop position last year. But<br />
the chances are that Cincinnati<br />
r,vill use him as a regular. Lombarcli's<br />
batting ayerage last vear,<br />
his lirst in the majors, u'as slight-<br />
1y under the .300 mark.<br />
Before playing in a Brooklyn<br />
uniform Lombardi \vas a member<br />
o{ the Oakland nine <strong>of</strong> the Pacific<br />
Coast League.<br />
ITALY SELECTS OLYMPIC<br />
FENCERS<br />
LWAYS a strong contencler<br />
in the Olympic fencing<br />
matches Italy has already<br />
selectecl tl-rose rvho rvill compete<br />
under her colors at Los Angeles<br />
this sr:mmer. Seventeen {encers<br />
have lreen selected fronr the large<br />
fie1d o{ contenders. 'jlhese rneu<br />
har e comntenced a rigorous tt'airring<br />
period under the sharp eyes<br />
o{ a man rvho is considered the<br />
greatest fencer alive - nonc other<br />
than Nedo Nadi.<br />
Tony Cuccinello,<br />
now at Znd, base lor Broolilan.<br />
Nedo Nadi is rememberecl bY<br />
<strong>America</strong>n followers <strong>of</strong> the flashing<br />
foils for his masterful exhibitions<br />
in this country in 1930. His<br />
skill and grace while executing<br />
his most famous stroke -<br />
"the<br />
advance thrust" (a stroke<br />
rvhich fer'v fencers dare attempt)<br />
brought exclamations <strong>of</strong> wonderment<br />
from his <strong>America</strong>n alldiences.<br />
Holder <strong>of</strong> five OlymPic championships,<br />
Nacli is expectecl to<br />
produce a number <strong>of</strong> finalists in<br />
the coming Olympics from the<br />
young men now in training under<br />
him"<br />
The men selected are: For the<br />
epee-George Chivacci, Leghorn ;<br />
Gioacchino Guaregna, \{ilan; Gustavo<br />
Nlarz,i, Leghorn; Giorgio<br />
Pessina, Ron-re, ancl Ugo Pignoti,<br />
Milan.<br />
For the sworcl-Carlo Agostini,<br />
Nlilan; Gian Cornaggia, Nlilan;<br />
Renzo \{iloni, Nlilan; Alfrecl Pezzana,<br />
Vercelli; Sar.erio Ragno,<br />
Venice, and Franco Riccardi, Nfi-<br />
1an.<br />
78<br />
]:-or the sal;re-Renato Abselmi,,<br />
Naples; Arturo cle Vecchi<br />
Naples; Giulio Ganclirri' Rome:<br />
Guitavo Marzt, Leghorn; Ugo<br />
Pignotti, Florence, ancl Emiiio<br />
Sulafio, Palermo.<br />
ITALIANS TRIUMPH IN<br />
GOLDEN GLOVES<br />
NE {ourth <strong>of</strong> the youths who<br />
took part in the finals <strong>of</strong> the<br />
Golden Gloves A ur atelt r<br />
Boxing Tournament recentlY at<br />
the NIaclison Scluare Garclen in<br />
Nelv York were o{ Italian clescent.<br />
Of these eight boxers, four<br />
rvon the championships <strong>of</strong> their<br />
respective classes.<br />
Louis Salica took the Il2potrnd<br />
open class title rvhile Vincent<br />
De Lucia u'ou the diadem<br />
<strong>of</strong> the same weight in the sub-uovice<br />
class. Peter Caracciola u'as<br />
crowned 126-pouncl open class<br />
champion.<br />
Thomas Pontccorro, a high<br />
school student, r'vas the individual<br />
star <strong>of</strong> the evening, rvhen he<br />
scored two knockouts to be<br />
crownecl titleholder 6t ttte hear-1-weight<br />
sub-novice class.<br />
Olhers rvho fought in the finali<br />
r'vere: N{ickey Falabella, Phil Ra<br />
gozzino, Stephen Doria and RalPl<br />
Nf agrino.<br />
BATTALINO WHIPS RAN<br />
/-rR ISTOPH ER Battalino, oncr<br />
U callecl a "ch.ecse chamPion"<br />
astounded the boxing frater<br />
nity with a smashing victorY.ove<br />
the Polish welterrveight cham<br />
pion - llddie Ran - recentlY il<br />
New York City.<br />
The former featherrveight title<br />
holder spotted Ran eight pound<br />
and then proceeded to give hir<br />
a sound thrashing. 'lhis victor<br />
now places the Hartford Italia:<br />
in an enviable spot. Bouts wit<br />
T on y Canzoneri, lightweigh<br />
champion, and Jackie Fields, rn'e.<br />
terrveight chanrpion. are norv i<br />
the <strong>of</strong>fing. Battalino seems in<br />
fair way to emulate Canzoneri lt<br />
acquiring three ring titles.<br />
OLYMPIC ATHLETES<br />
FETED<br />
T\ RIOR to their departure ft<br />
Y Italy, n-rembers o{ the Italia<br />
Winter Oiympic Squad r,ver<br />
the guest <strong>of</strong> Gr. Uff. Generos<br />
(Contittued, on Page 80)
slh,<br />
dftt<br />
tcrr<br />
st' d<br />
hrfo<br />
n dnifim<br />
&to<br />
: ll3l\f,-rmideim<br />
rb-oo-<br />
I U:r$<br />
das$<br />
hiefr<br />
siduaf<br />
:n he<br />
.r) be<br />
FnqI-<br />
Gn ls<br />
fil Ra-<br />
Ralph<br />
RAN<br />
! onct<br />
ploD ,<br />
:raterr<br />
ovef<br />
cham-<br />
Ltly in<br />
: titleounds<br />
e him<br />
ictor-l'<br />
italian<br />
; with<br />
reight<br />
;, n'elow<br />
in<br />
sina<br />
eri bv<br />
DS<br />
re for<br />
ltalian<br />
I were<br />
leroso<br />
fu wro,,r..ris the court room was<br />
-.hrntmm. irf.-, a pandemonium.<br />
Jkrpre :;;hed l-ildlv torvard the<br />
kfteuudm:mt and carried him <strong>of</strong>f on<br />
dhmun sfoc,,rilders: it t,as evident<br />
dhf,uf rfth* .i-erdict had rnet with po_<br />
;cdtlinm frau *r-<br />
F r '-,a-rs _John penrlleton hacl<br />
rcltm :m rial for the nrurder <strong>of</strong><br />
utur nrmme- It had been a long, te_<br />
dri{''m{m+ a.imd =ensationai trial, "The<br />
igpnmm&s[ Eoment in the trial had<br />
m,umrtr mhen the accused was call_<br />
'ilfldli ruw*im r. tell his story.<br />
'Ji,eforn Pendleton, iake the<br />
$meum[ i' b,cromed his lawver,s<br />
' :rrrl-aad suddenly an onrinous<br />
*:r+r,re :ell upon the court roont.<br />
\ls he settled dou,n in the wit_<br />
rue."sns - cc,,air- countless gioating<br />
rmrhji qtc"nverged in his clirectron<br />
n,r'andl **:*.ned him eagerly. There<br />
rffi&s rien- little in him <strong>of</strong> that ro-<br />
'nnxrm]f aura rvhich people otterr<br />
,lc*mrumatc x-ith crimes <strong>of</strong> passion:<br />
b --** a short, stout nran in his<br />
.aclr ::,-ies. partly bald, rvith a<br />
Tsnlqm+&- lLtless expresslolr on nls<br />
1rurfr<br />
Sfie r,,ld his story in a simple,<br />
l|rtlrtumrt }.-a\-. seldom raising ttre<br />
p.xmrcJm .: his voice.<br />
*I bred her. I did all I couid<br />
flL.u ilra^ke her happy. She meant<br />
f 'trri-:,rll1o tO me. WOfk tvas a<br />
jrr.r!q[: tD \-ork, make money, for<br />
rhrr" sr that she could get' the<br />
ufrmmg-s she rvanteci most and live<br />
,u-,.*,re-free. luxurious life : nothing<br />
dse riattered to me. To spenE<br />
T j i-. spent for her, at h.r altar:<br />
-lta: il'as m1- lile's suprcme airn.<br />
ill mrer- nne dar'. . . ."<br />
H. .topp.i, with a sigh. 'lhe<br />
m,:,e-ds no\\- came to himless easrily-<br />
h tvas apparent that he r,vas<br />
smuggling hard to controi his enm'ld'ns.<br />
Spectators craned their<br />
merks and strained their ears. The<br />
ir;arratir-e had reachecl a climax.<br />
Fenileton brushed his hand over<br />
The Sqd Lover<br />
-{s soon as the fore-<br />
;ran <strong>of</strong> the jury finished<br />
A SHORT STORY<br />
By Silvio V/. Rolo<br />
his foreheacl and brought it dor.vn<br />
quickly across his eyes, as if t
80<br />
sible that tl-ris rvas the uran urhom<br />
her husbancl, John Penclleton,<br />
nearly killecl and for rvhose love<br />
the first Mrs. Penclleton had met<br />
her cleath ? She \\ras astonishecl.<br />
but saicl nothing. Fate is very<br />
queer and truth certainly stranger<br />
than fiction," she only sa1(t t()<br />
herseli-and n'ent horne.<br />
But NIrs. Pendleton san, the sad<br />
lover again. She rvas intensely'<br />
interesteci in him : his tall stooping<br />
figure, his pale l'ranclsome face,<br />
the kinrlly. penetratillg gdze 'i<br />
his thoughtful eyes, the melancholy<br />
smile on his 1ips. the tragrc<br />
story <strong>of</strong> his life : sotnehorv, there<br />
was something about the m'an<br />
u,l.rich X,Irs. Pendlctot-r could not<br />
Borks in Revtew<br />
(ContinuerL lron Page 54)<br />
It is somervhat painful for an Italian<br />
or one well acquairrted rl,ith Ilaly today<br />
to read the book, but for tl.rose intcrested<br />
in the appealing idea <strong>of</strong> trampitrg<br />
through ltaly on foot, and u'ho t'ant<br />
to see how John Gibbons tlid it and<br />
lr'hat he saw, it might prove I'ortlr<br />
u'hile, for, after all, it is reaclable and<br />
entertaining, if nothing else.<br />
AN ITAI'IAN ANTIIOLOGY. Ed.ited<br />
by Florence Trail . 208 pages. lJo.stln'.<br />
Richartl G. Badrter, The Gor-<br />
Jzant Press. fi2.<br />
rfr H O L'C H nrodest itt a1'pcaratlce<br />
I rhis "Italian Anthology". translala<br />
ed irrto English by variotts autltors<br />
and collected by Florence Trail,<br />
contains sone 200 poems selected fronr<br />
the r'vide range o{ Italian literature tl.rat<br />
*lil1 appeal to all rvho have an itlterest<br />
in that subject. Sonnets, folk-songs,<br />
hynns, fablcs, proverbs anci lyrics: the<br />
fielc1 is rviclc ar-rcl varicgated. A large<br />
number <strong>of</strong> thern are tran:1atecl bv the<br />
conpiler, but aurong the translai6-rs famoLrs<br />
nanrcs arc not lacking, such as<br />
Byron, Chaucer, Longfellorv, ShakespeareJ<br />
Shelley, and a l.iost <strong>of</strong> ot1'rers.<br />
As for the authors, thc book covers a1l<br />
the famous ones, and il-rarly not so r,vellkttorvn.<br />
An index <strong>of</strong> autl.rors and onc<br />
<strong>of</strong> translators facilitates the u-sc o{ thc<br />
volurnc, which is a useful addition to<br />
:u.ry Italo-An-rerican's librarv.<br />
Sports<br />
(ConLhtuetl Jronr Pacie 78)<br />
Pope at a banquet given at the<br />
Biltmore Hotei in New York<br />
Citl'.<br />
I'Iayor James J. Walker, r,vho<br />
rvitnessed the efforts <strong>of</strong> the Italian<br />
athletes at Lake Placid, made<br />
a short talk in r'hich he praised<br />
A'I LANTICA, APRIL, T932<br />
r.er)' n ell explain and--r.es, coulcl<br />
not resist.<br />
(iradua11v, inexplicably, their<br />
long rvalks and friendly talks lecl<br />
tliern to tlie sad lover's apartment.<br />
"Li{e is goocl," he rvhispered to<br />
l-rer as he removed her hat. "Believe<br />
me, f never thought I coulcl<br />
be so happy again^" She srnilecl.<br />
The dusky shaclorvs soon began<br />
to creep in ancl slorvly hicl them<br />
from sight: they two alone,<br />
mouth to month, until love's<br />
srveet passion possessecl the I,vornan<br />
and her lovelv clark eves<br />
fluttered. . . .<br />
I3ut John Penclleton had learnecl<br />
the habit o{ r,r,atching his<br />
rvives. Somehorv, he pickecl up<br />
the trail and-suclclenll'. l itl.rot-tt<br />
highly the perfortnances turned<br />
in by the representatives <strong>of</strong> Italy.<br />
Gr. l-lff. Pope {oilorved ri,ith a ta11i<br />
on tl-re forrvarcl steps taken b1'<br />
the Italian immigrants during t1-re<br />
past 25 years.<br />
Others u-ho addressed the largc<br />
gathering were Judge Freschi.<br />
Vice-Consul Serafini, Count Rossi<br />
r1e I,Iontelela. ancl G. Rivetti.<br />
PECORA BREAKS RECORD<br />
IT,TURNING to track competition<br />
after an absence <strong>of</strong><br />
tr:r.o years, I'[ike Pecpra stlrprised<br />
evelr his rnost rabid f o1lon -<br />
er,q rvitir a record-breaking performance<br />
in the one mile u,alk<br />
event cluring the National A. A.<br />
Il. championship me et al tl-re<br />
flad:son Scluare Garden recently.<br />
'1.'he r-etcran rvalker, carrying<br />
the colors <strong>of</strong> the Brooklyn Centrai<br />
Y. l,t. C. A., broke the tape<br />
yards ahead <strong>of</strong> his irearLst colrpetitor<br />
in setting a new recorrl <strong>of</strong><br />
6:27.2. 'I'he olcl mark <strong>of</strong> 6:28 n'as<br />
created by George Goirlding in<br />
1911.<br />
ITALIAN ROWING TRIALS<br />
AT LAKE ALBANO<br />
AKE '\I-IiAt\O, near Ronre.<br />
has l>een selected as the<br />
scene <strong>of</strong> the Pre-Olympic<br />
rou,ing tests next June, according<br />
to an announcement n-rade by tl're<br />
Italian Olr'nrpic Committee.<br />
The iake is located deep in the<br />
crater <strong>of</strong> an exinct volcano and<br />
its rvaters are alr'r'ays calm, mak-<br />
n'arning-l;1ys1 into the roout.<br />
terrible in his anger. The sad<br />
loirer looked at the tn'loman, lookecl<br />
at the mau ancl shudclered : l.re<br />
saw in Penrlieton's hanci a small<br />
shining thing s'hich he hazilrrecailecl<br />
lraving seen beiore. In<br />
a flash, he understood er-erything.<br />
But he quickll- recor,ered his presence<br />
<strong>of</strong> minci.<br />
"Shoot !" ire cried. "Shoot !<br />
I3ut this time people t'i1l laugh at<br />
yor1. Once. lres, but trvice-ah.<br />
that rvoulcl be too sillv !" There<br />
rva.s bitter. stinging clefiance in<br />
his n'olr.ls.<br />
.[ohn Penclleton cliciu't sl.roc.rt. Hr<br />
krr'vered his hand, shor.ed the gun<br />
into his pocket and cluickly shr-rfflcrl<br />
out o{ the roor.rr.<br />
ing an e-rcellent<br />
competition.<br />
spot {or r6lvlng<br />
M. A. M.<br />
Atlonlico's Observot. ry<br />
(Conti:rrued Jron Puge 53)<br />
two u-ho1e false cities <strong>of</strong> Paris, tc<br />
be lighted while the real city 'rvouicl br<br />
in darkness.<br />
Born in F-lorence 54 1'ears ago, -Iacopozzi<br />
bcgan as an electrician ar.rcl first<br />
attracted n'orlcl noticc rvith his farnou:<br />
illurnination <strong>of</strong> thc Eiffel Torver. Latel<br />
his artistic f1oot1-lighting illun-riratet<br />
sevcral <strong>of</strong> the outstanditrg tnouumetrt:<br />
in Paris. On a trip to New Yorl<br />
oncc, Jacopozzi san' Broadn'ay's uigh<br />
lights, and though he agrecd they u'ert<br />
striking, they rvere also, hc thougl-rt<br />
"bruta1".<br />
CATHOLiC ITALY<br />
t r O colllll.ry itt thc rr orltl is 1,roL<br />
l\ rl,lu as c,rtirelv ( arlrolic iri reli<br />
l- \ girir a. Ital1,-a vieu c,,ttfirtttrt<br />
lrv the results <strong>of</strong> the last ltalian gen<br />
cial ccnsus. cousicierccl Jr-orn the reli<br />
gious ang1c.<br />
'- \,fiianlsecortcl to ltorlle in popula<br />
tion-is a gooci exatl-tplc. Because o<br />
iti lnclustr;ai charactei and geographi'<br />
por,:ition, it should be the city most.er<br />
i,osed to LIrc irrfiltration rvliiclr rrrigl'<br />
i,rilu lilrout a dirtrinution in the tra<br />
clitioial religious sentirleut <strong>of</strong> the Ii<br />
alians.<br />
In spitc <strong>of</strong> this, 975,819 <strong>of</strong> tire 992,tli<br />
rrrrc.tiotterl reporr tlrey bclorrg to rll'<br />
( atlro';c feith, witlt tlre J( \\s llun)l'(r<br />
ing 6.753, or 064 per ceut. oi the popu<br />
laiion.'lhe Protestants'are fcwer<br />
6333, or' only 0.63 per ccrrt <strong>of</strong> the po<br />
pulation.<br />
In'iirortant inc1eec1, therefore, !\'i'r<br />
the Laterarr 'l'rcaties u''hich three year<br />
ago <strong>of</strong>ficial'y put an eud to difference<br />
betr','cerr tire Vaticar-r and the Quirina'<br />
and rvhich have just been scaled tr" '.ii<br />
f ormal visit <strong>of</strong> Pren'rier I'Iussolini t,<br />
His Holiness Pope Pius I.<br />
D. l
l<br />
The ltotians in theUnited Sares<br />
I :;;e:r -i:e Invited to Send in Items and Photographs <strong>of</strong> Real Worth for Possible IJse in These Columns.)<br />
. _-: -iLO DEI GIOVANI<br />
: :::IGEPORT. CONN.<br />
SOCIETIES<br />
:'i\ ui -\liss ( l;rra<br />
- - f)ei Giovani rvill<br />
.-..::.: aiiairs <strong>of</strong> nrajor<br />
- ::ltCrilz(' StCtanellr<br />
::. orr "Darrte Ali-<br />
::...-:rrili is ar.r Italiarr<br />
- . :. artrl drarrrat ist oI<br />
.. - deparlnletrt utr-<br />
:. -::=ctiotr <strong>of</strong> Barca Tar-<br />
-. : -:: La\"alleria Rustiea-<br />
: : \-trga, in u,hich Miss<br />
:-:::r,., and Mr. Clernen-<br />
. :a\e respcctively the<br />
...:,-:- and Turirldu. The<br />
- :,.,:L jr.r is <strong>April</strong> first in<br />
: tlrc first alllll\-er-<br />
: 1,, Ilei Giovani. Its<br />
, ',,.i,1 be "Hamlet" by<br />
: - e presented the last<br />
::-.c part <strong>of</strong> Ophel:a ancl<br />
: :akerl respectivcly b5'<br />
.- c:ril'o alrd NI r. ('i,,r-<br />
.: c third production .n'ill<br />
.-e rt'," b]' Rohert lJrar'-<br />
I I :. s Clara Capasso alcl<br />
: (ialassi n'il1 take the<br />
-: \lr. Lrrigi Licur.i is<br />
::.'-.jr <strong>of</strong> this drama. otr<br />
:: arnivcrsary dance rvitl-r<br />
: ::cciri1lo as chairnran ivill<br />
:i;:r' 28. IIr. Giuseppe r\-<br />
-. : l.Ianhattan College tleliver-<br />
:: i:: ::)orlsored by the art cle-<br />
- r "Thc Italian Architect-<br />
: -jl.r1r:lissarrce." Of the :rbove<br />
. :::"e:" alone lvi11 be given it.t<br />
.:-e orhers ill Italian. \'{r.<br />
::.':a is scenic director, ancl<br />
: : :::llr, and trlr. l.uigi Capucci<br />
.::. oi the rlusic. On l!{arch<br />
,- - la \Iassimino rvas clectccl<br />
:-::d IIr. Stefano IIorelli<br />
:'--:AGC SOCIETY HEARS<br />
DANTE LECTURER<br />
,-.: .,:r:e Alighicri Society rif Chi-<br />
- - :heir monthly Dinner-Lect-<br />
.','.dnesday, January 27, at the<br />
: - > .:a:iord Hotcl in that city.<br />
i honor lvas Colonel Frank<br />
.,:', i.her <strong>of</strong> the Llhicago Daily<br />
.'r!-(r aflqr lltc dittttrr rtas<br />
-., --gcro De Caro, oI North'n'estr:..:::itv.<br />
Pr<strong>of</strong>. De Caro former-<br />
. . r: th. Royal Military College<br />
:: : r:re Pontifical College <strong>of</strong> St.<br />
-:: .. and the Royal Lyceum <strong>of</strong><br />
-: Ht- is thc author <strong>of</strong> a rrork<br />
. .:.:hetic unitv o{ Homer's Ili-<br />
- :.. .ubject r','hich he chose for<br />
- :::::'g \\'as "The Initial Cantos<br />
- -,r..ine Come
82<br />
ITALIAI{ AUXILIARY<br />
HELPED 28,366 IN 19JJ1<br />
The litLl, -krrown but extrenteiy irrrlustrious<br />
and active Italian Auxiiiary.<br />
Ir1c.. ,,1 Ncrr. York, the purpose oi<br />
\\'trrclr rs to lrclp the Italian imnrigrant<br />
in this country, heiped no fewer-than<br />
28,366 <strong>of</strong> them during thc year 1931,<br />
aud <strong>of</strong> these I869 received foocl anci<br />
lodging, according t() a report recetltl]issued.<br />
Backcd up lrl.tlic invaruahle<br />
aid <strong>of</strong> Fl . "8. ( ardirral Haycs, this organization,<br />
rvhich because <strong>of</strong> the c1epression<br />
had its lvorl greatly arrgmcnted,<br />
has as its zealous ilirector<br />
tr{ons. Gerrnano Formica. rvho is alscr<br />
cditor oI the Italiarr magazirrc "La Voce<br />
dell'Emigrato." Sorne <strong>of</strong> thc ltaliar-r<br />
Auxiliary's many activities include<br />
legal services, secretarial work 1acquiring<br />
<strong>of</strong> papers, documents, etc.),<br />
enployment aid, travelers' guidance,<br />
religious help (including u.eck lJ- nrasscs<br />
at Ellis Island), r'rc. Thc <strong>of</strong>fices <strong>of</strong><br />
the Auxiliary arc at 45 West St., Ner,v<br />
York Citl'.<br />
NEW OFFICERS FOR ITALO-<br />
AMERICAN NATIONAL<br />
UNION<br />
Following thc death last year <strong>of</strong> its<br />
fornrer president, Cav. Costat.rtino Vitello,<br />
the Italo-Arnerican National<br />
Union <strong>of</strong> Chicago, one <strong>of</strong> the largest<br />
I talian societies in the micll\.est, rccer.rtl1'<br />
elccted V. E. Ferrara as it prcsirlcnt<br />
and treasurer ancl cbairnran <strong>of</strong><br />
the Boarcl ol Directors. Other <strong>of</strong>licers<br />
electecl rvcrc Ciro li. Balzano. and Lecr<br />
Bonaveutura, r'ice-presiclents; D. F.<br />
(.occia, secrctar_v; Thomas H. Landise,<br />
gen. counsel; Dr. S. Ingrao, mcdical<br />
d;rcctor; Dornenico Tinaglia, Sarvatore<br />
Iiaso ancl Yincenzo Allegra, lrustees:<br />
\r. Schicchi, chairman <strong>of</strong> the financial<br />
conrnr'ittee ; IJ. l:). Barasa, sitting past<br />
pres.; Salvatore Lococo, chaplairr: anrl<br />
Sigisnrondo Gurgone, scntry. f'hc<br />
Iloard <strong>of</strong> I)irectors, in addition to tlit:<br />
abor.r (u-ith the except:on <strong>of</strong> the last<br />
thrcc), iucluclcs C. F. llalzano, M. Nardrilli,<br />
P. Di .F-rancesca, P. Bianco. S.<br />
Clatisi and N. Anzalone. According<br />
to the treasurcr's report, the society's<br />
balancc as <strong>of</strong> I)ec. 1931 r,vas $169,590.-<br />
78. and it has abour 50 lodges iri and<br />
:Ltouncl Chicago.<br />
Brilliance antl snccess rnarked tire<br />
claboratc banquet rvhich the Circolo<br />
Italiano <strong>of</strong> Philaclclphia tentlered rrccntiy<br />
to Robert Lontbardi, pronrin:r,t<br />
Philadelphia contractor ancl au honorary<br />
president <strong>of</strong> thc Circolo. lhe aifarr<br />
u'as he1
-. :<br />
.:r- :t'<br />
:: -: rL-<br />
]E<br />
as re-<br />
.:alian<br />
,.,'<br />
l m<br />
.- ::.:-i:t: r'ear-book for<br />
''- --cretary, Fede-<br />
-:l :r.-o languages, the<br />
- - . - ;,age -., and is rich<br />
. : dara concerrring<br />
'. : - 'i. a i1s County. Leo-<br />
' I ::: :: president <strong>of</strong> the<br />
:: -:A::ON & CULTURE<br />
-l:,r :: r '.:rses rvhich Colum-<br />
, -::r: every year will be<br />
: :- r:::.:t this summer. An<br />
' - .': ::-::t the casa Italiana<br />
: -' : '.'. :ll <strong>of</strong>fe r to all those<br />
.- . - : :: an extraordinary op-<br />
, , -:.:ct themselves in the<br />
:- courses in language,<br />
:- , .::i c.rnposition given bY<br />
: , :-:::i-. and Dr. H. R. Mar-<br />
.r .., : : : j::eS in literature given<br />
'' l:-zzolini, the Casa Ita-<br />
. i, :::r:irel)- at the disposal<br />
' - - '-. -.,, :--... in adclition to thelr<br />
:.:,. .'.:=r',ze themselves u.ith the<br />
. - 1= . Every daY there will<br />
-- , :::cleon presided over by<br />
- : :- ::a'.:ctors, and every even-<br />
: l be nreetings and con-<br />
-. : ::Cucted entirely in Ital-<br />
- :. . :-i'e been announced to<br />
r :- : :ian ]Iuseum <strong>of</strong> Art to<br />
--: .:'- art. to the tr{organ Libr-<br />
::::: :::: Italian manuscripts, and<br />
i.land to, sec the house<br />
' :.: ' a di or-rce lived. ManY<br />
- : -: : ;'. : already consettted t
8.1<br />
D'rected bt' llaestro Guglielmo Salralirri,<br />
tlrt' Italo-.\rr:cricarr Philarmorric<br />
Orchcstra <strong>of</strong> Philadelphia recently began<br />
a series <strong>of</strong> concerts at the New<br />
Century Auditoriun-r in that city, with<br />
a program includiug rvorks by Cherubini,<br />
I\fozart, Sandoni, Beethoven,<br />
Verdi. and tlrc nroderns, Catalani, Pratella<br />
and Carabella. The baritone<br />
Peter Petroitis rvas thc soloist <strong>of</strong> the<br />
evening.<br />
Vincent La Bades-"a, talented young<br />
artist <strong>of</strong> Pl-riladeiphia, recently 1're1d a<br />
one-man show' <strong>of</strong> sorue 25 black anc!<br />
u,hitc sketches at the Warwick Gallerics<br />
in that city. The rvork <strong>of</strong> -\[r.<br />
La Badessa, an honor graduatc <strong>of</strong> the<br />
Philadclphia School <strong>of</strong> Industrial Art,<br />
is rvell knorn'n in that city, having previously<br />
been displayecl at the Pennsl.lvanii<br />
Academy <strong>of</strong> Fine A1ts, the<br />
Philadelphia School <strong>of</strong> Industilai Art,<br />
and the Philadelphia Gallery <strong>of</strong> Contemporar)r<br />
Art.<br />
PROFESSIONS<br />
The <strong>America</strong>n Societ-v o{ Nledical<br />
History hclcl an Italian Evening last<br />
rnonth at the <strong>of</strong>fices <strong>of</strong> "X{edical Life,"<br />
a n-ronthly review, $'ith the Italian Consul<br />
General. Corunr. Emanuele Grazzt,<br />
as guest oi honor. Dr. L. F. Bishop<br />
presided, autl the speakers included Dr.<br />
Cesare Legiardi-l-aura, rvho described<br />
"I'he l.'orgotten Past"; Dr. James J.<br />
\Valsh, author <strong>of</strong> "What Civilization<br />
Ow'es to Italy" ancl sonrc thirttr or<br />
forty otlrrr ir6oks, rvho clrose foi his<br />
subjcct "Italian X'leclicine in the If iddle<br />
Age": and Dr. Victor Robinson, autl-ror<br />
<strong>of</strong> " l'h c St or5 <strong>of</strong> Il edicine", wh o<br />
spoke on "Leouarrlo 11a Virrci-Hcrald<br />
<strong>of</strong> the llenaissauce." A musical progrrill<br />
c(,ilclUdcrl tlrt. t.r'erriilg.<br />
The 3.lth anniversary <strong>of</strong> the fouucling<br />
oI rlrt. Italiarr Plrarnr-accuticai Socictv<br />
<strong>of</strong> Neu. York State ll,as celebratcd las"t<br />
motrth at the arrnual ltanquct <strong>of</strong> the<br />
Society givcn at the new \Varclori-Astoria<br />
FIotcl in Neu. York Citv. Dr.<br />
Johrr Sca.vo rlas clrairnrarr,,f ilrc.xecutive<br />
conrrlittee, other nrcmbers <strong>of</strong><br />
u4rich included L. Realbrrto, D. Cracht,<br />
N. S. Gesoalde ancl A. I'c'rsor-reni. -I'he<br />
<strong>of</strong>ficcrs <strong>of</strong> tlre Socictr-;rrc.\. S. Caralrillo.<br />
1rres.; l;. C. di Bcrrctlelto anrl<br />
'.l'hos J. Rocchio, r'ice-presidents; A.<br />
Caralrillo. trea'.I J. J. Sclaro, fi1. sec.;<br />
Bcrtiarrrino Gagliarrrt. corr. sec.; arrtl<br />
\\-alter l'auaro, r('c. scc.<br />
"The Origins ar.rcl Development <strong>of</strong><br />
I.-ascisnr" was thc subject <strong>of</strong> ai acldress<br />
dclivered not long ago by Comm. Enranuele<br />
Grazzi, Italial Consul General<br />
in Ncrv York, be{ore a large gathcring<br />
at the School oT Journalism <strong>of</strong> Nerv<br />
York tlnivcrsity. The eminent rcpresentative<br />
<strong>of</strong> Ital-v in the world's<br />
largest city spoke on the same subject<br />
a fortnight later as the guest speaker<br />
at the home <strong>of</strong> Mrs. F. Havemever ir.r<br />
Stttlorr PIace. rrnder rhc au-piies ol<br />
the Italy <strong>America</strong> Society.<br />
fn honor jointly <strong>of</strong> thc Mayor <strong>of</strong><br />
San Francisco, thc lIon. Angelo Rossi,<br />
and the Italian physicians <strong>of</strong> that<br />
city, the Fcderation <strong>of</strong> Italiar-r Societies<br />
<strong>of</strong> California last nronth gave a banquet<br />
in order to further the cause <strong>of</strong><br />
the Dante Hospital. Arnong the<br />
ATLANTICA, APRIL, <strong>1932</strong><br />
guests <strong>of</strong> honor, in addition to the<br />
Mayor, were the Italian Consul General,<br />
Cornm. tr{anzini, Gr. Uff. Ettore<br />
Patrizi, editor <strong>of</strong> "1,'Italia" ancl one <strong>of</strong><br />
thc founders <strong>of</strong> both the Hospital and<br />
the F-ederation, ar.rd others arnong the<br />
200 rvho attended. 'lhc success <strong>of</strong> the<br />
occasion is to be creclitecl to the rvork<br />
<strong>of</strong> lfrs. Oliva Bossu and tr{r. Agostino<br />
Rossi, aiclccl by a connrittec.<br />
Friends <strong>of</strong> Leroy J. D'A1oia, son <strong>of</strong><br />
Iorrner Prosecutor ancl Judge J. Victor<br />
D'Aloia <strong>of</strong> Nervark, N. J., gar.e a dinncr<br />
rlance last nronth at the Newark<br />
.\thletic Club to celebrate his admission<br />
to the bar. tr'tore than 800 persons,<br />
it'lvas cstinrated, attended the<br />
affair, <strong>of</strong> which (,omrnon Pleas Juclge<br />
Daniel J. Brennan rvas toastmaster.<br />
The cornmittee in charge <strong>of</strong> thc dinner<br />
dance consisted <strong>of</strong> County Detective<br />
Joseph Giuliano, chairman, lvleyer Q.<br />
Kesscl, Michael Santa Maria, and<br />
Charles Garramone.<br />
The "Italian Nervs" <strong>of</strong> Boston, a<br />
rveekly English languagc paper in that<br />
cit)', recentl). celebrated its 11th anniversary.<br />
Principio A. Satrtosuosso is<br />
its editor.<br />
lvlonsignor Don Francesco Grassi'<br />
rector <strong>of</strong> the Church o{ St. Anthonl'<br />
irr thc Brorrx, and a ( orntnandcr <strong>of</strong><br />
the Order <strong>of</strong> the Cror'vn <strong>of</strong> Italy, has<br />
been further honorecl by the Italian<br />
Government by bcing made a Chevalier<br />
<strong>of</strong> the Order <strong>of</strong> Saints \4aurice<br />
ancl Lazarus, one <strong>of</strong> thc highest honors<br />
the Government bestorvs.<br />
Among those n,ho last month lvere<br />
nrade Chevalier <strong>of</strong> the Crou.n <strong>of</strong> Italy<br />
by thc Italian Govcrnnent u'ere Pr<strong>of</strong>.<br />
Filippo Spinelli, head <strong>of</strong> the Legal Office<br />
<strong>of</strong> the Italian Consulate in Nerv<br />
York, and the Rev. Charles J. Car-rivan<br />
oi the Catholic Church <strong>of</strong> St. I)ominick<br />
in Oyster Bay, I-. T<br />
The Association oi Italian Physicians<br />
in <strong>America</strong>, which gathers monthly<br />
in Nerv York for scientific and pr<strong>of</strong>essional<br />
cliscussior.r. held its annual<br />
bar.rcluct not lor.rg ago at the Nelv<br />
Yorker Hotel, as announced in our<br />
last issue. Niorc than 500 attendccl.<br />
At the gucst table u.ere Comm. Er.narrucle<br />
Grazzi, Italiarr Consul in Nerv<br />
York. Dr. fr. Cassola, presiclent <strong>of</strong> the<br />
Association, Itaio C. Falbo, eclitor <strong>of</strong><br />
"I1 Progres-.o" <strong>of</strong> Nerv York, Dr. and<br />
Mrs. Giorclano, Car.. ancl tr4rs. S. \{.<br />
Pirio, Dr. C.orde11a, Dr. Liva, and Dr.<br />
laormino. The dir-rner
1l<br />
:.-<br />
-'<br />
ATTANTIIA<br />
in Italiano<br />
PROIBIZIONISMO AL BIVIO<br />
di<br />
.:- csplessione ,,tO<br />
- : cn conosciuta da<br />
- :'. ' :'r c1e1 Parlamen-<br />
, - ::rrlt& parte del lin-<br />
- .qislazione Ameri-<br />
: : :ti: particolarmente<br />
: -: cliscussioni sul<br />
-: . , ,ggetto delle piir<br />
. .ie nelia politica<br />
.-<br />
A-<br />
,:rie 1'ultimo decen-<br />
. . '....- cotrsumata arte<br />
: - - :te l'arcigna ostr_<br />
, . . :, ,ibiziorristi furono<br />
- : r.C SCOTSO, aCl arre-<br />
-: t::tiC lttxfe? di discOn-<br />
: la pii impopolare<br />
- :ata rn questa telra<br />
' , :r;:a volta. ciacchd Ia<br />
' . -.-: in eifetto ia Camc-<br />
, -- --',.,rtt.uriti i1 14 Nfarzo<br />
- :-'. i:r aIprello nonrina-<br />
, :r ,) contro il proibi-<br />
'. - . nralgraclo che, tec-<br />
: : _:. r ittoria sia stata dei<br />
' , ': '. "tarono in 227 contro<br />
:: > i primi, come disse<br />
- -:r --r :r i'on. Beck, hanno<br />
: .. '. :troria di Pirro e sa-<br />
- :-::: c, rr-r un'altra simile vit-<br />
- ..'.,ts'' non ar.evano al-<br />
:r:r".-i1Z\. d'ottenere ul1a<br />
, .:" r;a suificiente a portare<br />
: . t: Con'ritato Giucliziario<br />
- ..::rcltto la proposta Beck-<br />
' - .'.:r Lrer 1a rnodifica del 18.o<br />
,:-::rL-11to, modifica cl-re rap-<br />
_ ::-. a la ragione della conte-<br />
- _ .:t:cor meno speravano di<br />
: .::-nere i due terzi neces-<br />
:_:: 1'approvazione della Ieg-<br />
.. :.-1o che essi desideravancr<br />
r ::ellltefo al di li ilelle loro<br />
:,.::i'e fu cli poter far sfoggio<br />
- : _, IOrZe.<br />
'.tt." clel parianento, esercii<br />
-',,ro muscoli li hanno tro-<br />
. -:-icier-rtementc roltusti. Ec-<br />
Domenico Lomonico<br />
co perche essi sono esllltanti e con<br />
loro anche esultano i rnilioni di<br />
:\mericani che hanno combattutcl<br />
per anni contro una legge che, co-<br />
11re una cancfena sta consumando<br />
e corro
"oi4.#*:;]i*:#x,i<br />
talia quanclo voi clonrandate ioro<br />
di inclicarvi i1 teatro cle1le marionette.<br />
E, anche se seguite la loro<br />
indicazione potete f aciln.rente oltrepassare,<br />
senza notarla, la rrodesta<br />
entrata clei teatro del Signor<br />
Manteo. Non e certo meglio i1lumir.rata<br />
del1'acliacente r-regozio di<br />
pizzicagnolo o della pasticceria e,<br />
malgraclo che il tearro ormai cia<br />
tre anni altltia eletto a suo domrcilio<br />
quell'anclrone i1 suo nome<br />
non si legge sr-r11a stretta facciata.<br />
Nal.uralmente non si danno biglietti.<br />
La Sigrrora Nlanteo incassa<br />
siienziosarrente e timidanlentc<br />
il rlrr;u'tel ed ogrruno sceglie<br />
il prciprio posto sll uno dei<br />
cluri sedili, nella sala angusta e<br />
senz'aria. Qui d ignorata ogni<br />
nLlo\ra cor-rciuista cle11a meccanica<br />
nella scenografia moderna, ma in<br />
nessull altro teatro <strong>America</strong>nu<br />
come irr (lueltu, tuttora vive e regna<br />
io spirito rlel teatro arrtico.<br />
11 pubblico d composto, in maggioranza.<br />
erai di<br />
tnezza eti". Non una sola testa<br />
impomatata nelia folla; i giovani<br />
entrano co1 ioro lterretto in testa,<br />
nd si scoprono durante tutto 1o<br />
spettacolo. NIolti clegli spettatori<br />
sono analfabeti. nra sono venuti<br />
da lontano, clopo una clura giornata<br />
di lavoro per assistere aile<br />
ernozionanti gesta de11'Orlancto<br />
Furioso. Questo pubblico r\ewyorkese,<br />
in pieno XX Secolo, assiste<br />
allo spettacolo, con io stesso<br />
spirito che animava gli spettatorr<br />
siculi dell'opera dei pupi ai tempo<br />
cli Colombo.<br />
Siler.rziosamente questi popolani<br />
s'appassionano ad un episodio di<br />
nna storia che loro gi5 cotroscono<br />
e che i loro antenati gii hannc,<br />
amato. Durante 1o spettacolo si<br />
comportano come in casa di un<br />
vecchio amico. Fumano, bevono<br />
pop, mangiano frutta e nocciole e<br />
cospargono il pavimento di cerrere,<br />
-bottigiie, buccie. Ma il piir<br />
pr<strong>of</strong>ondo silenzio regna nella slla<br />
non appena il sipario si alza.<br />
,,1'OPERA DEI PUPI"<br />
Un Teotro di Morionette o New York<br />
di Ann Fox<br />
Un cavaliere in lucente arntatura<br />
appare neilo stondo. E_ssr.r<br />
sembra una creazione cle1la romantica<br />
in-rmaginazione oi un giovane<br />
cc,llegiale alla cui rnerrte la<br />
prima lettura di "lvanhoe " ita<br />
ispirato visioni avventurose cli<br />
cavalieri e crociati. Strana e calaileresca<br />
figura. chius:r irr una c,rrazza<br />
cesellata, irnpugna con la<br />
c1e ,tra 1a scialtola, con la sinistra<br />
1o scudo ecl una penna mutticolore<br />
aclorna 1a sommiti clell'alto elmo.<br />
'I\f PIiO V\rISO scprilla, clietro<br />
1e quinte un campanello.<br />
E' per il pianista il segnale<br />
di interrornpere. l1 guerriero comincia<br />
a declamare con grande<br />
eloquenza. Lo scuclo, la sciabola<br />
e l'elmo piumato donclolano ritrnicamente,<br />
seguenclo la sonora cadenza<br />
del verso cl'Arrosro. Anche<br />
chi ignora 1'Italiano lntuisce facilmente,<br />
uclenclo il suo intercalare<br />
"miserabili pagarri", che, per i<br />
saraceni non vi d merce. nIa certo<br />
egli d un cristiano I Nel fondale<br />
non d forse dipinto un accampamento<br />
e, su ogni tenda, la<br />
croce? Inclubbiarnente d il campo<br />
clei cristiani.<br />
E aclesso ecco L11r altro crociato<br />
s'appende ai piccolo fondale poi<br />
un aitro, poi un altro ancora. Marzialmente<br />
si schierar-ro nello sfondo,<br />
e aclempiono la funzione clel-<br />
I'antico coro greco. L'arte ciei<br />
pupi fu certo introdotta in Sicilia<br />
dai greci. Solo parecchi secoli<br />
clopo 1a marionetta greco-sicula si<br />
truccd in difensore della {ede cristiana.<br />
Non vi sono due corazze tagliate<br />
sullo stesso moclello nd cesellate<br />
con f identico disegno. Non<br />
r-i sono due penne dello stesso<br />
colore nd due casacche dello stesso<br />
velluto. L'insieme d di un pittoresco<br />
inefiabile. Non vi d aicuna<br />
uni{ormitd dr costume o di<br />
colore nella schiera dei cavalieri<br />
cli Carlo Magno. I1 fabbro Manteo<br />
mai vorrebbe f oggiare due<br />
corazze uguali nd 1o scultore<br />
N{anteo vorrebbe rntagliare nello<br />
stesso tronco due uguali cavalieri.<br />
86<br />
I)i nuovo intonarro I'esuberante<br />
r-erso di Ariosto, magnificamente<br />
enunziato. E' il Srgnor Mantec<br />
che legge le parti mascliili, adattando<br />
ia sua voce e la sua interpretazione<br />
ai differenti personaggi.<br />
I1 pubblico, corlosce bene le<br />
parti, ma la meclia clegli spettatori<br />
nordici devono iclentihcare i personaggi<br />
dai gesti clel1e marionette.<br />
E ben si comprencle qual'd il cavaliere<br />
che
-T-<br />
:t_:<br />
'-1i<br />
-: -:<br />
"-:::<br />
: li<br />
ie:<br />
et-<br />
- r j<br />
:le<br />
'i ,,aiu<br />
it-are<br />
-,! |<br />
\{<br />
, ii,t iilt il ll<br />
;1 11111" i i lltt,, i i,. ,,.<br />
LLllllllliL'",<br />
Lllilr.,<br />
l{-<br />
il,<br />
,.11",,,<br />
tii,<br />
_ .::- cli questi<br />
.: - ,ce dura ed<br />
: - . ",:. c1r"rel1a di<br />
_ -::::a clei capi<br />
t. :: ,_, s(rlenne di<br />
'- . :, diritto di<br />
: : r::Onaggi al-<br />
- ' :e_.ta di una<br />
'::iir I Volete<br />
: ,.e lle donne<br />
: -.:., --tiri. cottle ve<br />
- - :::.i. L'interpre-<br />
.:. -: ,la alle belte<br />
., . :rri cl'--\rturo c<br />
: : 'ciate, non ha<br />
-: - : qtlellatracli-<br />
-:-:'-tison de Ro-<br />
-- .--" cie11'Orlando<br />
'. ..-::ti de11'eroe di<br />
,",:. :ilf infecleltd di<br />
1 i- 111 llove mesi:<br />
. ilt, stri e draghi<br />
,:. : c.orso c1el1e loro<br />
: : .. ': r-.rrO. E ClUeSti<br />
- :. .a prenclere alla<br />
- :ir;.n,li corpi \ e1--<br />
.:- nell'aria e clalle<br />
: r ::rlriscono fiamme.<br />
:: - lttttta, Un mOStfO<br />
': :tt;r l,otetc ('onta-<br />
- .i:' Jrrgu alnto nel-<br />
,:l:r:r1tj111g119 deilo<br />
' -:,-: 1':'ere iclea cli cid che<br />
: i: :- irtrcrre e lo Strepi-<br />
.. .. trtr mai assistito ad<br />
. ::: rapprcrelrtazioni. I1<br />
- - :-,: :i ltattc a clue11o, di<br />
::.,, ,lci cirvalieri, cri-<br />
):rl:i€no Secotrdo le cir-<br />
: ,_i, po l. baruffa e 1a<br />
:.:tcr le lame e a1 conl-<br />
'. : i >-{ue una Iotta finale<br />
: :.:po.: 1o strepito che<br />
- .'.:- e p1r.1 grande di quel-<br />
-'.ir:ebbe L1n negozio di<br />
,- =:r:. durante un violento<br />
- Cozzano tra loro corr<br />
. .".2x. clre rl'isHrrto r.i co-<br />
- crlri. ternenrlo che una<br />
i .. -, : icrisca lrei corso del<br />
: ::t'-quinario contitattimen-<br />
- LL corazze fabbricate clal<br />
i.;-:rrr Jlanteo sono tanto<br />
: 1 :1ste quanto que11e uscl-<br />
.:- .-,,-,ttega del pii famoso<br />
,1e1 tempo cli Carloma-<br />
,1,: scontri si susseguono<br />
I-'OP]'RA DEI PLIPI<br />
con tanta rapiditi quanto d umanamente<br />
possil>ile agli operatori :<br />
c<strong>of</strong>azzc contro cL)rzt",:zi:<br />
- Scllcli<br />
contro scu(li. Le pesar-rti marirt_<br />
nettc verrgono ltllciate a\ alltl c<br />
indietro : 1e gricla chc si oclono<br />
clietro 1e quinte traslorrnanr) qucsto<br />
{racasso nel piir indiar-oiato<br />
panclernonio.<br />
Ah I Ora, perd potete resl;irare<br />
in pace. I1 car,aliere rlall:l ircnna<br />
verlniglia 6 cacluto al suolo. Ora<br />
ne1 can'rpo regneri ta pace e g1i<br />
:Lmori e ocli clel r-crcle-piurn:rto<br />
vittorioso si comporra.nno irt relativa<br />
quiete.<br />
NIa clal1e quinte a1)parc rin 1rr1ovo<br />
nemico. I)i r-ruovo ulr pallrosL)<br />
cornltattimento tiene il r-ristro zrnirno<br />
in sosl)eso sint_r a cluantlo<br />
rrno dei cavalieri g,iacc. r irito, nccanto<br />
alla prima r,ittima. Capita<br />
spesso all'eroe c1el1a sera di abbattere<br />
una esterntnia. Ilssi tolierano gli cstranci<br />
prlrche essi si crtnrportino<br />
tanto rispettosarnente (irlanto loro<br />
stessi. Analfabeti, i()rsc, ma 11or<br />
sprovyisti cli cultura, i macellai c<br />
i fornai de1la Piccola Italia trascrrrano<br />
il cinematografo per 1e erotcomiche<br />
ar.r.entnre di tlt1 e roc<br />
clell'ottavo secolo. Essi sono splritualmente<br />
forse i direttt discenrienti<br />
cli c1ue1 famoso bandito cl-re<br />
mise Ariosto in iiberta nol1 appena<br />
seppe che i1 suo prlgioniero<br />
era l'autore ilel1'Orlando Furioso.
i<br />
&<br />
IL RINASCIMENTO SCIENTIFICO ITALIANO<br />
NELLA STORIA DELLA CIVILTA' EUROPEA<br />
del Pr<strong>of</strong>. Arturo Costiglioni<br />
U,\l-l'- sia stata la parte cl"re<br />
gli studenti stranieri ebbrlro<br />
trelf insegnamento e par.<br />
ticolanlelrte in c1uello clella mecli-<br />
.'irta, e rlittto:lratu dallt ttote t'ltt'<br />
si trovano nei libri della nazionc,<br />
oerni, i danesi, i fiatntlin-.<br />
glri. i 1,,,lr,cchi, elessero ciascuno<br />
un loro rappresentante; neli'anno<br />
1.589 scoppid una grzrve cluet'ela<br />
ira gli stuclenti danesi e que1i. prrlacchi.<br />
Gli inglcsi, cr,rme fu
;abriello Frascati da Brescta<br />
: :hiamato alla corte di Filippo<br />
- :e di Spagna intorno al 1580.<br />
-\pollonio Menabeno, filos<strong>of</strong>o e<br />
."lico milanese, erudito nella<br />
-: :ia naturale e coltivatore delta<br />
.csia latina, fu medico del re di<br />
- . tzia Giovanni III e pubblicd<br />
.- 1581 un trattato intorno al<br />
-r:scr € riflusso delle acque intora<br />
Stoccolma.<br />
Due illustri medici italiani e-<br />
-tricitarono 1a medicina in Polo-<br />
:-ra : 1'uno {u Antonio Gazio che<br />
i:a stato studente a Pac1oi.a, i'ai-<br />
,:o Jacopo Ferdinancli da Bari che<br />
--- reco in Polonia e {u meclico di<br />
. e Sigisrnondo II e pubblico a<br />
--racovia nel 1542 un trattato sur-<br />
,a preservazione dal1a peste. Al-<br />
-a medesirna corte visse verso ii<br />
-571 Nicold Buccella, padovano.<br />
--hiamato a medico ciai re Stefano<br />
: che ivi mori ne1 161U,<br />
x{
90<br />
to fondamentale del quale Leonar-do<br />
aveva espresso il programma<br />
con le parole "saper vedere" e Galileo<br />
1o concludeva col detto "la<br />
natura d scritta in lettere matematiche,"<br />
i1 Rinascimento scientrhco<br />
ha il suo inizio. Da questo grande<br />
movimento verso 1a veritA e<br />
verso 1:i liberti" dello studio, movimento<br />
estetico e storico di frorrte<br />
a quello rir,oluzionario e iconc.rclastico<br />
clella Germania luterana,,<br />
traggono origine o conforto gl1<br />
stu
clel popolo siciliano. Niuna arte 6<br />
piir originale, niuna pii razionale."<br />
- Cosa d rimasto di tanto<br />
tesoro artistico che era pro{uso<br />
nel seno di Messina ? E' cosa<br />
rnolto triste il pensare che quanto<br />
generazioni alacri, pazienti e geniali<br />
avcvano l)rclraralo. curato,<br />
reso glorioso ec1 amtrirevole, venne<br />
quasi cotnpletamente clistrut-io,<br />
annientato c1a un'irrrprovr.isa convulsione<br />
de11a terra I<br />
Passato i1 primo periodo di<br />
smarrimento 1a operosa, patriottica<br />
e gentiie popolaziotre che si<br />
sentiva gii. sacrilicata ne1le baracche<br />
che presentavano i disagi<br />
del provvisorio, pensar.a, con legittimo<br />
orgoglio e,l inrnrerrso anore,<br />
a fare risorgere la srra citti<br />
amata e per come era pr,rna del<br />
terremoto se f osse stato possibile!.""<br />
ICOSTRUIRE la citti eviclentemente<br />
era L1n probiema<br />
moito serio, sia per la questione<br />
economica, sia per quella<br />
costruttiv:.1, sia per que1la architettonica.<br />
Per la cluestione economica fu<br />
provr.ecluto ; perd non in modo<br />
sodclisfacente; tanto che ancora si<br />
her nrolto lrisogno clc1 benevoltr<br />
aiuto clel go\rerno.<br />
La questione c1e1 sistema costruttir.o<br />
si presentava molto grar-e<br />
ecl interessante. Come garantir<br />
e, o rlreglio, come difenclere le<br />
n'ri()\'e t 0s,rLrzioui c1:t uu uuovo eventtt:Lle<br />
tcrremoto che potesse<br />
creare un nuo\:o {1age1lo?<br />
Questo problerna fu studiato<br />
accuratamente e cor.r genialiti. clalf<br />
illustre Pr<strong>of</strong>. A. Dalruso. del R.<br />
Politecnico c1i \{iiano. che in un<br />
congresso c1i ingegneri, ne1 190!.)<br />
faceva tu"ra geniale e clotta comunicazione,<br />
illustrando un sistema<br />
tli calcolo che climostrarra come 1:r<br />
struttura in cemento arnrato dir<br />
lui presa in esarle risultasse sodtlisfacerrtc<br />
1)er una cr,strttziolre<br />
zrntisismica.<br />
Non d qui rnio compito, perd,<br />
parlare in merito a tale interessantissin-ra<br />
corrunicazione, nd cli<br />
altre relazioni che si sono succeclute,<br />
nd cli tutti i provveclimenti<br />
che il l{inistero competente ebbe<br />
la premura di irrendere. N[i limito<br />
solo a clire che in seguito ai detti<br />
ec1 altri str,rdi le prescrizioni ufficia1i<br />
ordinavano cl-re le costruzioni<br />
antisismiche dovessero avere<br />
struttura in cemento armato<br />
composta cla membratura verticali<br />
e orizzor-rtali resi solidali da for-<br />
,,ATLAI.{ ItrCA', INI ITALIANO<br />
11larne un sistema nronolitico che,<br />
per la sua elasticit:\ clovuta ai suoi<br />
llrlr:t'oli di acciaiu, si 1rIesrttilcr':L<br />
ben resistente agli -.iorzi piit pelir:ul,r>i<br />
dr rr tlti ;Llle iorze t)rizzuDtali<br />
r r,elticali prockitte cl:r11c scosse<br />
onclttlattiric c -st.tssr-rltoric del<br />
terrcnroto. Inoltre, che i fabbricati<br />
nt.in iives-sero uua troppo larga<br />
ba-.e e c-he uon iris,*ero cli a'ltezzil<br />
sLlpcriritc a metri dieci, :r1lezza<br />
cb.e aclc's,oo d lrort:'"ta a mctri<br />
dorlici per g1i cdifici courttui e<br />
zr rnetri cluattorrlici per: c1uel1i nronurncutali.<br />
Ii cir) percl-re si r-ietle<br />
a ricltrrre cosi ir ttllc.zz.a 1:L uas,.a<br />
osciilante c1'e cluct,to piil e clist:ur<br />
tc rlalla base tzrnto piir lorternente<br />
esercita 1o sforzo ue1la stnttttt-<br />
r:r che si ritiene c<strong>of</strong>ile u1l:r filelrsci-<br />
111 . tttcglir' 1111 f il;1-11',t itl(':t-11';t1,,<br />
nc1 terreno.<br />
/^UItPLliS) \ .i l,rtsetttaia lli<br />
U q 1r c s 1 i,, lt e archittttolliclt.<br />
N{essina ave \':I Ll11it fisionornia<br />
stolica artistica pro{usa nei<br />
srlo selr() che p:rrla'''a un lit-rguaggio<br />
eloc1r-rente, che si cloverta rispettare<br />
e colla cluale lo sviluPo<br />
futuro clover,a essere conciliato.<br />
Per il suo climzr, per i1 suo sPirito<br />
coloristico policrono, per la gioconditi<br />
della sua 1uce, N'Iessinzr richiecleva<br />
c
92<br />
gliori tradizioni italiane. Connulrio<br />
ideale per lo studio di una<br />
chiesa quando collaborano la potenza<br />
espressiva ed eloquente del-<br />
1'artista e 1o spirito asceta, mistico<br />
cii chi sente intimamente le esigenze,<br />
tritta la religiosit) del-<br />
I'ambiente clestinato a diventare il<br />
tenrpio di Dio.<br />
Cornpito cliffici1e e delic:rto, evitlenternente,<br />
que11o cle11'Uificio<br />
tecnico arcivescovile che :rveva ed<br />
ha ancora. come capo I'Ing. Barbalo,<br />
giovane di belf ingegno, e come<br />
collaboratori gior.ani ingegneri intelligenti<br />
e cli bella capaciti. creativa.<br />
Quanti istituti e chiese, ir-r<br />
citti ed in provincia, vennero<br />
create da quei giovani con viva<br />
scnsiiriliti. artistica ed eseguite con<br />
alnore palpitante c1a uscirne ciei<br />
gr:rziosi gioielli cli architettrrra !<br />
Di ogni progetto grandioso, anche<br />
affidato per la direzione so1a, veniva<br />
intercettata ogni minima sfumatura,<br />
ogni reconclita armonia<br />
che vibrasse in esso. X,lessina<br />
quindi ha gii ed avri ancora delle<br />
opere che ricorderanno nei secoli<br />
non solo l'artista creatore, tna anche<br />
l'opera amorosa, seyera e tnagnifica<br />
cli S. E. Paino, ed il saggio<br />
e bener.ole aiuto del Governo-che<br />
ne ha permessa ec1 agevolata la<br />
costluzione.<br />
11 Duomo gid riappare con quella<br />
fulgida bellezza, con quella slla<br />
festosit) policrom:r che illuminava<br />
la N essina di una volta.<br />
E' tornato a sorridere nuovarnente<br />
quel lneraviglioso portale<br />
cli ricca e fantastica vegetazione<br />
1na1111orea. Fastosa composizione<br />
*<br />
{<br />
f<br />
j<br />
{<br />
I<br />
i<br />
li-<br />
I"1.)GAN'|E e magnifico d il<br />
'fempio \rotivo a pianta centrale<br />
e con una imponente<br />
Cupola che sorge in alto su quel-<br />
1a llocca Guelfonia che ci parla<br />
cleller piir belle gesta de1la Messina<br />
guerriera e patriottica. Quella<br />
colossale opera architettonica<br />
clal suo splenrliclo barocco che ci<br />
parla clella eterna lltrma, i itno r-lci<br />
capolavori rlelf illrrstre I,r<strong>of</strong>. l{ilani.<br />
In Ltiazza l)uomo sorge la bellrr<br />
fontana cli Orione clel Montorsoli,<br />
per come era prima del terrenroto.<br />
l-'insierne cli questa fontana<br />
e di una grazia unica resa pir\<br />
luminos:r da1la bicromia del materiale;<br />
ccl i particolari, specie le<br />
statue clei fiurni ci fai.ino ricrrrci;ire<br />
che il l,Iontorsoli fu un a{fe,<br />
zionato allievo cli I,Iichelangelo.<br />
Per quanto d 1a cornposizion6 r,igorosa<br />
della fontana c1i Nettuno.<br />
lche s',rgt' sull:r \larirra) che tlirnostra<br />
vieirpiir quale fascino eser_<br />
citzrssc sul X{ontorsoli la sublinre<br />
arte cli X'Iichelangelo: si:r
94 ATLANTICA. APRII.. \932<br />
CIANNINI BIPRFNDE IL CONIROLLO<br />
DE}}A IRA}\>A}PIER)tA<br />
Di<br />
JJT O fari rlcl nrio rneglio nelf<br />
l'interesse clegli azionistt<br />
fila non sono nd un mago<br />
rrd un superuomo e conto sulla<br />
costante cooperazione degli aziouisti<br />
stessi e degli amici della<br />
'lransamerica."<br />
Con clueste parole Amecleo P.<br />
(]iannini dopo una strelrua e dura<br />
lotta ha recentemente riconosciuta<br />
ia fiducia di migliaia di azionisti,<br />
rnolti dei quali Italiani che<br />
l'hanno ristabilito al posto di<br />
chairman del1a grancie Transame'<br />
lica Corporation.<br />
Fu Elisha Walker, il banchiere<br />
r1i Wall Street, che assunse il posto<br />
di Giannini nel cor.rtrollo della<br />
istituzione clopo ie clirnissioni c1i<br />
cluest'ultinto, in rrna lotta che ha<br />
attirato 1'attenzione deli'intero<br />
paese e di azionisti sparsi in piit<br />
tli 2O nazioni straniere.<br />
La vittoria cli Giannini porta di<br />
nllovo in prima linea il figlio di<br />
un irnnrigrato Italiano che ha saputo<br />
eler.arsi cla11a povertd ad una<br />
posizione dominante nel1a finanza<br />
<strong>America</strong>na, e la sua rrittoria d<br />
ancora piir significativa se si mistlrano<br />
7e lorze che a \Va1l Street<br />
appoggiar.ano \\,-a1ker. Un'altro<br />
punto importante e il fatto che<br />
non soltanto g1i Italiani ma per<br />
tre quarti anche g1i Arrericani si<br />
aggrupparono intorno a Giannini.<br />
Cio climostra quale f ede hanno<br />
tutti nella straorclinaria abilit) da<br />
1ui climostrata ne1lo sviluppare ed<br />
amministrare una de1le piu grandi<br />
banche del mondo. Jigli ha subito<br />
annunciato che avreltbe rinunziato<br />
ad ogni stipendio ed altri<br />
importanti risparmi saranno fatti<br />
negli stipencli de1 Presidente e degli<br />
altri Direttori.<br />
Nel 1929, clnando Giannini pensd<br />
alle sue dimissioni cercd attorno<br />
a se un clirigente capace di occllpare<br />
il suo posto e credette di<br />
trovare in E. Walker 1e qualiti<br />
necessarie per sviluppare il lavc-rro<br />
da 1ui iniziati. Ne1 febbraio<br />
1930 Walker fu eletto chairman<br />
della Trarrsamerica e L. M. Giannini,<br />
fig1io del fondatore fu eletto<br />
presidente. A. P. Giannini divenne<br />
chairrnan del consiglio d'anrrninistrazione.<br />
I-e modifiche fatte<br />
in cluel tempo furon considerate<br />
Mqtteo Melchiorre<br />
come inclicaziotte che f infllrenza<br />
di Walker si sarebbe esercitata<br />
sulle coste de1 Pacifico. Subitcr<br />
dopo fu organizzata una campagna"<br />
nazionale per ottenere mezzo<br />
nrilione di azionisti e iI 25 Luglio<br />
I 930 Ia Transamel-ica Corporatiorr<br />
fu iscritta al New York Stock Exchange.<br />
Ulteriori circostanze resero<br />
necessarie le dimissioni di A.<br />
I'. Giannini il quale dichiard che<br />
lron approvava la politica, i piani<br />
e 1a procedura clel suo successorc<br />
E. \"I,/alker.<br />
f<br />
L piano in attuazione si presta-<br />
t va infatti, secondo Giannini :,<br />
molte obbiezioni in quanto sr<br />
l)r()pone\ra di togliere alla Corporazione<br />
il controilo de1le sue Istrtuzioni<br />
principali e non dava aglr<br />
azionisti 11 mezzo di esprimere ta<br />
lciro opinione circa i terrnini e il<br />
momento delie vendite, fusioni,<br />
ecc., nd dava ad essi la certezza di<br />
avere il controllo delf istituzione.<br />
I1 disaccordo tra il gruppo Giannini<br />
e il gruppo \\ralke] clivenne<br />
sempre piu grave fino a quanclo<br />
non avyenne la rottura, ne1 mo_<br />
mento in cui ia Bank <strong>of</strong> <strong>America</strong><br />
frr fusa con la National City l3ank.<br />
Giannini allora organizzb Ie<br />
lnasse degli azionisti specialmente<br />
nei West e li raggruppd contro<br />
il gruppo capitanato da E. Walker.<br />
La lotta tra Giannini e Walker<br />
prese tutte le forme e tutto il calore<br />
di una campagna politica" Le<br />
principali accllse fatte dal Gianniii<br />
6siconrlo il Tjrres del 15 Feb-<br />
\s{s L9a2\ tss
al successo me1lo un elemento di<br />
cssenziale importanza. CioA non<br />
\'1 era.cornprer-rsione del punto di<br />
rista clello stranieru.<br />
G1i intcllettuali e benintenzio_<br />
nati a capo del ntovimento di A_<br />
rnericantzzazione agivano, abi_<br />
tualruente. supl,rrrerr',i,, che i [o_<br />
rcstieri rlt'r r rno es>ct-e "rirrressi a<br />
lruovo". E,rano convinti che A_<br />
t't'tericanizztlr e signi fi car, a al ter.:rre<br />
completamente il loro modo cii fa_<br />
re e cli vir-ere. I forestieri erano<br />
consiclerati conre esseri spror-r,isti<br />
cli traclizione sociale e culturale.<br />
,\genclo sotto questa irrrpr"ssior.<br />
troppo silesso Arnericaniz zare rli_<br />
r elltc silt,,rtirn,, rli l)dtrt)iizzate.<br />
Questo d stato, seconclo me, un<br />
s'ra\ e crrL,t-(.. L'elenretrto stra_<br />
niero c1ella nostra popolazione,<br />
rpecialrrrerrte i. grrrplri europci,<br />
vcnnero da noi con ricchi-.sime<br />
tradizioni sociali e culturali. L.es_<br />
sere stranieri se costituisce una<br />
,l.iVe.rsita.r'tilll ral)presenta utr.in{e_<br />
l'r()rlta lte, ler cio srlo, rr.rrtle u-<br />
*piti l,oco rlcsirleral,ili. l"irtti<br />
per non essere nati in <strong>America</strong><br />
ron s.i e, colr cio, rrecessariarnente<br />
iurtr .\nlertcaili. Se arnericarrizza_<br />
zione significa quelio .t.,. ...Jo<br />
1{l. Ct.r,c trrra proi6y;1la fe,is rrelle<br />
(tt-l1tl'rlrc lroliticltc,lclia tliclriara_<br />
zi3rre ,li. irr,.l ilrclr,lcriza applicate<br />
;r.r ra cr,:trtuzr,,rrc ,legli Statl L rrr_<br />
1t. nto.ltc l)cl.)ollr-. rraie rrll.estcro c<br />
:IitlJlltte<br />
.llt qneSlO<br />
l)ae:c. i{,11,)<br />
tanto sinceratr.rente .!rncricalte<br />
quanto gli americani di clir_er-qe<br />
g'encrazior-ri. Anrericanrslr-lo lron<br />
e una couclizione cli nascita ltra u_<br />
no . stato cl'aninro e di cuore. I<br />
,lilig.cnti ,lei anrl,l,i ltaliarri re.i_<br />
,ierrtr riegli Stati L'rrrti :i rerrrlt,ro<br />
corrto che i 1uril coil l[rziorra]i rrort<br />
J)oss0no aslrirare ad esscrc c(r1.rii_<br />
,lcrati A rrrer-icani sirro a ,1ri",'t.f ,,<br />
essl conservano il loro modo c1i<br />
l)eltsill'c. la l,'ro Iirrgrra e il iorn<br />
rnoclo di r ir-ere.<br />
GGI quasi 6 000.000 cli perso_<br />
ne residenti negli Stati Uniti<br />
sono Italiane cli n:rscit:r r;<br />
,ii ,,rigilre. Il>:e t.,,s1j111i
96<br />
oeSS() e ()t)tIu Jolrtr I'r.'tttllet, rll, itCcusato<br />
cl'aver Llccisa ia moglic.<br />
L'udienz:L piil intercssante f rL<br />
qr.rella irr cui I'erccus;rto fu chiamato<br />
a rnccorrtar la su:r storizr.<br />
"J ohrr llencllerton l, dif encliti"<br />
clisse il suo :.rvvocirto, ec1 il pin<br />
grzrncle silenzio si fece ne11'aula.<br />
Conre egli si alzd tutti gli occhi si<br />
fissarono srr cli lui. ligli aveva<br />
llett prrc,, rli tlrrell'luilr r,,rrrarrticir<br />
che il popolo zrssocizr serrrltre ai delitti<br />
passicinali. Iira nn piccolo<br />
LTorno tozT-o, quztralttenne, cluasi<br />
calvo, clr
\\-HERE<br />
ATLANTICA<br />
\{AY BE<br />
OBTAINb,D<br />
3 -,STO\. .\Iass.<br />
l.:",ru and Co.,<br />
-:.1-l Hanor er St.<br />
3ROOKLYN, N. Y.<br />
) i.:r ^i<br />
. vwi 51,<br />
1.3 Coiumbia Sr,<br />
3L TTE, Montana<br />
E Grossenbacher,<br />
il1 So. Arizona St.<br />
CHICACO,<br />
.{. Agostino,<br />
3r-t1 E. Kensington Ave.<br />
B. Brcggio,<br />
5-19 W. Taylor St.<br />
DETROIT, Mich.<br />
Libreria Bonaldi,<br />
3033 Gration Ave.<br />
DONORA, Pa.<br />
E. Grazzini,<br />
540 McKean Ave.<br />
NEW BRITAIN, Conn.<br />
E. D'Agostino,<br />
480 Main St.<br />
NE\7 YORK CITY<br />
Brentano's,<br />
1 w. 47th sr.<br />
A. Martignoni,<br />
ld6 Bleecker St.<br />
S. F. Vanni,<br />
507 W. Broadway.<br />
PHILADEI-PHIA, Pa.<br />
A. Napolitano,<br />
1203 Federal St.<br />
ROCHESTER, N. Y.<br />
Carfi Bros.,<br />
433 Clinton Ave.<br />
Bank <strong>of</strong> Sicily Trust Co.<br />
Filiazione del<br />
BANCO DI SICILtA - pALERt\,fO<br />
:,4AIN OFFICE<br />
48? Broadway, New York City<br />
I,lir_rt 1tiTth streer<br />
Ser.orrrl lt-c'rrrre<br />
Irirst,\r'elrLtr<br />
Ifultlrn Street -<br />
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t<br />
Iit'orr-r. ^\. \.<br />
- \cl' \-ur.li ('itr-<br />
\el \ olli (lit,lljroolil._vn,<br />
\. \-.<br />
U'yr.f.R<br />
CA ug.,l<br />
N<br />
/)<br />
d-.1<br />
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roons with bath, two swimming bools. rn,runrficcnt<br />
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to rnake a cruise perfect.<br />
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HOTEL PRE'IDENTE<br />
HAVANA CUBA