Atlantica April 1932 - Italic Institute of America

Atlantica April 1932 - Italic Institute of America Atlantica April 1932 - Italic Institute of America

BANCO DI NAPOLI TRUST COMPANY<br />

OF NEW YORK<br />

Gheck Aceoulnts<br />

Thrift Aeeounts<br />

GENTPAL BANKINC<br />

TOPETGN DEPAQTMENT TP!JST DEPAPTITTNT<br />

MONEY ORDERS<br />

CABLE TRANSFERS<br />

LETTERS OF CREDIT<br />

TRAVELERS' CHECKS<br />

Affiliated with the<br />

LtAratdo della Stampa<br />

legEc tlttt I quotlaliani e perlodici<br />

ttallani ed esteri ed lnvta ognl<br />

glorno al suol abbonatl i rita?tt<br />

degtl artlcoll e dette notlzie che ll<br />

rlguardlno Derconalmente o rela.<br />

tivl ad argomentl clre particotar.<br />

nente ll lnteressino, con la lndicazlone<br />

dctla alata e del tttolo det<br />

glornelc o della rlvlsta che tl ha<br />

pubbUcatl._=<br />

Richieste e chiarimenti firesso laDireqione;<br />

Piazza Campo Marzio, 3<br />

Roma (12O) Telefono 65-867<br />

THE PUBLIC BE PLEASED<br />

$4.oo to<br />

BOSTON<br />

$3.0o to<br />

PROVIDENCE<br />

(Above fares include berth<br />

in cabin)<br />

The splendid steamers <strong>of</strong> this<br />

line sail from Pier I I N. R. (ft.<br />

<strong>of</strong> Liberty St., N. Y.) daily and<br />

Sunday, 6'00 p.m. O;tside staterooms,<br />

with running water, $ 1.00<br />

Phone: BArclay 7- I 800<br />

ORCHESTRA AND DANCING<br />

COf ONIAL<br />

LINE<br />

tsANCO I'I NAPOLI<br />

Naples, Italy<br />

The oldest bank in the world. Total reso'rces 9,ooo,ooo,ooo lire<br />

BOOKS ABROAD<br />

A Quarterly Publication Devoted to Comment<br />

on Foreign Books<br />

Issued by the University <strong>of</strong> Oklahoma press<br />

University <strong>of</strong> Oklahoma, Norman<br />

ROY TEMPI-E HOUSE, University <strong>of</strong> Oktrahoma,<br />

"l am,surprised that anything so competent in its chosen field should be<br />

availab-le to anyone interesteJ ir Erropea'literature. There is . s"nt"<br />

Claus. "<br />

Pr<strong>of</strong>essor Simon Deptula, Lehigh University.<br />

"Your review is getting better and better."<br />

Pr<strong>of</strong>essor Domenico Vittorini,<br />

". . . Molto irt"res"arte." Pr<strong>of</strong>essor .A.lberto<br />

facolti di Giurisprudenza,<br />

University <strong>of</strong> Pennsylvania.<br />

Bertolino, Bibliotecario della<br />

R. Universiti di Siena, Italy.<br />

BOOKS ABROAD, now 35c. an issue and $1 a year, was<br />

established by Roy Ternple Flouse in l9Z? to pro,mote international<br />

understanding by disseminating riterary information.<br />

For advertising rates write to Todd Downing, Advertising<br />

Manager BOOKS ABROAD, University <strong>of</strong> Oklahoma, Norman,<br />

Oklahcma.<br />

eA' va/' xLll, N0. 2' A/tri/' <strong>1932</strong>. Pabltshel fuIanthly b1'F. Ca.sola at )) IY/etr Totb Si., Neu,york. Subscription $3.J0 per year<br />

Entered as secanrl-clrxs rnatter March 16, <strong>1932</strong>, at the pasr ATLANTICA, VaL Xil, No. 2, <strong>April</strong>, <strong>1932</strong>.<br />

O.ffice at New yor|, N. y., under tbe Aa <strong>of</strong> Marci 3, 1879.<br />

I<br />

1


t<br />

r-<br />

Ix COMING ISSUES<br />

EDWARD CORSI, Commissioner <strong>of</strong> Immigration at Ellis Island, in a<br />

series <strong>of</strong> interviews, will reveal conditions as they are at present at the famous<br />

"gateway to the nation".<br />

H. E. VITTORIO EMANUELE ORLANDO, {ormer Premier <strong>of</strong> Italy, and one <strong>of</strong> the Big Four<br />

at the Versailles Peace Conference, will write on th: Depression as observed during his recent visit to<br />

New York.<br />

PROF. WALTE,R BULLOCK writes on the in'luence <strong>of</strong> feminlne literary groups during the Renaissance<br />

in Italy.<br />

EDOARDO MAROLLA reveals the accompl'shments <strong>of</strong> Father Maraschi, who founded the University<br />

<strong>of</strong> San Franclsco almost a century ago.<br />

DINO FERRARI <strong>of</strong> the New York Times dis:usses the absorbing question <strong>of</strong> the ltalian-<strong>America</strong>ns<br />

in the modern field <strong>of</strong> literature.<br />

STATEMENT OF THE O\TNERSHIP, MANAGEMENT, CIRCULATION,<br />

Etc. REQUIRED BY THE ACT OF CONGRESS OF AUGUST 24, 1912 <strong>of</strong><br />

published monthly at New York, N<br />

Slata ol' Oo"U<br />

^.rt I<br />

County <strong>of</strong> New York {<br />

"".,<br />

Before me. a Notary Publlc. in and for the State and County<br />

aforesaid, personally appeareal -4.lberto Gromo-Garabelri. vho<br />

havjrg been aluly sworn accoralirg to l:llv deposes and says that<br />

he is the Ilusiness N{anager <strong>of</strong> the ATLANTICA and that the<br />

followirg is. to the best <strong>of</strong> his k"olvledge a'.i beli'f. a trur'<br />

statement <strong>of</strong> the cwnership, m?!ragement (and if a dairy papr:r.<br />

the circulation), etc., <strong>of</strong> rhe aforesaid pubtication fcr the datc<br />

shos'n in the abovE capti.)'. required by the Act <strong>of</strong> August 2+.<br />

1912, embodied in section .111. Postal La.1vs anal Regulatio:ls to<br />

rvit:<br />

1. That the names &nal adCress,.s <strong>of</strong> the Dublisher, editor,<br />

managitrg editor, and business managers are:<br />

Publisher: FILIPPO CASSOLA. 33 11-. ?oth St., Ne$' Yorli<br />

city.<br />

Fiditor: l'ILIPPO C:'ASSOLA<br />

City.<br />

lfanasins Editor: DOMINICI{ L.\}IONICA,<br />

New York City.<br />

ATI,.4NTICA<br />

for <strong>April</strong> 1, <strong>1932</strong> colporated concern, its name anal addless, as<br />

cach individual member, must be givcn).<br />

St., Nelv Yorli<br />

33 \\'. ?oth st.,<br />

Rusiness \Ianager: ALT]IIR'IO Gltor\1!) G-\RAIJIILLT, 33 \\'<br />

i0th St., Ne\v Yorli City.<br />

2. That the o1vtrer is: (If oNnod by a corporation its namc)<br />

and addross rnust be stateal and also immediateiy thereunder the<br />

names and adalresses <strong>of</strong> stockholtl€rs owning or holding one per<br />

cont or more <strong>of</strong> totai amount <strong>of</strong> stock. If not owned by :1<br />

corporation, the names anal adalress.'s <strong>of</strong> the individual olvners<br />

must be giveu. If o\+ned by a firm, company' or other unin-<br />

ARE YOU OF SICILIAN<br />

If ltou arer You will want<br />

SPECIAL CLUBBING<br />

ATLANTICA<br />

7he ltaiian trlanthly Reaiew<br />

:I:} \I'EST 7O1.II S1.RED,I<br />

IL\f YONN CI1'I<br />

FILIPPO C:ISSOLA.<br />

3il \Icst ?Oth St., 1,\e\. Yorlr Citt'.<br />

as those <strong>of</strong><br />

3. That tbe kno\\'n boldholders, rnortg:ii8eos, ,Lnd other s|cut-<br />

' hold.'rs olvning or holdir8 1 p.r cenl or more <strong>of</strong> total ilDount<br />

bonds, mortgages. or othlr secur-tics are: NONE.<br />

4. That the t\.o paragraphs next above, giving: the nam(.s <strong>of</strong><br />

the o\r'ners, st{}ckholders.:rnd securjty holders, if any, contain<br />

not only the list <strong>of</strong> stocliholders and security hold.rs as they<br />

appear upon the bocks <strong>of</strong> the companf- but also, in cases where<br />

the stckholder or security holder itpp^ars upon tho bool(s <strong>of</strong> the<br />

cempany as trustee or in any other fiduciary relarion, the name<br />

<strong>of</strong> the person or corporation for Nhom such trustee is acting is<br />

given; also that tbe said two paragraphs contain st.ltements embracing<br />

affirnt's full knolvledge and belief as to the circumstances<br />

anal condit.ions under $'hjch stocliholders and s.curity<br />

holalers lvho do not appear upon the books <strong>of</strong> the cotrpanll as<br />

trustees, hold stock an.l securities in anl' capacity other than<br />

that <strong>of</strong> a bona fiile olvner; and this aliant has no reasoD to<br />

bclieve that any other person, associaltioil. or corl)orati{)l has<br />

any interest direct or indirect in the said -


RASSEGNA DEI LIBRI ITALIANI<br />

ATLANTICA <strong>of</strong>fre ai suoi lettori i sotto elencati nuovi libri italiani, con<br />

grande risparmio suiprezzi correnti. un addizionare sconto del 15 per cento<br />

verri accordato ai nostri abbonati. ogni mese verri pubbri"uto .rr, "r"*o<br />

dei pii importanti volumi stampati in Italia. rndirizzare le o,rdinazioni accompagnate<br />

da check o money order ad ATLANTICA BooK SERVICE, 33<br />

West 70th Street, New york City.<br />

A_Albertini - B'EET HO V EN,<br />

L'UOMO - Ed. Flli Bocca St.ad<br />

Nuoua e riueduta erl,izione tlella rLotu<br />

opera d,ell' AIb er tini.<br />

Corrado Alvaro - LA SIGNORA<br />

DELL'ISOLA - rEd. Carabba ..g.90<br />

Breui nouelle immaginatiue ed, im_<br />

ln essiotListiche.<br />

Riccardo Bacchelli - LA CONGIU-<br />

RA DI DON GIULIO D'IESTE _<br />

Ed. Treves ...........93.00<br />

Quest'u.I,ti,ma opera clel Bacchell;i apporta<br />

un'i,mportante contributo allo studi.o<br />

delle condizioni, storichc e politiche<br />

tli Fenara, sotto iI clonti,,nio Esiense.<br />

Antonio Banfi - VITA DI GALI-<br />

LEO GALILEI - Ed. .,La Cultura"<br />

.............. ...........g2.00<br />

. / ,. so tt tt.,a erud:[ct b:cg,t:tlia na<br />

il _diuertent,c ed onnetlottico' racconto<br />

della uita tLi utt slranrl'uomo.<br />

Massimo Bontempelli - LA FAMr-<br />

GLIA DrEL FABBRO - Ed- Mon-<br />

dadori ............ ...........$1.00<br />

.Romat'zo che si sy6lgp ir, utra picrola<br />

ritladirte pellrgolu c prot,ituiale'in cui<br />

.\, scoprrr u,,rt. delitto d,i cu,i I'autore rima_<br />

tte ,ig.noralo. Il ..'lat tarciu" suiltLpp,6 1s<br />

pIu tnt pctt.\ul? sil uezioni the, presentale<br />

con f,ne tLmoristno e con la euid,enza de_<br />

gli ouuptrim, ttli .uiltuti, 1o,,,,o a; qi"lin<br />

ttu.ou.o t'oItr,ntc del Bontetn pelli trnu dci<br />

t't igliori rontn tt z i rxLicrtti.<br />

G. A. Borgese - D'ANNUNZIO _<br />

Ed. Bompfani ...............................g1.20<br />

Questo uolu,me app(fi.so riel lg0g s.u.scito'<br />

uiuaci d,iscu*sioni, che su.bito ne atLe_<br />

starono I'importanza, Ia u.itali,ta' e Ia<br />

r_e.n I ral i I n' r i s pp t I o 4I l' t t y ra rl a n t, urt zi o no.<br />

L'attuale ristantpe. rtnrctl, irt r-irrolozione<br />

un l.ibro di alto ualore cyitico che.<br />

oltre ad rs* re spr',.r'hiu ledel, Ji trn montenlo<br />

irtlerrsytnlis*itnn,lcllo uitrt itttpl-<br />

I.ettuale ita,Liana., lt,a iI nterito tl,i auer sc._<br />

lnalo pr7 printo qttello t.lte attror o0U;<br />

rlmanp lo pnrla pitt' t'it'r, ,1, ll'u1n ra ,)) I<br />

poeta.<br />

Mario Caracciolo - L'ITALIA E I<br />

SUOI ALLEATI NELLA GRAN:<br />

DE GUERRA Ed. Mondadori g1.00<br />

Con sono c acuto inLent{intento storico<br />

I'autore mette in rilieuo auuenimenti che<br />

cara.tteriaeano ,i rapporti Jra l,Italia e i<br />

suoi allectti. d,uronte Ia Grande Guerra.<br />

Mario Carli & G. A. Fanelli - AN-<br />

TOLOGIA DEGLI SCRITTORI<br />

FASCISTI - Ed. Bemporad g3.50<br />

Rapidu uisione della cu\tura ,italiana.<br />

t'ontpmporonro c deII'ittll tt, ttzfl (sct.r.;totn<br />

, tt. d.i essrt ,lnl Fnscistn'o<br />

F. Ciarlantini - AL PAESE DELLE<br />

STELLE - Ed. Alpes ....................91.20<br />

_ Impressioni di un ltali,ontt sugli Stali<br />

Ur"-iti.<br />

Delfino Cinelli CINQUEMILA<br />

LIRE - Ed. Treves ....................9r.20<br />

..Rotmanzo dall' emozionante e d,ramntatico<br />

intrecc.io.<br />

BqL{3tto Croce - STORIA D,EU_<br />

5gP_A nEL SECOLO XiX _<br />

Ed. Laterza ...........g2.50<br />

..S,1oria de\lp.loile politiche nel gecoLo<br />

.\ IA con spenale sl udio del liberolisno<br />

oome teoria tli Gouerno.<br />

G. E_. Curatolo - ANITA GARIBAL_<br />

DI -_ Ed. Treves, Treccani & T"_<br />

mrnelll ...................$1.60<br />

Tutta la uita rletla compagna (JeIl,E_<br />

roe,- accuratamente sturJiata e descritta<br />

tLaLIo gloriosa giouinezzo ;" l^ri;ia'ii<br />

Ia sp0rela Iomba irt Rottrugno.<br />

Raffietlo De Rensis CRITICHE<br />

- E<br />

9 }:o^N4qHr ivru srCAii o i-Inl<br />

FIGO BOITO - Ed. tr""", ts:.}<br />

. lr9l9ndo stutlio suL|,arte e sull,uiatn-<br />

ta' del piu' srande musicisi"-;;i-R:;';;_<br />

tli,rmento.<br />

Alnaldo Fraccaroli - NOSTRA VI_<br />

TA eUOTIDTANA _- na. - rr._<br />

ves ................ ...........91.50<br />

..''l"Sgt di be*s,r fitos<strong>of</strong>io" rom(, l.outure<br />

l,t cht.enta,nel x,,l.lntilolo, uiuaci s(pnp dpl_<br />

tft UIto d oOnl .gtontO r&cronletr t.On briO<br />

q& uno det y4tgl.rttri gi,trt,nliJi IlolQni.<br />

Ug!e{o- Fracchia - SCEIIE E cEN_<br />

Tr- qr CAMPAGNA _ Ea. M;_<br />

dadori ............ ...........g1.00<br />

, Rn.rrurt"l t ,'l,a.prendono ispiraziunc dal_<br />

t.(t' t'ttd d utt pt'rolo poese Digurr. srrit_<br />

lt (on prosa tun,lpnte e prcciia.<br />

C_arlo Emodio Gadda - LA MADON_<br />

NA _D|EI FILOSOFI - ea. S"_<br />

lari ................ ........9r.00<br />

Raccolta di nouelle che riuelano utt<br />

lemperarnento di grand.e ualore e untt<br />

rt(urtt protnpssa Lli arlp It)uo c t,,tnt.a.<br />

Carlo Gatti - VERDI _. Edrzione<br />

Alpes ...................910.00<br />

Iliografi.a dnl grande tnusicisttt basata<br />

su nltol)e lonti d,ocu,mentate. LIagttiften<br />

"<br />

edizione irt rlue rolumi.<br />

Angelo Gatti ILIA ED ALBIER-<br />

TO Ed. Mondadori -<br />

................91.6U<br />

Roma,nzo. -<br />

G'ovanni Gentile - LA FILOSOFIA<br />

DELL'ARTE - Ed. Treves ....$3.00<br />

Un fondam.entale laroro per Io studio<br />

delle teorie esLetiche d,el Gentile.<br />

50<br />

Giulio Augusto Levi - GIACOMO<br />

LEOPARDI - Ed. Princ;pato 92.50<br />

Ottitma biogra/ia e stud.io tlella uita ed<br />

opere deL poeta.<br />

Dott. G. Loeber - MAI PAURA -<br />

. Ed. Hoepli ...........$1.30<br />

Quaranta spunti pieni rli ragionato ott<br />

i).o Ou,:,;t lpera ebbe ,urt etLlrtlle<br />

sTtccesEo nei paesi nordici e ben meritaua<br />

di esser riuelakt. ai lettori italiani.<br />

Fausto Maria Martini ,- Il, SI]-EN-<br />

ZIO - Ed. Mondadori ...............$1.00<br />

' t' tr;uo q ui' ad otni rioa ,iI suo<br />

parlarc sommessu, 11 ',1s ,uspirir, , il suo<br />

aonf.darsi. e ritrarsi, Ia sua fidunia e la<br />

sua perytlessita', il suo bisogno di. conlorLo<br />

e insieme iI sosltetto deLla pieta'<br />

e su tutto queLfaccorata dolcezza che<br />

neL suo bel uoltct subito szLccedeua aI<br />

baleno rXun sorriso".<br />

(dalla Tnefazi,one di Ugo Ojetti)<br />

Paolo Mas no MONTE IGNOSO<br />

-<br />

- E. Bompian: ............................91.0U<br />

Ilom.anzo. Drammatiche situaeiont<br />

crcate con seli.qo di ueritrt.' t: d,i, arte.<br />

Micucci - RE, PAPI E DONNE<br />

NELLA VISIONE DANTESCA _<br />

E. Flli. Bocca .................. .......91.40<br />

Stwlio cosciertz,ioso e pre(:iro che mette<br />

zn ul,ua e tLLLoL'o lur:e ligllyp c],ella Dztiria<br />

Cornmeclio.<br />

Lyd'a Morelli - LA CASA CHE<br />

VORREI AVERE Edizione<br />

Hoepli ...................$3.00<br />

llarlni.fico uolunte t:orrttktto di p,iu,, di,<br />

3aa .Ulustraziotti, ou,ida indispertsable aa<br />

0{/111 dotill.(.


['t<br />

I<br />

i<br />

.l<br />

\<br />

Giovanni Nencioni - IL FURBO -<br />

Ed. Mondadori ...."...........................$.Zs BOOKS AT LOWER PRICES<br />

Racconto pid che rom,<br />

terso situaztfii,;:*6;;:ff3#r:#ffi Special Offer to Subscribers Through <strong>Atlantica</strong>'s<br />

ti pur rron ecced,end,a ne<br />

!fi:,f"{";ai;-i;;;#,"iuu;,nce "<br />

Ugo Ojetti - VENTI LTETTERE -<br />

Ed. Treves ........... 91.20<br />

Rtr,'colln dclle lettere pubblicaLe nella<br />

r't t'tn "Pegaso" n.egli anni lg?f e lg30.<br />

Gu:do Piovene - LA VEDOVA AL-<br />

LEGRA - Ed. Buratti ............g1.20<br />

Ratconti creati da un(x nxente soggettit'tr.<br />

pieni di colare e tli arte_<br />

Luigi Pirandello - MCCHI E I<br />

GIOVANI - Ed. Mondaaori ._.$t.eO<br />

Qt(.sLo uasto e potettle romanzo pi_<br />

ta.,td,p.u.teno,.uera ppopca della guerra di<br />

tu !.tta, 16c1,to prima della glrcrra e ot-<br />

,tet da molti anni, esaurito,- e, una delle<br />

. '- ttntro!iL,p _t.ra le piu' itmportanti e<br />

^'t!Jttt.hcutiue d.ella lctteratura italiana<br />

toti.tempor(meo. L'auLore ne ha ora perritt:ss1t<br />

la.ristampa dapo auer com.pieta_<br />

tttentc riuedu,to e rimaneggiata ii Rot7latl.zo.<br />

Mario Puccini - TEBREI _ Ed. Ce_<br />

schina ............ ...........$r.jo<br />

Romanzo che ha un Ebreo quale pro_<br />

tagurista. Acuta stud,io tl,ell'anina ebrai_<br />

ca douuto alla penna di uno scrittrsre<br />

cattolico.<br />

Corrado Ricci - FIGURE E FAN-<br />

ASMI - Ed. Hoepti ................g2.s0<br />

Uno fra i piu' colti e noti cri,tici italiani<br />

tratta d,i temi diu,ersi, cXa Dante a<br />

)I arglterita dd Sauoia.<br />

Elisa Ricci - MILLE SANTI NEL-<br />

L'ARTE - Ed. Hoepti ............$4.80<br />

-.<br />

Biografie di San/i raggruppati secondo<br />

I' o1d)ne del calenderii "in' un magnifco<br />

t'olu.me anicch'ito da ZM llustrazioni.<br />

G. Titta Rosa -<br />

IL VARCO NEL<br />

MURO - rEd. Carabba ................g.90<br />

Raccolta rli 18 nouelle che si leggono<br />

con uiuo piacere Tter la loro consiiienza<br />

e al temlto stessa per La, Jaciti,ta e ia<br />

sco r uol zza t he le r,sorse di scritLtrr;<br />

tttrlrttlicu c I aspri, rrza lpllcraria ltattno<br />

doto all ardore.<br />

Giovanni Semprini - PICCOLO DI-<br />

ZIONARIO DI CUL"URA FILO.<br />

SOFICA - Ed. Aetna "..........g2.50<br />

, Breue introduzione aXIo studio d"ella filos<strong>of</strong>ia.<br />

Angelo Sodini ARIEL ARMATO<br />

-<br />

- Ed. Mondadori ..........."............93.50<br />

biograf.co su Gabriele d|Annun-<br />

,i:.r"rlio<br />

Corrado Tedeschi SIBTERIA ROS-<br />

SA E MANCIURIA - IN FIAMME<br />

- Ed. Barbera ............................92.00<br />

Viuaci e real'i,sti,che impressi,oni di un<br />

uinggo attrauerso la Sibera e la Manc'iuri,a,<br />

com,piuto d,al conispond,ente del<br />

quotidiano di Torino, "La Stampa".<br />

ituiFt" Book Service<br />

On all, the books listetl'belou, all <strong>of</strong> u:lti


ATLANTICA'S OBSERVATORY<br />

TFIE WRITING ON THE WALL?<br />

W i"",T",li; *; J_#i4i?if*<br />

looking to reduction or limitation <strong>of</strong><br />

armaments, _[rany were the iltroductory<br />

speeches that were ireard. None<br />

<strong>of</strong> them, holever, received the thunderous<br />

applause accorded to Dino<br />

Grandi <strong>of</strong> Italy, ancl, to a lesser extent,<br />

lVlaxirn Litr.inov <strong>of</strong> Soviet Russia.<br />

This was made the subject <strong>of</strong><br />

'' contment in the dail1' press in th,s<br />

cou n tr)'.<br />

But thc "Nation", that liberal weekly<br />

edited by Mr. Villard, u.ent further.<br />

Delving bencatli thc surface in its editorial<br />

conment, it rvondered w-hat this<br />

rneant fur rleruocracl , irr the ft'lloll'inil<br />

rvords:<br />

"It is a deplorable contnterttarg ott<br />

lhe present statc 6l jentocralic ttctlions<br />

Llto,t the best presentaLions ol the case<br />

lm clisarnzam,enL haue been rnade b,y<br />

Lhe represertLatiues oJ cottnt.ries 11ctugrngd<br />

bA dictators. Signor (|ranrJi, for<br />

ILaLy, *,toept away the uhole 'mass' oJ<br />

lormulas anrl petlA tecltnicali(ies<br />

tuhich wrre cluttering ul, !ltc srcne unrl<br />

'put the proposition on the broad basis<br />

oJ justice und fai,r-dealirt11. In substance<br />

and. form and in the ntouirtg<br />

quaLity ol oratoryl his speech,ucs n-?t-<br />

'perp. It contrasted uiuidl,g ui,tlz tlrc<br />

hard,'metal,ltic wh:i,ne ol Tardieu. Lituinou,<br />

tor tlrc Souiet dictatorsltip, uas<br />

no less eJlectiua in a diflerent style.<br />

With unecpected, moderation ol tone<br />

anrl lanEuage he dissectecl the uarious<br />

plans ol playino at disormamcnt and<br />

ra|rnly buL Triti[.essly erpos, d the hgpocrieies<br />

ol th,e d:iff erent gouernments.<br />

"One cannot help uorul.ering if the<br />

preemincnce oJ these litL:o oouernntents<br />

dt tll.is conlerertcr Iras somp ,le r p significancc.<br />

l)o llrp soitorous.,t.oii"citpd;<br />

eloe ttlion(Lry pltr,l itttrl, s n! Sir Jol,n<br />

Simon, lhe t,t,r.lirrp rcr,trtrtrtcndaliotrs<br />

ol the (inite,tl Stcttes, an.rl the medieuttl<br />

proposals <strong>of</strong> Fronce nt,t (n7 tlLctt d,ent otacS'<br />

is lnr ,tlot.'1 it,. lltr proeest ilJ<br />

[eray/ .0r Ilrqt llttlJ ttrp o),1u it, tlte<br />

rrct ol sloagllin,l ,tJJ !lr, ,,1,1 jcad sA.itt<br />

rnd. ui.ll..ttpJteur It, tL tu u, ttn(J Itri,Jl,ler<br />

coat u'illt the comhtg gernrutiotts? Tlrc<br />

latLer mell be Lhe case, but tlw circ,ulrn_<br />

salnce t.hat the most uital, aontri.buti.ort.s<br />

rnatle so lnr to fhis ronleretre hit,i<br />

been trottt, aountries operating. utujl;t<br />

't rhdn{tt rl urtlr r sr{rl,/. .r/i thaL it is ,,,t<br />

ro tt-ri.flp11r'r $47 the ,rriting oi l!.t<br />

wall."<br />

Whether it is ,'the lvriting on tlc<br />

wal1" or not, wc canliot ignor"e the fact<br />

that in times <strong>of</strong> crisis sucl,r as the present,<br />

dernocratic governments Ijbor<br />

under trenrendous difficulties, ancl ar.:<br />

cveryrvhere being ar.rxiously exanrinetl<br />

for defects, <strong>of</strong> rvhich thcre ire rlany.<br />

TARIFFS AND TRADE SLUMPS<br />

E VERY\\rHERE, it seenrs, but in<br />

f'- <strong>of</strong>ficial circles it is recognized that<br />

when the prcsent administration<br />

at Washington put through its infamous<br />

tariff against the advice <strong>of</strong> the<br />

$ ./t<br />

\-.'sS4<br />

ST.N<br />

,1.r:i..\-n)<br />

- (.at.rt/ jn ;Le Broatll,n Eali<br />

country's lcading ecouomists, it rnacie<br />

a gravc nristake, a mistake lvhich,<br />

boomerang-like, has novr,' retunred to<br />

a{flict the hapless Hoover adrninistration.<br />

'I'he I)elrartnreut <strong>of</strong> Comtnerce has<br />

issued a surve-v <strong>of</strong> the f oreign tarif i<br />

situatiorr fol l(tJ I. describing irr cletail<br />

tlre meastrre. takclr hl ullrei countries<br />

to excludc inrporls cluring the slump.<br />

ll'he steps taken inclucltcl not oniy increases<br />

in intport cluties, but quota<br />

linritations. import restrictions in other<br />

forms, cxchange controls and even<br />

gold embargoes. But what it fails<br />

discrectly to state is that these steirs<br />

were for thc ruost part retaliatory in<br />

i1atllre, and directed against the United<br />

States for its pioneering rvith prohibitive<br />

tariffs.<br />

Startling in its inrpact is thc fact<br />

that the value oI Arrrcricarr ( xlrorts<br />

rlurirrg l93l declirrcd lry no lcs; than<br />

S1.400.000.000 as corrrpared with rlrc<br />

preceding year. This drop oI almost<br />

one and a half billion is <strong>of</strong> course at,<br />

tributable largely to European retaiiatory<br />

tariff measures. As though this<br />

terrifrc slump were uot enough, the<br />

5urve) s fiudings irrdicate tl,jt ..tlrc<br />

llreasurcs in process and the plans ir.r<br />

prospect i1l the various countries earlv<br />

in <strong>1932</strong> foreslradon' sti1l further coritraction<br />

in international traile cluring<br />

the year ahead, including many markets<br />

<strong>of</strong> primary interest to Arnericar.t<br />

cxports. "<br />

The surveS.' goes on to say that, in<br />

the opinion <strong>of</strong> its compiler any change<br />

52<br />

in the movenlent torn''ard restricting<br />

trade through import control would<br />

depend mostly on an early solution <strong>of</strong><br />

the internatronal financial situation and<br />

on the appearance <strong>of</strong> indubitable signs<br />

<strong>of</strong> recovery from dcprcssion.<br />

But, to use the homely old phrase,<br />

isn't this putting the cart before thc<br />

horse ?<br />

TH'E DECLINE OF OUR<br />

LINGUISTIC ISOLATION<br />

Il ECAUSE <strong>of</strong> the geographical isolff<br />

ation oi United States and<br />

because ^the.. Englislr is rhe language<br />

spoken throughout practically a1i <strong>of</strong> the<br />

North <strong>America</strong>n continent, Anrericans<br />

have in the past tende


i<br />

.\nd let ir rrot be forgolteu, in addiri,rn,<br />

that Italiarr, as a culturai iarigi:age.<br />

has no peer among the ltodern<br />

languages <strong>of</strong> the world.<br />

THE WINES OF ITALY<br />

rf HE rvirrrs <strong>of</strong> Italy, oI course, havc<br />

I been ce,ebraled rrr ,ong and story,<br />

and they are known the world<br />

,-r\-er. It is interestirrg to learn, through<br />

a bulletin <strong>of</strong> the Istituto Nazionale per<br />

'.'Esportazione <strong>of</strong> Rome, that Italy<br />

ranks second alltol.lg the largest wine<br />

producing countries <strong>of</strong> the ."vorld, comrng<br />

second to France and ahead or<br />

:1ain, as thc following figures for<br />

11130 (the latest year for lvhich com-<br />

;,1ere figures are available) shorv:<br />

F:arrce: 12.011.074 hectolitres; Italy:<br />

i!..117 830, and Spain: 16.660.38'1. (A<br />

-reciolitre is equal to 26.12 gallons).<br />

In this connection, Italy's export<br />

::acie in ihis commodity is inportant.<br />

-\'{ost <strong>of</strong> the exports consist <strong>of</strong> ordinary<br />

'.'.'rnes (in barrels, deniijohrrs and tank<br />

cars ), rvhicl-r account f or nearly f ouri,tirs<br />

<strong>of</strong> the total. Of this it is rn-<br />

:.-resting to llote that most <strong>of</strong> it goes<br />

:r Sriitzerlarrd, ald llre rest to other<br />

aLruntries such as Germany, Austria,<br />

Brazil. the Italian colonies, and even<br />

France.<br />

\\-ith longing eyes, probably, do<br />

Irrance, Italy. an


Boolcs In Reuiew<br />

THE SOII.\'EIS O/ PETRARAH"<br />

Translated, by Joseph Aws"ander.<br />

!36 p*gq. Neu l'orl:: Lungmons,<br />

Grecn & Co. $2.b0.<br />

f T is as refreshing as it is rare these<br />

f days to come upor a poetical masterpiece<br />

that has been translated, not<br />

by a learned, plodding pedant, but by a<br />

modern poet <strong>of</strong> the first rank himself,<br />

who is unselfish enough to devote fivc<br />

years <strong>of</strong> his productive li{e to the translation<br />

<strong>of</strong> tfi'e complete cycle <strong>of</strong> sonnets<br />

on Laura which it took Petrarch fifty<br />

years to compose. 'I'his is the first<br />

time that a single translator, and a<br />

poet at that, lras cver translated the<br />

227 sonnets written


I<br />

i<br />

1<br />

I<br />

I<br />

I<br />

{ rt<br />

I<br />

I<br />

I<br />

I<br />

I<br />

rl<br />

t<br />

ATI,ANTIIA<br />

Founded h 1923<br />

CONTENTS FOR APRIL, <strong>1932</strong><br />

In the table <strong>of</strong> contents below, an asterisk before an<br />

article denotes that that article appears in Italian in the<br />

section "<strong>Atlantica</strong> in Italiano".<br />

*Prohibition at the Crossroads. . . Dominick Latnonica<br />

*The Renaissance <strong>of</strong> Science in Italy. ,, Pr<strong>of</strong> . Artu,ro Cast.iglion.i ........<br />

*The "Dummy Show". .. AtnL For ...."......... 62<br />

*Messina-Its Artistic Renascence. . . Sante Giouanni D,Arrigo.......... . 65<br />

*The Man Who Came Back.. . JIcLttlzew A. Me\chiorre..............._........ 68<br />

*Remarks on <strong>America</strong>nization., . J. R. Scoppa<br />

Selections From the Italian press<br />

Music.. . Ilargherita Tirirtrl,clli<br />

What Readers Think <strong>of</strong> the New <strong>Atlantica</strong><br />

Sports ...........<br />

*The Sad Lover, a short story. .. SiLuio W. RoIa<br />

The Italians in the Un:.ted States ............<br />

<strong>Atlantica</strong> in Italiano<br />

<strong>Atlantica</strong>'s Observatory<br />

Books in Review<br />

Topics <strong>of</strong> the Month.. . If,osario lrtgctrgiola<br />

F. Cassola, M. D., Editor & Publisher; Dominick Lamonica, Managing Editor;<br />

-\lberto Gromo-Garabelli, Business Xlanagcr; Contributing Editoi;: --Gionutrui<br />

Schiavo, Matthew A. Melchiorre. Published Monthly. Annuil subscription, $3.50.<br />

Single copy 35c. E.ditorial and General Offices, 33 West T0th Street, Nelv York<br />

Citl'. Telephone TRafalgar 7-1828. Copyright <strong>1932</strong>. All manuscripis should be<br />

typewritten, acaompanied with return postage and addressed to the Editor. No<br />

responsibilitf is assurned for unsolicited manuscripts.<br />

C<strong>of</strong>yight <strong>1932</strong>. l,tro article or stor)r in this nwgashtc can<br />

;tltolh or in fart witJt,out sf ccial f t:rntission.<br />

57<br />

59<br />

70<br />

,t<br />

76<br />

7t|<br />

78<br />

79<br />

81<br />

85<br />

52<br />

s4<br />

56<br />

be rePrinted i<br />

I<br />

The Cover<br />

This Month<br />

p ennnSnNTS the ,Tempio di Err\<br />

cole", a monument which, because<br />

<strong>of</strong> its gracious lines and its<br />

serene majesty, is one <strong>of</strong> the glories<br />

<strong>of</strong> Sicily.<br />

It was erected by Terone, it is believed,<br />

in the Sixth Century, dedicated<br />

to Hercuies, and was famous in antiquity<br />

for the bronze statue <strong>of</strong> the demigod<br />

and a pa,nting <strong>of</strong> Zeus, both nonexistent<br />

today.<br />

The remalning columns were raised<br />

during the recent archeological work<br />

promoted by the Fascist government<br />

for the restoration <strong>of</strong> the Greek temples<br />

<strong>of</strong> Agrigento and Selinunte, and<br />

for the conservation <strong>of</strong> th:s Greek architectonic<br />

group,, the most important<br />

that exists in the world today outsicre<br />

<strong>of</strong> Greece.<br />

Lo Ncstro<br />

Copertino ,<br />

D APPnPSPNTA il "Tempio di<br />

l\ Ercole", monumento che, per la<br />

grazia del1e sue linee e la serena<br />

maesta' e' una delle glorie della Sicilia.<br />

Fu eretto nel VI secolo, credesi da<br />

Terone, fu dedicato ad Ercoie e fu famoso<br />

nell'antichita' per la statua in<br />

bronzo del semidio e per una pittura di<br />

Zeusi entrambi ora non pirl: esistenti.<br />

Le colonne superstiti furono risollevate<br />

ultimamente nei recenti lavori archeologici<br />

promossi da,l governo fascista<br />

per la restaurazlone dei templi Greci<br />

di Agrigento e Selinunte e per la<br />

conservazlone di questo gruppo architettonico<br />

greco che il piu' importante<br />

che esista nel mondo fuori dalla Grecia.<br />

Subscribers are requested to notify this <strong>of</strong>fice one month in advance concerning change<br />

<strong>of</strong> address, otherwise we will not be held responsible {or undeiivered copies. When ordering<br />

a change, please give both new and old addresses. We would appreciate hearing from sub-<br />

scribers when copies are not delivered.<br />

55


TOPICS or rHE MOllTl-l<br />

THE MAJESTY OF THE LAW<br />

'Y'l rvas Chief lustice Ta{t who,<br />

f a ie,.' years lreiore his death,<br />

cleclared in strong terms that<br />

the administration <strong>of</strong> criminal<br />

justice in these United States rvas<br />

plainly a disgrace. The statement<br />

at the tirne created a veritable<br />

furore, but even those rvhcr<br />

thought it someu'hat too severe<br />

never for a moment cloubted its<br />

accuracy.<br />

Norv comes t1-re kidnaping <strong>of</strong><br />

Coionel Lindbergl-r's boy ancl<br />

everybody - e\ren the most ca1lous<br />

<strong>of</strong> hurnan beings - stands<br />

aghast ancl n'onclers whose chikl<br />

it rvi1l be next. Clearly, our system<br />

<strong>of</strong> law and order has collapsed,<br />

patticularly lvhen the distraught<br />

parents have to appeal to<br />

criminals and racketeers to help<br />

them recover their beloved child.<br />

What l.ras happened to the larv<br />

agencies <strong>of</strong> the country ancl to<br />

our adn-rinistration o{ criminal<br />

justice? Iloth have failed Colonel<br />

Lindbergh at the crisis.<br />

It is true that kidnapings are<br />

not ne$'. Rut it is also true that<br />

kiclnaping as a systenratic and<br />

sa lc rrcket is <strong>of</strong> lrut re('ent origirr.<br />

The irnpartial observer rnust recognize<br />

that kiclnapirrg. like most<br />

<strong>of</strong> the rackets n,hich taint <strong>America</strong>n<br />

Society toclay, is a 1t1.-product<br />

<strong>of</strong> that vast aucl lucrative racket<br />

rvhich the Volstead Act has foisted<br />

upou the <strong>America</strong>n people.<br />

\\rhat are 1'lre going to do about<br />

it? No one rea1ly knor,vs, for the<br />

causes <strong>of</strong> the evil go cleeper than<br />

a superficial exanrinatior-r might<br />

ilrclicate. Yet, if exanrples are tc)<br />

be o{ an1' l-relp, iet 1s recall that<br />

Italy too, ur-rtil rer:entiy, hacl her<br />

racketeers. It makes 1ittle difference<br />

that they were ca1le


fTtFIE slang<br />

I erlrression,<br />

"r(l \\-ellSCl'<br />

.: ltilt tfU elegant<br />

're. lrut it is one<br />

r :ri,.h erer.t- Contn.tisslltiln<br />

.linorys<br />

;rrli under stands.<br />

-\: rrplrliecl to the<br />

i er-.r-11i21" process<br />

L si:enringl-v be-<br />

:i:' lroth for and<br />

;,{xinst trnything,<br />

ir hzrs come to be<br />

;i trrill't <strong>of</strong> the lanrlr.ilge<br />

Of Amerii'lrr<br />

legislation,<br />

.ike "straddling"<br />

,rr' "sitting on the<br />

ience.'' Particulru'ls<br />

has it been<br />

itss,rritlted l ith<br />

-he -subject <strong>of</strong><br />

Pr'r-r[ifj1iot , t,he<br />

trrust highly coni.r'ilver.sial<br />

matter<br />

ln -\merican polirir-s<br />

for the past<br />

,lecade.<br />

But even the<br />

' on slllDlltilte slidll<br />

Prohibition ot the<br />

-zl--<br />

-tr'a.;<br />

it-<br />

Crossroods<br />

By Dominick Lomonico<br />

Our Own Prometheus<br />

CON\S\ra${\ON<br />

RO(-\<<br />

, Ft n 7 Ie Yark Herald-Tribr*<br />

r:oulcl uruster the<br />

rnajorrity neer:led<br />

to bring bacli<br />

frorn r:onsider.ation<br />

bv the lronetlry<br />

Jutlicitrr,l-<br />

0omnrittee <strong>of</strong> thr:<br />

Ilouse, to tJre<br />

House floor. for<br />

lrarliirruenta,ry<br />

action, the Bec'li-<br />

Linthicum propo<br />

sal to modif.r the<br />

l.9th Amcndrnent,<br />

l-hich \\'its t,he<br />

bone <strong>of</strong> contention.<br />

lluch less<br />

did thr:r. hope to<br />

Irale the t\\'o<br />

thirds ne('essar.)r<br />

to ptrss iit. \\'hat<br />

ther- dicl desire,<br />

trnd lrc'hieveri elen<br />

be1'onrl tr-hai.<br />

tltey Iratl lool


5B<br />

the l3ing'han 4% beer bill, urging<br />

its adopfiop. Prohibrition, it<br />

founcl <strong>of</strong>ficially, has increased<br />

the use <strong>of</strong> hard liquors, reduced.<br />

the consurnption <strong>of</strong> mild malt<br />

beverages, p,r:omotecl crime and<br />

intoxicatfon, and hur.t t,]re<br />

cause <strong>of</strong> true terlperance.<br />

It repeated 'what has so<br />

<strong>of</strong>,t,en been said. in its favor<br />

before : that it l'oultl<br />

employ hunrh'eds <strong>of</strong> thousanc'ls<br />

r'vho n0\\' give<br />

length to bretrdlinrs, that<br />

it n-ould gire ir substantial<br />

boost to :rgl'icu11-ure,<br />

and that it, n'oulcl also<br />

itcl'eate a tax source rnucit<br />

gretrter tha,n rtn-y other'<br />

single piece <strong>of</strong> legislation."<br />

-1 f ORtr sisnificirnt, hon'<br />

M is the n'ay it<br />

has rnacle "r"". party leaders<br />

studrl' rvith close attention<br />

the pltrtforurs they are<br />

no\Y prelraring for the<br />

coming elector.al calnpaign.<br />

The traditional po-<br />

Iitit:al leacler is one rrhose ear<br />

is close to the ground., in order<br />

to sense the nrmblings <strong>of</strong> public<br />

opinion. And it talies no traineil<br />

politician to realize that a<br />

\Yet or liberal plank must be inserted<br />

in the platfomr, otherulise<br />

their canse is lost. li'or the<br />

Itrret tide is one that no King<br />

Canute <strong>of</strong> a Dr-v leader can<br />

stem, and the l)rys are norv<br />

rapidly losing grounrl. In a<br />

)'ear or so, it nray n'ell be a rotrt.<br />

Irt is not unduly optimistic <strong>of</strong><br />

the Wets to d.eclare jubilantiy<br />

that the Novenber elections<br />

rvill retuln far more anti-Prohibitionists<br />

than Prohibitionists.<br />

Straw votes like that <strong>of</strong><br />

the ('I"itel'ary Digest" strongly<br />

rindicate that a goodly number<br />

<strong>of</strong> Dry Congressmen l ill be replacecl<br />

by others rnore nearly representative<br />

<strong>of</strong> the people's opinions<br />

on Prohibition.<br />

\Vhen the Wets assune the<br />

lead in the House-and it is a<br />

safe assumption that this will<br />

take place after the elections-<br />

ATI-ANTICA, APRIL, <strong>1932</strong><br />

even though they may lach the<br />

two-thirds en4bling them to r.esubmit<br />

the matter to the peoprle,<br />

they will be in a position to refuse<br />

appropriations for enfot'cement,<br />

n hich the 18th Amend-<br />

SnG<br />

jtite+G'*<br />


The Renqissonce<br />

<strong>of</strong> Science in ltoly<br />

fTl I{tr },iu'i l)lirJ'ed b5'for.eign<br />

I<br />

Its Signifcaruce in Earopean Ciuilization<br />

'l tlrlel)ts. iu the Italian<br />

universities particularly<br />

-:, the lield <strong>of</strong> medicine, is clr:r,.<br />

ilrsrrittetl b.v the records that<br />

-,le -rtill to be found, in the nit-<br />

., n's books. ri'hich show t,h:ri,<br />

-i-t luuDs€kn.s fr.equently inter.<br />

-''.:I-r€d. especially on behalf <strong>of</strong><br />

-fLe I'e:lulality <strong>of</strong> anatomical les-<br />

:,tilS,<br />

Thtrt the number <strong>of</strong> foreign<br />

:,udents <strong>of</strong> Germanic origin enl,,ller1<br />

n'as in continual increase<br />

is shos'n by the fact that in<br />

l-;--r:i the various na,tional<br />

=irTuulrs represented in the nari,rn.<br />

among \,hom $,ere Swiss,<br />

B,,rhg111uo*, Danes, Flemings<br />

;ind Poles, each electetl a repreentatile<br />

<strong>of</strong> their own.<br />

The Engiish had from the very<br />

l,eginning sent a great number<br />

, 'f students to stucly at Padua.<br />

Brit to the other Italian nniversities<br />

foreign students also<br />

flc"cked in great numbers. At<br />

Pitvia there already teaches in<br />

I1.i9 for those from the other:<br />

sicle <strong>of</strong> the mourrtains trilippo<br />

D'Allemagnal in 1484 Oherto, a<br />

ijermanr in the Facultj' <strong>of</strong> rnedicinel<br />

at Sena the foreigners<br />

irre gathered in a nulnerous<br />

group; at Perugia the "societas<br />

{er'rnAnorum et gallorutntt,<br />

founded irr14L4, acquires, early<br />

in the Cinquecento, the riglrt to<br />

elect the rector ever,y thirrl year.<br />

-\t Rorne the German hospital<br />

By Pr<strong>of</strong>. Arturo Castiglioni<br />

(In two parts: Part two)<br />

t:alled ('S. Spirito in S. Sassia"<br />

is a center n.here foreign physic'<br />

irrns, stutli-,nls anrl ptrtients gather';<br />

:rt Ilologna the foreign nations<br />

pla,.,r a lir.elJ- part in the<br />

nniversity life; and I'errara alsir<br />

enjoys great fame because <strong>of</strong> her<br />

scientists.<br />

'Ihe irnportance <strong>of</strong> anatornical<br />

teachring in Italy is so manifesl<br />

ancl rvell-known that it need not<br />

lre gone into it at length. Al-<br />

Iol' me only to recall that Yesalius<br />

tvas a studenti and an instructor<br />

at the University <strong>of</strong> Padua,<br />

and that only through the<br />

enlightenetl protection <strong>of</strong> the<br />

Ilepublic n,as he enabled to continue<br />

his studies. \rolcher Coiter,<br />

the Fleming, (1534-1575),<br />

Felice Platter <strong>of</strong> tsasle (1536-<br />

1614), Gaspare Bauhin (l-570-<br />

L62+), and Pieter Paaw da Amsterdam<br />

(1534 " 1617), \yere<br />

scholars in the Italian universities.<br />

Among the Spanish anatomists,<br />

outstanding rvas Valverde<br />

de Amusco, a pupil <strong>of</strong><br />

Realdo Colombo, n'ho publisherl<br />

in 1556 an rrAnatornyt: <strong>of</strong> his<br />

on'rr in Sparish l'lrich rvas l'idel;'<br />

circulated and becarne one <strong>of</strong><br />

the most and studied boolrs <strong>of</strong><br />

the Reanissance.<br />

\\rhen one considers that il<br />

Italy the anatornists hatl at<br />

their disposal a quantity <strong>of</strong><br />

r:orpses, so that Colombo claimcd<br />

to have exarnined rnore than<br />

ru thousarrrl <strong>of</strong> them, one cail<br />

casil;- see the le:rsorl I'h1' front<br />

: (-)<br />

nll parts <strong>of</strong> the rvorltl students<br />

converged on the ft:rlitr,n unir-ersities.<br />

I\f O less irru)orlrrrt u cle tlrc<br />

t\ relal iorrs beilr'eerr lta l1'<br />

and the other European<br />

rountries n'ith regarcl to surgery;<br />

this is easy to understancl<br />

ils rl conselluence <strong>of</strong> the progress<br />

in anatornical st,utlies. Daremberg<br />

in his magnificent IIistory<br />

asserts that surgery in<br />

France r-as taught bv Italians,<br />

nnd it is n'ell to recall in this<br />

connectirtn the rvor.li <strong>of</strong> Guirlo<br />

(iuidi, :r lflorentine, rr'ho $'as<br />

phvsician to the King <strong>of</strong> lrr.ance<br />

and n,ho published at P:rr.is in<br />

1544, in the printsholr <strong>of</strong> pietr,o<br />

(itrutier, that magnificent booli:<br />

"Chirurgi:t e graeco in latinunr<br />

conYersa", rvhich, also fronr the<br />

tl pograp,hica I viel point. br:<br />

cause <strong>of</strong> the rnagnifcent illustrations<br />

t,hat embetlish it. is<br />

one <strong>of</strong> the rnost beautiful netlical<br />

boolis pr.inted rlur:ing thc<br />

licrraissance.<br />

In 1587 at Padua there begarr<br />

the teachring <strong>of</strong> pathology<br />

throug"h the efforts <strong>of</strong> G. B. cla<br />

n:[onte, ancl as pupils he had \ran<br />

Ileurne and Sc;hrevelius di Leit1a,<br />

n ho later brought their clinical<br />

teachings to Ffoilancl,<br />

ru.here it reacherl its greatest<br />

splendor.<br />

The stucly <strong>of</strong> the natural<br />

sciences is reborn in a new corrr:eption.<br />

enrinen.tly Italian, iu


60<br />

the lrorli <strong>of</strong> Anclrea }lattioli, a<br />

Sienese, n-ho collected. in one<br />

rnonurnental booh the fruits <strong>of</strong><br />

his long obsen'ations and very<br />

accurate studies. IIis n ork had<br />

an enornous diffusion in all the<br />

countries <strong>of</strong> Europe, a series <strong>of</strong><br />

editions rvere publishecl outsicle<br />

<strong>of</strong> Ital,1,, anil it constitutetl for'<br />

rrlmost three centuries the classic<br />

text on pharmacology. No<br />

Iess pr<strong>of</strong>ound n-as the influence<br />

exerted by the tr.orh <strong>of</strong> Ulisse<br />

Aldrovandi, a Rolognese, head<br />

pitysician and instructor in zoo-<br />

Iogical and botanical studies,<br />

who founcled the botanical gardens<br />

and the museum <strong>of</strong> natural<br />

history in Bologna, and that <strong>of</strong><br />

Andrea Cesalpino, n hom I"inneo<br />

considered the first to lay dourn<br />

the solid bases for the stuily <strong>of</strong><br />

botany, ancl <strong>of</strong> lr-hom Nordenshejoeld<br />

rvrites that his system<br />

is the flrst foundecl essentially<br />

on comparative morphologic:rl<br />

examination.<br />

f<br />

Ir, as we hrve seen. during all<br />

^ <strong>of</strong> the Cinqueeento, foleign<br />

students flockecl to Italy from<br />

all parts <strong>of</strong> Burope, no less interesting<br />

i,s the worh <strong>of</strong> the It'<br />

alians rvho were called to, foreign<br />

countries to practice their<br />

pr<strong>of</strong>ession and ,to teach in the<br />

universities. To cite a fet' among<br />

the most illustrious: Gio'<br />

vanni Manardi u'as for many<br />

years physician to the King <strong>of</strong><br />

Ilungary; Luigi Marliani, <strong>of</strong><br />

Milan, was consultant to Maximilian<br />

II and to Charles V;<br />

Giulio Alessandrini, <strong>of</strong> Trento,<br />

rvas physician to the Emperor<br />

Ir'erclinand I, to Maximilian I I<br />

and to Rudolph II l Prospero<br />

Borgarucci, a native <strong>of</strong> Canziano<br />

near Gubbio, was for a<br />

long time at the French Court;<br />

Leonardo Bottalio, <strong>of</strong> Asti, n'as<br />

physician to King llenry III <strong>of</strong><br />

If rance I Giovanni Argentero,<br />

born at 'Castelnuovo in Piedrnont<br />

jn -l 513, n'as for more than<br />

five years a physic'ian at Lyons<br />

ancl there achieved great fame.<br />

Ilaolo l{inuzio, <strong>of</strong> whom Tira-<br />

ATLANTICA, APRIL,<strong>1932</strong><br />

boschi speahs considerably, also<br />

practired there for a long time.<br />

Gabriello l'rascati <strong>of</strong> Briescla<br />

n.as ctrlled to the Court <strong>of</strong> Philip<br />

II, Krins <strong>of</strong> Spain, about 1580.<br />

Apollonio )Ienabeno, philosopher<br />

and p,hysiciztn <strong>of</strong> l{ilarr,<br />

Iearned in natural history anrl<br />

cultivator <strong>of</strong> Latin poetry, n'as<br />

physician to the King <strong>of</strong><br />

Su'itzerland, John III, and<br />

publishecl in 1581 a treatise corrcerning<br />

the ebb and flon, <strong>of</strong> the<br />

tr':rters trround Siochirolnr.<br />

'fivo illustrious Italian physicians<br />

practiced rnedicine in Poland:<br />

one rvas Antonio Gazio,<br />

rvho had been a student at Padua,<br />

and the others'as Jacopr-r<br />

Irerclinancli <strong>of</strong> Bari, u'ho w:ls<br />

c:riled to Poland, became physician<br />

to Sigismund II, ancl published<br />

in Cracow inL542 a treatise<br />

on the preservation fronr<br />

plagues. At the same Court<br />

there lived about 1574 Nicoto<br />

Buccella <strong>of</strong> Padua called as<br />

physician by King Stephen ancl<br />

rvho died there in 1610.<br />

flr, after this rapid exarnina-<br />

I tion <strong>of</strong> the culbural relations<br />

bet'ween Italy and the other<br />

countries <strong>of</strong> Europe in the Renirissance<br />

n'e seeh to examine<br />

what happens in t,he Seicen'tor<br />

the era in rvhjch experimentai<br />

science asserts itself definitivel_v,<br />

we find that in this era <strong>of</strong><br />

grave political and econom'ic situations<br />

for trtaly, and no less<br />

for Germany, desolated by fiery<br />

religious wars, France, Ilolland<br />

and England begin to rise to<br />

their greatest heights. trYe note<br />

in this period how the exchange<br />

<strong>of</strong> ideas and hnowledge bet;ween<br />

Italy ancl the other eountries.<br />

althongh less extensive than<br />

during the Renaissance, still is<br />

hept very much aiive. Marcello<br />

l{alpighi, creator <strong>of</strong> the modern<br />

anatomy <strong>of</strong> plants, presents his<br />

studies before the London Royal<br />

Society I Flarvey, after har'ing<br />

studied at Padua with Fabrizio<br />

D'Aequapendente, mahes<br />

linoryn the r:esults <strong>of</strong> his studies<br />

almost simultaneously in lflanders<br />

anrl in Ital;', in England<br />

and in Gerrnan-v; Nicolot Stenone,<br />

a Dane, and a r.ery diligeni<br />

student in the Unir,ersity <strong>of</strong><br />

Piszr; Olaf Rudbeck a Swede,<br />

cornpletes his nrost important<br />

stndies in the University <strong>of</strong> Pad.ua.<br />

Adlriano Spigelio <strong>of</strong> Brussels<br />

studied at P:rdu.a, n'here he<br />

rvas listed in the roster <strong>of</strong> the<br />

(ieman natiion, arrcl rvhere he<br />

taught anatorny from 1618 to<br />

1624. Ot.,her instructors <strong>of</strong> foreign<br />

bilth in Ital;,' n'ere Giovanni<br />

\\resling ancl Giovanrli<br />

Giorgio lVirsung, both anatomists<br />

<strong>of</strong> great fame. The anatom;'<br />

that has its great develpment<br />

in Elolland trnd in France<br />

still has its point <strong>of</strong> departure<br />

in the Italian schools, and trhe<br />

neo-Efippocratism nhich in the<br />

Dnglish school <strong>of</strong> Syd.enham<br />

reaches its most noted point in<br />

this ,century shon s evidence <strong>of</strong><br />

the reiations between the great<br />

Nordic schools and those <strong>of</strong><br />

Italy.<br />

nO \* C tr R NI\G these,inter.na-<br />

V tional lelations, rvhich can<br />

be said to have been born in<br />

Italy, it is important to rnention<br />

one <strong>of</strong> it,s most important fac,tors,<br />

the foundation <strong>of</strong> scientific<br />

acidemies. The .(Accarlemia<br />

dei L'incei", founded irr<br />

Rome by Prince Irederico Cesi,<br />

had foreign scientists among its<br />

first and most noted members,<br />

among them Giovanni Ecchio.<br />

It is these academies that are<br />

rapidly founded in the Italian<br />

cities, in Germany, trngland<br />

France, the centers <strong>of</strong> scientific<br />

research, at a 'tirne n'hen there<br />

is to be noted a decadence <strong>of</strong> the<br />

universities, inflexible in their<br />

doctrinaire forms. They represent<br />

a very important stage in<br />

the history <strong>of</strong> the spread <strong>of</strong><br />

scientific thought hecause although<br />

the academies belong at<br />

first to that closed organism<br />

that is the republic <strong>of</strong> the learned,<br />

ruled by its own laws and<br />

living rvithin its own con{ines,


I<br />

I<br />

i<br />

I<br />

- -:r " i,*tl aril the end <strong>of</strong> the Cin-<br />

,'l: ,:lrr,t irnd. the beginning Of<br />

.:.: >":,rrnlo. because in the aca-<br />

-*' -i> rhere gathered also per-<br />

- :- i,rreiSn to the class <strong>of</strong> the<br />

- -, --,irs trr pl<strong>of</strong>ession, and be-<br />

--r itrer aclopted as the 1an-<br />

- . ,1,: uf use the national<br />

- r-*'.1*. especiali;' in Italy, they<br />

i r -i ir gleal step forward on<br />

--: .,i-irr to the popularization.<br />

- :rl-ure. Little by little the<br />

:- :..':eniies. for just this reason,<br />

:r'":e*:,l in importance the uni-<br />

":r':.ries. which ,continue to<br />

r .illrril themseh'es narrowl.v<br />

': .he conser'vers <strong>of</strong> the ancient<br />

,: rr*litions.<br />

Ti,r\r ard the enrl <strong>of</strong> the Sei-<br />

,, rl-riio there appear the flrst<br />

s -c111iflg journals, <strong>of</strong> which the<br />

".T 'r,u'nal des Savants" sees the<br />

'rhr irt Paris in 1675 : but it is<br />

rl eresting to note t,hat the first<br />

;,,'tririca1 journal, the ('Gazette<br />

i* France", is created by a phy-<br />

.ilian. Te<strong>of</strong>rasto Renaudot, who<br />

-s celtainly no less the able<br />

j"nrnzrlist than he is the genial<br />

rx'girnizer <strong>of</strong> nelfare institutes<br />

:i-'I' the poor. AncI the relations<br />

r.,err-een Italy ancl France ber:r.rme<br />

such that three years after<br />

.he appear:ance <strong>of</strong> the French<br />

s,-'ientific journal there begins<br />

l,ublication, through the I'orli<br />

,-'f the abbot l'rancesco Nazat'i,<br />

tr't'<strong>of</strong>essor at liome, the ('Giorna.<br />

ie c'lei Letterati", and in 1672<br />

the '(Giornale Yeneto dei [.etter'arti't<br />

<strong>of</strong> l{orettti, which frecluenlh'reported.<br />

news ancl notes from<br />

rhe French journal.<br />

If we seek to sum up briefly<br />

the result <strong>of</strong> our observations,<br />

ri-e will r:each the conirlttsion<br />

that the scientific Renaissa.rrt:e.<br />

and particularly that <strong>of</strong> merrlicine<br />

and the natural sciences,<br />

has its beginning in Italy, contemporaneously<br />

with the Renaissance<br />

in art and for the<br />

THE RENAISSANCE O1.- SCIENCE IN<br />

sirrne reasons, that is, the con<br />

ditions <strong>of</strong> the environrnent, and<br />

the political arrd socjtrl fact,s irr'<br />

voh'ed; and it has the sante<br />

character:istics, that is, the for''<br />

niation <strong>of</strong> individualism, the return<br />

to the study <strong>of</strong> the classics,<br />

anrl the passionate love o{<br />

nature.<br />

llhe Italian scientific Renaissance<br />

<strong>of</strong> the Cinquecento marlis<br />

the beginning <strong>of</strong> a serlies <strong>of</strong> cuitural<br />

currents from Italy to all<br />

tire countries <strong>of</strong> Europe. This<br />

intellectual movement is deter'mineil<br />

b.v the traditions <strong>of</strong> thr:<br />

Italian schools, by the liberty ot<br />

instruetion, by the rvealth <strong>of</strong> the<br />

collection existing in Italy, bylhe<br />

,systematizatjon <strong>of</strong> anatom'<br />

ical teachings, b.y the use <strong>of</strong> the<br />

Latin tongue as the scientifir<br />

language, an.d linzLlly by the<br />

great scientific actii'tities <strong>of</strong> the<br />

Italian printshops.<br />

'l'he center <strong>of</strong> these cultural<br />

relations resides in the finst period<br />

in the Italian universities,<br />

rvhence floch students from ali<br />

par.ts <strong>of</strong> Europe; in the exchange<br />

<strong>of</strong> instructors and physicians<br />

among the various unirersities<br />

ancl Courts. In tlrc<br />

second period, tor'ard the beg^inning<br />

<strong>of</strong> the Seicento r,i.ith ile<br />

clacadence <strong>of</strong> the Italian univer'si,ties,<br />

the academies assume t,his<br />

{unction; then with the rise <strong>of</strong><br />

sr:ientiflc journal the exchangtr<br />

<strong>of</strong>' cultural relations becomes<br />

nore and more intense.<br />

I,l must renernber that the<br />

Italian schools <strong>of</strong> the Renaissance,<br />

and Padua iin particular,<br />

are the forges <strong>of</strong> the scientific<br />

movement <strong>of</strong> the Renaissance,<br />

s.hether it be in the field<br />

<strong>of</strong> the biological studies or in<br />

that <strong>of</strong> the experimental studies.<br />

At Paclua is concentratetl all <strong>of</strong><br />

",w<br />

ITALY 61<br />

the intc.rnational s ci en ti fi c<br />

nroveurerrt, and it, is there that<br />

all the rnost noted men <strong>of</strong> Europe<br />

stud;', from Yesalius to<br />

\rorstio, from Copernicus to<br />

Halvey. In the Italian school.<br />

through a witle mor-ement, the<br />

fundamental program <strong>of</strong> l'hiclt<br />

Leonardo had expressed in thtt<br />

r.ords : tt'lo littotr, how to see",<br />

anrl r'hiclr Galileo had concluclerl<br />

l.ith Lhe sa1'-ing: ((Natirre is<br />

rvrittcn in matlientatical let"<br />

ters", the scientiflc Ilenaissance<br />

has its beginning. Irrom this<br />

great movement tou-ard, truth<br />

lncl freed.orn in stud.-v, an esthetic<br />

and histortical moYement<br />

compar:er1 u.ith the rerolutionary<br />

ancl iconoclastic one <strong>of</strong> Lutheran<br />

Gernan_v, studies in<br />

every par:t <strong>of</strong> Europe drarv their'<br />

beginnings or strength. The<br />

spirit or the tratlition <strong>of</strong> the Itrrl,irn<br />

sc.hools lives irgain in EIolland<br />

ancl in England, in France<br />

ancl in Germany, ancl rvhen, irt<br />

the Seicento, the political power<br />

<strong>of</strong> Italy marhs a period oi'<br />

decadence and the great French,<br />

Dutch and English schools, and<br />

later the German, reaoh a flour.<br />

ishing point. intellectual relations<br />

with the Italian schools<br />

are maintained.<br />

Thus dn the fleld <strong>of</strong> the spreatl<br />

<strong>of</strong> scientiflc ideas I'taly <strong>of</strong> the<br />

I-ieruissance played a part <strong>of</strong> the<br />

highest import,ance. Dominated<br />

in large part by foreigners, shc<br />

remained. dominant in the<br />

,schools, and there she welcomed<br />

fraternally students from all<br />

parts <strong>of</strong> the n orld. 'I'hus she understood<br />

and explainecl the idea<br />

that science does not recognize<br />

bounclaries and that,the concept<br />

<strong>of</strong> humanity assigning man his<br />

place in the cosmos and fixing<br />

his laws, sta.nds above and be-<br />

1'ond the limits <strong>of</strong> space anrl<br />

time' (Th.e et'rd.)


((<br />

The "Dummy Show"<br />

ll. \:OIr rrean the<br />

rlrunmy show !" reply<br />

t}e urchins <strong>of</strong> New<br />

\-orli's I ittle I,talI frorn rvhom<br />

1'ou hirve inquiretl the n'ay to<br />

the tuitt'iotrette theatre. And<br />

cven ill yott folltlw theil' tiirec:-<br />

1ions .vou irre liliely to pass the<br />

rrrt-rdest, tlool <strong>of</strong> Signor tr{anteo's<br />

little 1rlit1'house. It is no hetter<br />

lighterl tltittr atry <strong>of</strong> tlte neighlroring<br />

gr'ocery stores or pastry<br />

shops, irrrl, although the theatre<br />

has lterett itr the same location<br />

fur thret: \-ears, tltere is no narne<br />

orr its n?lrro\\i non-cornmit'tal<br />

['ront.<br />

T h e t'(' ztre llo ticliets, <strong>of</strong><br />

(iourse. Signortr l{anteo accepts<br />

1'our tluirt'ter in shy silence, and<br />

1-ou trtllic \-our rila,Y to one <strong>of</strong><br />

the stil'f l'ood.en seats in the<br />

Irtrrretr l ir'less hall. Norvhere<br />

perhalrs il the realrrr <strong>of</strong> the Anrerican<br />

theatre is there less concern<br />

l ith the rrrechanics <strong>of</strong><br />

plity:loirrg irlt,l ntol'e <strong>of</strong> the traditional<br />

slri r'it <strong>of</strong> the ancient<br />

theatre.<br />

The rrretr in the autlience-son}etir)les<br />

tltere are no w0men<br />

irt all-nr e for the ntost Part<br />

r nitldlt'-n getl worliingrnen. What<br />

)'orlng lrlen iu'e tirere al'e lihely<br />

to n'ear t'ir1n and to lieep thelrr<br />

on all tlrrrilg the performance"<br />

'I'here is not a i.ratent leather<br />

liead irr tlit-' t'r'owtl. Many <strong>of</strong><br />

these spct'tir.tols are illiterate,<br />

lrut thtr- ll:tYe come long distauces<br />

:t lter it harrl tlal"s lvork<br />

to revel itr the c.eniurY-oltl<br />

thritls oI tlrt-r'(()t'lantlo Ilurioso"<br />

c.r'cle.<br />

'I'his tn-eltieth centurY New<br />

Yorli lrttlience attettds the shorv<br />

Italian Marionettes in I'{ew York<br />

By Ann, Fox<br />

irr the spirit <strong>of</strong> the Sicilian rnarionette<br />

aucliences <strong>of</strong> Columbus'<br />

day. 'Ihese quiet-r'oicetl men<br />

htrve corue to enjoy an episode<br />

tuf :r stor.1' that the;' lirros' arrd<br />

that their' lathcrs ioved. TheS'<br />

treat the performance with the<br />

comfortirltle camaracleries <strong>of</strong> an<br />

old friend. They smoke, drink<br />

pop, eat peanuts and fruit, and<br />

drop ashes, bottles, shucks and<br />

skins orr thc floor. And. the<br />

second the r:ttt'titiin goes lrp thc)stop<br />

talhing.<br />

'loward the cerrter <strong>of</strong> the<br />

little lrrrt'li drop str:ides a tall<br />

hnight ir shining armor. The<br />

rnost irnaginative hig'h-school<br />

freshnan to n'hom ttll'anhoett<br />

has just opetred up the lialeicloscopic<br />

ronance <strong>of</strong> the (lrusades<br />

never envisionetl a more glamorous<br />

hero th:rn the gold.en knight<br />

orr tlre iittle stage. L dazzling<br />

and chivalrous flgure he is ln<br />

his intricately n'orhed coat <strong>of</strong><br />

rnil,il, su-orrl in his right hand,<br />

shieltl in his left, a vari-colored<br />

lrlume flonring fron the crest <strong>of</strong><br />

his torvering hehnet.<br />

6lUl)l)l'l\1,\ rr Iittle sheep<br />

D-mtI rirrltles lraclrstage, the<br />

signal for the pianirst out front<br />

t o stop playing. Grandiloquentl.v<br />

thc burnished. hnight<br />

begins to spetrlr. As the sonolous<br />

ctilerr


5'-trlir: str'ectator is likely to cle-<br />

:,rn'i- for identification on the<br />

":.i'"riki-ng gestures <strong>of</strong> the marioni<br />

rtls- \\-hicherer knight is<br />

"-l;ins smite,s his shield, shakes<br />

;:s :lirtering head, and takes a<br />

: rii step for'war'il. It is evidenr<br />

:: '::.1 rhe rehemence <strong>of</strong> the smit-<br />

_r g atnr-1 shaking thar all is not<br />

" *i] wirh the Christian host.<br />

irrl,r the tense scene limps a<br />

-:;ur' shr'ilking figure. Elis is<br />

" , - ;he heroic uroulcl <strong>of</strong> the ma-<br />

-.! -'' rrrr_r.nlielons before rvhom<br />

r i iiilDrls stutterrng. This ri-<br />

,. - -rilt'uslf inarticulate little<br />

, r ri. rlrr'e is the comic relief, <strong>of</strong><br />

. -r'se. FIe is a common soldier.<br />

T:r: rlrrlience began to laugh<br />

; ": rrrinute he set. uncertain foot<br />

rr rhe stage. But ruhat he<br />

- ;.1Ixages t0 stutter before he is<br />

r h;skerl an-ay thron,s Charle-<br />

'-;1sne's shining heroes into<br />

-unking iits anil stomping prorssirrll<br />

ilto the x,ings.<br />

TiLe pianist oub front resumes<br />

:.s plaring, but the curtain is<br />

r,'. lowered. An imaginative<br />

..ridience needs neither entre<br />

:,:te curtain nor ingenious<br />

l;ghting effects. The young<br />

rrl.r]r,r <strong>of</strong> a deus ex machina<br />

: Eilf h tlown oYer the drop<br />

:n'i rr-aft it overhead. Nimble<br />

r 'rlrls flngers turn bacli tlrop<br />

afier drop until one appropriate<br />

i, rr the next scene comes to<br />

-ighr. This must be the Sarr"cL)<br />

r'ailllr. The 0trrint-rtts r't'e-<br />

:,'tnr flaunts above the barbaric<br />

'rlrr€d tents lihe a pagarl new<br />

Irrrrrrn. It is the Saracen camp,<br />

fr-ir a graYe row <strong>of</strong> trousered<br />

trnenries <strong>of</strong> Christianitv flles bef,'r'e<br />

the drop.<br />

T)RUBABL\- no phase <strong>of</strong> Sit<br />

guor )lanteo's versaLiliLy is<br />

more fascinating than his por'tr'il1dl<br />

<strong>of</strong> Saracen types. AII the<br />

tlhr'istian faces he has made<br />

handsome in a sans peur sans<br />

l'elrroche fashion. But each pagan<br />

face is hauntingly characrelfu].<br />

The Moors are black<br />

irnrl polyerful, the Tarttr,r.s yeltr,rn-<br />

and crafty, but no two ot<br />

THE "DU\{i\[Y SHOW''<br />

them are gir.en the same expression<br />

<strong>of</strong> countenance. There is<br />

one pallid moustachetl oriental<br />

potentate in the Moslem horcle<br />

$Iho, for dignity and an air <strong>of</strong><br />

rtrce, rnight be the Kubla Kltan<br />

]rimself. Signor tr{anteo shades<br />

th,is character's lines with lestraint<br />

and authorit"y and delivers<br />

them in a voice reniniscent<br />

<strong>of</strong> Mei Lan l-ang's.<br />

The council <strong>of</strong> the infirier<br />

chiefs is less solemn than orre<br />

has a right to expect from so<br />

dignifietl looking a conclare.<br />

One <strong>of</strong> the characters raises a<br />

high shrer,vish voice in headtossing<br />

protest against something<br />

or other. Yes, 'ir.ouldn't<br />

you know it? There are $ omen<br />

warriors among the Saracens as<br />

there are among the Christians.<br />

Ariosto's story, be it remembered.,<br />

trea"ts the L'r'usacles not as a<br />

beau gest.e, as does the '(Chanson<br />

de Iloland," or as tr spiritual<br />

cluest as c1o the Arthurian legends,<br />

but as a bacl


(r-l<br />

usual thirrg for the hero <strong>of</strong> the<br />

evening to lav lott- it dozen ttar'<br />

liors irr srvift procession, lear'ing<br />

tht,rrr pilerl lrip-cleelt in i,<br />

brtrss itnd t'elr-et ttrc,ss on the<br />

-\t:t g-e.<br />

D I,.li ll.\ I'S l Irile tlre tield <strong>of</strong><br />

l' ('iu'nilx-e is lreirrg t'lelt'ctl<br />

lotr tlecicle to shake <strong>of</strong>f the d,eafcrring<br />

s1rell <strong>of</strong> the crusades by tt<br />

rratter'-<strong>of</strong>-fat't r,isit back <strong>of</strong> the<br />

s('crles. \'ou push asid"e the<br />

ilru'ro\\- curttrin to the left <strong>of</strong> the<br />

stage irntl find -l ourself conf'r'onted<br />

b1' three glittering rorvs<br />

<strong>of</strong> trnrrt'rl krrights rarrgetl on the<br />

thr"ee rrya ilirble sicles <strong>of</strong> the<br />

r'oor1. Ilrte nnd thcre in the<br />

lrhalarrx ill'e luoked irrra,.1. lovely<br />

Iortg-hirit'r.rl litrlies itltri (1er'emollrorrslr-<br />

r'estrnented ecclesiitstics,<br />

the tnrsting charge s <strong>of</strong> the<br />

I r ri stlirr g solclier'-v.<br />

Ilnt. rrll at oncc the latter<br />

seern tri hrrt'e shed their horrendous<br />

aspect. 'I'hey are no longer<br />

giant-,r. 'lhey are only marioncttes<br />

irlrout ihree feet high. ft<br />

is :r gt'ittluuted series <strong>of</strong> drops<br />

that gives tlrese P; gmies therr<br />

ep,ic 'heiglr1.<br />

If this bil <strong>of</strong> stagecraft increa.ses<br />

\'oul' r'espect for Signor<br />

lfanteo. close irrspecl,ion <strong>of</strong> the<br />

rrra,r'ioltt,ltcs ittrd the rvorli <strong>of</strong><br />

lrrot1 trtitru l ill rlrarrge .\'olll' l'('spect<br />

to u'ottder and to admirai<br />

ion f ot' tlre llanteo farnily.<br />

Surelr sotrt' <strong>of</strong> these nobl,Y tlesignerl<br />

itnll r'lelicatelv ernb'ossed<br />

suits <strong>of</strong> tnrtil deserve to be mu-<br />

.seunr pieces, rnllch as it n'ould<br />

crnbrtrass Siglor }fanreo to hear<br />

citlrer'his hrnditvorli or his<br />

i heatlec:t'it ft chara.cteriz,ed as<br />

irrt. it is Signora Jfanteo tt'htr<br />

fashious tlrc tlttsttttnes <strong>of</strong> tlte<br />

llclies itttrl other turannorerl<br />

r:haractet's itnd ihe fabric garrnents<br />

o 1' tirtl tt'ai'r'iorts elrscntble's.<br />

'l'lte efflect <strong>of</strong> her<br />

neerllen'orli is luxttrious indeett'<br />

l'or sltt' r'olrrhines velvets, brocntles<br />

illt(l g,olt1 crubroid.er-v ln<br />

A:I'I,AN]]ICA, APRIL, <strong>1932</strong><br />

,Along the back they stand in a mattial row." !d<br />

rich color st hentes attcl intricate<br />

patterns.<br />

Your risit ba.clistage allocates<br />

for you the unconcerned hancis<br />

that reucltecl clon-lt to change<br />

the bar'li th'o1r or to adjust zl<br />

knightll' head or' :r jammed<br />

sword. 'I'he hands belong to the<br />

hanclsonte young marionette<br />

rnanipul.ators, the Signor's sons.<br />

Ele has four <strong>of</strong> them, slight <strong>of</strong><br />

build., but pol'erful enough to<br />

tnanage 135 lb. urarionettes<br />

rvith vigor and hutnor'. The hosp,itable<br />

)'onng lad,y I'ho ans\Yers<br />

all your questions is the Signor's<br />

tlaughter. She reads the<br />

fenale loles. The gravelY<br />

courteorts Jove rvho is rnuclr too<br />

busy reatling and rlireeting to<br />

lrrswer qtestions is Signor'<br />

]'[anteo.<br />

0n l-atching tlie Performarce<br />

from the front -Yoll hacl occasional<br />

gliutltses <strong>of</strong> expressive<br />

hand.s that gesticulated out <strong>of</strong><br />

the nittgs in cataclysrnic mornents.<br />

Thosc l'ere the Signorts<br />

talenterl ltatrds, helping him to<br />

tear a pitssion to tatters anrl to<br />

rags. l{e rea,ds his Parts sc}<br />

s-vmpathetit'ali.v that his blue<br />

eyes fulurinrrte l'ith feeling arrcl<br />

the sn-elt r'olls frotn his earnest'<br />

face utrtl tttttple bod.v. Yet he t'.an<br />

tletach hituse'lf ft'tttrt tlte mosl,<br />

)righ-1rott'crerl <strong>of</strong> his hnightl"v<br />

outbursts to signal the 'correction<br />

<strong>of</strong> a marionette gesture or<br />

frorvn disap,proval <strong>of</strong> his daughter's<br />

reading. The house <strong>of</strong><br />

Nlanteo, marh you, has been<br />

producing rtrarionette shows for<br />

eighty -vears, first in Italy, later<br />

in the Argentine, and for eight<br />

years in Nerv Yorli.<br />

As you edge Your \\'aY out <strong>of</strong><br />

the narron' wing bach to the<br />

smohy irall you rnust be careful<br />

not to distrnct the attention ot<br />

the au'clience from the stage'<br />

These patrons <strong>of</strong> one <strong>of</strong> the ordest<br />

forns <strong>of</strong> tlramatic art are<br />

not slorv to snarl a sharP Latm<br />

rebulie at any source <strong>of</strong> distraction.<br />

They tolerate onlY those<br />

outsiders who attend as respecrfully<br />

as they d.o.<br />

Illiterate they rnaY be, but<br />

not uncultured, these butchers<br />

and bahers and . candlestlck<br />

mahers n ho ignore the cinema<br />

and strip-teasing burlestlue lor<br />

,the romantic atlyentures <strong>of</strong> an<br />

eig-hth centut'-v n-arrior hero.<br />

Who hnorvs but these dummYshow<br />

tladitionalists al'e the<br />

spiritual, if not the lineal descenclants<br />

<strong>of</strong> the trandit chief<br />

who released Ario'sto on discovering<br />

that his caPtive was<br />

the author <strong>of</strong> "Ollanclo Furiosott?<br />

1


Messino !ts Artistic<br />

.1.: :' , :rncient that they are<br />

- .: il t1.re iegencls o{ the<br />

. Ircuples <strong>of</strong> rvidely differ-<br />

-iilir. sr-rcceeded one another<br />

. :i.t,,rr'. ancl ail left traces<br />

=:: civilization.<br />

-: ::ie seconcl hali oi the 6i-<br />

':::,1.-- ..i1t1111-. holve\ref, the city<br />

: : ,oast oi bcing a famous<br />

: ',r:: ui l'run'ranist culture ancl<br />

'<br />

= i-il.ipiace <strong>of</strong> great and glori-<br />

-.- :..:i>ts. such as Antonello cla<br />

:::-rtii. trilippo .ftiv:rra, t-hc,<br />

.= -rclare


66<br />

strain on the structure, the entire<br />

reinforced concrete cage <strong>of</strong> which<br />

is regarded as a great pil1ar set<br />

firm1y in the ground, is less if the<br />

moving mass is reduced in height.<br />

The third problem, the architectural<br />

one, proved complex. Messina<br />

u.as a historical site r'vhich<br />

commanded the highest respect<br />

and rn'-hich her future development<br />

must necessarily keep in mind. In<br />

harmony r,vith her climate, her co-<br />

1or, her happy lights, Messina required<br />

buildings with spacious entrances,<br />

rvide and open stairways,<br />

terraces, and balconies.<br />

But, on the other hand, the artist's<br />

personaiity lvould naturally<br />

be influenced by his pr<strong>of</strong>essional<br />

environment and by the new tendencies<br />

rvl.rich architecture took<br />

after the "eclectic" epoch. Hor,vever,<br />

in this period o{ troubled<br />

search for the nerv, the architects<br />

could not abandon themselves<br />

blindly, especially not to the foreign<br />

experimental tendencies<br />

u'hich were not ah,vays suitable to<br />

regions like southern ltaly.<br />

f N other rvords, the new city <strong>of</strong><br />

f Nlessina has iollowed only in<br />

some \\'ays the newest ideas<br />

in architecture, so that her buildings<br />

have been completed in a<br />

style which is affected only in<br />

rvise moderation by modern influences.<br />

Thus there is rationalism<br />

in her architecture, but not<br />

under that strict form in which<br />

all ornamentation is renounced. A<br />

sane and beautiful balance has<br />

has been obtained by accepting<br />

the modern simplicity and combining<br />

it u'ith the traditional<br />

characteristics.<br />

Messina has many <strong>of</strong> these<br />

buildings, but I shall limit myself<br />

to only one, lvhich represents the<br />

synthesis o{ the best artistic tendencies<br />

<strong>of</strong> the city: That is the<br />

"Palazzo di Giustizia," considered<br />

by noted critics as one <strong>of</strong> the<br />

best in the worlci. In it the architect<br />

Piacentini conceived <strong>of</strong> an<br />

architecture truly rational in reference<br />

to beauty <strong>of</strong> form, puritY<br />

o{ style, and simplicity <strong>of</strong> line. It<br />

is a well baiancecl creation standing<br />

in a spacious square in serene<br />

and solemn majesty. It is reallY<br />

a temple <strong>of</strong> justice which sYmbolizes<br />

the calm serenity <strong>of</strong> a sage.<br />

In the interior <strong>of</strong> this marvelous<br />

creation errery court room, with<br />

its mystic apse and its effect <strong>of</strong><br />

simple and austere solemnitY,<br />

fsrms a divine temPle. It is a<br />

new an


' .::...f. alld the white<br />

- ' : :hr beautifui lvin-<br />

: . :.::iltd one oI laces<br />

': -... :', hands, the rvealttr<br />

. . -::--: h,-,rizontal bands<br />

" . : r:r:,' rhe sides <strong>of</strong> the<br />

' - .-r-r:i\'. the artistic la-<br />

. -.- "'. rth their rich oval<br />

: i:::iriii portil which<br />

- i: :-, rrom a dfeam-<br />

' - ,- .. ln.rired suci-r tleauty<br />

: _ :. -if terl to a plane<br />

"-: r- r:r,le to icel the subl-<br />

. t:r inc l<br />

.- it ,rnce stood. It is<br />

- :iccrr(1. It n'i1l oper-<br />

:. .- 'i a clock-like mech,<br />

\I - .,llr (llters the churclr<br />

l ! i - irr pres.ed by the<br />

- .:.-iic appcararrce <strong>of</strong> the<br />

r: . l'hc constructicln, ar-<br />

:: :,::., -''' slre aking, is in the<br />

- . :- I-:,tin cross ; the r:entral<br />

,'-:::. iarger ancl more spa-<br />

.. - .....-: -,he laterai ones, is di\.-<br />

:r-'ir colonn:ides, the first<br />

'.,,.:-,:ch are oi tnal'b1e with<br />

- : -:.:i, granite u,ith clelicate<br />

. :..- -ihe palement is made<br />

: . --" :,its oi colorecl marbie<br />

--:.a., il geornetric ltgures, the<br />

:.: i- lraintecl in rich ancl fan-<br />

-,. ' :'i,iiarrt colors o{ marrtel-<br />

- ::iI,,n_\'. 'l'he rr'alls o{ tl-re<br />

:: :-::\ r lrrcak that unitv rvhich<br />

,: ', irar-e heen obtaincci"if a ra-<br />

.- .olution had been sought.<br />

. , :-rcr- hetr.ilder us someu.hat.<br />

, ,.-rn,,:t inrmediatell' rve arc<br />

.'.1rrrri br- thc po\\'cr <strong>of</strong> tlre<br />

:. lr-r- the state1l. ricl'rness <strong>of</strong><br />

.: r'tr' :rttrl tli.l,, 'siti, )n ' 'i th(<br />

.-:-. l')'the nrarry colors altci the<br />

.:::--alrle, charnr rii thc various<br />

- ,:. ,rf tl-re light rvhich inurr-<br />

:: iirc ytenuurbrn.<br />

' ::--r't1'rir-rg to the snr:Lllcst cle-<br />

, l-:.. been placecl $'ith extremc<br />

, taste. The atmosphere this<br />

--:.i-: helps us {eel the srveet<br />

', - nr-stic n-relod1' <strong>of</strong> the statel,r'<br />

::.:i ii-hich is norv onc <strong>of</strong> tht<br />

,-: in the l-orld.<br />

,:-. the niosaics <strong>of</strong> the :rpse thc<br />

' ;:ling saints and kings are lost<br />

their rlreanr oi hunrilitv. If<br />

:.t i. struck fir. the tecirrrical<br />

' :r'.\' ;il1(l cx,trri*ite artistic scrrs


TheMqn Who Come Bock<br />

Gtannini Regains Corutrol <strong>of</strong> Transarnerica<br />

((l .ha1l d,r mv lerel best for<br />

f tlre stockholders. hut I am<br />

neither a miracle man nor<br />

a superman and I am relYing uoor-r<br />

ih" continuous co-oPeratton<br />

unA ""tt.tu=iasric suPPort o{ the<br />

stockholders ancl {riends ol<br />

ftutt.u-"tica and our splendid institution."<br />

With this staterrent'<br />

Arnedeo P. Giannini a{ter a<br />

strenuous and h ard -f ou ght<br />

.ituggf., recently acknorvleclged<br />

the ?iusi <strong>of</strong> thousands <strong>of</strong> shareholclers,<br />

many <strong>of</strong> them ltaliarrs'<br />

in sweeping him back into thc<br />

chairmaushiP <strong>of</strong> the huge Transanrerica<br />

CorPoration.<br />

Elisha Walker, tlie \\ra11 Street<br />

banker rvho assumecl Giannini's<br />

oo.itio" in control oi the instilui;""<br />

"p"" the retirement o[ the<br />

latter, r,vas the loser in a fight<br />

for control that attracted the atiention<br />

<strong>of</strong> the entire country ancl<br />

stockholders in more than twentY<br />

foreign countries'<br />

The result brings out <strong>of</strong> retire-<br />

*.*-and Places again into .the<br />

financial field the son ot an ltallalr<br />

immigrant who rose from Pov-<br />

.ttu t'" a cotntnan


F<br />

: - ::::ci!a1 and 1no-qt<br />

:-::i r:s ancl does not<br />

. *.:. '-,pportunity to<br />

. .:::-e1r'es regarding<br />

::.= --- sale. lnerger <strong>of</strong><br />

.. . a:-,i no assurance<br />

-- : gether remain in<br />

' . -. institutions."<br />

l. ' .'tu'een the Gian-<br />

- ',-'-:.lker groups be-<br />

:1t: and larger and<br />

::. an open break<br />

,: i, ,,i ,\merica, with<br />

- :lre. in Ne',1' York,<br />

''. ith t1-re National<br />

.ta1 u-as announced<br />

: '.::se d that the direct-<br />

. :. .. ::::e;tt <strong>of</strong> Transamerrca<br />

- .:.:-, its pledges to him<br />

.- - =:::ed. and indicated he<br />

:-:.r:.: the field to regain<br />

- .ire company he<br />

, :..:-- ,iganized mass meet-<br />

: :.. - r::er stockholders' gatha.<br />

::-:r,ughout the country,<br />

' -: =.'ial emphasis on the<br />

' - .- -,ast. rvhere live the<br />

:..-,' - i the stockholders, in<br />

:,.::: :: to consolidate feeling<br />

"-..:: '- :1.e group headed 1ry<br />

: -.: -,,'"'a1ker-<br />

MESSINA -<br />

: -;iicious fragrance o{ the<br />

--.,--j- and lemon blossoms, one<br />

, , . i.l.red bv the s<strong>of</strong>t balmy sea<br />

::-is and the rhl.thmic dashing<br />

: - :..,'a\-es as regular as the pul-<br />

:.r uf the heart beat.<br />

-- r. also <strong>of</strong> great interest to re-<br />

.:re ancient citv <strong>of</strong> Savoca,<br />

- : -,-i.d on a high rock ',vhich<br />

- ... rlajestically above the rivie-<br />

. ,: Sarfia Teresa di Riva. It<br />

'.:: at ancient castle from tvhich<br />

: can enjoy a splendid panora-<br />

::... and has also many magnifi-<br />

-.:. churches, rich in interesting<br />

' -:ks oi art. The church <strong>of</strong> St-.<br />

, ::.i <strong>of</strong> Agro is a priceless rvork<br />

- a.:t. constructed <strong>of</strong> fantastic<br />

- .:',,-hrome stone in the golden<br />

.J;,-ri cl.raracteristic Siciliin ar-<br />

- l-i:ectr-ire.<br />

- -,:though the present city <strong>of</strong><br />

- --irra has rrnrlergone an inevit-<br />

,.' -. displacement {rom its origin-<br />

.-. r,:an. it alu,a)'s remains in the<br />

- :-rr <strong>of</strong> an amphitheatre around<br />

-:. iarnous port. It is laid out ac-<br />

THII IIAN \Vl:TO CAMIi IIACK<br />

The fight which ensued be-<br />

1\\-eelr tlre Ciarrnini an,l \\-alker<br />

factions took on the colorful<br />

trapoings <strong>of</strong> a political campaign.<br />

E,acl'r group torrrecl the country<br />

hurling accusations at the other.<br />

Each acctisation ltrought a rlenial<br />

and a counter-accusation.<br />

The charges made bv Giannini,<br />

as reported in "Tirne" (Feb. 15,<br />

<strong>1932</strong>), containecl among them :<br />

The steaclr- clecline <strong>of</strong> TTiiisamerica<br />

ancl t1.re stopping <strong>of</strong> the<br />

clividend.<br />

The abanclonlrent <strong>of</strong> tl-re<br />

branch-balrking progran-r.<br />

The unu,arrantecl disposal oi<br />

the Bank o{ <strong>America</strong> <strong>of</strong> Nerv<br />

York.<br />

Sacrifice <strong>of</strong> procluctir.e assets at<br />

bargain prices at private sales.<br />

The raising <strong>of</strong> salaries, ancl extravagant<br />

expense account. . . employment<br />

<strong>of</strong> many unnecessary<br />

high salariecl <strong>of</strong>ficials.<br />

Tf HESE charges \\'ere ans\\.er-<br />

I erl irr kind hy the tlren rnanagement<br />

<strong>of</strong> the Transamerica<br />

Corporation. As the time<br />

neared for the stockholders' meeting<br />

at Wilmington, on Feb. 15,<br />

7932, interest in tl-re battle f or<br />

control <strong>of</strong> Transamerica had<br />

ITS ARTISTIC RENASCENCE<br />

(CorttirulecJ Jront, Page 67)<br />

cording to the modern conception<br />

<strong>of</strong> urban construction, with-long<br />

avenues !,hot enjoy a peaceful<br />

vietv <strong>of</strong> the sea. The long and<br />

r'vide Via Garibaldi is verv biautiful,<br />

as is also the interesting "Passeggiata<br />

cle1la Marina", which<br />

makes possible an enjoyment <strong>of</strong><br />

the treauties <strong>of</strong> the port and<br />

Strait o{ N{essinii..<br />

But the most beautiful and the<br />

r.nost interesting <strong>of</strong> all is the<br />

splendid "Strada della Circonval-<br />

Lazione" rvhich, hugging the<br />

nrountainside with picturesque<br />

turns, leads towards the highest<br />

tops <strong>of</strong> the Peloritani mountains.<br />

These i,vinding roads can be covered<br />

in a short time with an autornobile.<br />

But lor those rvho t-ish<br />

to enjoy the scenery it is suggestecl<br />

that they go by slower means<br />

o{ travel. It is only in this rvay<br />

that the beauties <strong>of</strong> the town are<br />

revealed, beauties rvhich increase<br />

rvith eacl-r step.<br />

69<br />

reacheci a peak unsur-passed ir.r<br />

corporate history.<br />

That the Giannini charges<br />

struck home can be seen rvhen,<br />

in lh" spectacular battle <strong>of</strong><br />

pr_oxies, i.5.371.528 c.,lrt <strong>of</strong> " po._<br />

sihle. l-t.15J.9J0 tnppled Etisha<br />

rr atker lrorrr tlre clrairmanslrio<br />

arrd irrstalle,l -\merleo n C;r""i";<br />

to his fornrer position.<br />

-It is a nra t 1 er ni opin iorr<br />

u,hether Transanrerica *iii ,.._<br />

gain.the position it once had, a<br />

I)os1t1on u'l-riclr car riecl r,r.ith it<br />

asser.s <strong>of</strong> S1.100.000.000. At prei_<br />

ent. its assets. like thosc <strong>of</strong> ,;;;;<br />

corporatiolr.<br />

il:ll.r<br />

lrar.e rfr"_,r;<br />

ed i the_v no\\- lotal approximateil.<br />

$300000.000. Tlre tlir.-"r.r'."i-Jr<br />

Lrtannlilt ts a hrrge one; others<br />

than he u.oul


Remarks on <strong>America</strong>nization<br />

By J. R. SCOPPA<br />

Principal, P. S. 92, the Bronx, N' Y'<br />

OO o{ten <strong>America</strong>nizatior.r<br />

movements have failed bea<br />

cattsc thev rvere l;ased olt<br />

the supposition that all foreign<br />

elements in our populatton are 1nicrior<br />

to the ola native stock'<br />

Programs <strong>of</strong> r'velfare and educationil<br />

organizations have beerr<br />

practicallrr {utile. Much time,<br />

ef tort an


mumrsfrderabll- since 19i3. For exounmpil,e"<br />

tftre United States has inamnlred<br />

it= expenditures 197 per<br />

:rer:: _iapan. 142 per cent; Great<br />

*-=ir- {2 per cent; France 30<br />

;cs' crrr: Ital-v. {l per cent, and<br />

R.:a-


HE lteparations Confelence<br />

u,ill be lield in June, follot'ing<br />

an agreement reached<br />

by the govelnments interested.<br />

"1'he object <strong>of</strong> the Con-<br />

{erence", says a dispatcl-r <strong>of</strong> the<br />

Ste{ani Nervs Bureau, "u'i11 be to<br />

come to an a€lreement regarding<br />

zi lasting settlement <strong>of</strong> the question<br />

raised in the report <strong>of</strong> the<br />

llasle experts and ('ollcerning<br />

lvays and means <strong>of</strong> overcoming<br />

the economic and financial di{ficulties<br />

lvhich have brought about<br />

and rvhich may prolong the present<br />

rn'orlcl clepression."<br />

This decision taken by the gol'ernments<br />

should be rvelcomed<br />

for tu'o reasons: first oi all because<br />

the Conference, u'hich at<br />

first seemed to have ireen postponed<br />

sine die, u'i1l be heici on a<br />

fixed date; and in the seconcl<br />

piace, because it proposes a "last-<br />

REPARATIONS<br />

(From an editorial in "ll Legionario" <strong>of</strong> Rome)<br />

HE l{on. Satr-ruel Dickstein,<br />

Congressman fronr Nerv<br />

York State, has srrbn-rittecl<br />

to that body a bill aiming<br />

at the exclusion <strong>of</strong> foreign artists<br />

from <strong>America</strong>n "talliies".<br />

<strong>America</strong>n movies for the Auterican<br />

!<br />

And norv there is beirtg raisccl<br />

at Hollyu'ood that oclious banner,<br />

jingoistic ancl chauvinistic, rvhich<br />

rvas un{urled not long ago for<br />

some time in Nes' \'lork against<br />

foreign artists <strong>of</strong> the stage, an


C<br />

I<br />

f<br />

F<br />

5<br />

s<br />

F.<br />

e<br />

F<br />

e<br />

il<br />

-<br />

E<br />

F<br />

!-<br />

e<br />

;<br />

l'<br />

t<br />

i<br />

:<br />

the ltalian Press<br />

rm rrle"uu- and the most fruitful {rom<br />

llr'e 6--..n,'.mic_<br />

tr-alenrino. Chaplin, Arliss, Garr',-,--hrvaiier.<br />

-[annings and so<br />

nnnsrnn ,i,ithers orve to <strong>America</strong> their<br />

iiflr'miert succrsses; but on the other<br />

ln-r'm' fl- the]- har-e contributecl in<br />

lam"g'e p,art to the gigantic dem'eful<br />

i,ment. to the victories and<br />

rhe w-ealth <strong>of</strong> this flourishing Am*er-lran<br />

industry.<br />

[mL th.r rreld <strong>of</strong> the theatre, as in<br />

r\i,e{Fr alaistic fie1d, there has al_<br />

wa"rs bern a great international<br />

.exocft,a:ge oi "stars", and this excftmmgr<br />

has s1;iritually and econo-<br />

ITALY AND FRANCE<br />

ooo<br />

(From an editorial by ,Concetto Pettinato in "La<br />

$ta'npa" <strong>of</strong> Turin)<br />

Htr article publishecl not<br />

long ago in the "Tem,ps" <strong>of</strong><br />

Paris has been follorvecl bv<br />

quite a fer,v others <strong>of</strong> th!<br />

:urmt character, r.l'hich have app'ear-rd<br />

in papers <strong>of</strong> ltoth the Left<br />

L:,r the Right. For the first time<br />

;i::ce the War, a certain unanim-<br />

,l"r 5s6111. to be alrout to establish<br />

rtsrl: in France concer-ning the<br />

::,r-.-enience o1 5llirsging Frar-rcoirulian<br />

amity {rom - among the<br />

i.:Ir: -<br />

ooo<br />

-\lr,trrt-faces that are too suclden<br />

al-!\a_\-s leerl to perplexity. 'l-rue<br />

it i: that, on the surface, this par-<br />

:icular about-face may l;e explainc1:<br />

b1- the change in pilot at the<br />

'-'uai d'Orsar'. On second examilation.<br />

holrlr.er, this explanation<br />

,i.-,ts not holil goocl. I-aval ha,"<br />

t'cen dictating Frencl.r fore;gir po1-<br />

r\_r uuL srrlce Ille t)eglnnlng c)I f<br />

icr- not since the lteginni<br />

lij3l. btrt irorrr tlre l,ecirruirrg <strong>of</strong><br />

l!'31. Berthelot, r,vlro, as e\reryone<br />

knows, l'as the soul <strong>of</strong> I-aval's<br />

predecessors. has not ruor-erl<br />

lrom his throue. r\ ci-range in lrersons,<br />

therefore, \\,e l-rar.e not had<br />

rnically given nerv life to every<br />

unclertaking; it has lecl to the rapid<br />

dei'elopment <strong>of</strong> the arts in all<br />

countries, especialiv in the younger-<br />

natic-rns.<br />

'l-cr put up barriers to this excl"range<br />

n,oulcl be an unpardonaltle<br />

rnistake and learl to certain harn<br />

\\,-e are glacl, there{ore, to report<br />

that the Anrerican press has alrercly<br />

begun to manifest its hostilitv<br />

to the l)ickstein project, just<br />

as, in its time, it u'as hostile to-,zrnd<br />

wrecked- the proposals against<br />

the sigrrir-rg up <strong>of</strong> stage artists<br />

rvho l.cre not <strong>America</strong>n citizens.<br />

Why shoulcl there be a change in<br />

po1ic1'?<br />

ooo<br />

'lhe present shift is a matter <strong>of</strong><br />

zut improvisation, ancl not a<br />

slorr.ly maturing policy. Sorne<br />

ohesrvers naturally suggest that<br />

tlie secret <strong>of</strong> this suclclen lvarrnth<br />

can be founcl in the rn.orry instilled<br />

in France by the clisarmament<br />

c, )li Ierence. This snpl,usition is<br />

rr't 1111liLa1t, l)11t to nre it seems<br />

ttro re:trit'tir c. trIotc irtrportant<br />

:rre the rvorries occasionecl by the<br />

rli[ficult-r' <strong>of</strong> re-estahli-hing' a prelr'ar<br />

Jlntente rvith Great Britain.<br />

l'he rise to power o{ the Tories,<br />

on rvhom France hacl placed such<br />

great hopes, has in this respect,<br />

bern a bitter clelusion.<br />

F-rance nou, is a victirn <strong>of</strong> a bizarre<br />

r.icious circle: the stronger<br />

she becomes tire rveaker Anglo-<br />

Fre nch frienclship becomes, ancl<br />

the rveaker Anglo-F'rench frienclship<br />

becomes, the rveaker F-rance<br />

fee1s. Paradoxically, one rnigl-rt<br />

aln'rost say that to lte strong,<br />

France should be weak, at least,<br />

n,eak enough not to cast her shailon<br />

or.er E-ngian11.<br />

73<br />

The tariff barriers against the<br />

proclucts <strong>of</strong> soil or industry-.<br />

which lrls, r har c u r,,rrght inialculable<br />

clamage cannot be blind-<br />

1y appliecl to art anrl artists, without<br />

mortally uroun


74<br />

that on the continJnt there shall<br />

be no more groups <strong>of</strong> interests organized<br />

in exclusion <strong>of</strong> others.<br />

The era <strong>of</strong> constellations is finished,<br />

or, to put it better, the duty <strong>of</strong><br />

everv great people is in applying<br />

itseif to rvhat has been finished"<br />

As regards Italy, she rn'ould be<br />

rlcing scmething <strong>of</strong> doubtfui<br />

rvorth in abandoning her presentday<br />

libertv <strong>of</strong> movement in order,<br />

as the oracles <strong>of</strong> the Parisian<br />

l)ress seem to imply, to take her<br />

HE conilict betrveen China<br />

and Japan has Put the<br />

United States in an em-<br />

barassing position. The<br />

ATLANTICA, APRIL,<strong>1932</strong><br />

place in the system <strong>of</strong> French Europe,<br />

taking on herself the enormous<br />

burden <strong>of</strong> defending an order<br />

o{ things that leiks on all sides,<br />

and u'hich France herself now no<br />

ionger knor'vs hor.v to uphold<br />

against the natural destiny <strong>of</strong> all<br />

decaving things.<br />

The subject <strong>of</strong> Franco-Italian<br />

frienclship, rvhen once it expands<br />

outside <strong>of</strong> the compass <strong>of</strong> the<br />

good relations based on neighborliness<br />

and business (which are deooo<br />

WHAT ABCUT SOMALILAND?<br />

(From an editorial by Marco Pomilio in "L'Azione<br />

Coloniale" <strong>of</strong> Rome)<br />

RULY, lve speak too littte Furthermore,. having Ior - the<br />

<strong>of</strong> Somaliland in the daily time being territories not endowand<br />

periodical press ot ed with the best attributes <strong>of</strong> fer-<br />

Italy. On those rare oc- tility and prosperity does- not at<br />

casions lviren the pen <strong>of</strong> the co- all mean, in substance, that our<br />

lonial or pseuclo-colonial rvriter solid, traditional virtues as colonturns<br />

to it, it is usually to beat izers should not find a yay o!<br />

down t',vo three obviols paths' digging forth commercial and<br />

that have already been traversed marketable values out <strong>of</strong> the<br />

and re-traversei hundreds <strong>of</strong> many thousands <strong>of</strong> square kilotimes.<br />

meters now in our possession in<br />

x< * * Airica. To do this, it is necessary<br />

It is saicl : rve have the worse to begin by knowing exactly all<br />

African territories. Very true, that can be'done and all that can<br />

this, when one thinks <strong>of</strong> the mag- be drawn from our colonies, frorn<br />

nificent attributes given to t[e all our colonies rvithout distincmandates<br />

ancl the -territories <strong>of</strong> tion. Today there is much talk<br />

other nations in comparisoh to our going on about Tripolitania; it is<br />

rights, keener today than yester- just that this should be so, for it<br />

AJy, ;,-, the Black iontinenl. is the land in which Fascism has<br />

<strong>America</strong>ns are f ollorving lvith<br />

keen eyes the events in the Far<br />

East, where they have vital Political<br />

and economic interests to<br />

safeguard. Since the JaPanese<br />

advance began, they have entertained<br />

trro contrasting sentiments:<br />

on one hand, the desire to<br />

keep out o{ the trouble and not to<br />

let it precipitate them into a general<br />

imbroglio by some false<br />

move, ancl on the other, the firm<br />

clesire to contain within reason-<br />

ooo<br />

AMERICA AND THE ORIENT<br />

(From an article in "Il Mattino" <strong>of</strong> Naples by its<br />

New York correspondent.)<br />

able limits the expansionist aims<br />

<strong>of</strong> Japanese imperialism.<br />

The <strong>America</strong>ns want to keeP<br />

out <strong>of</strong> the Manchurian confiict,<br />

they want to keeP out <strong>of</strong> anY<br />

r'voild war that may follow the<br />

breaking <strong>of</strong> international treaties'<br />

But while {heir determination is<br />

firm to keep the peace and to hold<br />

themselves alo<strong>of</strong> from the clash<br />

<strong>of</strong> Oriental peoples, they are finding<br />

themselves, against their will,<br />

immersed up to their necks in the<br />

Asiatic imbroglio. <strong>America</strong> cannot<br />

withdraw from the field <strong>of</strong> action<br />

or decline any responsibilty<br />

rvitl-rout going back on its own<br />

siretl antl desiralrle alwaYs and<br />

n'ith everyone), implies the premise<br />

<strong>of</strong> a rvide revision o{ the<br />

French foreign policy, which is today<br />

too dangerous for Peace becartse<br />

it is too much in contrast<br />

with the necessity for a haruronious<br />

and eqluable adjustment on<br />

the continent. Is France PreParec1<br />

for such revision? It does not<br />

seem as yet that the rePlY to this<br />

cluestion is rvhat it ought to be'<br />

giveu the most organic and<br />

iorverful example <strong>of</strong> its colonizing<br />

uirtu". and caPabilities. It is'<br />

however, also true that manY<br />

people spbak <strong>of</strong> it because it is<br />

1".., to do so, considering that<br />

what has been done <strong>of</strong>fers a large<br />

amount <strong>of</strong> material for comment<br />

and appraisal, some <strong>of</strong> rvhich has<br />

ended up by being-we cannot<br />

avoid the ugly rvord-standardized.<br />

Conclusion: besides TriPolitania,<br />

the press should occuPY itsel{<br />

exhaustively, r,vith clear and<br />

especially interesting treatm.ents,<br />

also with the other colonies, in all<br />

their economic asPects.<br />

In the meanwhile, as to that<br />

which most directlY regards us,<br />

we intend to begin in the verY<br />

near future to iliustrate, as exhaustively<br />

as possibie, the various<br />

possibilities which Somaliland<br />

-<strong>of</strong>fers to men <strong>of</strong> good rvill.<br />

treaties, rvithout contrilluting toward<br />

destroYing the \-ery organization<br />

she created so as not to be<br />

involved in future wars.<br />

The Nine-Power TreatY, which<br />

suarantees the territorial and adininistrative<br />

integrity ot China, is<br />

a treaty promoted bY <strong>America</strong>,<br />

and <strong>America</strong> did not live uP to it<br />

'"vhen she failed to invoke it against<br />

lapan, who had violated it'<br />

itr" .u-i applies to the Kellogg<br />

Pact. But the Hoover Administration<br />

did somethrng worse: bY<br />

letting Japan know that <strong>America</strong><br />

would keep out <strong>of</strong> the conflict, not<br />

only did she give JaPan a free<br />

hand, but she cut <strong>of</strong>f the waY for<br />

active intervention bY the League<br />

<strong>of</strong> Nations, thus weakening beforehand<br />

any possible action on<br />

its part.


M{JSIC<br />

By Morgherito Tirindelli<br />

RESPIGHI'S "MARIA<br />

EGIZIACA" PREMIERED<br />

rf HE edvrrrt <strong>of</strong> Ottorirro Respighi<br />

I and Bernardirro Molinari and the<br />

^ revival <strong>of</strong> Bellirri's "sounambula"<br />

have eclipsecl the importance <strong>of</strong> ali<br />

other events during thc last six weeks.<br />

Of these, the production oi Respighi's<br />

"Maria Egiziaca" \vas perhaps the<br />

n-Lost auspicious. f'his new r','ork <strong>of</strong><br />

the Maestro lvas given r''ith the aid <strong>of</strong><br />

the New York Philharmonic Orchestra<br />

and soloists, first {or the pension fund<br />

concert and secondly as a part <strong>of</strong> the<br />

rcgular Philharmonic subscription conccrts.<br />

"Maria Egiziaca" is subtitled<br />

\,Iystery Triptych for concert," and the<br />

composer asks his listetrers to "hear<br />

and r'vatch siniply, credulousll', iike the<br />

faithful pcople n'ho assist at a mystery<br />

or a religious procession." In a personal<br />

talk with the rvriter, the composer<br />

sairl tlrat irr rlris rvork he tried to<br />

bridge the gap between opera and concert,<br />

rvhile more broadil' speaking he<br />

has successfulll' created a work which<br />

belongs in its drarnatic form to the<br />

l)ure, simple mystery plays <strong>of</strong> the<br />

\,f iddle Ages, rvhile employing thc<br />

rnodern musical idiom.<br />

The importance <strong>of</strong> Respigl'ri as a<br />

composer rnacle the performance on<br />

Nlarch 17 a significant one and a large<br />

and represcntative audience was at<br />

hand to bccorne acquainted n'ith this<br />

next to iast u'ork <strong>of</strong> the musician who<br />

also conceived the "Pines <strong>of</strong> Rorne"<br />

and the "Sunken Bell".<br />

T1're picturesqueuess <strong>of</strong> the performance<br />

added to its ir.rterest. The stagc<br />

at Carnegie Ha1l had a superimposed<br />

platform to the right <strong>of</strong> t'hich a small<br />

errchestra supl'licd llte accotttpanimettt<br />

and syrnpbouic illustration for the personages<br />

who saug aud acted the mystery<br />

1n three episodes, connected with<br />

orcl.restral interludcs. At the rear ol<br />

the platform there rvas a golden trtptych<br />

u'ith tlvo closcd doors swung<br />

open, after ar-r interlude, by a pair or<br />

angels, The inside <strong>of</strong> thc triptych revealed<br />

three pictures set side by side<br />

in the golde n {tame: the harbor <strong>of</strong><br />

Alexandria, a desert beyoud the Jorclan<br />

and the cloor <strong>of</strong> the Tcmple ot<br />

Jerusalem. 'llhe auditoriunr was kcpt<br />

in darkness, illumination cetrtering on<br />

the perfornrance. There t'as a chorus<br />

<strong>of</strong> nixed voices.<br />

Briefly, the libretto exposes the sius<br />

<strong>of</strong> Mary <strong>of</strong> Egypt, her repentance and<br />

expiation. 'I.'l're composer was confronted<br />

rn'ith the difficu1ty <strong>of</strong> mixing<br />

his music lr'ith the style <strong>of</strong> his subject'<br />

a f act 'lvhich he bridged del'tly, producing<br />

music <strong>of</strong> feeling aud al'w'ays <strong>of</strong><br />

masterful rvorkmanship. He rvas also<br />

expert in clepicting the character <strong>of</strong><br />

rlysticism ancl religious fervor with<br />

both draura and passiou; meiodY<br />

abounds ancl the r,vriting is fluent es-<br />

pecially in the vocal 1ine. 'I'he u.ork<br />

opens up possibilities ancl lvhether or<br />

not these are ever carried into being,<br />

the fa.ct remains that Respighi has <strong>of</strong> -<br />

fered an original solution to the routine<br />

<strong>of</strong> concert and opera which is grorving<br />

obviously uniuterestir.rg.<br />

ma", but nonetheless ef fective. Miss<br />

Pons and Mr. Gigli sl-rared in a demonstration<br />

vrhich they truly deserved,<br />

for. neither artist has been heard to<br />

better aclvantage.<br />

O<br />

COMMENTS OF MUSICAL<br />

INTEREST<br />

f he participants were Charlotte<br />

Boerner as Maria, Nelson Eddy as the<br />

Abbot and Pilgrim, Alfredo Tedesco as<br />

the Sailor and Leper,, Hclen Gleason<br />

as the Mate, Blind Woman and Angel's<br />

Voice ancl Myrtle Leonard as Anotlrer<br />

Matc and Beggar.<br />

o<br />

,LA SONNAMBULA''<br />

FTER an absence <strong>of</strong> sixteen Years<br />

from the Metropolitan OPera<br />

stage, Vincenzo tsellini's "La<br />

Sonnambula" was revived for the parabourrdiug<br />

iu rttelo,ll'. I<br />

Evcryone knon's Lr1' tlris time tlrat /G\<br />

rhe 1'lot <strong>of</strong> "sonnanrbula" revolves / \<br />

arourrd rlre supposcd urrfaithfu.luess_ <strong>of</strong> t ffit:* ) stnrn cESTER GARDINI<br />

Arrrina, due to lier sounanrbulistic ha- \ W ; I -<br />

r-r H L, nrost itt:portallt recent all-<br />

I nouncenlettt h"a.on'" frortl the<br />

r' boarrl <strong>of</strong> Llre Philharrrtonic Symphony<br />

concerts to the effect that Toscaniui<br />

will return on <strong>April</strong> 28 to concluct<br />

one colcert for tl-re benefit <strong>of</strong> the<br />

unenrployecl rnusicians <strong>of</strong> Amertca.<br />

o<br />

It is run-rorecl that Ifolinari will rcturn<br />

this sunrllter to conduct on the<br />

Pacific Coast.<br />

o<br />

Respighi has returtrecl to Italy to resurne<br />

his classes at Sauta Cecilia ancl<br />

to begin work on a "choral orchestral<br />

symphony for tl-reatrical performance,"<br />

for which he will have the collaboration<br />

<strong>of</strong> D'Annunzio otr the libretto,<br />

rvhich rvi11 be cal1ec1 "La Vergine e la<br />

C itta'."<br />

o<br />

Giuseppe cle Luca has been nomiuated<br />

for Grand Officer <strong>of</strong> the Crown <strong>of</strong><br />

Italy by the King.<br />

o<br />

Ottorino Respighi and Pizzetti have<br />

been nominated as nrembers o{ the<br />

Royal Acaclemy <strong>of</strong> Ita11'.<br />

e<br />

Rose Teutoui, artist pupil <strong>of</strong> Enrico<br />

Rosati, replaced Charlotte Boeruer it-t<br />

a recital <strong>of</strong> R espighi n-rusic given ai<br />

the Casa Italiana by 11t. Dante Alighicri<br />

Society, u'hen the latter artlst<br />

was unable to participatc clue to i1!ness'<br />

Miss Tentoni possesses a voice <strong>of</strong> tlatrrral<br />

lreauty att,l Porver.<br />

o<br />

Many dinner, receptions aud soirees<br />

r'vere given during the Respighi sojourn<br />

in New York, outstanding being those<br />

<strong>of</strong> Berta Gerster Gardini, X'Iaria Carreras<br />

and Mrs. Liolel Perera.<br />

O<br />

Irma Aivano, artist pupil <strong>of</strong> lvladame<br />

Carreras, was hearcl in a recital at<br />

'Iown Hal1 rluring }larch and displayed<br />

a fine technical development. An,<br />

other talent under tl-re guidance ot<br />

ticular interprctation <strong>of</strong> Lily Pons as Madame Carreras is Glarrco D'Attili'<br />

ten-year-old child rvonder rvho was<br />

Amina and Gigli as Elvino. The trvo<br />

recently heard in a private audition at<br />

artist coui


:. ! i..<br />

ng<br />

rre-<br />

:<br />

il r<br />

i:<br />

for<br />

.,E"HAT READERS THINK<br />

OF TFIE NE\T ATLANTICA<br />

::. ---1. ietrers that we have received concerning the new feat-<br />

::: :.::.. in the March issue. Herewith we reproduce a few.<br />

' -:_: ajtttca:<br />

:.,: \Iarch number <strong>of</strong><br />

- , :.., i: s'ith great inter-<br />

,-..: '. a.:r interesting num-<br />

-::::. aD1\- edited and ad-<br />

-'. - I see no reason rvhy<br />

- : - :t.rr be in the honre<br />

: ;.:..r-reading Italian who<br />

, , :::at irr preserving and<br />

: ::: .l:tural traditions the<br />

: :::- Eenuine contributior]<br />

. _ :nelr acoptlotl.<br />

-- _.rdia1lt,,<br />

EDWARD CORSI<br />

_...- aj Jnmtigra.tiort,<br />

- i.: I;lartd, N. Y<br />

;-LtIanlica:<br />

:::--a has norv become a<br />

:,-a:ion; arrd as a cultural<br />

': i sal that it is devoted<br />

'::: ,tCl cauSe.<br />

],,'u 1]'11/ Congratulations<br />

l.::.<br />

'i'cr1' truJy yours,<br />

JOHN J. FRESCHI<br />

:, .rt <strong>of</strong> (]one ' rLt Nl,"s orzr,<br />

-\-r u' I"orl Cr,lrr<br />

, -::'- :r pubblicare nel numero<br />

-.:::i 8th) del mio giornale<br />

r : :: t-liicago) la mia mode-<br />

:.. ::'. orclinc alla sua pubbli-<br />

- --- i.r:ica", che tanto contri-<br />

- -:--r:tdcre f italianita' in A-<br />

.. creJrrru pirr' corrr.cnicrrtc<br />

:.-- -.:to giudizio anziche' co-<br />

::- ..:1ettera. Corr r-nigliori au-<br />

, . . .':-ui.<br />

Devmo-<br />

OSCAR DURANT'E<br />

Chir:a ,t<br />

' -' i-: the up.preciatiort utrit-<br />

. Durart,te, u:ho, as lljs let-<br />

: .-lqte. is also ui.ce-prtsidttft<br />

:,:,1o Board ol Edttctttion).<br />

: :::- I' con piacere che Atlan-<br />

. :::ieressante rivista bilingue<br />

: ? nLrye anni rappresenta un<br />

' .. :,;l ir l irr quc,ti paesi, seguc<br />

. .r i1rrp1',r rrtaggiore c risport-<br />

: .:::cI.tc al ilobile :copo il]]-<br />

, : ,tirantare fra gli italo-arle-<br />

.-, i t iLtarlini di alrre rraziorra-<br />

;:iisto riconoscinento dc11a<br />

::: ::a1ica attraverso i secoli.<br />

- . :::-ista dovrebbe essere. a pa-<br />

..: . i1 "\:ade tr{ecurn" di ogr.rr<br />

: re live da questa partc clel-<br />

.t.': ,,r ol Atluntiur,:<br />

: ::r ,;c.ugltl-v itr accorcl with the<br />

:: :i ai -\tlarrtica has sct for<br />

, :-ar-e been grcatly intcrestecl<br />

: r enr <strong>of</strong> thc secorrcl gerlera-<br />

::. italians who came to Alnc-<br />

: ::. begirrning <strong>of</strong> the cclrturlr'.<br />

:: :'.' i arnillg a living, the trans-<br />

:= :: :lie cultural inheritances <strong>of</strong><br />

. ::.r\ ii a. :rcglected.<br />

- - .i - .nc,rrrrl qerrcration rrorv<br />

find thenrselves lvanting to appreciate<br />

tho-se inheritanccs but lacking the<br />

means or mode. <strong>Atlantica</strong> solves<br />

the problem. It supplies the mcans.<br />

Those not knor,ving the langnage, car-t<br />

obtain an harmonious account <strong>of</strong> the<br />

cultural, historical, contmercial and<br />

social rise <strong>of</strong> the Ital-ians at holre and<br />

abroad.<br />

Yours ver-v tru'y,<br />

PETER SAMMARTINO<br />

CoLIege oJ the City oJ Neu 1'orl;,<br />

'l'o th,e EdiLor oJ Atkm,tica:<br />

I have alual: lreerr arr arlrrr.rcr ol<br />

)'our magazine <strong>Atlantica</strong> a1ld nry<br />

er.rthusiasm has grown upotr reaciing<br />

1'our last nurnbers. Topics touchirrg<br />

on political questionsJ on literature antl<br />

art blend in then vcry beautifully and<br />

adcl a great deal to one'-s culture. \{aga-zines<br />

play an important aprt in dcveloping<br />

the cultural background <strong>of</strong> the<br />

average man. They bring culture into<br />

the home and they supplement schools<br />

and universities in sprcacting it. Our<br />

rlodern .cociety neecls such a vehicle oi<br />

culturc very [ruch and Atlatica<br />

has a rviclc field before itself in entering,<br />

at it cloes, the homc <strong>of</strong> our Anrerican<br />

citizens ol Italian extraction.<br />

\\iith regards, I anr<br />

Sincerell.<br />

Pr<strong>of</strong>. DOM1ENICO VITTORINI<br />

(|nit,ersit11 oJ Pennsyluani.a,<br />

Philatlelphia, Pa.<br />

To th.e Editar oJ <strong>Atlantica</strong>'.<br />

\Ve rvish to thank you for the in{ormation<br />

you sent. You may be surc<br />

that \vc woul,l lot a.k ior I our Illagazine<br />

unless wc found it <strong>of</strong> real use.<br />

The Library is not in a position to exprcss<br />

any more <strong>of</strong> an opinion than this<br />

in regard to periodicals. \\'e are anxious<br />

to rcceive your magazine and to<br />

preserve it for permarlent use.<br />

Very truly yours,<br />

K. D. METCALF,<br />

C hiel ol the IleJt'reru:e De'partntettt<br />

New York, PLrb-ltc Libraru<br />

1'o the Editot' oj Atl,antica'.<br />

Your nerv :\tlantica, in m1' opinion,<br />

has an irresi:tible cye appeal and<br />

does credit to tl.rc creative artistry <strong>of</strong><br />

our Italian race.<br />

Tl.re nragazine itself, nith its innovations<br />

that :rre progressive, should attract<br />

new subscriber. irom thq rising<br />

generation born <strong>of</strong> Italian imnrigrant<br />

parents, r'vho are so little accluaintecl<br />

rrith the rvonderful hcritagc that has<br />

come down to them.<br />

A rnagazine rvith a definite ntissiott.<br />

srrch as your <strong>Atlantica</strong>, has assumed,<br />

can do a great service in keeping alive<br />

lhe love <strong>of</strong> r.rrother coul]trf iu our ltcarts<br />

ancl keep that menory grecn, e\rer<br />

rnirclful <strong>of</strong> the race fronr rl'hich rve<br />

irave sprung. because no lnal] can cver<br />

a1rou11t to much rvho is not linked<br />

77<br />

rvith the highest aspirations <strong>of</strong> his<br />

race, and no man who would despise<br />

the noble traditions <strong>of</strong> his Fathers and<br />

Nfothcrs can evcr come to suprelnacy<br />

<strong>of</strong> an-v va1ue.<br />

Cordially yours,<br />

P1ETER CAMPON<br />

Binglmmton, N. Y.<br />

To the Editor oJ <strong>Atlantica</strong>:<br />

Ab.out two ]'ears ago, a copy <strong>of</strong><br />

AtlzLntica calne by chance into<br />

rny hands. It interested rne because,<br />

having relatiorrs irr many ways r'vith<br />

Italians and Arnericans <strong>of</strong> Itaiian origrn,<br />

it seerned to me to contain al uuusual<br />

variet-v <strong>of</strong> l.ell selected informa.<br />

tion both iu E,nglish and Italian particularly<br />

rvell suited to both trtalians<br />

ar-rd to those intercsted in Italian ianguage,<br />

litcrature, history, fiue arts, politics,<br />

and, especial11.-, the clail-v happen-<br />

:,ng both in t1-ris country aucl in Italy<br />

that are noteworthl'.<br />

The fact that this magazinc has gone<br />

on successfull-v for nine years is pro<strong>of</strong><br />

in itself tirat it appeals to a goodly<br />

trumber <strong>of</strong> reaclers rvho appreciate the<br />

material it contair.rs.<br />

X[oreover tlrc revicri' is progressive<br />

and abreast <strong>of</strong> .tirnes, r,r.ith an<br />

eJe c\rer to improvement" The \{arch<br />

<strong>1932</strong> number, for instance, is notcworthy<br />

in this respect, the r.runrber <strong>of</strong><br />

outstancling contriltutions being noticeable<br />

as are also the ir.rnovations and<br />

irnprovernents. Although particularly<br />

rvcll applied to our I1alo-Arlerican<br />

constituency, thcre is at the same time<br />

nruch that cannot fail to be <strong>of</strong> interest<br />

ancl <strong>of</strong> value to the general reader. To<br />

all such Atlarrtica ; may be. cordially<br />

and unreservedly recornrnendecl.<br />

JAMES GEDDES<br />

(.'lL'nrcn Dept. <strong>of</strong> R.on'tctrtcz l.anguailt-s<br />

B o.s t on (.i n i t, er s it tJ<br />

To th.e Editol oJ Atlaruticct'<br />

A *,ord about Atiantica. lhe<br />

getteral make-rrp {t]'pc. fornrat, l)rler)<br />

r: good. \\-itlr 1'our irrterrtiorr ro continue<br />

"<strong>Atlantica</strong> in Italiar.ro" I thoroughly<br />

disagrec. It means nothiug but<br />

an unrlecessary outlay <strong>of</strong> money. Sonte<br />

<strong>of</strong> the articles ]'ou use are ligl-rt, anci<br />

by light I mean that they are not<br />

nreatv enough, amateurish (e. g. 'I'ile<br />

(irorr tlL <strong>of</strong> Italian irr Arnerica). Your<br />

"Selections from the Italian Press" are<br />

rrot and tlierr irrulevarrl.<br />

In closing, <strong>of</strong> course, I do .r,vish to<br />

cxpress to you nty heartfelt good<br />

n-ishes for your eclitorial success. And.<br />

if I rrray be oI any service lo you.<br />

please do not hesitate to call on me"<br />

Sincerely yours,<br />

A. MARINONI<br />

Uniuersity <strong>of</strong> Arkansas<br />

Fauetteu,ille, Ark.<br />

'l'o lhe Editor ol At,lanti,ca:<br />

I rcccive and carefully peruse l,rour<br />

rcvr'er'". <strong>Atlantica</strong>, and I nust say I am<br />

r, r,r' sali=fied rr ith it> reccrrf jmIroverrrents,<br />

befitting the further dcveloprrrent<br />

oi thc nragazile.<br />

tr'ery trtLl.y yours<br />

BENIAMINO. GIGLI


SPORTS<br />

CUCCINELLO TRADED TO<br />

BROOKLYN<br />

.f N the most imuortant deal <strong>of</strong><br />

L the spring bascball Perior[.<br />

Ernest Lombardi, Babe Herman<br />

and Wally Gilbert <strong>of</strong> the<br />

Brooklyn club lvere traded to<br />

Cincinnati for Anthony Cuccinello,<br />

Joe Stripp ancl ClYde Sukeforth.<br />

The tracle brings to the Blooklyn<br />

Robins one <strong>of</strong> the most PoPular<br />

Italian ball players in the<br />

majors, and at thc same time<br />

sencls to Cincinnati another ltalian,<br />

r,vho, in his first year <strong>of</strong> major<br />

league baseball, bicls fair to reacl<br />

the heights.<br />

Tony Cuccinello, a native <strong>of</strong><br />

Long Island City, has made rapid<br />

strides in reaching the top o{<br />

the baseball world. A tyPical<br />

product <strong>of</strong> the numerous sandlots<br />

scattered throughout the countrY,<br />

Cuccinello first broke into organized<br />

baseball with the Syracuse<br />

nine <strong>of</strong> the International League.<br />

This was followed by brief aPpearances<br />

rvith Lar'vrence, L)atrville.<br />

and Columbus. In 1930 Cuccinello<br />

signecl up rvith thc Cincinnati<br />

Reds as an infielder.<br />

The first year with Cincinnati<br />

found "Chick", as he is familiarly<br />

called, in a utility role. Last year<br />

the Astoria Italian lvas a fixture<br />

at second base and batted fo,r a<br />

percentage <strong>of</strong> .318.<br />

Ernest Lombardi, husky catcher,<br />

alternated at the BrooklYn<br />

backstop position last year. But<br />

the chances are that Cincinnati<br />

r,vill use him as a regular. Lombarcli's<br />

batting ayerage last vear,<br />

his lirst in the majors, u'as slight-<br />

1y under the .300 mark.<br />

Before playing in a Brooklyn<br />

uniform Lombardi \vas a member<br />

o{ the Oakland nine <strong>of</strong> the Pacific<br />

Coast League.<br />

ITALY SELECTS OLYMPIC<br />

FENCERS<br />

LWAYS a strong contencler<br />

in the Olympic fencing<br />

matches Italy has already<br />

selectecl tl-rose rvho rvill compete<br />

under her colors at Los Angeles<br />

this sr:mmer. Seventeen {encers<br />

have lreen selected fronr the large<br />

fie1d o{ contenders. 'jlhese rneu<br />

har e comntenced a rigorous tt'airring<br />

period under the sharp eyes<br />

o{ a man rvho is considered the<br />

greatest fencer alive - nonc other<br />

than Nedo Nadi.<br />

Tony Cuccinello,<br />

now at Znd, base lor Broolilan.<br />

Nedo Nadi is rememberecl bY<br />

<strong>America</strong>n followers <strong>of</strong> the flashing<br />

foils for his masterful exhibitions<br />

in this country in 1930. His<br />

skill and grace while executing<br />

his most famous stroke -<br />

"the<br />

advance thrust" (a stroke<br />

rvhich fer'v fencers dare attempt)<br />

brought exclamations <strong>of</strong> wonderment<br />

from his <strong>America</strong>n alldiences.<br />

Holder <strong>of</strong> five OlymPic championships,<br />

Nacli is expectecl to<br />

produce a number <strong>of</strong> finalists in<br />

the coming Olympics from the<br />

young men now in training under<br />

him"<br />

The men selected are: For the<br />

epee-George Chivacci, Leghorn ;<br />

Gioacchino Guaregna, \{ilan; Gustavo<br />

Nlarz,i, Leghorn; Giorgio<br />

Pessina, Ron-re, ancl Ugo Pignoti,<br />

Milan.<br />

For the sworcl-Carlo Agostini,<br />

Nlilan; Gian Cornaggia, Nlilan;<br />

Renzo \{iloni, Nlilan; Alfrecl Pezzana,<br />

Vercelli; Sar.erio Ragno,<br />

Venice, and Franco Riccardi, Nfi-<br />

1an.<br />

78<br />

]:-or the sal;re-Renato Abselmi,,<br />

Naples; Arturo cle Vecchi<br />

Naples; Giulio Ganclirri' Rome:<br />

Guitavo Marzt, Leghorn; Ugo<br />

Pignotti, Florence, ancl Emiiio<br />

Sulafio, Palermo.<br />

ITALIANS TRIUMPH IN<br />

GOLDEN GLOVES<br />

NE {ourth <strong>of</strong> the youths who<br />

took part in the finals <strong>of</strong> the<br />

Golden Gloves A ur atelt r<br />

Boxing Tournament recentlY at<br />

the NIaclison Scluare Garclen in<br />

Nelv York were o{ Italian clescent.<br />

Of these eight boxers, four<br />

rvon the championships <strong>of</strong> their<br />

respective classes.<br />

Louis Salica took the Il2potrnd<br />

open class title rvhile Vincent<br />

De Lucia u'ou the diadem<br />

<strong>of</strong> the same weight in the sub-uovice<br />

class. Peter Caracciola u'as<br />

crowned 126-pouncl open class<br />

champion.<br />

Thomas Pontccorro, a high<br />

school student, r'vas the individual<br />

star <strong>of</strong> the evening, rvhen he<br />

scored two knockouts to be<br />

crownecl titleholder 6t ttte hear-1-weight<br />

sub-novice class.<br />

Olhers rvho fought in the finali<br />

r'vere: N{ickey Falabella, Phil Ra<br />

gozzino, Stephen Doria and RalPl<br />

Nf agrino.<br />

BATTALINO WHIPS RAN<br />

/-rR ISTOPH ER Battalino, oncr<br />

U callecl a "ch.ecse chamPion"<br />

astounded the boxing frater<br />

nity with a smashing victorY.ove<br />

the Polish welterrveight cham<br />

pion - llddie Ran - recentlY il<br />

New York City.<br />

The former featherrveight title<br />

holder spotted Ran eight pound<br />

and then proceeded to give hir<br />

a sound thrashing. 'lhis victor<br />

now places the Hartford Italia:<br />

in an enviable spot. Bouts wit<br />

T on y Canzoneri, lightweigh<br />

champion, and Jackie Fields, rn'e.<br />

terrveight chanrpion. are norv i<br />

the <strong>of</strong>fing. Battalino seems in<br />

fair way to emulate Canzoneri lt<br />

acquiring three ring titles.<br />

OLYMPIC ATHLETES<br />

FETED<br />

T\ RIOR to their departure ft<br />

Y Italy, n-rembers o{ the Italia<br />

Winter Oiympic Squad r,ver<br />

the guest <strong>of</strong> Gr. Uff. Generos<br />

(Contittued, on Page 80)


slh,<br />

dftt<br />

tcrr<br />

st' d<br />

hrfo<br />

n dnifim<br />

&to<br />

: ll3l\f,-rmideim<br />

rb-oo-<br />

I U:r$<br />

das$<br />

hiefr<br />

siduaf<br />

:n he<br />

.r) be<br />

FnqI-<br />

Gn ls<br />

fil Ra-<br />

Ralph<br />

RAN<br />

! onct<br />

ploD ,<br />

:raterr<br />

ovef<br />

cham-<br />

Ltly in<br />

: titleounds<br />

e him<br />

ictor-l'<br />

italian<br />

; with<br />

reight<br />

;, n'elow<br />

in<br />

sina<br />

eri bv<br />

DS<br />

re for<br />

ltalian<br />

I were<br />

leroso<br />

fu wro,,r..ris the court room was<br />

-.hrntmm. irf.-, a pandemonium.<br />

Jkrpre :;;hed l-ildlv torvard the<br />

kfteuudm:mt and carried him <strong>of</strong>f on<br />

dhmun sfoc,,rilders: it t,as evident<br />

dhf,uf rfth* .i-erdict had rnet with po_<br />

;cdtlinm frau *r-<br />

F r '-,a-rs _John penrlleton hacl<br />

rcltm :m rial for the nrurder <strong>of</strong><br />

utur nrmme- It had been a long, te_<br />

dri{''m{m+ a.imd =ensationai trial, "The<br />

igpnmm&s[ Eoment in the trial had<br />

m,umrtr mhen the accused was call_<br />

'ilfldli ruw*im r. tell his story.<br />

'Ji,eforn Pendleton, iake the<br />

$meum[ i' b,cromed his lawver,s<br />

' :rrrl-aad suddenly an onrinous<br />

*:r+r,re :ell upon the court roont.<br />

\ls he settled dou,n in the wit_<br />

rue."sns - cc,,air- countless gioating<br />

rmrhji qtc"nverged in his clirectron<br />

n,r'andl **:*.ned him eagerly. There<br />

rffi&s rien- little in him <strong>of</strong> that ro-<br />

'nnxrm]f aura rvhich people otterr<br />

,lc*mrumatc x-ith crimes <strong>of</strong> passion:<br />

b --** a short, stout nran in his<br />

.aclr ::,-ies. partly bald, rvith a<br />

Tsnlqm+&- lLtless expresslolr on nls<br />

1rurfr<br />

Sfie r,,ld his story in a simple,<br />

l|rtlrtumrt }.-a\-. seldom raising ttre<br />

p.xmrcJm .: his voice.<br />

*I bred her. I did all I couid<br />

flL.u ilra^ke her happy. She meant<br />

f 'trri-:,rll1o tO me. WOfk tvas a<br />

jrr.r!q[: tD \-ork, make money, for<br />

rhrr" sr that she could get' the<br />

ufrmmg-s she rvanteci most and live<br />

,u-,.*,re-free. luxurious life : nothing<br />

dse riattered to me. To spenE<br />

T j i-. spent for her, at h.r altar:<br />

-lta: il'as m1- lile's suprcme airn.<br />

ill mrer- nne dar'. . . ."<br />

H. .topp.i, with a sigh. 'lhe<br />

m,:,e-ds no\\- came to himless easrily-<br />

h tvas apparent that he r,vas<br />

smuggling hard to controi his enm'ld'ns.<br />

Spectators craned their<br />

merks and strained their ears. The<br />

ir;arratir-e had reachecl a climax.<br />

Fenileton brushed his hand over<br />

The Sqd Lover<br />

-{s soon as the fore-<br />

;ran <strong>of</strong> the jury finished<br />

A SHORT STORY<br />

By Silvio V/. Rolo<br />

his foreheacl and brought it dor.vn<br />

quickly across his eyes, as if t


80<br />

sible that tl-ris rvas the uran urhom<br />

her husbancl, John Penclleton,<br />

nearly killecl and for rvhose love<br />

the first Mrs. Penclleton had met<br />

her cleath ? She \\ras astonishecl.<br />

but saicl nothing. Fate is very<br />

queer and truth certainly stranger<br />

than fiction," she only sa1(t t()<br />

herseli-and n'ent horne.<br />

But NIrs. Pendleton san, the sad<br />

lover again. She rvas intensely'<br />

interesteci in him : his tall stooping<br />

figure, his pale l'ranclsome face,<br />

the kinrlly. penetratillg gdze 'i<br />

his thoughtful eyes, the melancholy<br />

smile on his 1ips. the tragrc<br />

story <strong>of</strong> his life : sotnehorv, there<br />

was something about the m'an<br />

u,l.rich X,Irs. Pendlctot-r could not<br />

Borks in Revtew<br />

(ContinuerL lron Page 54)<br />

It is somervhat painful for an Italian<br />

or one well acquairrted rl,ith Ilaly today<br />

to read the book, but for tl.rose intcrested<br />

in the appealing idea <strong>of</strong> trampitrg<br />

through ltaly on foot, and u'ho t'ant<br />

to see how John Gibbons tlid it and<br />

lr'hat he saw, it might prove I'ortlr<br />

u'hile, for, after all, it is reaclable and<br />

entertaining, if nothing else.<br />

AN ITAI'IAN ANTIIOLOGY. Ed.ited<br />

by Florence Trail . 208 pages. lJo.stln'.<br />

Richartl G. Badrter, The Gor-<br />

Jzant Press. fi2.<br />

rfr H O L'C H nrodest itt a1'pcaratlce<br />

I rhis "Italian Anthology". translala<br />

ed irrto English by variotts autltors<br />

and collected by Florence Trail,<br />

contains sone 200 poems selected fronr<br />

the r'vide range o{ Italian literature tl.rat<br />

*lil1 appeal to all rvho have an itlterest<br />

in that subject. Sonnets, folk-songs,<br />

hynns, fablcs, proverbs anci lyrics: the<br />

fielc1 is rviclc ar-rcl varicgated. A large<br />

number <strong>of</strong> thern are tran:1atecl bv the<br />

conpiler, but aurong the translai6-rs famoLrs<br />

nanrcs arc not lacking, such as<br />

Byron, Chaucer, Longfellorv, ShakespeareJ<br />

Shelley, and a l.iost <strong>of</strong> ot1'rers.<br />

As for the authors, thc book covers a1l<br />

the famous ones, and il-rarly not so r,vellkttorvn.<br />

An index <strong>of</strong> autl.rors and onc<br />

<strong>of</strong> translators facilitates the u-sc o{ thc<br />

volurnc, which is a useful addition to<br />

:u.ry Italo-An-rerican's librarv.<br />

Sports<br />

(ConLhtuetl Jronr Pacie 78)<br />

Pope at a banquet given at the<br />

Biltmore Hotei in New York<br />

Citl'.<br />

I'Iayor James J. Walker, r,vho<br />

rvitnessed the efforts <strong>of</strong> the Italian<br />

athletes at Lake Placid, made<br />

a short talk in r'hich he praised<br />

A'I LANTICA, APRIL, T932<br />

r.er)' n ell explain and--r.es, coulcl<br />

not resist.<br />

(iradua11v, inexplicably, their<br />

long rvalks and friendly talks lecl<br />

tliern to tlie sad lover's apartment.<br />

"Li{e is goocl," he rvhispered to<br />

l-rer as he removed her hat. "Believe<br />

me, f never thought I coulcl<br />

be so happy again^" She srnilecl.<br />

The dusky shaclorvs soon began<br />

to creep in ancl slorvly hicl them<br />

from sight: they two alone,<br />

mouth to month, until love's<br />

srveet passion possessecl the I,vornan<br />

and her lovelv clark eves<br />

fluttered. . . .<br />

I3ut John Penclleton had learnecl<br />

the habit o{ r,r,atching his<br />

rvives. Somehorv, he pickecl up<br />

the trail and-suclclenll'. l itl.rot-tt<br />

highly the perfortnances turned<br />

in by the representatives <strong>of</strong> Italy.<br />

Gr. l-lff. Pope {oilorved ri,ith a ta11i<br />

on tl-re forrvarcl steps taken b1'<br />

the Italian immigrants during t1-re<br />

past 25 years.<br />

Others u-ho addressed the largc<br />

gathering were Judge Freschi.<br />

Vice-Consul Serafini, Count Rossi<br />

r1e I,Iontelela. ancl G. Rivetti.<br />

PECORA BREAKS RECORD<br />

IT,TURNING to track competition<br />

after an absence <strong>of</strong><br />

tr:r.o years, I'[ike Pecpra stlrprised<br />

evelr his rnost rabid f o1lon -<br />

er,q rvitir a record-breaking performance<br />

in the one mile u,alk<br />

event cluring the National A. A.<br />

Il. championship me et al tl-re<br />

flad:son Scluare Garden recently.<br />

'1.'he r-etcran rvalker, carrying<br />

the colors <strong>of</strong> the Brooklyn Centrai<br />

Y. l,t. C. A., broke the tape<br />

yards ahead <strong>of</strong> his irearLst colrpetitor<br />

in setting a new recorrl <strong>of</strong><br />

6:27.2. 'I'he olcl mark <strong>of</strong> 6:28 n'as<br />

created by George Goirlding in<br />

1911.<br />

ITALIAN ROWING TRIALS<br />

AT LAKE ALBANO<br />

AKE '\I-IiAt\O, near Ronre.<br />

has l>een selected as the<br />

scene <strong>of</strong> the Pre-Olympic<br />

rou,ing tests next June, according<br />

to an announcement n-rade by tl're<br />

Italian Olr'nrpic Committee.<br />

The iake is located deep in the<br />

crater <strong>of</strong> an exinct volcano and<br />

its rvaters are alr'r'ays calm, mak-<br />

n'arning-l;1ys1 into the roout.<br />

terrible in his anger. The sad<br />

loirer looked at the tn'loman, lookecl<br />

at the mau ancl shudclered : l.re<br />

saw in Penrlieton's hanci a small<br />

shining thing s'hich he hazilrrecailecl<br />

lraving seen beiore. In<br />

a flash, he understood er-erything.<br />

But he quickll- recor,ered his presence<br />

<strong>of</strong> minci.<br />

"Shoot !" ire cried. "Shoot !<br />

I3ut this time people t'i1l laugh at<br />

yor1. Once. lres, but trvice-ah.<br />

that rvoulcl be too sillv !" There<br />

rva.s bitter. stinging clefiance in<br />

his n'olr.ls.<br />

.[ohn Penclleton cliciu't sl.roc.rt. Hr<br />

krr'vered his hand, shor.ed the gun<br />

into his pocket and cluickly shr-rfflcrl<br />

out o{ the roor.rr.<br />

ing an e-rcellent<br />

competition.<br />

spot {or r6lvlng<br />

M. A. M.<br />

Atlonlico's Observot. ry<br />

(Conti:rrued Jron Puge 53)<br />

two u-ho1e false cities <strong>of</strong> Paris, tc<br />

be lighted while the real city 'rvouicl br<br />

in darkness.<br />

Born in F-lorence 54 1'ears ago, -Iacopozzi<br />

bcgan as an electrician ar.rcl first<br />

attracted n'orlcl noticc rvith his farnou:<br />

illurnination <strong>of</strong> thc Eiffel Torver. Latel<br />

his artistic f1oot1-lighting illun-riratet<br />

sevcral <strong>of</strong> the outstanditrg tnouumetrt:<br />

in Paris. On a trip to New Yorl<br />

oncc, Jacopozzi san' Broadn'ay's uigh<br />

lights, and though he agrecd they u'ert<br />

striking, they rvere also, hc thougl-rt<br />

"bruta1".<br />

CATHOLiC ITALY<br />

t r O colllll.ry itt thc rr orltl is 1,roL<br />

l\ rl,lu as c,rtirelv ( arlrolic iri reli<br />

l- \ girir a. Ital1,-a vieu c,,ttfirtttrt<br />

lrv the results <strong>of</strong> the last ltalian gen<br />

cial ccnsus. cousicierccl Jr-orn the reli<br />

gious ang1c.<br />

'- \,fiianlsecortcl to ltorlle in popula<br />

tion-is a gooci exatl-tplc. Because o<br />

iti lnclustr;ai charactei and geographi'<br />

por,:ition, it should be the city most.er<br />

i,osed to LIrc irrfiltration rvliiclr rrrigl'<br />

i,rilu lilrout a dirtrinution in the tra<br />

clitioial religious sentirleut <strong>of</strong> the Ii<br />

alians.<br />

In spitc <strong>of</strong> this, 975,819 <strong>of</strong> tire 992,tli<br />

rrrrc.tiotterl reporr tlrey bclorrg to rll'<br />

( atlro';c feith, witlt tlre J( \\s llun)l'(r<br />

ing 6.753, or 064 per ceut. oi the popu<br />

laiion.'lhe Protestants'are fcwer<br />

6333, or' only 0.63 per ccrrt <strong>of</strong> the po<br />

pulation.<br />

In'iirortant inc1eec1, therefore, !\'i'r<br />

the Laterarr 'l'rcaties u''hich three year<br />

ago <strong>of</strong>ficial'y put an eud to difference<br />

betr','cerr tire Vaticar-r and the Quirina'<br />

and rvhich have just been scaled tr" '.ii<br />

f ormal visit <strong>of</strong> Pren'rier I'Iussolini t,<br />

His Holiness Pope Pius I.<br />

D. l


l<br />

The ltotians in theUnited Sares<br />

I :;;e:r -i:e Invited to Send in Items and Photographs <strong>of</strong> Real Worth for Possible IJse in These Columns.)<br />

. _-: -iLO DEI GIOVANI<br />

: :::IGEPORT. CONN.<br />

SOCIETIES<br />

:'i\ ui -\liss ( l;rra<br />

- - f)ei Giovani rvill<br />

.-..::.: aiiairs <strong>of</strong> nrajor<br />

- ::ltCrilz(' StCtanellr<br />

::. orr "Darrte Ali-<br />

::...-:rrili is ar.r Italiarr<br />

- . :. artrl drarrrat ist oI<br />

.. - deparlnletrt utr-<br />

:. -::=ctiotr <strong>of</strong> Barca Tar-<br />

-. : -:: La\"alleria Rustiea-<br />

: : \-trga, in u,hich Miss<br />

:-:::r,., and Mr. Clernen-<br />

. :a\e respcctively the<br />

...:,-:- and Turirldu. The<br />

- :,.,:L jr.r is <strong>April</strong> first in<br />

: tlrc first alllll\-er-<br />

: 1,, Ilei Giovani. Its<br />

, ',,.i,1 be "Hamlet" by<br />

: - e presented the last<br />

::-.c part <strong>of</strong> Ophel:a ancl<br />

: :akerl respectivcly b5'<br />

.- c:ril'o alrd NI r. ('i,,r-<br />

.: c third production .n'ill<br />

.-e rt'," b]' Rohert lJrar'-<br />

I I :. s Clara Capasso alcl<br />

: (ialassi n'il1 take the<br />

-: \lr. Lrrigi Licur.i is<br />

::.'-.jr <strong>of</strong> this drama. otr<br />

:: arnivcrsary dance rvitl-r<br />

: ::cciri1lo as chairnran ivill<br />

:i;:r' 28. IIr. Giuseppe r\-<br />

-. : l.Ianhattan College tleliver-<br />

:: i:: ::)orlsored by the art cle-<br />

- r "Thc Italian Architect-<br />

: -jl.r1r:lissarrce." Of the :rbove<br />

. :::"e:" alone lvi11 be given it.t<br />

.:-e orhers ill Italian. \'{r.<br />

::.':a is scenic director, ancl<br />

: : :::llr, and trlr. l.uigi Capucci<br />

.::. oi the rlusic. On l!{arch<br />

,- - la \Iassimino rvas clectccl<br />

:-::d IIr. Stefano IIorelli<br />

:'--:AGC SOCIETY HEARS<br />

DANTE LECTURER<br />

,-.: .,:r:e Alighicri Society rif Chi-<br />

- - :heir monthly Dinner-Lect-<br />

.','.dnesday, January 27, at the<br />

: - > .:a:iord Hotcl in that city.<br />

i honor lvas Colonel Frank<br />

.,:', i.her <strong>of</strong> the Llhicago Daily<br />

.'r!-(r aflqr lltc dittttrr rtas<br />

-., --gcro De Caro, oI North'n'estr:..:::itv.<br />

Pr<strong>of</strong>. De Caro former-<br />

. . r: th. Royal Military College<br />

:: : r:re Pontifical College <strong>of</strong> St.<br />

-:: .. and the Royal Lyceum <strong>of</strong><br />

-: Ht- is thc author <strong>of</strong> a rrork<br />

. .:.:hetic unitv o{ Homer's Ili-<br />

- :.. .ubject r','hich he chose for<br />

- :::::'g \\'as "The Initial Cantos<br />

- -,r..ine Come


82<br />

ITALIAI{ AUXILIARY<br />

HELPED 28,366 IN 19JJ1<br />

The litLl, -krrown but extrenteiy irrrlustrious<br />

and active Italian Auxiiiary.<br />

Ir1c.. ,,1 Ncrr. York, the purpose oi<br />

\\'trrclr rs to lrclp the Italian imnrigrant<br />

in this country, heiped no fewer-than<br />

28,366 <strong>of</strong> them during thc year 1931,<br />

aud <strong>of</strong> these I869 received foocl anci<br />

lodging, according t() a report recetltl]issued.<br />

Backcd up lrl.tlic invaruahle<br />

aid <strong>of</strong> Fl . "8. ( ardirral Haycs, this organization,<br />

rvhich because <strong>of</strong> the c1epression<br />

had its lvorl greatly arrgmcnted,<br />

has as its zealous ilirector<br />

tr{ons. Gerrnano Formica. rvho is alscr<br />

cditor oI the Italiarr magazirrc "La Voce<br />

dell'Emigrato." Sorne <strong>of</strong> thc ltaliar-r<br />

Auxiliary's many activities include<br />

legal services, secretarial work 1acquiring<br />

<strong>of</strong> papers, documents, etc.),<br />

enployment aid, travelers' guidance,<br />

religious help (including u.eck lJ- nrasscs<br />

at Ellis Island), r'rc. Thc <strong>of</strong>fices <strong>of</strong><br />

the Auxiliary arc at 45 West St., Ner,v<br />

York Citl'.<br />

NEW OFFICERS FOR ITALO-<br />

AMERICAN NATIONAL<br />

UNION<br />

Following thc death last year <strong>of</strong> its<br />

fornrer president, Cav. Costat.rtino Vitello,<br />

the Italo-Arnerican National<br />

Union <strong>of</strong> Chicago, one <strong>of</strong> the largest<br />

I talian societies in the micll\.est, rccer.rtl1'<br />

elccted V. E. Ferrara as it prcsirlcnt<br />

and treasurer ancl cbairnran <strong>of</strong><br />

the Boarcl ol Directors. Other <strong>of</strong>licers<br />

electecl rvcrc Ciro li. Balzano. and Lecr<br />

Bonaveutura, r'ice-presiclents; D. F.<br />

(.occia, secrctar_v; Thomas H. Landise,<br />

gen. counsel; Dr. S. Ingrao, mcdical<br />

d;rcctor; Dornenico Tinaglia, Sarvatore<br />

Iiaso ancl Yincenzo Allegra, lrustees:<br />

\r. Schicchi, chairman <strong>of</strong> the financial<br />

conrnr'ittee ; IJ. l:). Barasa, sitting past<br />

pres.; Salvatore Lococo, chaplairr: anrl<br />

Sigisnrondo Gurgone, scntry. f'hc<br />

Iloard <strong>of</strong> I)irectors, in addition to tlit:<br />

abor.r (u-ith the except:on <strong>of</strong> the last<br />

thrcc), iucluclcs C. F. llalzano, M. Nardrilli,<br />

P. Di .F-rancesca, P. Bianco. S.<br />

Clatisi and N. Anzalone. According<br />

to the treasurcr's report, the society's<br />

balancc as <strong>of</strong> I)ec. 1931 r,vas $169,590.-<br />

78. and it has abour 50 lodges iri and<br />

:Ltouncl Chicago.<br />

Brilliance antl snccess rnarked tire<br />

claboratc banquet rvhich the Circolo<br />

Italiano <strong>of</strong> Philaclclphia tentlered rrccntiy<br />

to Robert Lontbardi, pronrin:r,t<br />

Philadelphia contractor ancl au honorary<br />

president <strong>of</strong> thc Circolo. lhe aifarr<br />

u'as he1


-. :<br />

.:r- :t'<br />

:: -: rL-<br />

]E<br />

as re-<br />

.:alian<br />

,.,'<br />

l m<br />

.- ::.:-i:t: r'ear-book for<br />

''- --cretary, Fede-<br />

-:l :r.-o languages, the<br />

- - . - ;,age -., and is rich<br />

. : dara concerrring<br />

'. : - 'i. a i1s County. Leo-<br />

' I ::: :: president <strong>of</strong> the<br />

:: -:A::ON & CULTURE<br />

-l:,r :: r '.:rses rvhich Colum-<br />

, -::r: every year will be<br />

: :- r:::.:t this summer. An<br />

' - .': ::-::t the casa Italiana<br />

: -' : '.'. :ll <strong>of</strong>fe r to all those<br />

.- . - : :: an extraordinary op-<br />

, , -:.:ct themselves in the<br />

:- courses in language,<br />

:- , .::i c.rnposition given bY<br />

: , :-:::i-. and Dr. H. R. Mar-<br />

.r .., : : : j::eS in literature given<br />

'' l:-zzolini, the Casa Ita-<br />

. i, :::r:irel)- at the disposal<br />

' - - '-. -.,, :--... in adclition to thelr<br />

:.:,. .'.:=r',ze themselves u.ith the<br />

. - 1= . Every daY there will<br />

-- , :::cleon presided over by<br />

- : :- ::a'.:ctors, and every even-<br />

: l be nreetings and con-<br />

-. : ::Cucted entirely in Ital-<br />

- :. . :-i'e been announced to<br />

r :- : :ian ]Iuseum <strong>of</strong> Art to<br />

--: .:'- art. to the tr{organ Libr-<br />

::::: :::: Italian manuscripts, and<br />

i.land to, sec the house<br />

' :.: ' a di or-rce lived. ManY<br />

- : -: : ;'. : already consettted t


8.1<br />

D'rected bt' llaestro Guglielmo Salralirri,<br />

tlrt' Italo-.\rr:cricarr Philarmorric<br />

Orchcstra <strong>of</strong> Philadelphia recently began<br />

a series <strong>of</strong> concerts at the New<br />

Century Auditoriun-r in that city, with<br />

a program includiug rvorks by Cherubini,<br />

I\fozart, Sandoni, Beethoven,<br />

Verdi. and tlrc nroderns, Catalani, Pratella<br />

and Carabella. The baritone<br />

Peter Petroitis rvas thc soloist <strong>of</strong> the<br />

evening.<br />

Vincent La Bades-"a, talented young<br />

artist <strong>of</strong> Pl-riladeiphia, recently 1're1d a<br />

one-man show' <strong>of</strong> sorue 25 black anc!<br />

u,hitc sketches at the Warwick Gallerics<br />

in that city. The rvork <strong>of</strong> -\[r.<br />

La Badessa, an honor graduatc <strong>of</strong> the<br />

Philadclphia School <strong>of</strong> Industrial Art,<br />

is rvell knorn'n in that city, having previously<br />

been displayecl at the Pennsl.lvanii<br />

Academy <strong>of</strong> Fine A1ts, the<br />

Philadelphia School <strong>of</strong> Industilai Art,<br />

and the Philadelphia Gallery <strong>of</strong> Contemporar)r<br />

Art.<br />

PROFESSIONS<br />

The <strong>America</strong>n Societ-v o{ Nledical<br />

History hclcl an Italian Evening last<br />

rnonth at the <strong>of</strong>fices <strong>of</strong> "X{edical Life,"<br />

a n-ronthly review, $'ith the Italian Consul<br />

General. Corunr. Emanuele Grazzt,<br />

as guest oi honor. Dr. L. F. Bishop<br />

presided, autl the speakers included Dr.<br />

Cesare Legiardi-l-aura, rvho described<br />

"I'he l.'orgotten Past"; Dr. James J.<br />

\Valsh, author <strong>of</strong> "What Civilization<br />

Ow'es to Italy" ancl sonrc thirttr or<br />

forty otlrrr ir6oks, rvho clrose foi his<br />

subjcct "Italian X'leclicine in the If iddle<br />

Age": and Dr. Victor Robinson, autl-ror<br />

<strong>of</strong> " l'h c St or5 <strong>of</strong> Il edicine", wh o<br />

spoke on "Leouarrlo 11a Virrci-Hcrald<br />

<strong>of</strong> the llenaissauce." A musical progrrill<br />

c(,ilclUdcrl tlrt. t.r'erriilg.<br />

The 3.lth anniversary <strong>of</strong> the fouucling<br />

oI rlrt. Italiarr Plrarnr-accuticai Socictv<br />

<strong>of</strong> Neu. York State ll,as celebratcd las"t<br />

motrth at the arrnual ltanquct <strong>of</strong> the<br />

Society givcn at the new \Varclori-Astoria<br />

FIotcl in Neu. York Citv. Dr.<br />

Johrr Sca.vo rlas clrairnrarr,,f ilrc.xecutive<br />

conrrlittee, other nrcmbers <strong>of</strong><br />

u4rich included L. Realbrrto, D. Cracht,<br />

N. S. Gesoalde ancl A. I'c'rsor-reni. -I'he<br />

<strong>of</strong>ficcrs <strong>of</strong> tlre Socictr-;rrc.\. S. Caralrillo.<br />

1rres.; l;. C. di Bcrrctlelto anrl<br />

'.l'hos J. Rocchio, r'ice-presidents; A.<br />

Caralrillo. trea'.I J. J. Sclaro, fi1. sec.;<br />

Bcrtiarrrino Gagliarrrt. corr. sec.; arrtl<br />

\\-alter l'auaro, r('c. scc.<br />

"The Origins ar.rcl Development <strong>of</strong><br />

I.-ascisnr" was thc subject <strong>of</strong> ai acldress<br />

dclivered not long ago by Comm. Enranuele<br />

Grazzi, Italial Consul General<br />

in Ncrv York, be{ore a large gathcring<br />

at the School oT Journalism <strong>of</strong> Nerv<br />

York tlnivcrsity. The eminent rcpresentative<br />

<strong>of</strong> Ital-v in the world's<br />

largest city spoke on the same subject<br />

a fortnight later as the guest speaker<br />

at the home <strong>of</strong> Mrs. F. Havemever ir.r<br />

Stttlorr PIace. rrnder rhc au-piies ol<br />

the Italy <strong>America</strong> Society.<br />

fn honor jointly <strong>of</strong> thc Mayor <strong>of</strong><br />

San Francisco, thc lIon. Angelo Rossi,<br />

and the Italian physicians <strong>of</strong> that<br />

city, the Fcderation <strong>of</strong> Italiar-r Societies<br />

<strong>of</strong> California last nronth gave a banquet<br />

in order to further the cause <strong>of</strong><br />

the Dante Hospital. Arnong the<br />

ATLANTICA, APRIL, <strong>1932</strong><br />

guests <strong>of</strong> honor, in addition to the<br />

Mayor, were the Italian Consul General,<br />

Cornm. tr{anzini, Gr. Uff. Ettore<br />

Patrizi, editor <strong>of</strong> "1,'Italia" ancl one <strong>of</strong><br />

thc founders <strong>of</strong> both the Hospital and<br />

the F-ederation, ar.rd others arnong the<br />

200 rvho attended. 'lhc success <strong>of</strong> the<br />

occasion is to be creclitecl to the rvork<br />

<strong>of</strong> lfrs. Oliva Bossu and tr{r. Agostino<br />

Rossi, aiclccl by a connrittec.<br />

Friends <strong>of</strong> Leroy J. D'A1oia, son <strong>of</strong><br />

Iorrner Prosecutor ancl Judge J. Victor<br />

D'Aloia <strong>of</strong> Nervark, N. J., gar.e a dinncr<br />

rlance last nronth at the Newark<br />

.\thletic Club to celebrate his admission<br />

to the bar. tr'tore than 800 persons,<br />

it'lvas cstinrated, attended the<br />

affair, <strong>of</strong> which (,omrnon Pleas Juclge<br />

Daniel J. Brennan rvas toastmaster.<br />

The cornmittee in charge <strong>of</strong> thc dinner<br />

dance consisted <strong>of</strong> County Detective<br />

Joseph Giuliano, chairman, lvleyer Q.<br />

Kesscl, Michael Santa Maria, and<br />

Charles Garramone.<br />

The "Italian Nervs" <strong>of</strong> Boston, a<br />

rveekly English languagc paper in that<br />

cit)', recentl). celebrated its 11th anniversary.<br />

Principio A. Satrtosuosso is<br />

its editor.<br />

lvlonsignor Don Francesco Grassi'<br />

rector <strong>of</strong> the Church o{ St. Anthonl'<br />

irr thc Brorrx, and a ( orntnandcr <strong>of</strong><br />

the Order <strong>of</strong> the Cror'vn <strong>of</strong> Italy, has<br />

been further honorecl by the Italian<br />

Government by bcing made a Chevalier<br />

<strong>of</strong> the Order <strong>of</strong> Saints \4aurice<br />

ancl Lazarus, one <strong>of</strong> thc highest honors<br />

the Government bestorvs.<br />

Among those n,ho last month lvere<br />

nrade Chevalier <strong>of</strong> the Crou.n <strong>of</strong> Italy<br />

by thc Italian Govcrnnent u'ere Pr<strong>of</strong>.<br />

Filippo Spinelli, head <strong>of</strong> the Legal Office<br />

<strong>of</strong> the Italian Consulate in Nerv<br />

York, and the Rev. Charles J. Car-rivan<br />

oi the Catholic Church <strong>of</strong> St. I)ominick<br />

in Oyster Bay, I-. T<br />

The Association oi Italian Physicians<br />

in <strong>America</strong>, which gathers monthly<br />

in Nerv York for scientific and pr<strong>of</strong>essional<br />

cliscussior.r. held its annual<br />

bar.rcluct not lor.rg ago at the Nelv<br />

Yorker Hotel, as announced in our<br />

last issue. Niorc than 500 attendccl.<br />

At the gucst table u.ere Comm. Er.narrucle<br />

Grazzi, Italiarr Consul in Nerv<br />

York. Dr. fr. Cassola, presiclent <strong>of</strong> the<br />

Association, Itaio C. Falbo, eclitor <strong>of</strong><br />

"I1 Progres-.o" <strong>of</strong> Nerv York, Dr. and<br />

Mrs. Giorclano, Car.. ancl tr4rs. S. \{.<br />

Pirio, Dr. C.orde11a, Dr. Liva, and Dr.<br />

laormino. The dir-rner


1l<br />

:.-<br />

-'<br />

ATTANTIIA<br />

in Italiano<br />

PROIBIZIONISMO AL BIVIO<br />

di<br />

.:- csplessione ,,tO<br />

- : cn conosciuta da<br />

- :'. ' :'r c1e1 Parlamen-<br />

, - ::rrlt& parte del lin-<br />

- .qislazione Ameri-<br />

: : :ti: particolarmente<br />

: -: cliscussioni sul<br />

-: . , ,ggetto delle piir<br />

. .ie nelia politica<br />

.-<br />

A-<br />

,:rie 1'ultimo decen-<br />

. . '....- cotrsumata arte<br />

: - - :te l'arcigna ostr_<br />

, . . :, ,ibiziorristi furono<br />

- : r.C SCOTSO, aCl arre-<br />

-: t::tiC lttxfe? di discOn-<br />

: la pii impopolare<br />

- :ata rn questa telra<br />

' , :r;:a volta. ciacchd Ia<br />

' . -.-: in eifetto ia Camc-<br />

, -- --',.,rtt.uriti i1 14 Nfarzo<br />

- :-'. i:r aIprello nonrina-<br />

, :r ,) contro il proibi-<br />

'. - . nralgraclo che, tec-<br />

: : _:. r ittoria sia stata dei<br />

' , ': '. "tarono in 227 contro<br />

:: > i primi, come disse<br />

- -:r --r :r i'on. Beck, hanno<br />

: .. '. :troria di Pirro e sa-<br />

- :-::: c, rr-r un'altra simile vit-<br />

- ..'.,ts'' non ar.evano al-<br />

:r:r".-i1Z\. d'ottenere ul1a<br />

, .:" r;a suificiente a portare<br />

: . t: Con'ritato Giucliziario<br />

- ..::rcltto la proposta Beck-<br />

' - .'.:r Lrer 1a rnodifica del 18.o<br />

,:-::rL-11to, modifica cl-re rap-<br />

_ ::-. a la ragione della conte-<br />

- _ .:t:cor meno speravano di<br />

: .::-nere i due terzi neces-<br />

:_:: 1'approvazione della Ieg-<br />

.. :.-1o che essi desideravancr<br />

r ::ellltefo al di li ilelle loro<br />

:,.::i'e fu cli poter far sfoggio<br />

- : _, IOrZe.<br />

'.tt." clel parianento, esercii<br />

-',,ro muscoli li hanno tro-<br />

. -:-icier-rtementc roltusti. Ec-<br />

Domenico Lomonico<br />

co perche essi sono esllltanti e con<br />

loro anche esultano i rnilioni di<br />

:\mericani che hanno combattutcl<br />

per anni contro una legge che, co-<br />

11re una cancfena sta consumando<br />

e corro


"oi4.#*:;]i*:#x,i<br />

talia quanclo voi clonrandate ioro<br />

di inclicarvi i1 teatro cle1le marionette.<br />

E, anche se seguite la loro<br />

indicazione potete f aciln.rente oltrepassare,<br />

senza notarla, la rrodesta<br />

entrata clei teatro del Signor<br />

Manteo. Non e certo meglio i1lumir.rata<br />

del1'acliacente r-regozio di<br />

pizzicagnolo o della pasticceria e,<br />

malgraclo che il tearro ormai cia<br />

tre anni altltia eletto a suo domrcilio<br />

quell'anclrone i1 suo nome<br />

non si legge sr-r11a stretta facciata.<br />

Nal.uralmente non si danno biglietti.<br />

La Sigrrora Nlanteo incassa<br />

siienziosarrente e timidanlentc<br />

il rlrr;u'tel ed ogrruno sceglie<br />

il prciprio posto sll uno dei<br />

cluri sedili, nella sala angusta e<br />

senz'aria. Qui d ignorata ogni<br />

nLlo\ra cor-rciuista cle11a meccanica<br />

nella scenografia moderna, ma in<br />

nessull altro teatro <strong>America</strong>nu<br />

come irr (lueltu, tuttora vive e regna<br />

io spirito rlel teatro arrtico.<br />

11 pubblico d composto, in maggioranza.<br />

erai di<br />

tnezza eti". Non una sola testa<br />

impomatata nelia folla; i giovani<br />

entrano co1 ioro lterretto in testa,<br />

nd si scoprono durante tutto 1o<br />

spettacolo. NIolti clegli spettatori<br />

sono analfabeti. nra sono venuti<br />

da lontano, clopo una clura giornata<br />

di lavoro per assistere aile<br />

ernozionanti gesta de11'Orlancto<br />

Furioso. Questo pubblico r\ewyorkese,<br />

in pieno XX Secolo, assiste<br />

allo spettacolo, con io stesso<br />

spirito che animava gli spettatorr<br />

siculi dell'opera dei pupi ai tempo<br />

cli Colombo.<br />

Siler.rziosamente questi popolani<br />

s'appassionano ad un episodio di<br />

nna storia che loro gi5 cotroscono<br />

e che i loro antenati gii hannc,<br />

amato. Durante 1o spettacolo si<br />

comportano come in casa di un<br />

vecchio amico. Fumano, bevono<br />

pop, mangiano frutta e nocciole e<br />

cospargono il pavimento di cerrere,<br />

-bottigiie, buccie. Ma il piir<br />

pr<strong>of</strong>ondo silenzio regna nella slla<br />

non appena il sipario si alza.<br />

,,1'OPERA DEI PUPI"<br />

Un Teotro di Morionette o New York<br />

di Ann Fox<br />

Un cavaliere in lucente arntatura<br />

appare neilo stondo. E_ssr.r<br />

sembra una creazione cle1la romantica<br />

in-rmaginazione oi un giovane<br />

cc,llegiale alla cui rnerrte la<br />

prima lettura di "lvanhoe " ita<br />

ispirato visioni avventurose cli<br />

cavalieri e crociati. Strana e calaileresca<br />

figura. chius:r irr una c,rrazza<br />

cesellata, irnpugna con la<br />

c1e ,tra 1a scialtola, con la sinistra<br />

1o scudo ecl una penna mutticolore<br />

aclorna 1a sommiti clell'alto elmo.<br />

'I\f PIiO V\rISO scprilla, clietro<br />

1e quinte un campanello.<br />

E' per il pianista il segnale<br />

di interrornpere. l1 guerriero comincia<br />

a declamare con grande<br />

eloquenza. Lo scuclo, la sciabola<br />

e l'elmo piumato donclolano ritrnicamente,<br />

seguenclo la sonora cadenza<br />

del verso cl'Arrosro. Anche<br />

chi ignora 1'Italiano lntuisce facilmente,<br />

uclenclo il suo intercalare<br />

"miserabili pagarri", che, per i<br />

saraceni non vi d merce. nIa certo<br />

egli d un cristiano I Nel fondale<br />

non d forse dipinto un accampamento<br />

e, su ogni tenda, la<br />

croce? Inclubbiarnente d il campo<br />

clei cristiani.<br />

E aclesso ecco L11r altro crociato<br />

s'appende ai piccolo fondale poi<br />

un aitro, poi un altro ancora. Marzialmente<br />

si schierar-ro nello sfondo,<br />

e aclempiono la funzione clel-<br />

I'antico coro greco. L'arte ciei<br />

pupi fu certo introdotta in Sicilia<br />

dai greci. Solo parecchi secoli<br />

clopo 1a marionetta greco-sicula si<br />

truccd in difensore della {ede cristiana.<br />

Non vi sono due corazze tagliate<br />

sullo stesso moclello nd cesellate<br />

con f identico disegno. Non<br />

r-i sono due penne dello stesso<br />

colore nd due casacche dello stesso<br />

velluto. L'insieme d di un pittoresco<br />

inefiabile. Non vi d aicuna<br />

uni{ormitd dr costume o di<br />

colore nella schiera dei cavalieri<br />

cli Carlo Magno. I1 fabbro Manteo<br />

mai vorrebbe f oggiare due<br />

corazze uguali nd 1o scultore<br />

N{anteo vorrebbe rntagliare nello<br />

stesso tronco due uguali cavalieri.<br />

86<br />

I)i nuovo intonarro I'esuberante<br />

r-erso di Ariosto, magnificamente<br />

enunziato. E' il Srgnor Mantec<br />

che legge le parti mascliili, adattando<br />

ia sua voce e la sua interpretazione<br />

ai differenti personaggi.<br />

I1 pubblico, corlosce bene le<br />

parti, ma la meclia clegli spettatori<br />

nordici devono iclentihcare i personaggi<br />

dai gesti clel1e marionette.<br />

E ben si comprencle qual'd il cavaliere<br />

che


-T-<br />

:t_:<br />

'-1i<br />

-: -:<br />

"-:::<br />

: li<br />

ie:<br />

et-<br />

- r j<br />

:le<br />

'i ,,aiu<br />

it-are<br />

-,! |<br />

\{<br />

, ii,t iilt il ll<br />

;1 11111" i i lltt,, i i,. ,,.<br />

LLllllllliL'",<br />

Lllilr.,<br />

l{-<br />

il,<br />

,.11",,,<br />

tii,<br />

_ .::- cli questi<br />

.: - ,ce dura ed<br />

: - . ",:. c1r"rel1a di<br />

_ -::::a clei capi<br />

t. :: ,_, s(rlenne di<br />

'- . :, diritto di<br />

: : r::Onaggi al-<br />

- ' :e_.ta di una<br />

'::iir I Volete<br />

: ,.e lle donne<br />

: -.:., --tiri. cottle ve<br />

- - :::.i. L'interpre-<br />

.:. -: ,la alle belte<br />

., . :rri cl'--\rturo c<br />

: : 'ciate, non ha<br />

-: - : qtlellatracli-<br />

-:-:'-tison de Ro-<br />

-- .--" cie11'Orlando<br />

'. ..-::ti de11'eroe di<br />

,",:. :ilf infecleltd di<br />

1 i- 111 llove mesi:<br />

. ilt, stri e draghi<br />

,:. : c.orso c1el1e loro<br />

: : .. ': r-.rrO. E ClUeSti<br />

- :. .a prenclere alla<br />

- :ir;.n,li corpi \ e1--<br />

.:- nell'aria e clalle<br />

: r ::rlriscono fiamme.<br />

:: - lttttta, Un mOStfO<br />

': :tt;r l,otetc ('onta-<br />

- .i:' Jrrgu alnto nel-<br />

,:l:r:r1tj111g119 deilo<br />

' -:,-: 1':'ere iclea cli cid che<br />

: i: :- irtrcrre e lo Strepi-<br />

.. .. trtr mai assistito ad<br />

. ::: rapprcrelrtazioni. I1<br />

- - :-,: :i ltattc a clue11o, di<br />

::.,, ,lci cirvalieri, cri-<br />

):rl:i€no Secotrdo le cir-<br />

: ,_i, po l. baruffa e 1a<br />

:.:tcr le lame e a1 conl-<br />

'. : i >-{ue una Iotta finale<br />

: :.:po.: 1o strepito che<br />

- .'.:- e p1r.1 grande di quel-<br />

-'.ir:ebbe L1n negozio di<br />

,- =:r:. durante un violento<br />

- Cozzano tra loro corr<br />

. .".2x. clre rl'isHrrto r.i co-<br />

- crlri. ternenrlo che una<br />

i .. -, : icrisca lrei corso del<br />

: ::t'-quinario contitattimen-<br />

- LL corazze fabbricate clal<br />

i.;-:rrr Jlanteo sono tanto<br />

: 1 :1ste quanto que11e uscl-<br />

.:- .-,,-,ttega del pii famoso<br />

,1e1 tempo cli Carloma-<br />

,1,: scontri si susseguono<br />

I-'OP]'RA DEI PLIPI<br />

con tanta rapiditi quanto d umanamente<br />

possil>ile agli operatori :<br />

c<strong>of</strong>azzc contro cL)rzt",:zi:<br />

- Scllcli<br />

contro scu(li. Le pesar-rti marirt_<br />

nettc verrgono ltllciate a\ alltl c<br />

indietro : 1e gricla chc si oclono<br />

clietro 1e quinte traslorrnanr) qucsto<br />

{racasso nel piir indiar-oiato<br />

panclernonio.<br />

Ah I Ora, perd potete resl;irare<br />

in pace. I1 car,aliere rlall:l ircnna<br />

verlniglia 6 cacluto al suolo. Ora<br />

ne1 can'rpo regneri ta pace e g1i<br />

:Lmori e ocli clel r-crcle-piurn:rto<br />

vittorioso si comporra.nno irt relativa<br />

quiete.<br />

NIa clal1e quinte a1)parc rin 1rr1ovo<br />

nemico. I)i r-ruovo ulr pallrosL)<br />

cornltattimento tiene il r-ristro zrnirno<br />

in sosl)eso sint_r a cluantlo<br />

rrno dei cavalieri g,iacc. r irito, nccanto<br />

alla prima r,ittima. Capita<br />

spesso all'eroe c1el1a sera di abbattere<br />

una esterntnia. Ilssi tolierano gli cstranci<br />

prlrche essi si crtnrportino<br />

tanto rispettosarnente (irlanto loro<br />

stessi. Analfabeti, i()rsc, ma 11or<br />

sprovyisti cli cultura, i macellai c<br />

i fornai de1la Piccola Italia trascrrrano<br />

il cinematografo per 1e erotcomiche<br />

ar.r.entnre di tlt1 e roc<br />

clell'ottavo secolo. Essi sono splritualmente<br />

forse i direttt discenrienti<br />

cli c1ue1 famoso bandito cl-re<br />

mise Ariosto in iiberta nol1 appena<br />

seppe che i1 suo prlgioniero<br />

era l'autore ilel1'Orlando Furioso.


i<br />

&<br />

IL RINASCIMENTO SCIENTIFICO ITALIANO<br />

NELLA STORIA DELLA CIVILTA' EUROPEA<br />

del Pr<strong>of</strong>. Arturo Costiglioni<br />

U,\l-l'- sia stata la parte cl"re<br />

gli studenti stranieri ebbrlro<br />

trelf insegnamento e par.<br />

ticolanlelrte in c1uello clella mecli-<br />

.'irta, e rlittto:lratu dallt ttote t'ltt'<br />

si trovano nei libri della nazionc,<br />

oerni, i danesi, i fiatntlin-.<br />

glri. i 1,,,lr,cchi, elessero ciascuno<br />

un loro rappresentante; neli'anno<br />

1.589 scoppid una grzrve cluet'ela<br />

ira gli stuclenti danesi e que1i. prrlacchi.<br />

Gli inglcsi, cr,rme fu


;abriello Frascati da Brescta<br />

: :hiamato alla corte di Filippo<br />

- :e di Spagna intorno al 1580.<br />

-\pollonio Menabeno, filos<strong>of</strong>o e<br />

."lico milanese, erudito nella<br />

-: :ia naturale e coltivatore delta<br />

.csia latina, fu medico del re di<br />

- . tzia Giovanni III e pubblicd<br />

.- 1581 un trattato intorno al<br />

-r:scr € riflusso delle acque intora<br />

Stoccolma.<br />

Due illustri medici italiani e-<br />

-tricitarono 1a medicina in Polo-<br />

:-ra : 1'uno {u Antonio Gazio che<br />

i:a stato studente a Pac1oi.a, i'ai-<br />

,:o Jacopo Ferdinancli da Bari che<br />

--- reco in Polonia e {u meclico di<br />

. e Sigisrnondo II e pubblico a<br />

--racovia nel 1542 un trattato sur-<br />

,a preservazione dal1a peste. Al-<br />

-a medesirna corte visse verso ii<br />

-571 Nicold Buccella, padovano.<br />

--hiamato a medico ciai re Stefano<br />

: che ivi mori ne1 161U,<br />

x{


90<br />

to fondamentale del quale Leonar-do<br />

aveva espresso il programma<br />

con le parole "saper vedere" e Galileo<br />

1o concludeva col detto "la<br />

natura d scritta in lettere matematiche,"<br />

i1 Rinascimento scientrhco<br />

ha il suo inizio. Da questo grande<br />

movimento verso 1a veritA e<br />

verso 1:i liberti" dello studio, movimento<br />

estetico e storico di frorrte<br />

a quello rir,oluzionario e iconc.rclastico<br />

clella Germania luterana,,<br />

traggono origine o conforto gl1<br />

stu


clel popolo siciliano. Niuna arte 6<br />

piir originale, niuna pii razionale."<br />

- Cosa d rimasto di tanto<br />

tesoro artistico che era pro{uso<br />

nel seno di Messina ? E' cosa<br />

rnolto triste il pensare che quanto<br />

generazioni alacri, pazienti e geniali<br />

avcvano l)rclraralo. curato,<br />

reso glorioso ec1 amtrirevole, venne<br />

quasi cotnpletamente clistrut-io,<br />

annientato c1a un'irrrprovr.isa convulsione<br />

de11a terra I<br />

Passato i1 primo periodo di<br />

smarrimento 1a operosa, patriottica<br />

e gentiie popolaziotre che si<br />

sentiva gii. sacrilicata ne1le baracche<br />

che presentavano i disagi<br />

del provvisorio, pensar.a, con legittimo<br />

orgoglio e,l inrnrerrso anore,<br />

a fare risorgere la srra citti<br />

amata e per come era pr,rna del<br />

terremoto se f osse stato possibile!.""<br />

ICOSTRUIRE la citti eviclentemente<br />

era L1n probiema<br />

moito serio, sia per la questione<br />

economica, sia per quella<br />

costruttiv:.1, sia per que1la architettonica.<br />

Per la cluestione economica fu<br />

provr.ecluto ; perd non in modo<br />

sodclisfacente; tanto che ancora si<br />

her nrolto lrisogno clc1 benevoltr<br />

aiuto clel go\rerno.<br />

La questione c1e1 sistema costruttir.o<br />

si presentava molto grar-e<br />

ecl interessante. Come garantir<br />

e, o rlreglio, come difenclere le<br />

n'ri()\'e t 0s,rLrzioui c1:t uu uuovo eventtt:Lle<br />

tcrremoto che potesse<br />

creare un nuo\:o {1age1lo?<br />

Questo problerna fu studiato<br />

accuratamente e cor.r genialiti. clalf<br />

illustre Pr<strong>of</strong>. A. Dalruso. del R.<br />

Politecnico c1i \{iiano. che in un<br />

congresso c1i ingegneri, ne1 190!.)<br />

faceva tu"ra geniale e clotta comunicazione,<br />

illustrando un sistema<br />

tli calcolo che climostrarra come 1:r<br />

struttura in cemento arnrato dir<br />

lui presa in esarle risultasse sodtlisfacerrtc<br />

1)er una cr,strttziolre<br />

zrntisismica.<br />

Non d qui rnio compito, perd,<br />

parlare in merito a tale interessantissin-ra<br />

corrunicazione, nd cli<br />

altre relazioni che si sono succeclute,<br />

nd cli tutti i provveclimenti<br />

che il l{inistero competente ebbe<br />

la premura di irrendere. N[i limito<br />

solo a clire che in seguito ai detti<br />

ec1 altri str,rdi le prescrizioni ufficia1i<br />

ordinavano cl-re le costruzioni<br />

antisismiche dovessero avere<br />

struttura in cemento armato<br />

composta cla membratura verticali<br />

e orizzor-rtali resi solidali da for-<br />

,,ATLAI.{ ItrCA', INI ITALIANO<br />

11larne un sistema nronolitico che,<br />

per la sua elasticit:\ clovuta ai suoi<br />

llrlr:t'oli di acciaiu, si 1rIesrttilcr':L<br />

ben resistente agli -.iorzi piit pelir:ul,r>i<br />

dr rr tlti ;Llle iorze t)rizzuDtali<br />

r r,elticali prockitte cl:r11c scosse<br />

onclttlattiric c -st.tssr-rltoric del<br />

terrcnroto. Inoltre, che i fabbricati<br />

nt.in iives-sero uua troppo larga<br />

ba-.e e c-he uon iris,*ero cli a'ltezzil<br />

sLlpcriritc a metri dieci, :r1lezza<br />

cb.e aclc's,oo d lrort:'"ta a mctri<br />

dorlici per g1i cdifici courttui e<br />

zr rnetri cluattorrlici per: c1uel1i nronurncutali.<br />

Ii cir) percl-re si r-ietle<br />

a ricltrrre cosi ir ttllc.zz.a 1:L uas,.a<br />

osciilante c1'e cluct,to piil e clist:ur<br />

tc rlalla base tzrnto piir lorternente<br />

esercita 1o sforzo ue1la stnttttt-<br />

r:r che si ritiene c<strong>of</strong>ile u1l:r filelrsci-<br />

111 . tttcglir' 1111 f il;1-11',t itl(':t-11';t1,,<br />

nc1 terreno.<br />

/^UItPLliS) \ .i l,rtsetttaia lli<br />

U q 1r c s 1 i,, lt e archittttolliclt.<br />

N{essina ave \':I Ll11it fisionornia<br />

stolica artistica pro{usa nei<br />

srlo selr() che p:rrla'''a un lit-rguaggio<br />

eloc1r-rente, che si cloverta rispettare<br />

e colla cluale lo sviluPo<br />

futuro clover,a essere conciliato.<br />

Per il suo climzr, per i1 suo sPirito<br />

coloristico policrono, per la gioconditi<br />

della sua 1uce, N'Iessinzr richiecleva<br />

c


92<br />

gliori tradizioni italiane. Connulrio<br />

ideale per lo studio di una<br />

chiesa quando collaborano la potenza<br />

espressiva ed eloquente del-<br />

1'artista e 1o spirito asceta, mistico<br />

cii chi sente intimamente le esigenze,<br />

tritta la religiosit) del-<br />

I'ambiente clestinato a diventare il<br />

tenrpio di Dio.<br />

Cornpito cliffici1e e delic:rto, evitlenternente,<br />

que11o cle11'Uificio<br />

tecnico arcivescovile che :rveva ed<br />

ha ancora. come capo I'Ing. Barbalo,<br />

giovane di belf ingegno, e come<br />

collaboratori gior.ani ingegneri intelligenti<br />

e cli bella capaciti. creativa.<br />

Quanti istituti e chiese, ir-r<br />

citti ed in provincia, vennero<br />

create da quei giovani con viva<br />

scnsiiriliti. artistica ed eseguite con<br />

alnore palpitante c1a uscirne ciei<br />

gr:rziosi gioielli cli architettrrra !<br />

Di ogni progetto grandioso, anche<br />

affidato per la direzione so1a, veniva<br />

intercettata ogni minima sfumatura,<br />

ogni reconclita armonia<br />

che vibrasse in esso. X,lessina<br />

quindi ha gii ed avri ancora delle<br />

opere che ricorderanno nei secoli<br />

non solo l'artista creatore, tna anche<br />

l'opera amorosa, seyera e tnagnifica<br />

cli S. E. Paino, ed il saggio<br />

e bener.ole aiuto del Governo-che<br />

ne ha permessa ec1 agevolata la<br />

costluzione.<br />

11 Duomo gid riappare con quella<br />

fulgida bellezza, con quella slla<br />

festosit) policrom:r che illuminava<br />

la N essina di una volta.<br />

E' tornato a sorridere nuovarnente<br />

quel lneraviglioso portale<br />

cli ricca e fantastica vegetazione<br />

1na1111orea. Fastosa composizione<br />


*<br />

{<br />

f<br />

j<br />

{<br />

I<br />

i<br />

li-<br />

I"1.)GAN'|E e magnifico d il<br />

'fempio \rotivo a pianta centrale<br />

e con una imponente<br />

Cupola che sorge in alto su quel-<br />

1a llocca Guelfonia che ci parla<br />

cleller piir belle gesta de1la Messina<br />

guerriera e patriottica. Quella<br />

colossale opera architettonica<br />

clal suo splenrliclo barocco che ci<br />

parla clella eterna lltrma, i itno r-lci<br />

capolavori rlelf illrrstre I,r<strong>of</strong>. l{ilani.<br />

In Ltiazza l)uomo sorge la bellrr<br />

fontana cli Orione clel Montorsoli,<br />

per come era prima del terrenroto.<br />

l-'insierne cli questa fontana<br />

e di una grazia unica resa pir\<br />

luminos:r da1la bicromia del materiale;<br />

ccl i particolari, specie le<br />

statue clei fiurni ci fai.ino ricrrrci;ire<br />

che il l,Iontorsoli fu un a{fe,<br />

zionato allievo cli I,Iichelangelo.<br />

Per quanto d 1a cornposizion6 r,igorosa<br />

della fontana c1i Nettuno.<br />

lche s',rgt' sull:r \larirra) che tlirnostra<br />

vieirpiir quale fascino eser_<br />

citzrssc sul X{ontorsoli la sublinre<br />

arte cli X'Iichelangelo: si:r


94 ATLANTICA. APRII.. \932<br />

CIANNINI BIPRFNDE IL CONIROLLO<br />

DE}}A IRA}\>A}PIER)tA<br />

Di<br />

JJT O fari rlcl nrio rneglio nelf<br />

l'interesse clegli azionistt<br />

fila non sono nd un mago<br />

rrd un superuomo e conto sulla<br />

costante cooperazione degli aziouisti<br />

stessi e degli amici della<br />

'lransamerica."<br />

Con clueste parole Amecleo P.<br />

(]iannini dopo una strelrua e dura<br />

lotta ha recentemente riconosciuta<br />

ia fiducia di migliaia di azionisti,<br />

rnolti dei quali Italiani che<br />

l'hanno ristabilito al posto di<br />

chairman del1a grancie Transame'<br />

lica Corporation.<br />

Fu Elisha Walker, il banchiere<br />

r1i Wall Street, che assunse il posto<br />

di Giannini nel cor.rtrollo della<br />

istituzione clopo ie clirnissioni c1i<br />

cluest'ultinto, in rrna lotta che ha<br />

attirato 1'attenzione deli'intero<br />

paese e di azionisti sparsi in piit<br />

tli 2O nazioni straniere.<br />

La vittoria cli Giannini porta di<br />

nllovo in prima linea il figlio di<br />

un irnnrigrato Italiano che ha saputo<br />

eler.arsi cla11a povertd ad una<br />

posizione dominante nel1a finanza<br />

<strong>America</strong>na, e la sua rrittoria d<br />

ancora piir significativa se si mistlrano<br />

7e lorze che a \Va1l Street<br />

appoggiar.ano \\,-a1ker. Un'altro<br />

punto importante e il fatto che<br />

non soltanto g1i Italiani ma per<br />

tre quarti anche g1i Arrericani si<br />

aggrupparono intorno a Giannini.<br />

Cio climostra quale f ede hanno<br />

tutti nella straorclinaria abilit) da<br />

1ui climostrata ne1lo sviluppare ed<br />

amministrare una de1le piu grandi<br />

banche del mondo. Jigli ha subito<br />

annunciato che avreltbe rinunziato<br />

ad ogni stipendio ed altri<br />

importanti risparmi saranno fatti<br />

negli stipencli de1 Presidente e degli<br />

altri Direttori.<br />

Nel 1929, clnando Giannini pensd<br />

alle sue dimissioni cercd attorno<br />

a se un clirigente capace di occllpare<br />

il suo posto e credette di<br />

trovare in E. Walker 1e qualiti<br />

necessarie per sviluppare il lavc-rro<br />

da 1ui iniziati. Ne1 febbraio<br />

1930 Walker fu eletto chairman<br />

della Trarrsamerica e L. M. Giannini,<br />

fig1io del fondatore fu eletto<br />

presidente. A. P. Giannini divenne<br />

chairrnan del consiglio d'anrrninistrazione.<br />

I-e modifiche fatte<br />

in cluel tempo furon considerate<br />

Mqtteo Melchiorre<br />

come inclicaziotte che f infllrenza<br />

di Walker si sarebbe esercitata<br />

sulle coste de1 Pacifico. Subitcr<br />

dopo fu organizzata una campagna"<br />

nazionale per ottenere mezzo<br />

nrilione di azionisti e iI 25 Luglio<br />

I 930 Ia Transamel-ica Corporatiorr<br />

fu iscritta al New York Stock Exchange.<br />

Ulteriori circostanze resero<br />

necessarie le dimissioni di A.<br />

I'. Giannini il quale dichiard che<br />

lron approvava la politica, i piani<br />

e 1a procedura clel suo successorc<br />

E. \"I,/alker.<br />

f<br />

L piano in attuazione si presta-<br />

t va infatti, secondo Giannini :,<br />

molte obbiezioni in quanto sr<br />

l)r()pone\ra di togliere alla Corporazione<br />

il controilo de1le sue Istrtuzioni<br />

principali e non dava aglr<br />

azionisti 11 mezzo di esprimere ta<br />

lciro opinione circa i terrnini e il<br />

momento delie vendite, fusioni,<br />

ecc., nd dava ad essi la certezza di<br />

avere il controllo delf istituzione.<br />

I1 disaccordo tra il gruppo Giannini<br />

e il gruppo \\ralke] clivenne<br />

sempre piu grave fino a quanclo<br />

non avyenne la rottura, ne1 mo_<br />

mento in cui ia Bank <strong>of</strong> <strong>America</strong><br />

frr fusa con la National City l3ank.<br />

Giannini allora organizzb Ie<br />

lnasse degli azionisti specialmente<br />

nei West e li raggruppd contro<br />

il gruppo capitanato da E. Walker.<br />

La lotta tra Giannini e Walker<br />

prese tutte le forme e tutto il calore<br />

di una campagna politica" Le<br />

principali accllse fatte dal Gianniii<br />

6siconrlo il Tjrres del 15 Feb-<br />

\s{s L9a2\ tss


al successo me1lo un elemento di<br />

cssenziale importanza. CioA non<br />

\'1 era.cornprer-rsione del punto di<br />

rista clello stranieru.<br />

G1i intcllettuali e benintenzio_<br />

nati a capo del ntovimento di A_<br />

rnericantzzazione agivano, abi_<br />

tualruente. supl,rrrerr',i,, che i [o_<br />

rcstieri rlt'r r rno es>ct-e "rirrressi a<br />

lruovo". E,rano convinti che A_<br />

t't'tericanizztlr e signi fi car, a al ter.:rre<br />

completamente il loro modo cii fa_<br />

re e cli vir-ere. I forestieri erano<br />

consiclerati conre esseri spror-r,isti<br />

cli traclizione sociale e culturale.<br />

,\genclo sotto questa irrrpr"ssior.<br />

troppo silesso Arnericaniz zare rli_<br />

r elltc silt,,rtirn,, rli l)dtrt)iizzate.<br />

Questo d stato, seconclo me, un<br />

s'ra\ e crrL,t-(.. L'elenretrto stra_<br />

niero c1ella nostra popolazione,<br />

rpecialrrrerrte i. grrrplri europci,<br />

vcnnero da noi con ricchi-.sime<br />

tradizioni sociali e culturali. L.es_<br />

sere stranieri se costituisce una<br />

,l.iVe.rsita.r'tilll ral)presenta utr.in{e_<br />

l'r()rlta lte, ler cio srlo, rr.rrtle u-<br />

*piti l,oco rlcsirleral,ili. l"irtti<br />

per non essere nati in <strong>America</strong><br />

ron s.i e, colr cio, rrecessariarnente<br />

iurtr .\nlertcaili. Se arnericarrizza_<br />

zione significa quelio .t.,. ...Jo<br />

1{l. Ct.r,c trrra proi6y;1la fe,is rrelle<br />

(tt-l1tl'rlrc lroliticltc,lclia tliclriara_<br />

zi3rre ,li. irr,.l ilrclr,lcriza applicate<br />

;r.r ra cr,:trtuzr,,rrc ,legli Statl L rrr_<br />

1t. nto.ltc l)cl.)ollr-. rraie rrll.estcro c<br />

:IitlJlltte<br />

.llt qneSlO<br />

l)ae:c. i{,11,)<br />

tanto sinceratr.rente .!rncricalte<br />

quanto gli americani di clir_er-qe<br />

g'encrazior-ri. Anrericanrslr-lo lron<br />

e una couclizione cli nascita ltra u_<br />

no . stato cl'aninro e di cuore. I<br />

,lilig.cnti ,lei anrl,l,i ltaliarri re.i_<br />

,ierrtr riegli Stati L'rrrti :i rerrrlt,ro<br />

corrto che i 1uril coil l[rziorra]i rrort<br />

J)oss0no aslrirare ad esscrc c(r1.rii_<br />

,lcrati A rrrer-icani sirro a ,1ri",'t.f ,,<br />

essl conservano il loro modo c1i<br />

l)eltsill'c. la l,'ro Iirrgrra e il iorn<br />

rnoclo di r ir-ere.<br />

GGI quasi 6 000.000 cli perso_<br />

ne residenti negli Stati Uniti<br />

sono Italiane cli n:rscit:r r;<br />

,ii ,,rigilre. Il>:e t.,,s1j111i


96<br />

oeSS() e ()t)tIu Jolrtr I'r.'tttllet, rll, itCcusato<br />

cl'aver Llccisa ia moglic.<br />

L'udienz:L piil intercssante f rL<br />

qr.rella irr cui I'erccus;rto fu chiamato<br />

a rnccorrtar la su:r storizr.<br />

"J ohrr llencllerton l, dif encliti"<br />

clisse il suo :.rvvocirto, ec1 il pin<br />

grzrncle silenzio si fece ne11'aula.<br />

Conre egli si alzd tutti gli occhi si<br />

fissarono srr cli lui. ligli aveva<br />

llett prrc,, rli tlrrell'luilr r,,rrrarrticir<br />

che il popolo zrssocizr serrrltre ai delitti<br />

passicinali. Iira nn piccolo<br />

LTorno tozT-o, quztralttenne, cluasi<br />

calvo, clr


\\-HERE<br />

ATLANTICA<br />

\{AY BE<br />

OBTAINb,D<br />

3 -,STO\. .\Iass.<br />

l.:",ru and Co.,<br />

-:.1-l Hanor er St.<br />

3ROOKLYN, N. Y.<br />

) i.:r ^i<br />

. vwi 51,<br />

1.3 Coiumbia Sr,<br />

3L TTE, Montana<br />

E Grossenbacher,<br />

il1 So. Arizona St.<br />

CHICACO,<br />

.{. Agostino,<br />

3r-t1 E. Kensington Ave.<br />

B. Brcggio,<br />

5-19 W. Taylor St.<br />

DETROIT, Mich.<br />

Libreria Bonaldi,<br />

3033 Gration Ave.<br />

DONORA, Pa.<br />

E. Grazzini,<br />

540 McKean Ave.<br />

NEW BRITAIN, Conn.<br />

E. D'Agostino,<br />

480 Main St.<br />

NE\7 YORK CITY<br />

Brentano's,<br />

1 w. 47th sr.<br />

A. Martignoni,<br />

ld6 Bleecker St.<br />

S. F. Vanni,<br />

507 W. Broadway.<br />

PHILADEI-PHIA, Pa.<br />

A. Napolitano,<br />

1203 Federal St.<br />

ROCHESTER, N. Y.<br />

Carfi Bros.,<br />

433 Clinton Ave.<br />

Bank <strong>of</strong> Sicily Trust Co.<br />

Filiazione del<br />

BANCO DI SICILtA - pALERt\,fO<br />

:,4AIN OFFICE<br />

48? Broadway, New York City<br />

I,lir_rt 1tiTth streer<br />

Ser.orrrl lt-c'rrrre<br />

Irirst,\r'elrLtr<br />

Ifultlrn Street -<br />

TUTTE LE OPER.A.ZIONI DI BANC.A<br />

CONTI COMMERCIALI E CONTI SPECIALI IN DOLLARI ED IN LIRE<br />

RIMESSE PER POSTA E PER TELEGRAFO<br />

BIGLIETTI DI VIAGGIO PER TUTTE LE COMPAGNIE<br />

DI NAVIGAZIONE<br />

WEST INDIES<br />

-;<br />

V<br />

CRUISES<br />

t<br />

Iit'orr-r. ^\. \.<br />

- \cl' \-ur.li ('itr-<br />

\el \ olli (lit,lljroolil._vn,<br />

\. \-.<br />

U'yr.f.R<br />

CA ug.,l<br />

N<br />

/)<br />

d-.1<br />

The VULCANIA Cruise js rhe Luxury Cruise<br />

to the Caribbean- the sophisticated luxury <strong>of</strong><br />

rnore spacious accommodations, widcr prome,<br />

nrdes, apartments with privatc vcrairdahi, most<br />

roons with bath, two swimming bools. rn,runrficcnt<br />

salons, Daiquiri Cuhrn O.Jh..t.r. .p."1,<br />

rirrtr food, berrer scrvice-lrterally .u.iyi1..,i,rg<br />

to rnake a cruise perfect.<br />

Irrrrnaay: St. Picrre, Forr Je France, M.rrtjrriuuc_<br />

f]rrdgetown, Barbados-Port <strong>of</strong> Spain, Brrghton, Trrnida,i<br />

La Guayra, ^Caracas, Venezuela--Willeristadi, Cuiii"o<br />

Cristobal, Colon, Parrama-Kingston, J"-"i."--Sn,,<br />

Juan, Porto Rico-Havana, Cuba-Na;;r, B"lra.r".<br />

M EDITERRANEAN CRUISES<br />

SATURNIA-VULCANIA<br />

Irn. N,plis. Prlermo, Trieste, Cannes, Algiers<br />

G:l-r rltar, Greece, Azores, Lisbon, Dalmat]:r<br />

etL(L locel, traual age)Lts or<br />

I<br />

t.E1,t|.y<br />

A<br />

cos u !. I c H L I N E l1*'?JIX*1,?:t:,:


W<br />

THE<br />

Wrmwor,a iilellmmleli:'{rimtr Itmll &wum<br />

in the<br />

EUIIOPEAN AND<br />

AAAERICAX PLAN<br />

Single Rooms . frorn $5<br />

Double Rooms from $8<br />

<strong>America</strong>n Plan fron $12<br />

Parlor Suites on Application.<br />

Every room an outside roonr<br />

. . . ever\ room with bath.<br />

UNIITED STATES<br />

NEW YORK CITY<br />

BAN{iA r.l(lMtulE lt(lJAl,i; Il'Al,iAI\A<br />

ASFN(IY lN N[rW YOl]K<br />

62-64 William Street<br />

BANCA COMft/iERCIALH ITALIANA T'RLJST CO.<br />

33e sixth o""1lItl, or6ce' 62-64 *ttlil" 3li:*r" st., B,kryn<br />

114 Mulberry St. Soth and Vernon Aves., L. l. City<br />

116th Street at Second Avenue<br />

BOSTON<br />

BANCA COM&tli[{{]lAl-i:r I-I'AI,IANA l'RLJST Co"<br />

209 Washington Street<br />

PHILADELPHIA<br />

BANCA COI\{N{HRCIAI,FJ ITALIAI\,IA l"RUST CO,<br />

1416-18 So. Penn Square 1301 So. Broad Street<br />

,TUTTE LE OPERAZIONI DI BANCA<br />

WxERE GooD uYrNG<br />

REACHEI T}IE ULTIMATE<br />

ITUATED in t}:'e Yedado, }lavana's finest residential<br />

section, and on the main route to the beach<br />

Casino, Jockey Club and Country Club, the Hotel<br />

Presidente <strong>of</strong>fers you convenience and the ultimate in<br />

comfortable liwing for your sojourn in Cuba. Famed<br />

for its terrace restaurant lrzhere delicious meals are<br />

served in true Continental style; splendid wiew <strong>of</strong><br />

the sea and sunlit, airy rooins; the Presidente has<br />

anticipated every need and comfort to make your<br />

visit a happy one.<br />

HOTEL PRE'IDENTE<br />

HAVANA CUBA

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!