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introduces<br />

A division of <strong>Allegro</strong> MediA group<br />

<strong>the</strong> brilliant young guitarist<br />

<strong>June</strong> 2012<br />

Release Date: <strong>June</strong> 12, 2012<br />

Order Due Date: May 22, 2012<br />

Mattias Jacobsson<br />

PG 7<br />

Photo: Mats Bäcker


allegro ClAssiCAl news<br />

TABLE OF CONTENTS<br />

æon 10<br />

Alpha 10<br />

Avie Records 6–7<br />

Berlin Classics 13–14<br />

Bravissimo Opera Library 9<br />

Cappella Romana 17<br />

CAvi-music 3–4<br />

CORO 5<br />

CRYSTON 11<br />

Delphian Records 12<br />

Editions Hortus 25<br />

Etcetera 23<br />

Flora 24<br />

Fuga Libera 12<br />

GIA Publications, Inc. 20<br />

Globe Records 25<br />

Indésens 26<br />

pORTLAND P: (800) 288–2007<br />

Adrian Mills, <strong>Classical</strong> Product Manager x 2037<br />

adrian.mills@allegromediagroup.com<br />

Andrea Aiello, Assistant Product Manager x 2036<br />

andrea.aiello@allegromediagroup.com<br />

Vanessa Du Pree, Sales & Marketing Coordinator x 2041<br />

vanessa.dupree@allegromediagroup.com<br />

Amy Micallef, Internet Marketing Coordinator x 2006<br />

amy.micallef@allegromediagroup.com<br />

NEW YORK P: (800) 288–2007<br />

Damon Sgobbo, Senior VP of Sales & Marketing x 2139<br />

damon.sgobbo@allegromediagroup.com<br />

Greg Beshers, Senior Director of Digital Strategy x 2088<br />

greg.beshers@allegromediagroup.com<br />

US SALES P: (800) 288–2007<br />

Rusty Allison, Sou<strong>the</strong>ast Account Mgr. x 2125<br />

rusty.allison@allegromediagroup.com<br />

Mike Marshall, Director of Special Markets Sales x 2071<br />

mike.marshall@allegromediagroup.com<br />

Virginia Papaia, West Coast Account Mgr. x 2066<br />

virginia.papaia@allegromediagroup.com<br />

Brian Poore, National Accounts Mgr. x 2075<br />

brian.poore@allegromediagroup.com<br />

Peter Wiley, Eastern Region Account Mgr. x 2126<br />

peter.wiley@allegromediagroup.com<br />

Bobbi Lee, Special Markets Account Mgr. x 2016<br />

bobbi.lee@allegromediagroup.com<br />

CANADA P: (289) 316–0513<br />

Kim Pullen, National Sales Manager x 1151<br />

kim.pullen@allegromediagroup.com<br />

2<br />

La Bottega Discantica 24<br />

LAWO Classics 26<br />

Melodiya 27–31<br />

Meridian Records 21<br />

Nimbus Alliance 18<br />

Nimbus Records 20<br />

Paraty 22<br />

Passacaille 27<br />

Phil.harmonie 4<br />

Querstand 27<br />

Ramée 20<br />

Ricercar 19<br />

SOMM Recordings 19<br />

Stradivarius 16<br />

Tactus 21<br />

The Classics Labels 15<br />

Zig-Zag Territoires 8<br />

Jonathan McNally, Retail Distribution Manager x 1150<br />

jonathan.mcnally@allegromediagroup.com<br />

WWW.ALLEGROB2B.COM<br />

Place & track orders; check inventory; view promotional<br />

deals & schedules; browse tour itineraries; and more!<br />

FREE SHIppING! (25 pIECE MIN.)<br />

Order direct and save! Visa and Mastercard accepted.<br />

Call (800) 288–2007 to order or set up an account.<br />

ALLEGRO CLASSICAL WELCOMES<br />

PHIL.HARMOnIe p. 4<br />

Phil.harmonie, a new label from Berlin, was inspired by musicians from <strong>the</strong><br />

Berlin Philharmonic who were looking for a new label for <strong>the</strong>ir chamber<br />

music recordings. The head of jazz label Jazzwerkstatt, Ulli Blobel, founded<br />

Phil.harmonie with producer Walter Küssner, a violist at <strong>the</strong> Berlin<br />

Philharmonic and a professor at <strong>the</strong> conservatory Hans Eisler. From unknown<br />

Vivaldi compositions to Stravinsky’s “The Soldier’s Tale,” <strong>the</strong> label has released<br />

a series of fantastic recordings and <strong>the</strong>re are many interesting projects planned<br />

for <strong>the</strong> future. Phil.harmonie comes to <strong>Allegro</strong> <strong>Classical</strong> via Codaex.<br />

CAPPeLLA ROMAnA p. 17<br />

With performances “like jeweled light flooding <strong>the</strong> space” (Los Angeles Times),<br />

Cappella Romana is a vocal chamber ensemble dedicated to combining<br />

passion with scholarship in its exploration of <strong>the</strong> musical traditions of <strong>the</strong><br />

Christian East and West, with emphasis on early and contemporary music.<br />

Founded in 1991, Cappella Romana’s name refers to <strong>the</strong> Medieval Greek<br />

concept of <strong>the</strong> Roman oikoumene (“inhabited world”), which embraced<br />

Rome and Western Europe, as well as <strong>the</strong> Byzantine Empire of Constantinople<br />

(“New Rome”) and its Slavic commonwealth. Each program in some way<br />

reflects <strong>the</strong> musical, cultural, and spiritual heritage of this ecumenical vision.<br />

PARATY p. 22<br />

Founded by Bruno Procópio in 2006, independent record label Paraty gives<br />

new vitality to <strong>the</strong> classical music recording industry. Paraty’s objective is to<br />

promote dynamic young artists, most of whom are based in Paris and who<br />

have successful budding careers. Paraty specializes in period instrument<br />

recordings, covering a large span of musical history; it has also developed a<br />

second specialty in keyboard music. Paraty’s most important accomplishment<br />

to date was a Victoire de la Musique in 2010, <strong>the</strong> most prestigious award given<br />

in France, for a CD of works by Mendelssohn on a Broadwood fortepiano<br />

(1840) played by Cyril Huvé. Paraty comes to <strong>Allegro</strong> <strong>Classical</strong> via Codaex.<br />

ALLEGRO CLASSICAL WELCOMES<br />

pRODUCT MANAGER<br />

ADRIAn MILLS<br />

In <strong>the</strong> industry for over 30 years, Adrian has worked in retail as a classical<br />

buyer and store manager, held sales and marketing positions with Koch and<br />

BMG, and spent 15 years at Telarc International. During his tenure at Telarc he<br />

held six positions, starting as a regional sales manager and eventually working<br />

his way up to VP of A&R. Adrian will be based in Portland, at our head office.<br />

TOp 10 RECENT RELEASES<br />

1. Joan Su<strong>the</strong>rland Legendary Performances (BRV 9915)<br />

2. Lara St. John & Marie-Pierre Langlamet Bach Sonatas (ANC SACD 139)<br />

3. Quirine Viersen Bach: Complete Suites for Cello Solo (GLE SACD 5244)<br />

4. Philippe Herreweghe Bach: Mass in B minor, BWV 232 (PHY 4)<br />

5. The Sixteen The Earth Resounds (CRO 16097)<br />

6. Sviatoslav Richter Bach: Well-Tempered Clavier, Book 1 (MYD 1001848)<br />

7. Hagen Quartet Introspective–Retrospective (MYR SACD 7)<br />

8. Nemanja Radulovic 5 Seasons (AAT 4)<br />

9. Mark Bebbington Vaughan Williams: Fantasia for Piano & Orchestra (SMM 246)<br />

10. Elbipolis Baroque Orchestra <strong>Music</strong>alische Concerte (CHR 72531)


elease date: <strong>June</strong> 12, 2012 CAvi-muisc<br />

Ludwig van BEETHOVEN<br />

piano sonatas opp. 109, 110 & 111<br />

Cat # AVI 8553227<br />

Price Code: Q (SRP $15.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

5% pREORDER DISCOUNT<br />

D U.S. ORDERS ONLY<br />

Antti Siirala: piano<br />

BEETHOVEN: Piano Sonata No. 30 in E, Op. 109 • Piano Sonata No. 31 in A-flat, Op. 110 • Piano Sonata No. 32 in C minor, Op. 111<br />

“The highlight was Mozart’s Piano Concerto No. 20 in D minor, with <strong>the</strong> young Finnish pianist Antti Siirala in his New York orchestral<br />

debut … he proved an elegant and intelligent musician with a refined and resourceful technique.” — New York Times<br />

“For sheer tonal beauty, no pianist surpassed Antti Siirala.” — New York Observer<br />

“A pianist worthy of <strong>the</strong> most serious consideration … performances of glorious beauty and strong individualism.” — Seattle Times<br />

First Prize winner of three international piano competitions, including <strong>the</strong> prestigious Leeds International Piano Competition (2003),<br />

Finnish pianist Antti Siirala has established himself as one of <strong>the</strong> finest pianists of his generation. In addition to a stunning debut with<br />

<strong>the</strong> San Francisco Symphony playing Tchaikovsky’s Piano Concerto No. 1 under Osmo Vänskä, his American engagements include <strong>the</strong><br />

Detroit Symphony, Indianapolis Symphony, Jacksonville Symphony, Louisiana Philharmonic, and <strong>the</strong> New Jersey Symphony. Here, he<br />

presents Beethoven’s final three sonatas, always a subject for discussion and curiosity among music lovers!<br />

3


CAvi-music<br />

Jules CANTIN<br />

st. Hubert’s Mass<br />

Cat # AVI 7771053<br />

Price Code: Q (SRP $15.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

5% pREORDER DISCOUNT<br />

D U.S. ORDERS ONLY<br />

phil.harmonie<br />

J.S. BACH<br />

partitas<br />

Cat # PHH 6015<br />

Price Code: 2N (SRP $25.99)<br />

Number of Discs: 2<br />

Slimline w/ O-Card, Box Lot 21<br />

D U.S. ORDERS ONLY<br />

4<br />

release date: <strong>June</strong> 12, 2012<br />

Thomas Hauschild: horn<br />

Horn Masterclass of <strong>the</strong> University of Leipzig<br />

CANTIN: Grand Mass of St. Hubertus • ROSSINI: Le rendez-vous de<br />

chasse (Fantasy for 4 horns) • BERLIOZ: Roman Carnival, Op. 8<br />

(arr. 8 horns) • STIEGLER: Fantasy on a <strong>the</strong>me from Wagner’s “Twilight<br />

of <strong>the</strong> Gods” • KOETSIER: <strong>Music</strong> concertante for 8 horns, Op. 78<br />

Every year, horn players in Saxony follow a centuries-old tradition by<br />

playing a St. Hubert’s Mass in <strong>the</strong> church of Augustusburg Castle. In<br />

this way, <strong>the</strong>y remind <strong>the</strong>mselves and <strong>the</strong>ir guests of nature’s decline<br />

and winter’s approach in <strong>the</strong> progression of <strong>the</strong> seasons. They also<br />

commemorate St. Hubert (656–727), <strong>the</strong> holy man who once traveled<br />

a similar inward, spiritual journey. Today, he is <strong>the</strong> traditional patron<br />

saint of <strong>the</strong> hunt.<br />

Pi-hsien Chen: piano<br />

J.S. BACH: 6 Partitas, BWV 825–830<br />

Bach’s collection of Six Partitas titled “Clavierübung” represents <strong>the</strong> sum of<br />

what was written for keyboard instruments before him. On this recording,<br />

Pi-hsien Chen plays <strong>the</strong> two movements after <strong>the</strong> respective sarabandes<br />

(Partitas IV and VI), based on <strong>the</strong> research of Kenneth Gilbert, who stringently<br />

proved that <strong>the</strong> previous reverse order has been practiced due to <strong>the</strong> printing<br />

at that time having regard to turning <strong>the</strong> pages<br />

Pi-hsien Chen was born in Taiwan and came to Cologne at <strong>the</strong> age of nine.<br />

In <strong>the</strong> subsequent year she was admitted to <strong>the</strong> piano class of Hans-Otto<br />

Schmidt-Neuhaus at <strong>the</strong> Musikhochschule, where she passed her final exams<br />

in 1970. She continued her studies with Hans Leygraf at <strong>the</strong> Musikhochschule<br />

Hannover and visited master classes of Tatjana Nikolajewa, Geza Anda,<br />

Wilhelm Kempff, and Claudio Arrau. She won <strong>the</strong> first prize of <strong>the</strong> ARD<br />

International Piano Competition in Munich at <strong>the</strong> age of 21, and has<br />

performed with <strong>the</strong> London Symphony Orchestra, <strong>the</strong> BBC Symphony<br />

Orchestra, <strong>the</strong> Concertgebouw Orchestra, <strong>the</strong> Zürich Tonhalle Orchestra,<br />

and almost all German Radio Symphony Orchestras.


elease date: <strong>June</strong> 12, 2012 Coro<br />

The Sixteen<br />

Harry Christophers: conductor<br />

BUXTEHUDE: Cantata 1, Ad pedes from Membra Jesu Nostri • MARTIN: Sanctus & Benedictus from Mass for Double Choir • FAURÉ:<br />

Agnus Dei from Requiem • MOZART: Laudate Dominum from Vesperae solennes de Confessore • STRAVINSKY: Part 1 from Symphony<br />

of Psalms • MONTEVERDI: Beatus Vir (Primo) from Selva morale e spirituale • SCHÜTZ: Herr, Nun Lässet Du Deinen Diener from<br />

Musikalische Exequien • J.S. BACH: Cantata No. 34 “O ewiges Feuer, O Ursprung der Liebe” • BRAHMS: Selig sind die toten from Ein<br />

Deutsches Requiem • VICTORIA: Kyrie from Requiem 1605 • PALESTRINA: Assumpta est Maria •HANDEL: Dixit Dominus (exc.)<br />

“One of <strong>the</strong> finest choirs of our day.” — Gramophone<br />

Since <strong>the</strong>y were founded in 1979, Harry Christophers and The Sixteen have recorded over 100 discs of choral music spanning 600 years.<br />

On this new collection, CORO presents a selection of <strong>the</strong>ir most celebrated recordings by composers across Europe, featuring music<br />

from over a dozen composers representing 10 countries.<br />

ALSO AVAILABLE<br />

The Sixteen<br />

great european Choral works<br />

Cat # CRO 16102<br />

Price Code: Q (SRP $15.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

5% pREORDER DISCOUNT<br />

D U.S. ORDERS ONLY<br />

Print advertising in BBC <strong>Music</strong> magazine (UK and US), Gramophone (UK and US).<br />

The Sixteen<br />

sounds sublime: The essential Collection<br />

Cat # CRO 16073<br />

Price Code: 2N (SRP $25.99)<br />

Number of Discs: 2<br />

The Sixteen<br />

great British Choral works<br />

Cat # CRO 16092<br />

Price Code: Q (SRP $15.99)<br />

Number of Discs: 1<br />

D U.S. ORDERS ONLY D U.S. ORDERS ONLY<br />

5


Avie records<br />

6<br />

Hans GÁL & Sir Edward ELGAR<br />

Cello Concertos<br />

Cat # AVR 2237<br />

Price Code: Q (SRP $15.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

5% pREORDER DISCOUNT<br />

WORLD pREMIERE RECORDING<br />

D U.S. ORDERS ONLY<br />

release date: <strong>June</strong> 12, 2012<br />

Antonio Meneses: cello<br />

Nor<strong>the</strong>rn Sinfonia<br />

Claudio Cruz: conductor<br />

GÁL: Cello Concerto (premiere) • ELGAR: Cello Concerto in E minor<br />

“A true virtuoso.” — Gramophone Disc of <strong>the</strong> Month (AVR 2112)<br />

This year Antonio Meneses celebrates <strong>the</strong> 30 th anniversary of winning <strong>the</strong> Gold Medal at <strong>the</strong> Tchaikovsky Competition, which launched <strong>the</strong><br />

cellist’s brilliant international career and a string of acclaimed recordings including a half-dozen for Avie. His latest for <strong>the</strong> label includes a<br />

couple of firsts: <strong>the</strong> world premiere recording of <strong>the</strong> Cello Concerto by Hans Gál, and Antonio’s first recording of <strong>the</strong> Elgar Concerto.<br />

Cover Feature in The Strad (August issue, TBC).<br />

Print Advertising in Gramophone, BBC <strong>Music</strong> magazine, Fanfare, Listen, Strings, The Strad.<br />

E-blast to Avie mailing list (c. 5,000).<br />

ALSO AVAILABLE<br />

HAYDN<br />

Cello Concertos<br />

Cat # AVR 2176<br />

Price Code: Q (SRP $15.99)<br />

Number of Discs: 1<br />

BuZZ ALeRT<br />

BEETHOVEN<br />

Complete works for piano & Cello<br />

Cat # AVR 2103<br />

Price Code: 2L (SRP $23.99)<br />

Number of Discs: 2<br />

D U.S. ORDERS ONLY D U.S. ORDERS ONLY


elease date: <strong>June</strong> 12, 2012 Avie records<br />

Mattias Jacobsson<br />

invocación: works by Chopin, Tárrega, pujol, llobet<br />

Cat # AVR 2254<br />

Price Code: Q (SRP $15.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

5% pREORDER DISCOUNT<br />

D U.S. ORDERS ONLY BuZZ ALeRT<br />

Mattias Jacobsson: guitar<br />

TÁRREGA: Capricho Arabe • Recuerdos de la Alhambra • Prelude “Lagrima” • Prelude No. 2 • Prelude in D • Prelude “Endecha” •<br />

Mazurka “Adelita” • Mazurka “Sueño” • Mazurka in G • CHOPIN/TARREGA: Preludes Op. 28, Nos. 6, 7, 15 “Raindrop,” & 20 • Mazurka,<br />

Op. 67, No. 4 • Mazurka, Op. 33, No. 1 • Nocturne, Op. 32, No. 1 • PUJOL: Trois Morceaux Espagnols • LLOBET: Canco del Lladre<br />

“Young guitarist Mattias Jacobsson has launched a flying start to his international career.” — Guitar and Lute magazine<br />

Avie introduces brilliant young guitarist Mattias Jacobsson who, on his debut album, invokes a guitar tradition originating with <strong>the</strong><br />

influential Spanish composer Francisco Tárrega. The repertoire explores Tárrega’s influences and legacy, from <strong>the</strong> inspiration that<br />

Chopin had on his musical output through to his students Miguel Llobet and Emilio Pujol. Mattias has created a unique concept in <strong>the</strong><br />

guitar discography by juxtaposing Chopin transcriptions with Tárrega’s most Chopinesque works.<br />

Juilliard-trained Mattias Jacobsson studied with Göran Söllscher and Sharon Isbin, among o<strong>the</strong>rs. He has performed throughout Europe<br />

and <strong>the</strong> US, and has appeared on Spanish television, New York’s WQXR, and National Public Radio’s “Performance Today.” He has fur<strong>the</strong>r<br />

extended his reach with several features in <strong>Classical</strong> Guitar magazine and hundreds of thousands of views on his YouTube channel.<br />

Cover Story in <strong>Classical</strong> Guitar (<strong>June</strong> issue).<br />

Print Advertising in Gramophone, BBC <strong>Music</strong> magazine, Fanfare, Listen, <strong>Classical</strong> Guitar.<br />

E-blast to Avie mailing list (c. 5,000) and Mattias Jacobsson’s fan list (c. 10,000).<br />

7


Zig-Zag Territoires<br />

Ludwig van BEETHOVEN<br />

piano sonatas, vol. 2<br />

Cat # ZIG 304<br />

Price Code: 3L (SRP $35.99)<br />

Number of Discs: 3<br />

Box Set, Box Lot TBD<br />

D U.S. ORDERS ONLY<br />

J.S. BACH<br />

Cantatas<br />

Cat # ZIG 305<br />

Price Code: S (SRP $18.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 25<br />

D U.S. ORDERS ONLY<br />

8<br />

release date: <strong>June</strong> 12, 2012<br />

François-Frédéric Guy: piano<br />

BEETHOVEN: Sonata No. 15 in D, Op. 28 “Pastorale” • Sonata No. 19 in G<br />

minor, Op. 49, No. 1 • Sonata No. 20 in G, Op. 49, No. 2 • Sonata No. 21 in<br />

C, Op. 53 “Waldstein” • Sonata No. 16 in G, Op. 31, No. 1 • Sonata No. 17<br />

in D minor, Op. 31, No. 2 “The Tempest” • Sonata No. 18 in E-flat, Op. 31,<br />

No. 3 • Sonata No. 24 in F-sharp, Op. 78 “For Thérèse: • Sonata No. 22 in F,<br />

Op. 54 • Sonata No. 23 in F minor, Op. 57 “Appassionata” • Sonata No. 25<br />

in G, Op. 79 • Sonata No. 28 in A, Op. 101<br />

Beethoven has always lain at <strong>the</strong> heart of François-Frédéric Guy’s<br />

musical endeavors—from his first disc of <strong>the</strong> Hammerklavier Op. 106 on<br />

Harmonia Mundi, which revealed him as one of <strong>the</strong> future great pianists<br />

of his generation, to his set of <strong>the</strong> concertos conducted by Philippe<br />

Jordan and a second version of <strong>the</strong> Hammerklavier. In 2008 <strong>the</strong> festival<br />

Le Printemps des Arts de Monaco offered him <strong>the</strong> opportunity to perform<br />

a complete cycle of <strong>the</strong> Beethoven sonatas over a series of concerts in a<br />

single week, an experience repeated at <strong>the</strong> Cité de la Musique in Paris in<br />

2009. A new complete cycle in concert, begun at <strong>the</strong> Arsenal de Metz in<br />

December 2009, will be completed in 2012.<br />

Damien Guillon: countertenor, director<br />

Le Banquet Céleste<br />

J.S. BACH: Cantata No. 170 “Vergnügte Ruh, beliebte Seelenlust” •<br />

Sonata No. 3 in D minor, BWV 527 • Cantata No. 35 “Geist und<br />

sellewirdverwirret” • Fantasy and Fugue in G minor, BWV 542<br />

Following an extremely promising first album devoted to Dowland,<br />

here is ano<strong>the</strong>r chance to hear Damien Guillon, accompanied by<br />

his ensemble Le Banquet Céleste, in a program of solo cantatas by<br />

J.S. Bach. A noted recitalist, Damien Guillon has been invited to<br />

appear under <strong>the</strong> direction of such leading conductors as Philippe<br />

Herreweghe, William Christie, Masaaki Suzuki, and Vincent Dumestre.


elease date: <strong>June</strong> 12, 2012 Bravissimo opera library<br />

Maria Callas<br />

legendary performances, vol. 2<br />

Cat # BRV 9914<br />

Price Code: Y (SRP $24.99)<br />

Number of Discs: 14<br />

Box Set, Box Lot 7<br />

5% pREORDER DISCOUNT<br />

D U.S. ORDERS ONLY<br />

Maria Callas: soprano<br />

Selections from VERDI: Aida, Il trovatore, and La traviata; DONIZETTI: Anna Bolena; ROSSINI: Armida and Il Barbiere Di Siviglia;<br />

CHERUBINI: Medea<br />

Perhaps no name in all of opera history is more familiar than that of Maria Callas (1923–1977), who in <strong>the</strong> 1950s became <strong>the</strong> first real<br />

“superstar” in opera since Enrico Caruso a quarter century before. This stunning 14-disc box set features <strong>the</strong> star in her greatest roles,<br />

including <strong>the</strong> tempestuous Aida, Armida in one of Rossini’s rarest operas, and <strong>the</strong> 1956 recording of Il Barbiere Di Siviglia, simply one of<br />

<strong>the</strong> greatest live performances ever recorded!<br />

ALSO AVAILABLE<br />

Maria Callas<br />

legendary performances, vol. 1<br />

Cat # BRV 9907<br />

Price Code: Y (SRP $24.99)<br />

Number of Discs: 14<br />

D U.S. ORDERS ONLY<br />

BuZZ ALeRT<br />

9


æon<br />

John CAGE<br />

sonatas & interludes<br />

Cat # AEN 1227<br />

Price Code: S (SRP $18.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 25<br />

D U.S. ORDERS ONLY<br />

Alpha<br />

Robert SCHUMANN<br />

schumann project: Complete Chamber<br />

<strong>Music</strong> with piano<br />

Cat # APH 812<br />

Price Code: 5N (SRP $64.99)<br />

Number of Discs: 7<br />

Box Set, Box Lot TBD<br />

D U.S. ORDERS ONLY<br />

10<br />

release date: <strong>June</strong> 12, 2012<br />

Cédric Pescia: piano<br />

CAGE: Sonatas (17) • Interludes (4)<br />

With this new disc, æon celebrates <strong>the</strong> 100 th anniversary of <strong>the</strong> birth of John<br />

Cage, born on September 5, 1912 in <strong>the</strong> United States. This recording of<br />

<strong>the</strong> Sonatas & Interludes for prepared piano, some of <strong>the</strong> most emblematic<br />

works in his catalog, presents one of <strong>the</strong> great classics of 20 th century<br />

music performed by young Swiss pianist Cédric Pescia. The interpretation<br />

is luminous, featuring unrivalled sensitivity and perceptiveness.<br />

Eric Le Sage: piano<br />

SCHUMANN: 3 Romances for oboe & piano, Op. 94 • Violin Sonatas (6) •<br />

Andante & Variations for 2 pianos, 2 cellos & horn, Op. 46 • 12 Keyboard<br />

Pieces for Large and Small Children four-hands, Op. 85 • Piano Trios (3) •<br />

Fantasiestücke in A minor, Op. 88 • Piano Quintet in E-flat, Op. 44 • Piano<br />

Quartet in E-flat, Op. 47 • 6 Pieces in Canon, Op. 56 • 3 Fantasiestücke for<br />

clarinet & piano, Op. 73 • Märchenbilder for viola & piano, Op. 113 • Adagio<br />

& <strong>Allegro</strong> for horn & piano, Op. 70 • 6 Etudes in canon form for pedal piano,<br />

Op. 56 (arr. 2 pianos Debussy) • Bilder aus Osten, Op. 66 • and more<br />

This new seven-disc box set from Alpha presents Schumann’s complete<br />

chamber music with piano for <strong>the</strong> first time, played by one of <strong>the</strong> great<br />

Schumann interpreters, who has been exploring this world with great success<br />

since 2005: Eric Le Sage. The pianist is joined by outstanding musicians Paul<br />

Meyer, Francois Salque, Franck Braley, Antoine Tamesit, and o<strong>the</strong>rs, who enable<br />

<strong>the</strong> listener to fully appreciate <strong>the</strong>se masterful works written by genius of<br />

German Romanticism.<br />

Robert Schumann’s chamber compositions are undoubtedly among <strong>the</strong> most<br />

important European works of <strong>the</strong> 19 th century. Schumann (1810–1856) was<br />

<strong>the</strong> archetypal Romantic composer, a man with unbounded imagination<br />

who mastered almost every genre of his time. His chamber music, which may<br />

be regarded as an extension of his piano music, enabled him to explore <strong>the</strong><br />

construction of his works.


Czech Horn Chorus<br />

Radek Baborák: director<br />

BRUCKNER: Ave Maria • “Windhaager Mass” in C • Motets (arr. Bok) • Adagio<br />

(2 nd mvt.) from Symphony No. 7 (arr. Bok)<br />

This is a unprecedented, splendid disc recorded with horn players accompanied<br />

by pipe organ in a fine church located in outer Prague, featuring repertoire<br />

based on Bruckner’s works. Bruckner himself was a fine organist, and his<br />

orchestral compositions sometimes leave <strong>the</strong> impression of rich organ sound.<br />

Radek Baborák, one of <strong>the</strong> most talented horn players in <strong>the</strong> world, organizes<br />

his own horn ensemble in order to realize Bruckner’s sound world through his<br />

own instrument, and succeeds in evoking a solemn, celestial sound.<br />

Mathieu Dufour: flute<br />

Pascal Rogé: piano<br />

POULENC: Flute Sonata • WIDOR: Suite for flute & piano, Op. 34 • SANCAN:<br />

Flute Sonatina • DUTILLEUX: Flute Sonatina • MARTIN: Ballade for flute &<br />

piano • DEBUSSY: Syrinx<br />

Appointed principal flutist of <strong>the</strong> Chicago Symphony Orchestra at <strong>the</strong> age<br />

of 25—<strong>the</strong> youngest ever to hold that position—French musician Mathieu<br />

Dufour is one of <strong>the</strong> most enchanting and breathtaking musicians in <strong>the</strong><br />

world. This CD features a collection of French music for flute and piano,<br />

with superb support by Pascal Roge, <strong>the</strong> French pianism expert of our time.<br />

release date: <strong>June</strong> 12, 2012 CrYsTon<br />

BuZZ ALeRT<br />

Anton BRUCKNER<br />

Bruckner in Ca<strong>the</strong>dral<br />

Cat # EXN CRY 81068<br />

Price Code: Y (SRP $24.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 30<br />

D U.S. ORDERS ONLY<br />

Mathieu Dufour & pascal Rogé<br />

<strong>Music</strong> for flute and piano<br />

Cat # EXN CRY 81082<br />

Price Code: Y (SRP $24.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 30<br />

D U.S. ORDERS ONLY<br />

11


fuga libera<br />

Thomas Blondelle<br />

Banalités<br />

Cat # FGL 591<br />

Price Code: S (SRP $18.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 25<br />

D U.S. ORDERS ONLY<br />

delphian records<br />

Henryk GÓRECKI<br />

Totus Tuus: Choral <strong>Music</strong><br />

Cat # DPH 34054<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

5% pREORDER DISCOUNT<br />

D U.S. ORDERS ONLY<br />

12<br />

BuZZ ALeRT<br />

release date: <strong>June</strong> 12, 2012<br />

Thomas Blondelle: tenor<br />

Daniel Blumenthal: piano<br />

POULENC: Banalités • RAVEL: Sur l’herbe • SATIE: 3 Mélodies, 1916 •<br />

ROSSINI: La Chanson du bébé • HAYDN: Die zu späte Ankunft der<br />

Mutter • BRAHMS: Vergebliches Ständchen • MAHLER: Lob des<br />

hohen Verstandes • WOLF: Abschied • STRAUSS: Schlechtes Wetter •<br />

BLONDELLE: 6 Blöde Lieder (excerpts) • 2 liederen op tekst van<br />

Louis Verbeeck • FRASER-SIMSON: Songs From When We Were Very<br />

Young (excerpts) • DOUGHERTY: The Lady Who Loved a Pig • LORD<br />

BERNERS: Red Roses and Red Noses • COPLAND: I Bought Me a Cat •<br />

ROSSINI: La Danza—Tarantella napoletana • DONIZETTI: Amor<br />

marinaro (Canzone napoletana) • VERDI: Stornello • BERIO: Ballo •<br />

BERBERIAN: Stripsody • PARMENTIER: Grafschrift<br />

Thomas Blondelle, who finished second in <strong>the</strong> prestigious Concours<br />

Reine Elisabeth 2011, was chosen by <strong>the</strong> competition’s partner BNP<br />

Paribas Fortis to record a song recital and give concerts on tour<br />

throughout Belgium and elsewhere. This young tenor has an exceptional<br />

vocal range. He is currently a soloist with <strong>the</strong> Deutsche Oper Berlin,<br />

but he also appears at many international venues. Recent engagements<br />

include his debut as Froh in a new production of Wagner’s Das<br />

Rheingold at <strong>the</strong> Bavarian State Opera (February 2012). With pianist<br />

Daniel Blumenthal—<strong>the</strong> ideal partner for any young singer—he presents<br />

a program of humorous French and German art songs. This unusual,<br />

witty recital has been put toge<strong>the</strong>r very intelligently!<br />

National Youth Orchestra of Great Britain<br />

Mike Brewer: director<br />

GÓRECKI: Euntes Ibant et Flebant, Op. 32 • Lobgesant, Op. 76 • Totus Tuus,<br />

Op. 60 • Salve, Sidus Polonorum, Op. 72 • Amen, Op. 35<br />

Henryk Górecki (1933–2010) made his reputation as a leader of <strong>the</strong> Polish<br />

avant-garde in <strong>the</strong> 1950s, with his early works marking <strong>the</strong> most colorful<br />

and vibrant expression of <strong>the</strong> new Polish wave. Inspired by folk and religious<br />

influences, and demonstrating a clear affinity with <strong>the</strong> likes of Szymanowski<br />

and Bartók, <strong>the</strong> emotional power and clarity of his music continues to radiate<br />

and inspire. Tracing his choral works from <strong>the</strong> Psalm settings of 1972 to music<br />

written in his final decade, this disc provides a fascinating insight into one of<br />

<strong>the</strong> most unique musical voices of <strong>the</strong> 20 th century.


Mari Kodama: piano<br />

Kolja Blacher: violin<br />

Johannes Moser: cello<br />

Deutsches Symphony Orchestra Berlin<br />

Kent Nagano: conductor<br />

BEETHOVEN: Piano Concerto No. 3 in C minor, Op. 37 • Triple<br />

Concerto in C, Op. 56<br />

“An unequalled combination of Japanese precision, Occidental<br />

single-mindedness, and slinky, almost cat-like suppleness.” — Stereoplay<br />

Following her much-talked-about sonata cycle, Mari Kodama<br />

recorded <strong>the</strong> first two piano concertos of Ludwig van Beethoven with<br />

her husband Kent Nagano and <strong>the</strong> Deutsches Symphony Orchestra<br />

Berlin, and critics and connoisseurs were once again impressed by <strong>the</strong><br />

syn<strong>the</strong>sis of precision and elegance. The next chapter in this unfolding<br />

story can be heard on <strong>the</strong> latest release on <strong>the</strong> Berlin Classics label. It<br />

begins with <strong>the</strong> joyful Triple Concerto in C major, in which <strong>the</strong> pianist<br />

and her solo partners Kolja Blacher and Johannes Moser display <strong>the</strong>ir<br />

concerted talents in a lively conversation that also makes room for<br />

heartfelt trio intimacy. The next work is Beethoven’s Third Piano<br />

Concerto, in <strong>the</strong> “tragic” key of C minor, which Kodama executes with<br />

passion, free of ballast, charged with all <strong>the</strong> more depth and beauty.<br />

It need hardly be added that Kent Nagano and <strong>the</strong> DSO follow her in<br />

perfect harmony. The pugnacious merriment of <strong>the</strong> minor-key close<br />

to <strong>the</strong> finale brings this CD, which has shown us every facet of <strong>the</strong><br />

Beethovenian cosmos, to a satisfying conclusion.<br />

Dresden Kreuzchor<br />

Roderich Kreile: conductor<br />

MENDELSSOHN: Jauchzet dem Herrn • PALESTRINA: Viri Galilaei •<br />

ANON.: Veni creator • PRAETORIUS: Komm heiliger Geist • J.S. BACH:<br />

Kommt Seelen, dieser Tag • SCHÜTZ: Ich bin der rechte Weinstock • LOTTI:<br />

Crucifixus • DI LASSO: Timor et tremor • BRUCKNER: Christus factus est •<br />

KUHNAU: Tristis est anima mea • and more<br />

The transcendent atmosphere of <strong>the</strong> Kreuzchor Vespers draws a congregation<br />

of up to 3,000 to <strong>the</strong> Kreuzkirche in Dresden. The Dresden Kreuzchor has<br />

recorded a selection from <strong>the</strong> works it has sung in recent years, and released<br />

its choice in accordance with <strong>the</strong> great festivals and seasons of <strong>the</strong> church year.<br />

The cycle was completed last year with <strong>the</strong> fourth installment of <strong>the</strong> series, so<br />

this is <strong>the</strong> ideal time to offer <strong>the</strong> entire program as a box set! The set consists<br />

of a high-quality hinged-lid box holding <strong>the</strong> four CDs in individual sleeves<br />

and a 100-page booklet packed with photos, detailed introductions, and all<br />

<strong>the</strong> choral texts. The exceptional quality of this set makes it a must—not just<br />

for <strong>the</strong> choir’s supporters, but for every lover of choral music.<br />

release date: <strong>June</strong> 12, 2012 Berlin Classics<br />

Ludwig van BEETHOVEN<br />

piano Concerto no. 3 & Triple Concerto<br />

Cat # BER 300331<br />

Price Code: S (SRP $18.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

5% pREORDER DISCOUNT<br />

D U.S. ORDERS ONLY<br />

Dresden Kreuzchor<br />

sacred <strong>Music</strong> for a whole Year<br />

Cat # BER 300332<br />

Price Code: 4L (SRP $47.99)<br />

Number of Discs: 4<br />

Special Box Set, Box Lot 12<br />

5% pREORDER DISCOUNT<br />

D U.S. ORDERS ONLY<br />

13


Berlin Classics<br />

The successful BASICS series continues<br />

with a cycle of composer best-of<br />

releases—double CD sets presented to<br />

provide any budding classical music fan with<br />

an overview of <strong>the</strong> standard repertoire!<br />

14<br />

G.F. HANDEL<br />

Best of Handel<br />

Cat # BER 300337<br />

Price Code: N (SRP $12.99)<br />

Number of Discs: 2<br />

Double Digipak, Box Lot 21<br />

5% pREORDER DISCOUNT<br />

D U.S. ORDERS ONLY<br />

HANDEL: Exc. from Messiah, Water <strong>Music</strong>, Judas Maccabaeus,<br />

Ode for St. Cecilia’s Day, Ariodante, Rinaldo, and more<br />

Ludwig van BEETHOVEN<br />

Best of Beethoven<br />

Cat # BER 300339<br />

Price Code: N (SRP $12.99)<br />

Number of Discs: 2<br />

Double Digipak, Box Lot 21<br />

5% pREORDER DISCOUNT<br />

D U.S. ORDERS ONLY<br />

BEETHOVEN: Exc. from Symphonies Nos. 1–9, Fidelio, Piano<br />

Concerto No. 5 “Emperor,” Violin Sonata No. 5, and more<br />

SCHUMANN: Träumerei • DEBUSSY: Clair de lune • BEETHOVEN:<br />

Moonlight Sonata (exc.) • CHOPIN: Berceuse • TCHAIKOVSKY:<br />

Violin Concerto (exc.) • BIZET: Berceuse from Jeux d’enfants •<br />

RAVEL: Prélude à la nuit • and more<br />

release date: <strong>June</strong> 12, 2012<br />

J.S. BACH<br />

Best of Bach<br />

Cat # BER 300336<br />

Price Code: N (SRP $12.99)<br />

Number of Discs: 2<br />

Double Digipak, Box Lot 21<br />

5% pREORDER DISCOUNT<br />

D U.S. ORDERS ONLY<br />

J.S. BACH: Exc. from Orchestral Suites, Brandenburg Concertos,<br />

Mass in B minor, Italian Concerto, St. Mat<strong>the</strong>w Passion, and more<br />

W.A. MOZART<br />

Best of Mozart<br />

Cat # BER 300338<br />

Price Code: N (SRP $12.99)<br />

Number of Discs: 2<br />

Double Digipak, Box Lot 21<br />

5% pREORDER DISCOUNT<br />

D U.S. ORDERS ONLY<br />

MOZART: Exc. from The Magic Flute, Don Giovanni, The<br />

Marriage of Figaro, Eine kleine Nachtmusik, and more<br />

Franz SCHUBERT<br />

Best of schubert<br />

Cat # BER 300340<br />

Price Code: N (SRP $12.99)<br />

Number of Discs: 2<br />

Double Digipak, Box Lot 21<br />

5% pREORDER DISCOUNT<br />

D U.S. ORDERS ONLY<br />

SCHUBERT: Exc. from Symphonies Nos. 8 “Unfinished” & 9,<br />

Trout Quintet, Octet in F, Ave Maria, and more<br />

The Classics for Children series fires children’s imaginations, calms <strong>the</strong>m, offers <strong>the</strong>m<br />

solace, and above all proves to be a source of great fun, all with <strong>the</strong> help of classical music!<br />

Berlin Classics<br />

good night, sleep Tight<br />

Cat # BER 300346<br />

Price Code: N (SRP $12.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

5% pREORDER DISCOUNT<br />

D U.S. ORDERS ONLY<br />

Berlin Classics<br />

<strong>Classical</strong> <strong>Music</strong> for Children, vol. 2<br />

Cat # BER 300347<br />

Price Code: 2L (SRP $23.99)<br />

Number of Discs: 3<br />

Box Set, Box Lot 7<br />

5% pREORDER DISCOUNT<br />

D U.S. ORDERS ONLY<br />

DEBUSSY: Golliwog’s Cake-Walk • Jimbo’s Lullaby • GRIEG:<br />

March of <strong>the</strong> Dwarfs • MUSSORGSKY: A Night on <strong>the</strong> Bare<br />

Mountain • TCHAIKOVSKY: Arabian Dance • SCHUMANN:<br />

Träumerei • BEETHOVEN: Moonlight Sonata (exc.) • and more


Victoria Soames Samek: clarinet<br />

Michael Bell: piano<br />

Robert Hardy: narrator<br />

Karen Radcliffe: soprano, narrator<br />

Kimberly Easter: clarinet<br />

East Winds<br />

HARRIS: 17 works including The Unhappy Aardvark and Adagio (both<br />

premieres), Train <strong>Music</strong>, On Safari, Cat and Mouse, King’s Parade, Fantastical<br />

Micro-Variations on a Theme by Mozart, and more<br />

As part of its 20 th anniversary celebrations, Clarinet Classics is delighted to<br />

release this disc featuring works by Paul Harris, well known internationally as<br />

a composer and writer, with over 600 publications to his name. The recording<br />

brings toge<strong>the</strong>r a unique selection from both his serious and light-hearted<br />

compositions, including world premiere recordings of works like “The Unhappy<br />

Aardvark,” one of his most popular pieces, narrated by <strong>the</strong> legendary Robert<br />

Hardy. The release also includes <strong>the</strong> definitive performance of <strong>the</strong> Sonata da<br />

Camera, and <strong>the</strong> first recording of <strong>the</strong> Paul Harris Adagio. This is <strong>the</strong> second in<br />

<strong>the</strong> new Clarinet Classics series devoted to today’s composers. Artistic director<br />

Victoria Soames Samek, a close friend of <strong>the</strong> composer, brings her unique<br />

and personal interpretation to <strong>the</strong> recording. Recorded under <strong>the</strong> direction of<br />

<strong>the</strong> composer, this CD will be valued by clarinet players and music lovers all<br />

around <strong>the</strong> world.<br />

Michael Duke, Jeff Emerich, Michael Lichnovsky, Martin Kay, Anna Duke:<br />

saxophones<br />

COCKCROFT: Slap Me • DUBOIS: Six Caprices • HINDEMITH: Konzertstück •<br />

GALANTE: Saxsounds III • STOCKHAUSEN: Knabenduett • LAUBA: Ars •<br />

MADERNA: Dialodia • STANHOPE: Air • ADLER: Contrasting Inventions<br />

(premiere) • LAMB: Barefoot Dances<br />

One of Australia’s leading saxophonists, Michael Duke, presents his debut<br />

CD on <strong>the</strong> Saxophone Classics label. Drawing specifically from <strong>the</strong> canon of<br />

music for two saxophones, this collection showcases <strong>the</strong> flexibility of tone<br />

and diversity of color of <strong>the</strong> instrument across a breadth of musical styles.<br />

The Gershwin-esque opening of Cockcroft’s “Slap Me” gives way to a bluesy,<br />

jazz-inspired work full of energy and excitement. The virtuosic and often<br />

humorous French writing that so influenced <strong>the</strong> music of <strong>the</strong> saxophone is<br />

represented in Dubois’ impressive Six Caprices. We hear <strong>the</strong> recreation of an<br />

imaginary “Middle Age” world in Lauba’s Ars, with music that brings forth<br />

<strong>the</strong> sounds of <strong>the</strong> medieval shawm. Internationally acclaimed composer<br />

Samuel Adler’s captivating work “Two Contrasting Inventions” appears here<br />

in its world premiere recording, and o<strong>the</strong>r works by Stockhausen, Maderna,<br />

and Galante show <strong>the</strong> immense diversity and possibilities of such an<br />

instrumental combination.<br />

release date: <strong>June</strong> 12, 2012 The Classics labels<br />

paul HARRIS<br />

A <strong>Music</strong>al Celebration<br />

Cat # TCL CC 10062<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

WORLD pREMIERE RECORDING<br />

D U.S. ORDERS ONLY<br />

CLARINET CLASSICS<br />

Michael Duke<br />

duo sax: <strong>Music</strong> for Two saxophones<br />

Cat # TCL SC 14006<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

WORLD pREMIERE RECORDING<br />

D U.S. ORDERS ONLY<br />

SAxOpHONE CLASSICS<br />

15


stradivarius<br />

Cat # STV 33921<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

D U.S. ORDERS ONLY<br />

Cat # STV 33824<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 30<br />

D U.S. ORDERS ONLY<br />

Cat # STV 33878<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

D U.S. ORDERS ONLY<br />

16<br />

Julián ARCAS<br />

La Leona<br />

Stefano Grondona: guitar<br />

release date: <strong>June</strong> 12, 2012<br />

ARCAS: Fantasia sobre El Paño, o sea, Punto de la Habana • Bolero • Polaca fantástica • Andante •<br />

Fantasia: El Delirio • Colección de tangos • Rondo • Andante y Estudio (de Prudent)<br />

This is a scholarly release devoted to Julián Arcas’ music and his famous guitar “La Leona,” made<br />

by <strong>the</strong> great luthier Antonio de Torres. Arcas was one of <strong>the</strong> finest guitarists of <strong>the</strong> 19 th century.<br />

His music was powerful, thrilling, well composed, and very much linked to his own time. Stefano<br />

Grondona, who is currently rediscovering musicians connected to luthier Antonio de Torres, plays<br />

<strong>the</strong> original “La Leona” and gives new light to Arcas’ compositions.<br />

Goffredo PETRASSI<br />

Concerto for Piano and Orchestra<br />

Alfonso Alberti: piano/RAI National Symphony Orchestra/Arturo Tamayo: conductor<br />

PETRASSI: Piano Concerto • La Follia di Orlando • Partita<br />

This CD is concerned with <strong>the</strong> origins of <strong>the</strong> musical identity of Goffredo Petrassi (1904–2003):<br />

a recognized piece, <strong>the</strong> Partita (1932); one sometimes ignored, <strong>the</strong> Concerto per pianoforte e<br />

orchestra (1936–1939); and a piece from a few years later, <strong>the</strong> orchestral suite (1945) from <strong>the</strong><br />

ballet La follia di Orlando.<br />

Domenico GABRIELLI<br />

Cantatas<br />

Sistite Sidera Ensemble/Emanuela Galli: soprano/Marco Testori: cello/Gabriele Palomba:<br />

<strong>the</strong>orbo/Davide Pozzi: harpsichord<br />

Domenico GABRIELLI: 6 cantatas • 2 sonatas • Bartolomeo MONARI: 2 cantatas • 3 sonatas<br />

Composer and cellist Domenico Gabrielli, born in Bologna in 1659, only lived to be 31 years<br />

old. He is a composer probably only familiar to cellists; his seven Ricercari for cello solo are <strong>the</strong><br />

first “predecessors” of Bach’s cello Suites, and his two cello sonatas and his Canon for two cellos<br />

are among <strong>the</strong> earliest examples of <strong>the</strong>ir genre as well. Much less well-known is <strong>the</strong> fact that<br />

Gabrielli was also a celebrated opera and oratorio composer, and a distinguished sacred music<br />

composer, and published several trio sonatas and (posthumously) a volume of secular cantatas<br />

for voice and basso continuo.


Cappella Romana<br />

The Divine Liturgy in English<br />

Cappella Romana/Alexander Lingas: director<br />

The Divine Liturgy: The Liturgy of <strong>the</strong> Catechumens & The Liturgy of <strong>the</strong> Faithful<br />

“Robust and intriguing music.” — Washington Post<br />

release date: <strong>June</strong> 12, 2012 Cappella romana<br />

Cappella Romana’s The Divine Liturgy in English in Byzantine Chant is a two-disc a cappella recording<br />

of exotic Middle Eastern Byzantine Chant sung by an all-male ensemble, retaining all <strong>the</strong> mystery of<br />

old-world sacred chant, but sung in English. Presented in a beautifully printed digipak with medieval<br />

icons from Cyprus, it includes a 40-page booklet with extensive essays on Eastern Orthodoxy and<br />

Byzantine chant for <strong>the</strong> keen enthusiast. This is Cappella Romana’s third release produced by multiple<br />

Grammy® winning producer Steve Barnett (Chanticleer, Dale Warland Singers, Saint Paul Sunday),<br />

and <strong>the</strong> group’s tenth release overall.<br />

Cappella Romana<br />

The Fall of Constantinople<br />

Cappella Romana/Alexander Lingas: director<br />

ANON.: Hierarchical Entrance Rite • Kyrie Cunctipotens genitor • CHRYSAPHES: Dynamis • Lament<br />

for <strong>the</strong> Fall of Constantinople • DUFAY: Vasilissa ergo gaude • Apostolo glorioso • Ecclesiae militantis •<br />

Lamentatio Sancta Matris Ecclesiae Constantinopolitanae • GAZES: Hymn for Great Compline •<br />

PLOUSIADENOS: Canon in Honor of Thomas Aquinas: Ode I • Communion Verse for Mid-Pentecost •<br />

Canon for <strong>the</strong> Council of Florence: Ode 5<br />

The Fall of Constantinople transports you with mesmerizing music to a culture of <strong>the</strong> distant past:<br />

<strong>the</strong> age of Byzantium and <strong>the</strong> apogee of Eastern Roman Empire. Hear passion, fear, and veneration<br />

in <strong>the</strong> Greek cosmopolitan culture centered in Constantinople in <strong>the</strong> 15 th century. This is Cappella<br />

Romana’s first release produced by multiple Grammy® winning producer Steve Barnett, also producer<br />

of Chanticleer, Dale Warland Singers, and Saint Paul Sunday.<br />

Fr. Sergei GLAGOLEV<br />

Lay Aside All Earthly Cares<br />

Cappella Romana<br />

Top sellers from Cappella romana<br />

FuLL CATALOG NOW AVAILABLE THROuGH ALLEGRO CLASSICAL<br />

Ask your account manager for a complete list<br />

32 selections from Great Vespers, Matins, The Divine Liturgy (The Mass), Propers for Great Lent and<br />

Holy Week • Christmas Carol, “What Shall We Call You Mary?”<br />

This exhilarating and top-selling recording of sacred choral music represents <strong>the</strong> pioneering musical<br />

and pastoral work of Fa<strong>the</strong>r Sergei Glagolev (b. 1927) to use English in Orthodox services. The CD<br />

booklet features an important essay on liturgical composition by Fa<strong>the</strong>r Sergei, as well as complete<br />

texts of <strong>the</strong> musical selections. Listeners will hear Fa<strong>the</strong>r Sergei’s mellifluous voice singing <strong>the</strong> priest’s<br />

lines in perfect balance with <strong>the</strong> inspiring voices of Cappella Romana. Conducting <strong>the</strong> ensemble on<br />

this occasion was Dr. Vladimir Morosan, one of America’s most important authorities on Orthodox<br />

music in <strong>the</strong> Slavic tradition. He is editor-in-chief of <strong>the</strong> music-publishing house <strong>Music</strong>a Russica, and<br />

a well-known choral director and clinician.<br />

Cat # CPE 404<br />

Price Code: 2N (SRP $25.99)<br />

Number of Discs: 2<br />

Double Digipak, Box Lot 25<br />

D U.S. ORDERS ONLY<br />

Cat # CPE 402<br />

Price Code: P (SRP $16.99)<br />

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D U.S. ORDERS ONLY<br />

Cat # CPE 401<br />

Price Code: P (SRP $16.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

D U.S. ORDERS ONLY<br />

17


nimbus Alliance<br />

Franz Joseph HAYDN<br />

Haydn à l’Anglaise (ed. William Shield)<br />

Café Mozart/Derek McCulloch: director/Emma Kirkby: soprano/<br />

Rogers Covey-Crump: tenor/Jenny Thomas: flute/Iam Gammie:<br />

guitar/Alastair Ross: square piano<br />

HAYDN: 20 songs<br />

18<br />

Cat # NIM 6174<br />

Price Code: Q (SRP $15.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

5% pREORDER DISCOUNT<br />

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Café Mozart was founded by Derek McCulloch in 1985 to explore<br />

<strong>the</strong> repertoire of <strong>the</strong> late 18 th century for performances with<br />

period instruments. The main focus of Café Mozart’s work is that<br />

of “Haydn in England,” and his association with o<strong>the</strong>r English<br />

composers in <strong>the</strong> 1790s.<br />

Cat # NIM 6178<br />

Price Code: Q (SRP $15.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

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The Royal Conservatoire of Scotland<br />

Symphonic Wind Orchestra<br />

On <strong>the</strong> Shoulders of Giants<br />

Royal Conservatoire of Scotland Symphonic Wind Orchestra/<br />

Nigel Boddice & Bryan Allen: conductors<br />

Peter GRAHAM: On <strong>the</strong> Shoulder of Giants (premiere) • Christian<br />

LINDBERG: Behac Munroh Concerto for Trombone, Trumpet &<br />

Orchestra • Steve FORMAN: Inner Wea<strong>the</strong>r • Martin DALBY: A<br />

Plain Man’s Hammer • Rory BOYLE: Behemoth<br />

On <strong>the</strong> Shoulders of Giants pays tribute to great American brass<br />

virtuosi. The world premiere of <strong>the</strong> wind orchestra version was<br />

given at <strong>the</strong> Royal Conservatoire of Scotland on October 21, 2011<br />

under <strong>the</strong> direction of Nigel Boddice MBE.<br />

release date: <strong>June</strong> 12, 2012<br />

J.S. BACH<br />

The English Suites<br />

Vladimir Feltsman: piano<br />

J.S. BACH: The English Suites, BWV 806–808<br />

Pianist and conductor Vladimir Feltsman is one of <strong>the</strong> most<br />

versatile and constantly interesting musicians of our time. His<br />

vast repertoire encompasses music from <strong>the</strong> Baroque to 20 th<br />

century composers. A regular guest soloist with leading symphony<br />

orchestras in <strong>the</strong> United States and abroad, he appears in <strong>the</strong> most<br />

prestigious concert series and music festivals all over <strong>the</strong> world.<br />

Federico RUIZ<br />

Piano <strong>Music</strong><br />

Clara Rodriguez: piano<br />

Cat # NIM 6176<br />

Price Code: 2Q (SRP $31.99)<br />

Number of Discs: 2<br />

Double Slimline, Box Lot 25<br />

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Cat # NIM 6179<br />

Price Code: Q (SRP $15.99)<br />

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RUIZ: 22 piano pieces, including Pieces for children under 100<br />

years of age, Chaplin, Waltz for Dulcinea, Dictator rides a moped,<br />

The little Peruvian girl, and more<br />

Clara Rodriguez is often described as an Ambassador of Latin<br />

American piano music in recognition of <strong>the</strong> great number of<br />

concerts she has given, and CDs released, in which this music<br />

features prominently.


Ex Tempore<br />

A Sunday in Leipzig<br />

release date: <strong>June</strong> 12, 2012 ricercar<br />

Ex Tempore/Sophie Karthäuser: soprano/Marianne Vliegen: alto/Stephan Van Dyck: tenor/Lieven<br />

Termont: bass/Florian Heyerick: direction<br />

GOLDBERG: Durch die herzliche Barmherzigkeit • Der 12. Psalm: Herr, die Heiligen haben<br />

abgenommen • KREBS: Meine Seele erhebt den Herrn (Magnificat) • J.L. BACH: Missa brevis<br />

super cantilena Allein Gott in der Höh’ sei Her<br />

Johann Sebastian Bach performed works by o<strong>the</strong>r composers alongside his own in <strong>the</strong> regular<br />

Sunday services that he directed in <strong>the</strong> Thomaskirche; <strong>the</strong>se included <strong>the</strong> Missa brevis by his<br />

distant and talented cousin Johann Ludwig Bach as well as two unique and astonishing cantatas<br />

by his pupil Johann Gottlieb Goldberg. Florian Heyerick now returns to this repertoire, after his<br />

highly successful recording of Graupner’s Ein Weihnachts Oratorium.<br />

Frederick DELIUS<br />

Orchestral <strong>Music</strong> Arr. for Two Pianos, Vol. 1<br />

Simon Callaghan, Hiroaki Takenouchi: pianos<br />

DELIUS: A Dance Rhapsody No. 2 (arr. Grainger) • On Hearing <strong>the</strong> First Cuckoo in Spring<br />

(arr. Schmidt-Wunstorf) • Brigg Fair (arr. Heseltine • Poem of Life and Love (arr. Gardiner & Fenby) •<br />

A Song of Summer (arr. Fenby) • La Calinda (arr. Trimble)<br />

This year marks <strong>the</strong> 150 th anniversary of <strong>the</strong> birth of Delius, and SOMM now pays tribute to <strong>the</strong><br />

composer who held a special place in <strong>the</strong> history of 20 th -century music. His friends and kindred<br />

spirits Percy Grainger, Philip Heseltine, and Eric Fenby recognized his special brand of genius, and it<br />

was <strong>the</strong>y who expertly arranged some of Delius’s orchestral music for two pianos or piano duet. The<br />

Delius Society heard artists Simon Callaghan and Hiroaki Takenouchi play <strong>the</strong>se arrangements, and<br />

considered it a must to support SOMM in making <strong>the</strong>se recordings.<br />

Mátyás SEIBER<br />

Yugoslav, Hungarian & Nonsense Songs & o<strong>the</strong>r choral music<br />

Choir of <strong>the</strong> 21 st Century/Howard Williams: conductor<br />

SEIBER: Yugoslav Folk Songs • Three Hungarian Folk Songs • Two Soldiers’ Songs • Missa Brevis •<br />

Sirmio • Two Madrigals • Three Nonsense Songs • Three Graces • KAHN: Soldier’s Farewell • GIBBS:<br />

Gloria in Excelsis • KODÁLY: Media Vita in morte sumus<br />

A delightful collection of a cappella choral music written by a composer of great talent who died<br />

tragically at age 55, at <strong>the</strong> height of his powers. Born in Budapest, he studied with Kodaly and taught<br />

composition in Frankfurt until forced to come to England during a mass exodus from Nazism. He<br />

became a renowned teacher of composition, described by alumni as “<strong>the</strong> greatest teacher of our time.”<br />

The choral music on this disc covers a delightful range of his styles, as well as his characteristic mix<br />

of Hungarian-German-Englishness and his impish humor, of which <strong>the</strong>re is ample evidence in <strong>the</strong><br />

Edward Lear limericks in <strong>the</strong> “Nonsense Songs.”<br />

Cat # RCE 317<br />

Price Code: S (SRP $18.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 25<br />

D U.S. ORDERS ONLY<br />

soMM recordings<br />

Cat # SMM 112<br />

Price Code: R (SRP $17.99)<br />

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Cat # SMM 105<br />

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19


giA publications<br />

Karel HUSA<br />

Composer’s Collection: Karel Husa<br />

North Texas Wind Symphony/Eugene Migliaro Corporon: conductor<br />

HUSA: Divertimento for Brass & Percussion • Le Couleurs<br />

Fauves • Cheeta • Al Fresco • <strong>Music</strong> for Prague • Smetana Fanfare •<br />

Apo<strong>the</strong>osis of This Earth • Concertino for Piano • Concerto for<br />

Wind Ensemble<br />

Internationally known Pulitzer Prize winner Karel Husa, born<br />

in 1921, is a true master. His music, which by its originality and<br />

au<strong>the</strong>nticity transcends <strong>the</strong> composer’s own time and personal<br />

experience, inspires performers and listeners throughout <strong>the</strong> world.<br />

nimbus records<br />

Federico MOMPOU<br />

Piano <strong>Music</strong>, Vol. 2<br />

Martin Jones: piano<br />

MOMPOU: 43 piano pieces<br />

20<br />

Cat # GIA 879<br />

Price Code: 2N (SRP $25.99)<br />

Number of Discs: 2<br />

Double Jewel Case, Box Lot 15<br />

D U.S. ORDERS ONLY<br />

Cat # NIM 5877<br />

Price Code: X (SRP $31.99)<br />

Number of Discs: 3<br />

Box Set, Box Lot 10<br />

5% pREORDER DISCOUNT<br />

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D U.S. ORDERS ONLY<br />

All of <strong>the</strong> pieces presented here remained unpublished during<br />

Mompou’s lifetime. Many of <strong>the</strong>m came to light in 2008, when his<br />

apartment was being cleared out and three folders were unear<strong>the</strong>d<br />

filled with manuscripts containing his first attempts at composition.<br />

Thanks to <strong>the</strong> support of <strong>the</strong> Frederic Mompou Foundation,<br />

most of <strong>the</strong>se scores have now been published. The rest of <strong>the</strong><br />

program comes from a smaller collection of material housed in <strong>the</strong><br />

Biblio<strong>the</strong>ca Nacional de Catalunya’s Mompou Collection.<br />

release date: <strong>June</strong> 12, 2012<br />

Michael COLGRASS<br />

Composer’s Collection: Michael Colgrass<br />

North Texas Wind Symphony/Eugene Migliaro Corporon: conductor<br />

COLGRASS: Arctic Dreams • Mysterious Village • Deja u • The<br />

Beethoven Machine • Raag Mala • Winds of Nagual • Old Churches •<br />

Urban Requiem • Apache Lullaby • Bali<br />

Michael Colgrass is arguably one of <strong>the</strong> most influential American<br />

musicians of <strong>the</strong> last 100 years. As a composer, author, and lecturer<br />

he has left an indelible mark on <strong>the</strong> arts worldwide.<br />

ramée<br />

Johann Christoph PEPUSCH<br />

Concertos and Overtures for London<br />

Cat # GIA 880<br />

Price Code: 2N (SRP $25.99)<br />

Number of Discs: 2<br />

Double Jewel Case, Box Lot 15<br />

D U.S. ORDERS ONLY<br />

Cat # RME 1109<br />

Price Code: S (SRP $18.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 25<br />

D U.S. ORDERS ONLY<br />

The Harmonious Society of Tickle-Fiddle Gentlemen/Robert<br />

Rawson: director<br />

PEPUSCH: Overture to The Beggar’s Opera • Overture to Venus<br />

and Adonis • Concerto à 6 • Concerto Grosso à 6 • Concerto Grosso<br />

in B-flat • Concerto à 5 • Concerto in A minor • Concerto in A<br />

Johann Christoph Pepusch (1667–1752) is best remembered today<br />

for his contribution to The Beggar’s Opera (1728). Apart from that,<br />

none of his o<strong>the</strong>r pieces have received commercial recordings until<br />

today, but he was highly regarded across Europe as a fine composer<br />

of inventive and dramatic concertos.


Antonio VIVALDI<br />

Concertos for Two Violins, Strings and Continuo<br />

Angelo Cicillini, Luca Venturi: violins/L’Orfeo Ensemble/Fabrizio<br />

Ammetto: director<br />

VIVALDI: Concertos for 2 violins, strings, and continuo, Rv 513,<br />

520, 521, 526, 528, 764 & 765<br />

This new CD from Fabrizio Ammetto, director of L’Orfeo<br />

Ensemble of Spoleto, includes seven concertos for two violins and<br />

orchestra by Antonio Vivaldi, most of which are recorded here for<br />

<strong>the</strong> first time.<br />

Israeli Wind Virtuosi<br />

Israeli Wind Virtuosi, Vol. 5<br />

release date: <strong>June</strong> 12, 2012 Tactus<br />

Cat # TCT 672253<br />

Price Code: T (SRP $14.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

5% pREORDER DISCOUNT<br />

WORLD pREMIERE RECORDING<br />

D U.S. ORDERS ONLY<br />

Cat # MER 84527<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

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Israeli Wind Virtuosi/Mordechai Rechtman: bassoon/Eli Heifetz:<br />

clarinet/Menahem Breuer: violin/Gad Lewertoff, Avshalom Sarid:<br />

violas/Yoram Alperin: cello<br />

D. SCARLATTI: 3 Sonatas • MOZART: Divertimenti (exc.) •<br />

HAYDN: Baryton Trios (exc.) • J.S. BACH: Selected pieces •<br />

RAMEAU: Selected pieces • BEETHOVEN: Theme & Variations<br />

on Mozart’s “La ci darem la mano”<br />

Meridian Records is proud to announce this release by an acclaimed<br />

Israel sextet, featuring arrangements by Mordechai Rechtman.<br />

Marco Enrico BOSSI<br />

Complete Organ Works, Vol. 7<br />

Andrea Macinanti: organ<br />

Cat # TCT 862717<br />

Price Code: T (SRP $14.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

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BOSSI: Pièce héroïque, Op. 128 • Konzertstück in C minor,<br />

Op. 130 • Cinque pezzi in stile liberto, Op. 132<br />

The seventh volume of Marco Enrico Bossi’s complete organ works<br />

contains his most important and meaningful pieces composed<br />

between 1906 and 1910, during <strong>the</strong> fruitful period in which he was<br />

<strong>the</strong> principal of <strong>the</strong> Liceo <strong>Music</strong>ale of Bologna.<br />

Meridian records<br />

Cat # MER 84609<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

D U.S. ORDERS ONLY<br />

Luis Jorge GONZÁLEZ<br />

FERVOR: The <strong>Music</strong> of Luis Jorge González<br />

Alejandro Cremaschi, Margaret McDonald: pianos/William Stanley:<br />

trombone/Julie Simson: mezzo-soprano/Erika Eckert: viola<br />

GONZÁLEZ: City Twilights, for piano • Beyond Departure,<br />

for trombone & piano • Con Fervor por Buenos Aires, for<br />

mezzo-soprano & piano • Sonata Elgiaca, for viola & piano<br />

This CD contains recent solo and chamber works for voice,<br />

trombone, and viola from a man described as “genuine” by<br />

Fanfare. The folk music of Latin America and <strong>the</strong> Argentine tango<br />

are <strong>the</strong> backbones of his attractive tonal style, which ranges from<br />

melancholic contemplation to intense passion and warm vitality.<br />

21


paraty<br />

Cat # PTY 311205<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 25<br />

D U.S. ORDERS ONLY<br />

Cat # PTY 409212<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot TBD<br />

D U.S. ORDERS ONLY<br />

Cat # PTY 211115<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 32<br />

D U.S. ORDERS ONLY<br />

22<br />

Leopold GODOWSKY<br />

22 Chopin Studies<br />

Ivan Ilić: piano<br />

release date: <strong>June</strong> 12, 2012<br />

GODOWSKY: 22 Chopin Studies for <strong>the</strong> Left Hand Alone<br />

American pianist Ivan Ilić has recorded his second CD for French label Paraty, entitled 22<br />

Chopin Studies by Leopold Godowsky. Godowsky was a celebrity in his day: Artur Rubinstein<br />

said that “it would take him 500 years” to acquire Godowsky’s technique. But following<br />

Godowsky’s death in 1938, his compositions were largely ignored until <strong>the</strong> year 2000, when<br />

super-virtuoso pianists such as Marc-André Hamelin and Boris Berezovsky began to record<br />

and perform his works in concert. Ivan Ilić is <strong>the</strong> latest pianist to rise to <strong>the</strong> formidable<br />

challenge. His album focuses on <strong>the</strong> 22 Studies for <strong>the</strong> left hand alone, considered among <strong>the</strong><br />

most difficult pieces ever written for <strong>the</strong> instrument.<br />

François COUPERIN<br />

Portrait d’Iris: Suites for Viola da Gamba<br />

Emmanuelle Guigues, Sylvia Abramowicz: viola da gambas/Rémi Cassaigne: <strong>the</strong>orbo, baroque<br />

guitar/Bruno Procopio: harpsichord<br />

COUPERIN: Pièces de violes avec la basse chifrée par Mr. F.C.—1 st & 2 nd Suites • Pièces de<br />

clavecin (sel.)<br />

Paraty Records offers homage to François Couperin on this disc, which includes two suites for<br />

viola da gamba and basso continuo, <strong>the</strong> fourteenth Royal Concert, and several works for solo<br />

harpsichord. Through this portrait, <strong>the</strong> four musicians explore <strong>the</strong> multifaceted music of <strong>the</strong><br />

beloved composer.<br />

Joaquín TURINA<br />

Solo Guitar Works<br />

Sébastien Llinares: guitar<br />

J. TURINA: Rafaga • Hommage a Tarrega: Garrotin & Soleares • Fandanguillo • Sevillana •<br />

Sonata • Poema en Forma de Canciones (exc.) • La Aldea Duerme from Miniaturas • José Luis<br />

TURINA: Copla de Cante Jondo<br />

Joaquín Turina belongs to a category of musicians, too few in number, who have left a mark<br />

on <strong>the</strong> guitar repertoire. Instead of treating <strong>the</strong> instrument with disdain, he wrote for it with a<br />

certain assiduity. Just as Kodaly was <strong>the</strong> first to use <strong>the</strong> open strings of <strong>the</strong> cello to great effect,<br />

Turina rediscovered those of <strong>the</strong> guitar. Born in Toulouse in 1978, Sébastien Llinares joined<br />

Cristian Marcia’s class at <strong>the</strong> Conservatoire Frédéric Chopin in Paris. In 2007–2008, he attracted<br />

attention during <strong>the</strong> International Academy of <strong>Music</strong> of Cagliary, where he won a scholarship<br />

given by <strong>the</strong> Zaleski Foundation.


Van Baerle Trio<br />

Piano Trios<br />

Van Baerle Trio/Hannes Minnaat: piano/Maria Milstein: violin/Gideon den Herder: cello<br />

SAINT-SAËNS: Piano Trio No. 1 in F • LOEVENDIE: Ackermusik • RAVEL: Piano Trio<br />

release date: <strong>June</strong> 12, 2012 etcetera<br />

The Van Baerle Trio has built a rich history in its few years of existence, and <strong>the</strong> biggest step<br />

in <strong>the</strong> trio’s development came when <strong>the</strong>y took part in a masterclass given by Menahem<br />

Pressler in December 2008. On this debut CD, <strong>the</strong> trio combines works by Frenchmen<br />

Saint-Saëns and Ravel with Dutch composer Theo Loevendie, in homage to <strong>the</strong> musicians’<br />

own French-Dutch connection.<br />

Jan & Sophia DUSSEK<br />

Madame et Monsieur Dussek<br />

Masumi Nagasawa: harp<br />

Jan Ladislav DUSSEK: Sonata No. 2 in B-flat, Op. 34 • 6 Sonatinas • A favorite English Ballad<br />

“In <strong>the</strong> dead of night” with variations for <strong>the</strong> pianoforte or harp • The Favorite Andante<br />

& Rondo • Sophia Giustina CORRI-DUSSEK: 6 Sonatas with Scots Airs and Reels for <strong>the</strong><br />

Adagios & Rondo, Op. 2, Books 1& 2 • Sicilian Air on which is founded <strong>the</strong> popular ballad<br />

“Home! Sweet Home”<br />

It has been 200 years since <strong>the</strong> death of Jan Ladislav Dussek, a Czech composer and<br />

contemporary of Mozart. He left Paris for London in 1789 and, in Spring 1791, he appeared<br />

in a series of concerts, a number of which featured <strong>the</strong> young daughter of music publisher<br />

Domenico Corri. In a concert on <strong>June</strong> 15 that year, <strong>the</strong> pair played a piano duet toge<strong>the</strong>r; <strong>the</strong>y<br />

were married in September 1792. Sophia Corri was a singer, pianist, and harpist who became<br />

known in her own right, and this CD includes compositions by both Jan and Sophia.<br />

Karlheinz STOCKHAUSEN<br />

12x12: A <strong>Music</strong>al Zodiac<br />

Capilla Flamenca/Het Collectief<br />

STOCKHAUSEN: Tierkreis (1975) • 12 selections from <strong>the</strong> Ars Nova and Ars Subtilior of <strong>the</strong><br />

14 th Century<br />

In 1975, Stockhausen wrote 12 little pieces, one about each of <strong>the</strong> signs of <strong>the</strong> Zodiac. Those<br />

12 melodies, initially written for 12 music boxes, were among <strong>the</strong> instrumental building<br />

blocks of ano<strong>the</strong>r work, Musik im Bauch (<strong>Music</strong> in <strong>the</strong> Belly), which also involved six<br />

percussionists and a sound projectionist. It was only later that Stockhausen decided to reuse<br />

<strong>the</strong>se 12 pieces, and to turn <strong>the</strong>m into an autonomous work. On that occasion, he also edited<br />

a score of <strong>the</strong> work under <strong>the</strong> title “Tierkreis.” Among <strong>the</strong> recordings of <strong>the</strong> piece already<br />

available, this new version by Het Collectief and Capilla Flamenca is striking in its originality.<br />

Cat # ETC 1438<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

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Cat # ETC 1439<br />

Price Code: 2N (SRP $25.99)<br />

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Double Slimline, Box Lot 25<br />

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Cat # ETC 4042<br />

Price Code: R (SRP $17.99)<br />

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23


la Bottega discantica<br />

Cat # BDI 239<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 19<br />

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Cat # BDI 253<br />

Price Code: R (SRP $17.99)<br />

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flora<br />

Cat # FLO 2611<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 22<br />

D U.S. ORDERS ONLY<br />

24<br />

Johan Helmich ROMAN<br />

Trios for Two Recorders and b.c.<br />

Giovanni SGAMBATI<br />

Concerto for Piano and Orchestra<br />

Les Sacqueboutiers<br />

Tuba Mirum<br />

Les Sacqueboutiers<br />

release date: <strong>June</strong> 12, 2012<br />

Ensemble Dulcis in Fundo/Olga Bernardi, Andrea Marcialis: recorders/Stefano Sopranzi: baroque<br />

bassoon/Marcello Rossi: harpsichord<br />

ROMAN: Trios for 2 Recorders, Baroque Bassoon & Harpsichord, BeRI 106, 109, 110, 114, 115 & 117<br />

Johan Helmich Roman was <strong>the</strong> founder of Swedish music tradition at <strong>the</strong> beginning of <strong>the</strong> eighth<br />

century. Like many o<strong>the</strong>r musicians of his time, he was also a violin and oboe player, and in his<br />

compositions he mastered <strong>the</strong> new international idiom, acquired mostly during a London stay. Among<br />

<strong>the</strong> trios that survived <strong>the</strong> Turku fire of 1827, this disc presents <strong>the</strong> six that best convey <strong>the</strong> variety and<br />

intensity of Roman’s work. The original versions, for two violins, are arranged in different tunes for<br />

two recorders and through bass, following a well-known practice customary until <strong>the</strong> first half of <strong>the</strong><br />

eighth century. This choice gives rise to a fur<strong>the</strong>r interest about <strong>the</strong>se compositions, and contributes<br />

in spreading <strong>the</strong> knowledge of this author who figures very well in <strong>the</strong> European musical framework<br />

usually associated with Handel and Italian authors like Albinoni and Geminiani.<br />

Roberto Giordano: piano/I Pomeriggi <strong>Music</strong>ali Orchestra/Marco Guidarini: conductor<br />

SGAMBATI: Piano Concerto in G minor, Op. 15 • RESPIGHI: Ancient Airs and Dances (tr. piano) •<br />

MARTINI: Andante & Rondo (tr. Martucci) • CORELLI: Empo di Gavotta (tr. Martucci) • GLUCK:<br />

Melody from Orfeo (tr. Sgambati)<br />

A professor at <strong>the</strong> Accademia di Santa Cecilia from 1868, and founder of <strong>the</strong> music school of <strong>the</strong> same<br />

name, Sgambati combined his teaching with his career as a pianist and composer. He was connected<br />

to Liszt after being his student, and his famous residence in Piazza di Spagna was opened to visitors<br />

including Debussy, Grieg, Liszt’s “Roman School,” and even Wagner, who recommended his Quintetti<br />

to <strong>the</strong> publisher Schott. As with his two Sinfonie, his Concerto was composed between 1878 and 1880,<br />

and was often performed by <strong>the</strong> composer himself. Born in 1981, Roberto Giordano received <strong>the</strong><br />

diploma at Ecole Normale de Musique Alfred Cortot in Paris with a unanimous vote by <strong>the</strong> jury. He is<br />

a regular guest of some of <strong>the</strong> most important stages and festivals in <strong>the</strong> world.<br />

SCHÜTZ: Fili mi Absalon • Attenditi popule meus • G. GABRIELI: Canon Piano & Forte • Canzon<br />

Prima • Canzon VIII • CABEZON: La dama le demanda • HOLBORNE: Gush forth my tears •<br />

Essex Galliard • Funeral • King of Denmark • BRADE: Satyrn tanz • Schottisch tanz • Rochenken<br />

tanz • Peligrienen tanz • ARAUXO: Todo el mundo en général • SCHEIDT: Pavane V • Gaillarde<br />

VII • Courante XXIII • Allemande XVI<br />

Tuba Mirum consists of works from <strong>the</strong> most beautiful original pieces devoted to <strong>the</strong> sackbut.<br />

Alongside Daniel Lasalle, <strong>the</strong> album features international soloists like Michel Becquet, Fabrice<br />

Millischer, and Jörgen Van Rijen. An amazing recording!


Maîtrise Notre-Dame de Paris<br />

Salve Regina<br />

release date: <strong>June</strong> 12, 2012<br />

Maîtrise Notre-Dame de Paris/Lionel Sow: director/Sylvain Dieudonné: Gregorian chants/Olivier<br />

Latry, Yves Castagnet: organs<br />

CASTAGNET: Salve Regina • LATRY: Salve Regina • POULENC: Salve Regina<br />

The solemn tone of <strong>the</strong> Salve Regina is <strong>the</strong> connecting thread of this disc. The grand Marian antiphony,<br />

composed in <strong>the</strong> 11 th century, has been an inexhaustible source of inspiration to <strong>the</strong> musicians of<br />

Paris’ Notre Dame ca<strong>the</strong>dral for nearly 1,000 years. Voices and organs speak to each o<strong>the</strong>r and unite,<br />

imploring <strong>the</strong> Queen of Heaven: Salve Regina.<br />

Camille SAINT-SAÊNS<br />

Samson and Dalila in Church<br />

La Lyre Séraphique/Vincent Genvrin: organ, director/F. Masset, S. de May: sopranos/C. Ravenne: alto<br />

SAINT-SAËNS: Ave Maria • Inviolata • Deus Abraham (premiere) • Trois Rhapsodies sur de cantiques<br />

bretons, Op. 7<br />

The motets for solo voices by Camille Saint-Saëns represent a little known, yet quite engaging, aspect<br />

of his work. Written for <strong>the</strong> church of <strong>the</strong> Madeleine, where Saint-Saëns admitted to having spent<br />

“<strong>the</strong> finest moments of his existence,” <strong>the</strong>y are a manifesto of his conception of church music: simplicity<br />

with lyricism, sparse writing but without dryness, tact and balance conveyed by his consummate art<br />

of treating voices. The soloists of La Lyre Séraphique regale us with several masterpieces: Ave Maria,<br />

Inviolata, and Deus Abraham for soprano solo recorded for <strong>the</strong> first time on disc, which deserves a place<br />

amongst Saint-Saëns’ most beautiful triumphs.<br />

John THOMAS<br />

Welsh <strong>Music</strong> for Voice and Harps<br />

Rachel Ann Morgan: mezzo-soprano, harp/Edward Witsenburg: harp<br />

THOMAS: 14 arrangements for harp of Welsh folk songs and o<strong>the</strong>r melodies of Handel, Schubert, etc.<br />

This album focuses on an area that held John Thomas’ attention throughout his career: a love for<br />

<strong>the</strong> traditional song from his native Wales. He wrote many arrangements for harp, with or without<br />

song; some of <strong>the</strong> nicest are collected on this album. Mezzo-soprano and harpist Rachel Ann<br />

Morgan has become internationally known for her concerts, in which she accompanies herself on<br />

<strong>the</strong> concert harp and <strong>the</strong> Celtic harp. She has performed in Japan, America, Canada, and Russia,<br />

as well as in many European countries. Edward Witsenburg is <strong>the</strong> doyen of Dutch harpists, with a<br />

career that extends over more than half a century. He continues <strong>the</strong> tradition set forth by celebrated<br />

Dutch harpist Rosa Spier, who was famous for her expressive style of playing.<br />

editions Hortus<br />

Cat # HOR 56<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

D U.S. ORDERS ONLY<br />

Cat # HOR 914<br />

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Jewel Case, Box Lot 25<br />

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globe<br />

Cat # GLE 5251<br />

Price Code: R (SRP $17.99)<br />

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25


lAwo Classics<br />

Cat # LAW 1013<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 25<br />

D U.S. ORDERS ONLY<br />

Cat # LAW 1029<br />

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Number of Discs: 1<br />

Jewel Case, Box Lot 25<br />

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indésens<br />

Cat # IDS 34<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 35<br />

D U.S. ORDERS ONLY<br />

26<br />

Franz SCHUBERT<br />

Winterreise<br />

Helene Wold<br />

Roses & Love: Inspired by Norway<br />

Bastien Baumet<br />

Art of <strong>the</strong> Euphonium<br />

release date: <strong>June</strong> 12, 2012<br />

Håvard Stensvold: bass-baritone/Tor Espen Aspaas: piano<br />

SCHUBERT: Winterreise (complete song cycle)<br />

Now, for <strong>the</strong> first time, you can hear Franz Schubert and Wilhelm Müller’s “Winterreise” in Norwegian!<br />

The cycle, consisting of 24 songs, is <strong>the</strong> manifesto of a lover’s grief, written by a man during <strong>the</strong> last<br />

year of his life. Håvard Stensvold, an opera singer educated in Copenhagen, spent many years creating<br />

a singable translation of this great work; <strong>the</strong> idea arose from <strong>the</strong> desire to remove some of <strong>the</strong> distance<br />

between performer and listener. Pianist Tor Espen Aspaas assists superbly as fellow traveler in this<br />

visualization of Schubert’s winter landscape.<br />

Helene Wold: soprano/Per Andreas Tønder: baritone/Eugene Asti: piano/Vegard Lund: guitar<br />

Songs by Henrik and Frederick Rung, Peter Lange-Müller, Halfdan Kjerulf, Lars Møller Ibsen &<br />

Christian Blom<br />

Roses & Love introduces recently discovered Norwegian/Danish repertoire from <strong>the</strong> 19 th century,<br />

recorded here for <strong>the</strong> first time. The Danish composers presented on this disc were inspired by<br />

Norwegian folk music, and by celebrated Norwegian poets such as Welhaven, Ibsen, and Bjørnson.<br />

The largely forgotten composers Henrik & Fredrik Rung, Lars Möller Ibsen, and Christian Blom are<br />

represented, along with better-known composers like Halfdan Kjerulf and Peter Lange-Müller.<br />

Bastien Baumet, Steven Mead: euphoniums/Sebastien Stein: saxhorn/Géraldine Dutroncy: piano/<br />

Paris Wind Ensemble/Paris Brass Band/Coups de Vents Wind Ensemble<br />

Vladimir COSMA: Euphonium Concerto • Philip SPARKE: Party Piece • Two part invention • James<br />

CURNOW: Symphonic Variants • Daniel D’ADAMO: Pholia<br />

The euphonium—with its charm, velocity, and virtuosity—is <strong>the</strong> wind instrument that has most<br />

evolved <strong>the</strong>se past decades, technically as well as in terms of repertoire!


C.P.E. BACH<br />

Oboe Concertos<br />

Il Fondamento/Paul Dombrecht: director<br />

release date: <strong>June</strong> 12, 2012<br />

C.P.E. BACH: Oboe Concertos, Wq 164 & 165 • Sinfonia, Wq 177<br />

During his lifetime, Carl Philipp Emanuel Bach was <strong>the</strong> most famous member of <strong>the</strong> Bach family,<br />

as <strong>the</strong> writer of a treatise on <strong>the</strong> art of keyboard playing and as a prominent representative of<br />

<strong>the</strong> Nor<strong>the</strong>rn German Empfindamer Stil. The concertos for oboe and strings Wq 164 & 165 are<br />

transcriptions of harpsichord concertos Bach made in Berlin in 1765; <strong>the</strong>y were very probably<br />

performed at a private concert at <strong>the</strong> court of Frederick <strong>the</strong> Great, which counted a number of<br />

excellent oboists including Joachim Wilhelm Dobbert and Johann Christina Jacobi.<br />

Joachim Fontaine<br />

Romantic Organ <strong>Music</strong><br />

Joachim Fontaine: organ<br />

Ludwig BOSLET: Toccata, Introduction & Fugue, Op. 33 • Sonata No. 2 in D minor, Op. 6 • Wilhelm<br />

METZ: Sechs Praeludium en Trio und drei Fugen, Op. 4 (exc.) • Carl Anton Heinich Seegers<br />

“Der pratische Organist” (sel.) • Karl ROEDER: Leichte Choralvorspiele, Op. 1 (exc.) • Zehn leichte<br />

Praeludien für Orgel oder Harmonium, Opp. 26 & 28 (exc.) • Johann Joseph VEITH: Sonate über<br />

den Hymnus “Ad regias dapes,” Op. 12 (exc.) • August WITTBERGER: Elementar-Orgelschule,<br />

Op. 43 (exc.) • Joseph Jouberts “Les Maîtres Contemporains” (exc.) • Hermann KÜSTER:<br />

Leicht ausführbare Vor– und Nachspiele (exc.) • Friedrich GERNSHEIM: Heinrich Trautners<br />

Praeludienbuch zu den Chorlen der christlichen Kirche (exc.)<br />

Performed on one of <strong>the</strong> best organs in <strong>the</strong> Saarland, whose large variety of tone colors makes it<br />

possible to perform a wide range of organ music from German Baroque to French Romantic.<br />

Pyotr Il’yich TCHAIKOVSKY<br />

Liturgy of St. John Chrysostom, Op. 41 in C major<br />

USSR Ministry of Culture State Chamber Choir/Valery Polyansky: conductor<br />

TCHAIKOVSKY: Liturgy of St. John Chrysostom, Op. 41 in C<br />

In early 1878, Pyotr Il’yich Tchaikovsky was seriously captivated with <strong>the</strong> idea of writing a cycle of<br />

choruses to <strong>the</strong> liturgy of St. John Chrysostom. Despite his mixed views on religion, Tchaikovsky<br />

was genuinely interested in <strong>the</strong> ceremony of orthodox service and ideas of Christianity. History has<br />

demonstrated that Tchaikovsky’s Liturgy of St. John Chrysostom is able to exist as both music for<br />

divine service and a piece performed in concert. Thus, it was his experience of creating a liturgical<br />

cycle that stimulated <strong>the</strong> development of author’s spiritual music in all of its diversity of meanings.<br />

passacaille<br />

Cat # PAS 982<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 30<br />

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Querstand<br />

Cat # QuE 1125<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot TBD<br />

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Melodiya<br />

Cat # MYD 1001872<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Jewel Case, Box Lot 30<br />

D U.S. ORDERS ONLY<br />

27


Melodiya<br />

pyotr Il’yich TCHAIKOVSKY<br />

forgotten pages<br />

Cat # MYD 1001736<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 35<br />

FIRST TIME ON CD<br />

D U.S. ORDERS ONLY<br />

Frédéric CHOpIN<br />

richter plays Chopin<br />

Cat # MYD 1001626<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 35<br />

FIRST TIME ON CD<br />

D U.S. ORDERS ONLY<br />

28<br />

release date: <strong>June</strong> 12, 2012<br />

USSR State Academic Symphony Orchestra<br />

Evgeny Svetlanov: conductor<br />

TCHAIKOVSKY: The Storm • Fatum • Hamlet • The Dances of <strong>the</strong> Hay<br />

Maidens from The Voyevoda • Dances of Oprichniks and Women from<br />

The Oprichnik<br />

On CD for <strong>the</strong> first time! This recording of <strong>the</strong> concert devoted to <strong>the</strong> 150 th<br />

anniversary of <strong>the</strong> composer includes some rarely performed compositions<br />

that unveil new dimensions of his talent, and can’t help but arouse <strong>the</strong><br />

keenest interest. The compositions were brilliantly performed at <strong>the</strong> Great<br />

Hall of <strong>the</strong> Moscow Conservatory by <strong>the</strong> USSR State Academic Symphony<br />

Orchestra conducted by Evgeny Svetlanov.<br />

Sviatoslav Richter: piano<br />

CHOPIN: Polonaise-Fantaisie in A-flat, Op. 61 • Scherzo No. 4 in E, Op. 54 •<br />

Waltzes (2) • Mazurkas (4) • Etudes (2) • Scherzo No. 4 in E, Op. 54 • Nocturnes (5)<br />

On CD for <strong>the</strong> first time! As great pianist Sviatoslav Richter recollected, his<br />

love for music was born as a result of <strong>the</strong> impression he received upon hearing<br />

his fa<strong>the</strong>r play Chopin’s Nocturne in Fis-dur; this program is crowned with <strong>the</strong><br />

large scale Fourth Scherzo.


USSR State Symphony Orchestra<br />

Aram Khachaturian: conductor<br />

KHACHATURIAN: Symphony No. 2 in E minor • Fragments from <strong>the</strong> ballets<br />

Gayane and Spartacus, Vol. 2<br />

Along with Shostakovich’s Sixth and Prokofiev’s Fifth, Khachaturian’s<br />

Symphony No. 2—composed in <strong>the</strong> years of <strong>the</strong> Great Patriotic War—was<br />

inspired with genuine humanism and faith in <strong>the</strong> victory. The music<br />

expresses <strong>the</strong> whole gamut of emotions that raged in <strong>the</strong> people’s hearts:<br />

wrath, indignation, sorrow, and solemn lyricism that are replaced with a<br />

festive, life-asserting mood in <strong>the</strong> finale.<br />

This CD also includes fragments from Aram Khachaturian’s ballet Gayane,<br />

and a famous Adagio from <strong>the</strong> ballet Spartacus. The recording was<br />

produced by Melodiya and conducted by <strong>the</strong> maestro himself. The author’s<br />

performance is what makes this recording especially valuable!<br />

Various Soloists<br />

Ministry of Culture Symphony Orchestra<br />

Vladimir Kozhukhar: conductor<br />

TCHAIKOVSKY: The Voyevoda (complete opera)<br />

The Voyevoda, Tchaikovsky’s first opera, was composed to <strong>the</strong> plot of<br />

Alexandr Ostrovsky’s comedy A Dream on <strong>the</strong> Volga. The playwright<br />

planned to write <strong>the</strong> libretto himself, but <strong>the</strong> two men soon found<br />

<strong>the</strong>mselves embroiled in a creative disagreement, and Tchaikovsky<br />

had to finish <strong>the</strong> libretto on his own. Tchaikovsky resumed his work<br />

in late October 1867 at <strong>the</strong> instance of singer Alexandra Menshikova,<br />

performer of <strong>the</strong> role of Marya Vlasyevna, who planned to showcase<br />

<strong>the</strong> opera at her benefit. In July 1868, <strong>the</strong> opera was completed. It was<br />

premiered on October 30, 1869 at <strong>the</strong> Bolshoi Theatre, and was very<br />

well received by <strong>the</strong> audience.<br />

release date: <strong>June</strong> 12, 2012 Melodiya<br />

Aram KHACHATURIAN<br />

symphony no. 2<br />

Cat # MYD 1001706<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 35<br />

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pyotr Il’yich TCHAIKOVSKY<br />

The voyevoda<br />

Cat # MYD 1001869<br />

Price Code: 2R (SRP $35.99)<br />

Number of Discs: 2<br />

Double Digipak, Box Lot 20<br />

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29


Melodiya<br />

Cat # MYD 1001946<br />

Price Code: 2R (SRP $35.99)<br />

Number of Discs: 2<br />

Double Digipak, Box Lot 19<br />

D U.S. ORDERS ONLY<br />

Cat # MYD 1001947<br />

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Double Digipak, Box Lot 19<br />

D U.S. ORDERS ONLY<br />

Cat # MYD 1001716<br />

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Double Digipak, Box Lot 20<br />

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30<br />

release date: <strong>June</strong> 12, 2012<br />

Alexander BORODIN<br />

Complete Symphonies and More Orchestral Works<br />

USSR State Symphony Orchestra/Yevgeny Svetlanov: conductor<br />

BORODIN: Symphony No. 1 in E-flat • Symphony No. 2 in B minor • Symphony No. 3 in A<br />

minor • Petite Suite for Orchestra (orch. Glazunov) • In <strong>the</strong> Steppes of Central Asia • Overture<br />

to Prince Igor<br />

Borodin’s Symphony No. 1, epic in scope and Russian by nature, bears <strong>the</strong> genuine<br />

symphonism of <strong>the</strong> development of <strong>the</strong> major <strong>the</strong>matic grain. It took a long time for him to<br />

write Symphony No. 2, whose premiere performance took place in 1877. He began to work on<br />

<strong>the</strong> Third Symphony in Winter 1883, and <strong>the</strong> work continued up to <strong>the</strong> end of his life. He often<br />

played music of <strong>the</strong> Symphony for his friends, but he didn’t write it down and unfortunately<br />

it remained unfinished. Now we can listen to it, thanks to A. Glazunov, who remembered <strong>the</strong><br />

author’s performing of <strong>the</strong> first movement of <strong>the</strong> Symphony and used Borodin’s Scherzo,<br />

intended initially for a Quartet, for <strong>the</strong> second movement according to Borodin’s will.<br />

Alexander GLAZUNOV<br />

Symphonic Works<br />

USSR State Academic Symphony Orchestra/Evgeny Svetlanov: conductor<br />

GLAZUNOV: The Forest, Op. 19 • The Sea, Op. 28 • Oriental Rhapsocy, Op. 29 • Characteristic<br />

Suite, Op. 9 • Ballet Suite, Op. 52<br />

Alexander Konstantinovich Glazunov (1865–1936) was a Russian composer, conductor, and<br />

public personality. In his works, Glazunov developed <strong>the</strong> traditions established by <strong>the</strong> composers<br />

of The Five, as well as <strong>the</strong> aes<strong>the</strong>tic principles of Pyotr Tchaikovsky, thus combining <strong>the</strong> two<br />

foundations of <strong>the</strong> Russian music—lyric drama and lyric epic. Symphonic compositions of<br />

various genres, from miniatures to symphonies, are <strong>the</strong> core of Glazunov’s musical legacy. This<br />

program features such symphonic fantasias as The Forest and The Sea, performed by <strong>the</strong> USSR<br />

State Academic Symphony Orchestra conducted by <strong>the</strong> celebrated Evgeny Svetlanov.<br />

Pyotr Il’yich TCHAIKOVSKY<br />

Romances<br />

Irina Arkhipova, Elena Obraztsova, Evgeny Nesterenko, Sergei Lemishev, et al.: vocal soloists<br />

TCHAIKOVSKY: Songs<br />

Tchaikovsky’s romances are small poems; touching and sincere pages of <strong>the</strong> composer’s<br />

creative work imbued with <strong>the</strong> philosophy of life. The romances featured on this disc are<br />

performed by such outstanding Russian vocalists as Sergei Lemishev, Irina Arkhipova, Elena<br />

Obraztsova, Evgeny Nesterenko, Nina Fomina, Yuri Mazurok, and Muslim Magomaev.


Various Artists<br />

Anthology of Piano <strong>Music</strong>, Vol. 1<br />

Yuri Favorin, Nikita Mdoyants, Andrey Korobeynikov, Tikhon Khrennikov, Jr.: pianos<br />

Various Artists<br />

Anthology of Piano <strong>Music</strong>, Vol. 2<br />

Luka Okrostsvanidze • Natalia Ruchkina, Asya Korepanova, Mikhail Turpanov, Nikita<br />

Mdoyants: pianos<br />

release date: <strong>June</strong> 12, 2012 Melodiya<br />

MYASKOVSKY: Sonata No. 3, Op. 19 • KHACHATURIAN: Toccata • SHOSTAKOVICH: 24<br />

Preludes, Op. 34 • KHRENNIKOV: 5 Piano Pieces, Op. 2 • Three Piano Pieces, Op. 5 • Portrait •<br />

Marsh • Dance<br />

Firma Melodiya and <strong>the</strong> Tikhon Khrennikov Charitable Foundation present a joint project—<strong>the</strong><br />

Anthology of Piano <strong>Music</strong>, by Russian and Soviet composers! The project was conceived as a<br />

series of 30 discs featuring recordings of recognized masterpieces as well as a revival of unjustly<br />

forgotten compositions. Cat # MYD 1001963<br />

Price Code: R (SRP $17.99)<br />

Number of Discs: 1<br />

Digipak, Box Lot 34<br />

TAKTAKISHVILI: Poem (premiere) • GABICHVADZE: Six Piano Pieces (2 sel.) (premiere) •<br />

KARAEV: Six Preludes • VAINBERG: Sonata No. 5 • POLTORATSKY: Two Preludes & Fugues<br />

(premiere) • BABAJANIAN: Six Pictures<br />

This amazing new series provides a 21 st -century outlook on <strong>the</strong> previous two centuries of<br />

piano music, featuring young virtuosos such as Andrei Korobeynikov, Nikita Mdoyants, Luka<br />

Okrostsvaridze, Asiya Korepanova, Yuri Favorin, Ekaterina Mechetina, and many more. These<br />

young artists did not just perform; <strong>the</strong>y actually took part in compiling <strong>the</strong> series, searching in<br />

<strong>the</strong> music archives for <strong>the</strong> compositions that, in <strong>the</strong>ir opinion, deserved to find a way back to<br />

<strong>the</strong> listeners.<br />

Rodion SHCHEDRIN<br />

Seagull: Ballet in Two Acts<br />

Bolshoi Theatre Orchestra/Alexander Lazarev: conductor<br />

SHCHEDRIN: Seagull (complete ballet)<br />

Rodion Shchedrin’s ballet, a musical interpretation of Chekhov’s Seagull, is an exciting work full<br />

of belief in life and in <strong>the</strong> power of art. The score includes 24 Preludes (<strong>the</strong> main contents of <strong>the</strong><br />

ballet), three interludes, and <strong>the</strong> postlude.<br />

D U.S. ORDERS ONLY<br />

Cat # MYD 1001964<br />

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Number of Discs: 1<br />

Digipak, Box Lot 34<br />

WORLD pREMIERE RECORDING<br />

D U.S. ORDERS ONLY<br />

Cat # MYD 1001683<br />

Price Code: 2R (SRP $35.99)<br />

Number of Discs: 2<br />

Double Digipak, Box Lot 20<br />

D U.S. ORDERS ONLY<br />

31


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