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Black Genesis: The Prehistoric Origins of Ancient Egypt

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eassure us that all is not lost, after all.<br />

We stopped for the night at Carlo Bergmann’s Djedefre Water Mountain. It was too dark to explore it when we<br />

arrived, so we had to wait until dawn. As seen in chapters 2 and 4, we found solar solstice alignments, possibly<br />

prehistoric, and hieroglyphic evidence that added to our designation <strong>of</strong> the place as a sun temple revived from prehistoric<br />

times by expeditions under the reign <strong>of</strong> King Djedefre. After spending a few hours around sunrise inspecting the site and<br />

its surroundings, we again set <strong>of</strong>f southwest for another 100 kilometers (62 miles), which, in these difficult <strong>of</strong>f-road<br />

conditions, is the daily average distance that is reasonable to expect with heavily laden vehicles.<br />

On the way we inspected more prehistoric rock art, particularly on a strange castle-shaped mound where there were<br />

engravings <strong>of</strong> African fauna such as giraffes and elephants. On one such engraving we identified a donkey, which<br />

reminded us that this was the only animal <strong>of</strong> burden available to desert travelers until the domesticated camel was<br />

introduced into <strong>Egypt</strong> in around 500 BCE. That evening we camped at the foot <strong>of</strong> a large dune. It’s difficult to find the<br />

right words to describe a night in such a remote and untouched place—serene, peaceful, perhaps even close to the gods.<br />

On the third day, after we traveled for several hours along the edge <strong>of</strong> the Great Sand Sea and its massive golden<br />

dunes, we arrived at the mysterious stone circle that British explorer Sergeant Ralph Bagnold <strong>of</strong> the Long Range Desert<br />

Patrol discovered by chance in 1930. It was hard to believe that this strange artifact was thousands <strong>of</strong> years old and that<br />

most <strong>of</strong> the heavily eroded standing stones had remained undisturbed for all this time. Yet this is what is most curious<br />

about this particular desert: explorers can find prehistoric stone artifacts simply lying in the sand, as if they had been<br />

placed there that same day. We examined Bagnold Circle and its possible astronomy and artifacts <strong>of</strong> the surrounding area<br />

(see chapter 4). We made camp for the night on a flat sandy area that was about 300 meters (985 feet) from the circle,<br />

which gave us a wonderful opportunity to check the alignments <strong>of</strong> the circle at sunset and at night with the stars. We also<br />

took measurements at sunrise.<br />

<strong>The</strong> next day, we set <strong>of</strong>f again, and after nearly a whole day’s drive, we reached the edge <strong>of</strong> Gilf Kebir. <strong>The</strong> weather<br />

was scorching hot. We drove into a broad valley with a range <strong>of</strong> hills on both sides, and it was obvious that it had rained<br />

very recently, for the floor <strong>of</strong> the valley was covered with a fine duvet <strong>of</strong> green sprigs and a few wildflowers here and<br />

there. It was a beautiful sight, so unexpected in this desert world <strong>of</strong> stark yellow and brown hues. Marai, who had been at<br />

Gilf Kebir many times before, said that he had never seen vegetation here and would honestly not have believed it<br />

possible had he not seen it with his own eyes. According to weather statistics, it rains here only a few millimeters every<br />

twenty years or so.<br />

We stopped the cars and stretched a tarpaulin between two <strong>of</strong> the vehicles to make a shaded area in order to have a<br />

light meal and sleep for a couple <strong>of</strong> hours, thereby avoiding the blistering heat <strong>of</strong> high noon. At last, when the sun was<br />

lower in the sky, we resumed our drive toward the so-called Aqaba Pass. We reached the pass a few hours before sunset<br />

and quickly drove through the massive gash that looks like a stone version <strong>of</strong> the parting <strong>of</strong> the Red Sea: It felt as if at any<br />

minute the high walls would come tumbling down upon us like giant waves. While navigating the s<strong>of</strong>t desert floor <strong>of</strong> the<br />

pass, we had some anxious moments when two <strong>of</strong> our three vehicles bogged down, stuck at the same time. If we had not<br />

been able to free at least one <strong>of</strong> them, our survival would have become precarious, but we managed to get them out, and<br />

we emerged safely on the west side <strong>of</strong> Gilf Kebir and then drove northward, our vehicles skimming the edge <strong>of</strong> the huge<br />

rocky cliffs like tiny cockroaches. <strong>The</strong> landscape is best described as Martian, with strange outcrops <strong>of</strong> brown and reddish<br />

rock and weird sand formations, and we felt as if we were on a lifeless alien planet.<br />

Just as the sun was setting low, we reached the celebrated Wadi Sura, the location <strong>of</strong> the famous Cave <strong>of</strong> Swimmers<br />

discovered by Almasy in 1936. It was growing dark, and Marai gave orders to his crew to set up camp and prepare the<br />

evening meal. Sitting around a campfire, sipping hot tea, we talked <strong>of</strong> the rock engravings and drawings in the cave. We<br />

had seen photographs and the drawings <strong>of</strong> Almasy that showed black-skinned people diving and swimming (hard to<br />

imagine now in this arid region), and others in the art appeared to be dancing, hunting, playing games, and even perhaps<br />

performing religious rituals. Dustin, one <strong>of</strong> the American guests, was celebrating his fortieth birthday, so we decided to<br />

give him a treat by organizing a little celebration at the entrance <strong>of</strong> the cave. <strong>The</strong> spectacle seemed to be in a fairytale<br />

setting, with the stars twinkling brightly over the peaks <strong>of</strong> the cliffs in front <strong>of</strong> the cave and our flashlights bringing to life<br />

the prehistoric drawings. For a little while we were all in an enchanted mood, as if time was standing still, as if we had<br />

perhaps been here before in some very distant time. It was amazing how well-preserved the drawings were, and we gazed<br />

at them for hours, entranced by the mood and the ancient art and talking to each other in whispers so as not to disturb the<br />

usual silence <strong>of</strong> this place. People had been here thousands <strong>of</strong> years ago, and now it was our turn to be here in this<br />

primordial world. As we watched the night slowly give way to day, a shooting star—a meteorite—streaked silently across<br />

the sky. We all knew in our hearts that we would never forget this starry night.

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