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Black Genesis: The Prehistoric Origins of Ancient Egypt

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Djedefre Water Mountain, as Bergamann now called it, is 80 kilometers (about 50 miles) southwest <strong>of</strong> Dakhla oasis<br />

and is now under the supervision <strong>of</strong> <strong>Egypt</strong>’s Supreme Council <strong>of</strong> Antiquities (SCA). Until recently, however, it was<br />

investigated by the German Archaeological Institute in Cairo and the Heinrich Barth Institute <strong>of</strong> the University <strong>of</strong><br />

Cologne. <strong>The</strong> German team reported that the hieroglyphic inscriptions found on the east side <strong>of</strong> the mound mention<br />

several expeditions during the twenty-fifth and twenty-seventh years <strong>of</strong> the reign <strong>of</strong> the pharaoh Khufu, builder <strong>of</strong> the<br />

Great Pyramid at Giza (ca. 2450 BCE). <strong>The</strong>y noted, too, that the name <strong>of</strong> Khufu’s son and successor, Djedefre, is more<br />

prominent and appears alongside (and also within) the so-called water mountain sign, which Bergmann describes as “a<br />

pack <strong>of</strong> horizontal zigzag lines framed by a sharply incised and slightly rounded rectangle, the upper corner <strong>of</strong> which<br />

ending in two small humps.” 30<br />

Figure 2.4. Aerial view <strong>of</strong> Giza pyramids. Note the eastern <strong>of</strong>fset <strong>of</strong> the third/smaller pyramid.<br />

Djedefre Water Mountain also has engraved on its walls rock art, which is clearly prehistoric, for it depicts giraffes,<br />

elephants, and other creatures that since at least 4000 BCE could be found only thousands <strong>of</strong> kilometers farther south in<br />

Africa but must have been here near Dakhla before that date when the Sahara was fertile. Most <strong>of</strong> the prehistoric rock art<br />

and the pharaonic inscriptions are high up on the east face and about 8 to 10 meters (about 26 to 33 feet) above ground<br />

level. <strong>The</strong>y can be reached by an ancient man-made escarpment that leads to a platform cut into the mound. <strong>The</strong> platform<br />

itself faces due east, the direction <strong>of</strong> sunrise, and it is very evident that at dawn on this platform there is astronomical<br />

meaning to this orientation, as we will discuss in chapter 4. <strong>The</strong> most prominent inscription is found dead center <strong>of</strong> the<br />

east face and, inside a rectangle that has two protrusions or peaks at the top, bears the name <strong>of</strong> King Djedefre (see plate<br />

2). This stylized hieroglyph denotes a mountain ( )<strong>The</strong> ancient <strong>Egypt</strong>ians used a very similar sign but with a sun disk<br />

between the two peaks. This ( ) denoted the idea <strong>of</strong> a horizon and a sunrise.<br />

It is thus perhaps relevant to note in passing that Djedefre was the first royal devotee <strong>of</strong> a new solar cult devised by<br />

the priests <strong>of</strong> Heliopolis, and he was also the first pharaoh to incorporate into his name the word Re (the sun god) and to<br />

add Son <strong>of</strong> Re to his royal titles. 31 His (now) truncated pyramid at Abu Ruwash, which stands some 7 kilometers (about<br />

4 miles) north <strong>of</strong> the Giza plateau, is thought by some to have been the first sun temple and, like his mountain temple in<br />

the Sahara, was also made to face the rising sun due east. Clearly, the new symbolism brought into the royal cult by<br />

Djedefre is intensely solar and may have been the stimulus for his successors in the fourth dynasty, such as the pharaohs<br />

Khafre and Menkaure, builders <strong>of</strong> the second and third pyramids at Giza, also to add Re to their names. This new solar<br />

cult was even more prominent with the kings <strong>of</strong> the fifth and sixth dynasties, who built sun temples at Abu Ghorab, a few<br />

kilometers south <strong>of</strong> Giza. Oddly, it was the kings <strong>of</strong> the sixth dynasty whom Harkhuf and his father, Iry, had so diligently<br />

served by finding the way to the kingdom <strong>of</strong> Yam. At any rate, we will take a closer look at all this in chapter 6.<br />

Meanwhile barely a few years after Carlo Bergmann’s discovery <strong>of</strong> Djedefre Water Mountain, another chance<br />

discovery <strong>of</strong> a similar water mountain was made by a German team <strong>of</strong> anthropologists, but this time the site was a<br />

staggering 700 kilometers (more than 400 miles) south <strong>of</strong> Dakhla and deep inside Sudan, adjacent to the town <strong>of</strong><br />

Dongola. To everyone’s surprise this other water mountain contained prehistoric rock art perfectly matching that <strong>of</strong> the<br />

mysterious Djedefre Water Mountain. This rock art was studied by the German anthropologist Rudoph Kuper.<br />

[T]he isolated but identical presentation <strong>of</strong> the water ideograms [near Dongola] more than 700 kilometers south <strong>of</strong>

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