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Black Genesis: The Prehistoric Origins of Ancient Egypt

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Sahara, and their bones were brought back to their home settlement for burial near their ancestors. From this evidence, it<br />

seems that the <strong>Black</strong> people <strong>of</strong> Jebel Ramlah and Nabta Playa ventured far and wide in the Sahara when the climate was<br />

humid and the desert fertile. Could these people be the same as those <strong>of</strong> Jebel Uwainat and Gilf Kebir? Further, could<br />

they all have originated in the mysterious land <strong>of</strong> Yam?<br />

If such thoughts were held by Fred Wendorf and Romuald Schild, then they kept them to themselves as far as we<br />

know. At this stage we cannot help but recall that, in 1923, Ahmed Hassanein encountered a colony <strong>of</strong> black-skinned<br />

people at Jebel Uwainat, and we can also recall the Tebu man who claimed that the prehistoric art that was found there<br />

was his ancestors’. According to the Sahara historian J. L. Wright, these people that Hassanein encountered were Tebu<br />

refugees from the Goran tribe who originally had come from the Tibesti Mountains in northern Chad. 23 Hassanein was<br />

able to confirm this when he wrote, “<strong>The</strong> southern portion <strong>of</strong> the Libyan Desert is inhabited by tribes <strong>of</strong> blacks—Tebu,<br />

Goran, and Bidiat—who are rather more refined in features than the central African negroes.” 24<br />

Unfortunately, before anyone could determine from where these <strong>Black</strong> people at Jebel Uwainat had originated, they<br />

left the region sometime after Hassanein’s visit, never to be seen again. It is probable they returned to the oasis <strong>of</strong> Kufra,<br />

where, from time immemorial some <strong>of</strong> the ancient Tebu lived until the Arab conquest in the eighth century. 25 Were the<br />

ancestors <strong>of</strong> the Tebu, then, those people who were called Temenu by the ancient <strong>Egypt</strong>ians and who, as Harkhuf<br />

reported, were chased by the “Chief <strong>of</strong> Yam” to the “western corner <strong>of</strong> heaven”? Further, could their true place <strong>of</strong> origin<br />

have been far in the southwest, into the highlands <strong>of</strong> northern Chad? Until recently, the answer from <strong>Egypt</strong>ologists and<br />

anthropologists would have been a resounding no—that is, until there came another aficionado <strong>of</strong> the desert to join the<br />

ranks <strong>of</strong> <strong>Egypt</strong>ian Sahara explorers such as Rohlfs Gerhard, Ahmed Hassanein, and Count Lazlo Almasy.<br />

FROM FORD COMPANY TRAINEE TO CAMEL DRIVER<br />

Carlo Bergmann arrived in <strong>Egypt</strong> in the mid-1980s. He was sent there by the Ford Motor Company to complete a<br />

management-training course. After a visit to the camel market in Cairo, Bergmann was so fascinated by these “ships <strong>of</strong><br />

the desert” that he resigned from his job then and there and bought his first camel in order to become a desert explorer.<br />

He set up a base in the oasis <strong>of</strong> Dakhla, increased his camel fleet to twelve, and roamed the desert in search <strong>of</strong> lost oases.<br />

Bergmann was eventually solicited by Dr. Rudolf Kruper <strong>of</strong> the Heinrich Barth Institute to assist him in his explorations<br />

southwest <strong>of</strong> Dakhla. Carlo, however, was not impressed with the way the archaeologists explored from the comfort <strong>of</strong><br />

their four-wheel-drive vehicles. He believed that moving by camel or on foot radically increases the chances <strong>of</strong> spotting<br />

something <strong>of</strong> value. With the desert’s blinding sunlight and a landscape that is much the same everywhere, an explorer<br />

could easily miss seeing even the entrance to a cave unless he vigilantly checked every rock and mound along the way.<br />

Carlo Bergmann also had the advantage <strong>of</strong> a sixth sense regarding where to look for prehistoric artifacts—an ability he<br />

developed after years <strong>of</strong> exploring the desert on foot.<br />

Bergmann knew that Bedouins in the past told stories about a lost temple in the open desert a few days’ march from<br />

Dakhla oasis. <strong>The</strong>y told the British archaeologist Sir Gardner Wilkinson in 1835, “Some ruins <strong>of</strong> uncertain date [were]<br />

discovered about nine years ago by an Arab in search <strong>of</strong> stray camels . . . [and that their ancient] inhabitants are blacks.” 26<br />

Bergmann also knew that Wilkinson had not attempted to verify the story, probably because he discounted it as a tall tale<br />

told by imaginative Arabs. <strong>The</strong> same happened in 1910 to the British engineer and explorer W. J. Harding King, who was<br />

also told by Bedouins <strong>of</strong> a stone temple that existed “eighteen hours journey west <strong>of</strong> Gedida in Dakhla Oasis,” 27 but<br />

much like Wilkinson before him, Harding King dismissed the story as twaddle. Carlo Bergmann, however, took these<br />

stories seriously, and, in 2000, after six attempts to locate the alleged stone temple, he did, in fact, find something that<br />

matched the description and location given to Wilkinson and Harding King.<br />

<strong>The</strong> “stone temple” revealed itself as a conical hill about 30 meters [about 98 feet] high and 60 meters [about 197<br />

feet] in length. On its eastern side there is a natural terrace. This platform, which has an average width <strong>of</strong> 3 meters<br />

[about 10 feet] and a length <strong>of</strong> approximately 35 meters [about 115 feet] is about 7 meters [23 feet] above the<br />

ground and fenced by a dry wall <strong>of</strong> stone slabs. From the distance the place has some resemblance with the<br />

Nabataean rock-palaces and -tombs at Petra. When setting my foot onto the terrace my eyes glanced over a<br />

breathtaking arrangement <strong>of</strong> hieroglyphic texts, <strong>of</strong> cartouches <strong>of</strong> Khufu [Cheops] and <strong>of</strong> his son Djedefre, <strong>of</strong> short<br />

notes from stone-masons, <strong>of</strong> two figures <strong>of</strong> a pharaoh smiting the enemies and <strong>of</strong> enigmatic signs [water mountain<br />

symbols] evidently placed on the rock-face in wilful order. All these engravings were depicted in the midst <strong>of</strong><br />

representations <strong>of</strong> animals and human figures from <strong>Prehistoric</strong> and Old Kingdom times. As pharaoh Djedefre´s

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