Black Genesis: The Prehistoric Origins of Ancient Egypt
Black Genesis: The Prehistoric Origins of Ancient Egypt
Black Genesis: The Prehistoric Origins of Ancient Egypt
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<strong>of</strong> the pyramid, and 12,000 BCE, which represents a date in the remote past that has to do with the beginning or first time<br />
<strong>of</strong> the ancient <strong>Egypt</strong>ians’ history defined with calendrical computations <strong>of</strong> the Sothic cycle and precession cycle <strong>of</strong> the<br />
star Sirius. But is there confirming evidence <strong>of</strong> such long-term date reckoning in <strong>Egypt</strong>ian pyramid designs?<br />
Figure 6.3. Sirius culminated south so that it just met the horizon—as seen from the latitude <strong>of</strong> the Great Pyramid at<br />
Giza.<br />
THE GREAT WALL OF TIME<br />
In <strong>The</strong> <strong>Egypt</strong> Code, we demonstrated that evidence <strong>of</strong> both the Sothic cycle and precession involving the star Sirius could<br />
be found in the elaborate design <strong>of</strong> the step pyramid complex <strong>of</strong> King Djoser at Saqqara or, more precisely, in the design<br />
<strong>of</strong> the gigantic boundary wall that surrounds the complex (see figure 6.4). <strong>The</strong> step pyramid complex is dated to about<br />
2650 BCE and is said to be the very first major architectural complex <strong>of</strong> ancient <strong>Egypt</strong> and, according to many, the oldest<br />
in the whole world. It is one <strong>of</strong> those curious facts <strong>of</strong> history that we actually know the name and function <strong>of</strong> the<br />
architect who was responsible for its design: his name was Imhotep, and he was vizier to King Djoser. According to<br />
pr<strong>of</strong>essor I. E. S. Edwards, “Imhotep’s title ‘Chief <strong>of</strong> the Observers,’ which became the regular title <strong>of</strong> the high priest <strong>of</strong><br />
Heliopolis, may itself suggest an occupation connected with astral, rather than solar observation. . . . It is significant that<br />
the high priest <strong>of</strong> the centre <strong>of</strong> the sun-cult at Heliopolis bore the title ‘Chief <strong>of</strong> the Astronomers’ and was represented<br />
wearing a mantle adorned with stars.” 64<br />
Figure 6.4. Djoser step pyramid complex and Saqqara, showing the massive wall enclosing the compound. Inset: Detail<br />
<strong>of</strong> the reconstructed portion <strong>of</strong> the paneled wall around the main entrance.<br />
In the recently built museum at the reception area at Saqqara, Imhotep is given a place <strong>of</strong> honor, and there are several<br />
statues representing this Leonardo da Vinci <strong>of</strong> the ancient world. His name, titles, and functions are attested on the<br />
pedestal <strong>of</strong> a statue <strong>of</strong> King Djoser. As we have seen, it seems certain that a calendar based on the heliacal rising <strong>of</strong> Sirius<br />
was used since earliest time in <strong>Egypt</strong> and was referred to sometimes as the Sothic calendar. It also seems certain that this<br />
calendar was eventually formally adopted by the Heliopolitan priests, who pinned it to their own newly devised civil<br />
calendar, when a Sothic cycle was made to begin with the New Year’s Day <strong>of</strong> 1 Thoth. It is thus quite possible that it was<br />
Imhotep who introduced the Sothic calendar based on the cycles <strong>of</strong> Sirius, or, as we now strongly suspect, merely<br />
formalized it from an earlier calendar that was already in place with the prehistoric star people <strong>of</strong> Nabta Playa. At any<br />
rate, much evidence supports the view that a Sothic calendar ran parallel to a civil calendar so that they both