Black Genesis: The Prehistoric Origins of Ancient Egypt
Black Genesis: The Prehistoric Origins of Ancient Egypt
Black Genesis: The Prehistoric Origins of Ancient Egypt
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Stele inscriptions, King Djoser (2650 BCE) is informed that “there is a town in the midst <strong>of</strong> the deep surrounded by<br />
Hapy [the Nile], Yebu by name [Elephantine]; It is first [town] <strong>of</strong> the first nome to Wawat [Nubia], [it is known as]<br />
‘Earthly Elevation,’ ‘Celestial Hill,’ and ‘Seat <strong>of</strong> Re’ when he prepares to give life to every face. Its temple’s name is<br />
‘Joy-<strong>of</strong>-life.’ ‘Twin Caverns’ is the water’s name, they are the breasts that nourish all. It is the house <strong>of</strong> sleep <strong>of</strong> Hapy. He<br />
grows young in it in [his time]. [It is the place whence] he brings the flood . . .” 31<br />
<strong>The</strong> author <strong>of</strong> the texts was the high <strong>of</strong>ficial <strong>of</strong> the region, Mater. He duly informs King Djoser that the ideal flood is<br />
when the water level reaches “twenty-eight cubits high at Elephantine [and that] he [the Nile] passes [the town <strong>of</strong>] Semabehdet<br />
at seven [cubits].” 32 <strong>The</strong> name Semabehdet is that <strong>of</strong> the Seventeenth Nome <strong>of</strong> Lower <strong>Egypt</strong>, which borders the<br />
coastline <strong>of</strong> the Mediterranean, some 920 kilometers (572 miles) downstream from Elephantine as the crow flies. Today<br />
it is called Tell Balamun. <strong>The</strong> difference in the level <strong>of</strong> the Nile between Elephantine and Tell Balamun is about 85<br />
meters (279 feet). This provides the natural fall from south to north, allowing the river to flow northward at about 16<br />
knots. 33 A sudden rise <strong>of</strong> 28 cubits, nearly 14 meters (46 feet), at Elephantine would bring about a rush <strong>of</strong> water, causing<br />
the banks to overflow and the water to flood the adjacent land. Even so, the flooding <strong>of</strong> the land could be somewhat<br />
controlled—but any higher water levels would cause overflooding and untold structural damage to the land and crops.<br />
Any flooding lower than necessary would cause a drought that could lead to food shortage and, eventually, famine. It was<br />
thus crucial that some sort <strong>of</strong> early warning system be installed, hence the nilometer.<br />
Although the nilometer at Elephantine was far from being the refined hydraulic instrument that we would use today,<br />
it gave a good indication <strong>of</strong> what type <strong>of</strong> flood to expect. Part <strong>of</strong> the early warning system came from the stars. Around<br />
early June, as the sun approached its most northerly rising at the summer solstice, the constellation <strong>of</strong> Orion appeared<br />
again at dawn in the east, followed by Sirius. At this time <strong>of</strong> year, the nilometer was watched with great care. No wonder,<br />
then, that the temple <strong>of</strong> Satis, divine protector <strong>of</strong> the Nile and the flood, from where <strong>of</strong>ficials monitored the rising <strong>of</strong><br />
Orion and Sirius, was located only a short distance away from the nilometer <strong>of</strong> Elephantine. Intriguingly, Ron Wells<br />
showed that the ancient designers <strong>of</strong> the temple seemed to have demarcated the two extreme variations <strong>of</strong> the Big Dipper<br />
constellation as it revolved around the north celestial pole. We can recall how the stars <strong>of</strong> this particular constellation, as<br />
well as those <strong>of</strong> Orion and Sirius, were specifically used by the star people <strong>of</strong> Nabta Playa. Yet can such astronomical<br />
similarities be regarded as evidence <strong>of</strong> a progressive cultural link between Elephantine and Nabta Playa?<br />
A new trend in archaeology and cultural anthropology is open to what has been loosely termed nontangible<br />
evidence, which, as its name implies, cannot be physically evaluated—it does not, for instance, include artifacts.<br />
Nonetheless, conclusions are valid because they can be reasoned to be so—there is a sort <strong>of</strong> silent eyewitness account<br />
from the past. Astronomical evidence is nontangible regarding understanding ancient cultures, especially in the case <strong>of</strong><br />
ancient <strong>Egypt</strong>. It has been known for some time that the ancient <strong>Egypt</strong>ians performed a very important ritual for aligning<br />
their religious monuments toward the sun and stars. From earliest times, they performed a ceremony called stretching the<br />
cord to align royal pyramids and temples. This ceremony, which we have seen in chapter 4, required the participation <strong>of</strong><br />
the pharaoh and a priestess, who assumed the role <strong>of</strong> a deity called Seshat.<br />
<strong>The</strong> goddess Seshat was unique among all the other goddesses <strong>of</strong> ancient <strong>Egypt</strong> in that she was said to be supremely<br />
pr<strong>of</strong>icient in the sacred sciences, particular astronomy and sacred architecture. Depicted as a slender woman, Seshat was<br />
especially venerated by scribes, for she was also the patroness <strong>of</strong> the sacred hieroglyph writing and keeper <strong>of</strong> the royal<br />
annals. 34 Her companion-husband was Thoth, the god <strong>of</strong> wisdom and astronomy, and she <strong>of</strong>ten appears next to him on<br />
temple reliefs. Such a prestigious union gave Seshat enormous status and respect. Nonetheless, her most important role<br />
was participating with the kings in the stretching the cord ceremony to establish the four corners <strong>of</strong> temples and pyramids<br />
and to align them toward specific stars, usually the Big Dipper. In this capacity, Seshat is always shown in a leopard-skin<br />
dress with spots that are sometimes shown as stars, which is apparently symbolic <strong>of</strong> her ability to see in the dark, like the<br />
leopard. 35 On her head, Seshat is depicted wearing a golden tiara with a seven-pointed star or rosette. Her many epithets<br />
included Foremost in the Library, Mistress <strong>of</strong> Writing in the House <strong>of</strong> Life, Keeper <strong>of</strong> the Royal Annals, and Lady <strong>of</strong> the<br />
Stars. 36 <strong>The</strong> French scholar Anne-Sophie Bomhard, an expert on the ancient <strong>Egypt</strong>ian calendar, writes, “<strong>The</strong> recognition<br />
<strong>of</strong> the annual cycle and its definition, the linking <strong>of</strong> celestial phenomena to terrestrial happenings, are essential<br />
preliminaries to establishing any kind <strong>of</strong> calendar. This enterprise requires long prior observations <strong>of</strong> the sky and the<br />
stars, as well as the recording, in writing, <strong>of</strong> these observations, in order to verify them over long periods <strong>of</strong> time. It is<br />
quite natural, therefore, that the divine tutors <strong>of</strong> Time and Calendar should be Thoth, God <strong>of</strong> Science, and Seshat,<br />
Goddess <strong>of</strong> Writings and Annals.” 37