- Page 1 and 2: Violence Late Buddhist Sculpture fr
- Page 4 and 5: Violence and Serenity Late Buddhist
- Page 6: contents vii Acknowledgments ix A N
- Page 9 and 10: sians helped me find my way during
- Page 12: ulers of the singasari and majapahi
- Page 15 and 16: figure i.1. Bhairava, mid-fourteent
- Page 17 and 18: most important issues faced by hist
- Page 19 and 20: figure i.4. Central and East Java r
- Page 21 and 22: major archaeological sites in Sumat
- Page 23 and 24: in Java were probably not the objec
- Page 25 and 26: with the attributes of the Aks ˙ o
- Page 28 and 29: Chapter One The Development of Budd
- Page 30 and 31: curement of magic powers. Several o
- Page 34 and 35: originated from Anurādhapura in Sr
- Page 36 and 37: Chapter Two Joko Dolok and the Poli
- Page 38 and 39: figure 2.2. Joko Dolok, rear of fig
- Page 40 and 41: figure 2.3. Meditating monk, mid-ni
- Page 42 and 43: two realms, Janggala (later known a
- Page 44 and 45: initiation into that cult.24 It is
- Page 46 and 47: the eighth and tenth centuries, hav
- Page 48 and 49: The divinities Wairocana and Locan
- Page 50 and 51: which some scholars contend contain
- Page 52 and 53: Whether the mantras got their power
- Page 54 and 55: Aks ˙ obhya is an embodiment of th
- Page 56 and 57: in the Nāgarakr ˙ tāgama, was pr
- Page 58 and 59: other than chronological were used.
- Page 60 and 61: figure 2.9. Seated male (Jayavarman
- Page 62: epresents Kr ˙ tanagara, it would
- Page 65 and 66: figure 3.1. Prajñāpāramitā (sam
- Page 67 and 68: and two thicker plain bands. At the
- Page 69 and 70: Diana Paul writes that certain deit
- Page 71 and 72: figure 3.2. Prajñāpāramitā, ca.
- Page 73 and 74: figure 3.5. Headless Prajñāpāram
- Page 75 and 76: figure 3.6. Prajñāpāramitā, hea
- Page 77 and 78: oots. On either side, one stem of t
- Page 79 and 80: figure 3.11. Prajñāpāramitā, ch
- Page 81 and 82: figure 3.12. Prajñāpāramitā, ha
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saw her and was captivated.51 This
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We do not know what is meant by the
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elief in a transitional period afte
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figure 3.14. Vis ˙ n ˙ u on Garud
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figure 3.15. Standing female deity,
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artist to depict an individual? Or
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figure 3.16. Prajñāpāramitā, la
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Chapter Four The Many Roles of the
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are convincing. Other temples with
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sculpture; images from the Majapahi
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figure 4.4. Head of Amoghapāśa, C
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with a short and stout body. He has
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figure 4.8. Sudhanakumāra, ca. 126
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figure 4.12. Hayagrīva, detail of
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figure 4.15. Amoghapāśa, inscript
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figure 4.17. Aks ˙ obhya, Ratnasam
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figure 4.19. Narrative relief from
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armed forms date no later than the
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generally posed in a stiffer stance
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figure 4.21. Amoghapāśa, second h
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figure 4.22. Amoghapāśa, Pura Pus
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scholars had posited that candi wer
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Pigeaud, pratisthā, a word meaning
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seems that the daughter does not se
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figure 4.23. Amoghapāśa plaque, i
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figure 4.24. Amoghapāśa (same as
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the base of the stele. Amoghapāśa
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figure 4.27. Saptaratna, proper rig
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date through a series of complex as
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Marie Thérèse de Mallmann also no
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In mainland Southeast Asia, especia
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Chapter Five A Charnel House of Ima
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ituals of esoteric Buddhism and tha
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the statue was made locally.13 The
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Blood flowed down, smelling badly,
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figure 5.5. Heruka, ca. eleventh ce
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figure 5.6. Lokanātha and Tārā,
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Batak language to argue that the ki
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figure 5.8. (Above) Statuary at Pad
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figure 5.10. Head of a dvārapāla,
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figure 5.14. Relief of figure with
- Page 166 and 167:
figure 5.18. (Above) Reliefs, Biaro
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pose) and carrying a khat ˙ vān˙
- Page 170 and 171:
While other evidence suggests that
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conquest, but that violence was the
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following uses: “To make the rain
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dense (if rapidly vanishing) forest
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Buddha (as lord teacher) and his di
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Chapter Six The National Museum’s
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of the statue, I will show the uniq
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figure 6.3. Side view of figure 6.2
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figure 6.6. (Left) Mahākāla, ca.
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of the back slab is missing; presum
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slightly splayed, and with one arm
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figure 6.11. The door guardians Nan
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figure 6.14. (Above) Gan ˙ eśa, c
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figure 6.17. Gan ˙ eśa, fourteent
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figure 6.18. Bhairava, ca. 1300, fr
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figure 6.20. Pārvatī and retinue,
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peacock, evidently representing Kā
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dence for this supposition. A few e
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figure 6.25. West Sumatra ing a twe
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the base of the Amoghapāśa sculpt
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ents and family from this world to
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Sumatran cousin and displays a slig
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The Sumatran bhairava has both a mu
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The first part of the inscription g
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spread throughout much of Sumatra,
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figure 6.31. Minang dagger figure 6
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Puluah Kota region. There are hundr
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figure c.1. Ken Dedes, 1975, by Jim
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ava from Sungai Langsat have no dou
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Notes Abbreviations BEFEO Bulletin
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ut also compiled the biographies of
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of the Asiatic Society (Calcutta),
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Mandala?” East and West 46.3-4 (1
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26. Ibid. Chandra associates Mahāk
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66. Ibid. 67. W. H. Rassers, “Śi
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98. J. E. van Lohuizen-de Leeuw,
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pointing upward, led Rouffaer to co
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67. Robert F. Hefner, Hindu Javanes
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Candi (Leiden: KITLV Press, 1990);
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use of lotus plants, the fillet and
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92. Pigeaud, Java in the 14th Centu
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135. Marie Therese de Mallmann, Int
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22. Canto 125 of Santoso, Sutasoma,
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simply that Śrīvijaya was an irri
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For more criticism of Marco Polo, s
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fourteenth centuries. C. M. Pleyte,
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locally. Stanley J. O’Connor, “
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awarman is mentioned in the Kubu Ra
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Java. Java is never mentioned, and
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out to carry off a head, for instan
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Benda, Harry Jindrich, and John A.
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1500.” In The Cambridge History o
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travels in India and Ceylon (A.D. 3
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——— . “Het Sanskrit-inschri
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——— . “Ganesha van de Berg
- Page 283 and 284:
Oey, Eric M., ed. Sumatra: Island o
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Lembah Sungai Batanghari.” In Sem
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Tambiah, Stanley J. The Buddhist Co
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Illustration Credits Any photograph
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index Page numbers in bold indicate
- Page 294 and 295:
also Heruka statue (Biaro Bahal II)
- Page 296 and 297:
Dīpam˙ kara Buddha: footprints, 2
- Page 298 and 299:
Klokke, Marijke, 45, 77-78 Korawasr
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20, 105; of rulers to ancestor temp
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Jago, 92-94, 94, 97; Mongol-Tibetan
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Production Notes for Reichle | viol