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Violence and Serenity: Late Buddhist Sculpture from Indonesia

Violence and Serenity: Late Buddhist Sculpture from Indonesia

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y hearing his name, an extraordinary faith <strong>and</strong> devotion arose in him.<br />

Greatly affected in mind, he joined a group of merchants on their way to<br />

get precious stones <strong>from</strong> Golden Isl<strong>and</strong>, <strong>and</strong> set out in a great ship.”34<br />

The only <strong>Buddhist</strong> text that has survived <strong>from</strong> Śrīvijaya is entitled Durbodhāloka<br />

<strong>and</strong> is attributed to Dharmakīrti. It exists only in a Tibetan trans-<br />

lation by Atīśa completed under the patronage of a king named Cūd ˙ āman ˙ -<br />

ivarman.35 This same king is also mentioned in the grant called the Great Charter<br />

of Leiden of the Cōl ˙ a king Rājarāja I that was found near Nāgapat ˙ t ˙ inam<br />

in South India.36 According to that inscription, Māravijayōttun˙gavarman,<br />

the son of Cūd ˙ āman ˙ ivarman, constructed a vihāra (monastery) in his father’s<br />

name at that location.37 Once again we have evidence of an <strong>Indonesia</strong>n ruler<br />

establishing a monastery in India; presumably the number of pilgrims <strong>from</strong><br />

the archipelago was sufficient to warrant such a construction.<br />

Despite this evidence of the royal support of Buddhism by Śrīvijayan rulers<br />

both at home <strong>and</strong> abroad, the material evidence of <strong>Buddhist</strong> practices in Sumatra<br />

itself is far less substantial than one would expect. Reasons for the relatively<br />

small number of artifacts found in Sumatra as compared to Java could<br />

be in part attributed to different settlement patterns, <strong>and</strong> show the real need<br />

for continued excavation in Sumatra. Nik Hassan Shuhaimi has documented<br />

many of the early <strong>Buddhist</strong> artifacts in his theses on the art of Sumatra <strong>and</strong><br />

the Malay Peninsula.38<br />

After the decline of the Śrīvijayan empire, remnants of tantric <strong>Buddhist</strong><br />

beliefs can be seen in the inscriptions <strong>and</strong> sculpture of Ādityawarman, the<br />

Malāyu king who ruled in West Sumatra in the fourteenth century. These<br />

works, which will be discussed in the chapters to follow, represent the last traces<br />

of the long tradition of Buddhism in Sumatra; by the time of Ādityawarman’s<br />

death, much of the isl<strong>and</strong> had already begun to convert to Islam.<br />

Buddhism in Java<br />

In Java we see less of a continuum of evidence of <strong>Buddhist</strong> practice. Recent<br />

excavations in West Java indicate the presence of stūpa-shaped structures <strong>and</strong><br />

<strong>Buddhist</strong> votive tablets at the site of Batujaya, about forty kilometers east of<br />

Jakarta.39 This site is associated with the fifth-century kingdom of Taruma, although<br />

the <strong>Buddhist</strong> remains likely date <strong>from</strong> the seventh or eighth century.<br />

The earliest <strong>Buddhist</strong> statues found in the archipelago depict st<strong>and</strong>ing<br />

buddhas in a style that has been associated with Amarāvatī, but most likely<br />

20 | chapter one

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