Archaeology and nature: hyblean cultural landscape and territorial ...

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Therefore, the particular concern towards those materials whose reasoned employment, enhancing their features of resistance, enables an unusual use for contemporaneity, even if strongly rooted in the past, contributing to the realization of architectonic structures that are easily disposable and recyclable, and therefore eco-sustainable. The research work by Shigeru Ban is undertaken in this direction. Ban addresses his structural research towards paper and cardboard, materials of the Japanese building tradition, re-evaluated not only for obviously functional creations, but also authentically formal ones, based on a contemporary aesthetic that counts on the rationality of geometry and that is grounded on the affirmation “all that is logical is possible, and I can realize it if I manage to show it”. [6] "The use of paper structures led to a very free system of thought about composition and methodological research. Ban affirm: this freedom is what allows me to take so much pleasure in what I do, allowing me to search for lightness in architecture through the study of structures, materials and all can be reduced and diminished in quantity. This demonstrates a great deal of trust in man's critical abilities, in the ability to offer incentives, united with the skills of rationality that are typical of man as engineer, who builds in order to respond to needs, not only functional, but also a search for a new aesthetic that is forever filled with great enthusiasm and a positive attitude". [6] Once again, they are possibilities bound to reason, allowing the transversal exchange between the idea and the signs of environment and that are realized in architectonic objects that stimulate human perception and the relationships with the context, triggering verification processes and activating a development based on human potential that is closely interrelated with the environment. Fig. 5: Shigeru Ban, Japan Pavillon, Hannover Expo 2000. 1163
3. Sustainable morphology as integral to the signs of iterative and matrix phenomenal realities (G. Taibi) Very often it happens to have to take account of the consistency of widespread phenomenal realities, the fruit of the creative process of man that is manifested in a simple and spontaneous way. Such are cases ascribable to the translation in architectonic terms of required apparatus, crudely expressed by those describing in practical terms that which represents necessary needs. The mind engages in this fertile activity, carrying out a system of appropriateness between necessity and areas, planimetric and volumetric, according to the space available. In all this, the human mind unconsciously also takes account of external factors, such as accessibility from the outside and the relationship of visual communication with the surrounding environment, which unequivocally tend to affect the articulation of his habitat. We thus witness an expressive freedom that is, with certainty, detached from the competence of operators in that field, experts in the morphologic composition of making architecture. In reality – it being understood that innovative processes and transformations that determine progress in the various fields of knowledge, art and technique are surely the outcome of those constructive qualities of the imagination, of fantasy - the product of creativity must be interfaced with the reality of the reference context. Fig. 7: The site suggests. Emilio Ambasz, Schlumberger Research Laboratories, Austin, USA, 1982. Everything must be brought into play in a very broad and shared concept, namely with appropriateness to the typology of the topos. In practice, one faces a situation attributed to the systemic entirety of the complexity that plays a certain and determining role in the issue of sustainability in the morphologic order of architecture; sustainability that, generally, concerns a subject, whose interpretation is by vocation very broad and surely very close to conservation and the prospects of compatible development of the territory. “It must in any case be recognized that at every historical moment, human activity, notably that of building, has set out to satisfy present requirements, implanted in some way in the groove of the former ones, but only where it could acknowledge their permanent validity, and projected towards the future, but only where it might augur a real expectation of advantage.” [7] We must fundamentally reflect on the conditions with respect to which the human being, in expressing himself by producing morphologies adapted to the needed apparatus of the individual and grafted onto the 1164
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Archaeology and nature: hyblean cul
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2. Kaukana project: territorial reg
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The main goal of the planning inter
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The Time of Flight 3d laser scanner
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Fig. 12-13: The archaeological land
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Industrial heritage, collective ide
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vertical reduction of market prices
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Fig. 3: The mining site of Grottaca
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Fig. 5: Laser scan 3D of the Pozzo
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Fig. 6: Palazzo Pennisi. meanings,
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Le tanneries di Barjols: uno spazio
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Fig. 2 - Piano del quartiere delle
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Fig. 4 - Sviluppo verticale anni ci
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Riferimenti bibliografici [1] AA.VV
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to compact settlements, in which th
Page 31 and 32: Fig. 4: Maiori, plan 1848. Fig. 5:
Page 33 and 34: Fig. 8: Furore,Conca dei Marini and
Page 35 and 36: Fig. 10: Positano. 4. The mountain
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Page 39 and 40: The urban development of the lower
Page 41 and 42: Fig. 2: Roman time, overlap Paget h
Page 43 and 44: Fig. 4: 3D model, a. Greek time, b.
Page 45 and 46: Fig. 6: Acropolis of Cuma Overlappi
Page 47 and 48: We think that 3D PDF could be an us
Page 49 and 50: having an infrastructure in a certa
Page 51 and 52: Cana le Pic. 3 Territorial context
Page 53 and 54: Shape: 1. Bridge dimensions and sha
Page 55 and 56: AUGÉ Marc. Nonluoghi - introduzion
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Page 59 and 60: Tehran’s outskirt Fig.4, 5: Agric
Page 61 and 62: Appropriate interaction among urban
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Page 65 and 66: 5. Conclusion Restoration of biodiv
Page 67 and 68: irrepressible expression of a cultu
Page 69 and 70: The competition titled Pylons of th
Page 71 and 72: Fig. 9: An iconographic repertory o
Page 73 and 74: Camillo Sitte meets Robert Venturi
Page 75 and 76: Fig. 1: Berlin southern beltway at
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Page 79 and 80: To safeguard fertile, dynamic and a
Page 81: “The loss of place, asserts Chris
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Page 89 and 90: emember our past. The relationship
Page 91 and 92: State’s social offer (health, edu
Page 93 and 94: Besides, the achievements of this u
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