Archaeology and nature: hyblean cultural landscape and territorial ...

More documents

Recommendations

Info

Fig. 4: Pass Partout accommodating “spaces of low” and “places” of neighborhood life. The void mediates between allotment gardens and big box retail. Illustrations 2/3/4/ Competition design entry for Europan9, Berlin Südkreuz, 2007 Team: Anna Viader, Joachim Schultz, Jorg Sieweke; assistant: Ben Gutsche Fig. 5: Lidl obeys to Amsterdam zoning code (photo by Author) Bibliographical References [1] SITTE, Camillo: Der Städtebau nach seinen künstlerischen Grundsätzen: Basel/Boston/Berlin 2001 (orig. pub. 1889; reprint of 4th ed. of 1909), pp. 6 and 2; translated by George R. Collins and Christiane Crasemann Collins as City Planning according to Artistic Principles, New York 1965, pp. 6 and 3. [2] VENTURI, Robert / SCOTT BROWN, Denise / IZENOUR, Steven: Learning from Las Vegas. Cambridge, MA 1972 [3] CASTELLS, Manuel: “The Space of Flows,” in: idem: The Rise of the Network Society. Malden, MA, 1996, pp. 407–459.This concept from Manuel Castells, who coined the phrase “space of flows,” is highly abbreviated here to the material nodes of a global network in which transnational flows of capital and information are the focus but which is also dependent on appropriate physical infrastructure. The distinction between flows and spaces made in this essay is also taken from Castells, which the aforementioned qualification. [4] Competition design entry for Europan9, Berlin Südkreuz, 2007. Competition team: Anna Viader, Joachim Schultz, Jorg Sieweke; assistant: Ben Gutsche 1157
The design of sustainability in relation to innovative modernity and identity features of place Giacinto TAIBI 1 , Rita VALENTI 1 , Mariangela LIUZZO 2 1 DARC, Facoltà di Architettura, sede di Siracusa, Università di Catania, Italia 2 Facoltà di Ingegneria Architettura e Scienze Motorie, Università di Enna “Kore”, Italia E-mail: giacinto.taibi@gmail.com, ritam.valenti@gmail.com, mariangela.liuzzo@libero.it Abstract The lack of a deep sense of responsibility and respect for the distinctive features of place, to which the production of practising architecture must make reference, very often produces designs of compositional morphologies that are not fitting and inadequate to the geographic nature of the topos, with heavy repercussions of environmental degradation on the sustainable ecosystems. The entire apparatus of signs that the territory manages to express must be constructive and strongly determining in the definition of the strategies that should guide and support the whole procedure of the stages of creative thought. In this sense, proceeding from the first intuitions that have come about through the accurate representative transpositions on paper, the entire successive process revolves around the compatible ratio with the ecosustainability of the place, that unites the planned intervention with the area of land. The materialization of innovative modernity, through the volumetric control of the parts and in relation to a framework of systemic congruence, is realized in a frettage of iterative relationships between what is full and its contrary. Accordingly, given the close bond between design and plan, precisely that we are today experiencing a moment of profound instrumental changes, the complexities of the outcomes of innovative designs, seen within the evolution of the creative processes, become qualities to investigate and understand, in a systemic way, with an introspective eye. Keywords: Environment, Topos, Morphology, Sign, Sustainability 1. The design-concept process and the signic imaginary as impulse of the creative act (M. Liuzzo) Today more than ever, the life of the human species is conditioned, besides by the course of natural phenomena and impact of forces of a higher order, by consequences that are not always governed by political-decisional logic, which, from the global to the local and individual scale, are unfortunately not always accompanied by a conscious assumption of responsibility. Inevitably, at the manifesting of needs and requirements, in the first instance Man resorts to instinct and cultural resources, able to trigger that logical-ideational process taking place in the complexity of the articulate functions of the brain. Here, a fascinating and to a certain extent still mysterious, organizational structure is housed, made up of different interacting reticular areas, heading up on one hand a logical mind, situated in the left hemisphere, rational, sequential, mathematical, that organizes information and communications, and on the other, an emotional mind, that occupies the right hemisphere, irrational, intuitive, creative and oneiric. [1] 1158
Page 1 and 2:
Archaeology and nature: hyblean cul
Page 3 and 4:
2. Kaukana project: territorial reg
Page 5 and 6:
The main goal of the planning inter
Page 7 and 8:
The Time of Flight 3d laser scanner
Page 9 and 10:
Fig. 12-13: The archaeological land
Page 11 and 12:
Industrial heritage, collective ide
Page 13 and 14:
vertical reduction of market prices
Page 15 and 16:
Fig. 3: The mining site of Grottaca
Page 17 and 18:
Fig. 5: Laser scan 3D of the Pozzo
Page 19 and 20:
Fig. 6: Palazzo Pennisi. meanings,
Page 21 and 22:
Le tanneries di Barjols: uno spazio
Page 23 and 24:
Fig. 2 - Piano del quartiere delle
Page 25 and 26: Fig. 4 - Sviluppo verticale anni ci
Page 27 and 28: Riferimenti bibliografici [1] AA.VV
Page 29 and 30: to compact settlements, in which th
Page 31 and 32: Fig. 4: Maiori, plan 1848. Fig. 5:
Page 33 and 34: Fig. 8: Furore,Conca dei Marini and
Page 35 and 36: Fig. 10: Positano. 4. The mountain
Page 37 and 38: which the driving force derived fro
Page 39 and 40: The urban development of the lower
Page 41 and 42: Fig. 2: Roman time, overlap Paget h
Page 43 and 44: Fig. 4: 3D model, a. Greek time, b.
Page 45 and 46: Fig. 6: Acropolis of Cuma Overlappi
Page 47 and 48: We think that 3D PDF could be an us
Page 49 and 50: having an infrastructure in a certa
Page 51 and 52: Cana le Pic. 3 Territorial context
Page 53 and 54: Shape: 1. Bridge dimensions and sha
Page 55 and 56: AUGÉ Marc. Nonluoghi - introduzion
Page 57 and 58: productive landscape design restric
Page 59 and 60: Tehran’s outskirt Fig.4, 5: Agric
Page 61 and 62: Appropriate interaction among urban
Page 63 and 64: Allotment garden: is designed for t
Page 65 and 66: 5. Conclusion Restoration of biodiv
Page 67 and 68: irrepressible expression of a cultu
Page 69 and 70: The competition titled Pylons of th
Page 71 and 72: Fig. 9: An iconographic repertory o
Page 73 and 74: Camillo Sitte meets Robert Venturi
Page 75: Fig. 1: Berlin southern beltway at
Page 79 and 80: To safeguard fertile, dynamic and a
Page 81 and 82: “The loss of place, asserts Chris
Page 83 and 84: 3. Sustainable morphology as integr
Page 85 and 86: In truth, we are witnessing today -
Page 87 and 88: Recognizing Cultural Heritage for S
Page 89 and 90: emember our past. The relationship
Page 91 and 92: State’s social offer (health, edu
Page 93 and 94: Besides, the achievements of this u
Page 95 and 96: evident the impact the park had on
show all

Archaeology and nature: hyblean cultural landscape and territorial ...

Create successful ePaper yourself

Delete template?

Save as template?