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Archaeology and nature: hyblean cultural landscape and territorial ...

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irrepressible expression of a <strong>cultural</strong> identity. Every l<strong>and</strong>scape, both natural <strong>and</strong> <strong>cultural</strong>, both excellent <strong>and</strong><br />

degraded, represents a life framework for the affected population, which has a profound effect on the quality<br />

of live.<br />

In this perspective we emphasize the importance of the coherence that every <strong>territorial</strong>izing act must have to<br />

not potentially dissolve the unity of expression of the place. When a series of inappropriate interventions, <strong>and</strong><br />

dissonant transformations takes place on a l<strong>and</strong>, the image of the l<strong>and</strong>scape related to these places end up<br />

to be gradually unreadable, with the consequent failure of recognition by the community. This produces<br />

consequent effects of further deterioration, such as v<strong>and</strong>alism but also disintegration <strong>and</strong> social distress.<br />

Much of the responsibility of the irreversible destruction or degradation products on our contemporary<br />

l<strong>and</strong>scapes is a consequence of the indisputable primacy of economy, ideology conceived as an immediate<br />

profitability, regardless of intangible meanings like beauty or preservation of memory, <strong>and</strong> myopic in respect<br />

of long-term effects of today's actions.<br />

The domain of technical knowledge has led to a desecration of centuries-old aesthetics culture of <strong>nature</strong> <strong>and</strong><br />

l<strong>and</strong>scape, allowing self-centered <strong>and</strong> indiscriminate uses of it, <strong>and</strong> therefore abuses: our contemporary<br />

l<strong>and</strong>s are covered with all sorts of infrastructure, settled with arbitrary shape, size <strong>and</strong> location, without any<br />

relation to the image of those places, stratified for centuries.<br />

Heroic symbols of modernity in the first half of the XX century, the infrastructure has today become the<br />

mainstream support for a process of technical <strong>and</strong> technological upgrading of the territory to the needs of our<br />

contemporary society.<br />

Barely tolerated by virtue of the essential function performed, the mobile repeaters, antennas <strong>and</strong> pylons of<br />

power lines, is an arrogant presence, unable to communicate with the l<strong>and</strong>scape.<br />

In a similar way, it was demonstrated that, although in general there is considerable support for the<br />

dissemination of renewable sources of energy, at the local communities often perceived negatively the<br />

installation because of their strong impact on l<strong>and</strong>scape.<br />

Like everything related to the physical modification of a territory by man, the infrastructure must necessarily<br />

go back to be a topic of architecture.<br />

An urgent <strong>and</strong> necessary discussion can be carried out from underst<strong>and</strong>ing the progressive distance that is<br />

currently emerging from the infrastructure projects, on one side, <strong>and</strong> the tradition of urban design on the<br />

other. The principle of identity <strong>and</strong> recognizability of the infrastructure plan, that provides to prefigures the<br />

degree of compatibility <strong>and</strong> transformability of a territory, must necessarily be acquired awareness by the<br />

designer: what pertains to the perceived size of the l<strong>and</strong>scape must plays a decisive role in the plan, like the<br />

functionality, cost <strong>and</strong> safety of the works: the infrastructure design must adapt itself to different l<strong>and</strong>scapes<br />

traversed, as an essential prerequisite for assessing the quality of a plan.<br />

2. L<strong>and</strong>scape of new energies<br />

The research for a balance between energy needs, the l<strong>and</strong>scape <strong>and</strong> the environmental safeguard, has<br />

recently characterized a new line of experimentation for Terna S.p.A., company responsible in Italy for the<br />

transmission <strong>and</strong> dispatching of electricity on the grid at high <strong>and</strong> highest voltage throughout the country, in<br />

finding appropriate solutions to ensure the country the power it needs with optimal reliability, cost <strong>and</strong><br />

environmental sustainability.<br />

They have adopted several methods of modern bioengineering, by exclusive use of native species of bushes<br />

<strong>and</strong> trees, to mask the sites of power stations, especially of new edification, as well as the attempts to<br />

camouflage the pylons of power lines. All these expedients, however, clearly indicate how much unrelated<br />

the infrastructure is into the l<strong>and</strong>scape. The reasons for the dissonance between l<strong>and</strong>scape <strong>and</strong><br />

infrastructure are often structural <strong>and</strong> irreconcilable with the simple mitigation measures.<br />

Terna S.p.A. has also recently cast an interesting competition for ideas, to conceive <strong>and</strong> to plan new pylons,<br />

with low environmental impact, by combining innovation, technology <strong>and</strong> design for a sustainable<br />

development of the transmission grid, in order to satisfy both the needs of the electrical system <strong>and</strong> the<br />

respect of the l<strong>and</strong>scape. In fact, the functionality may be declined in various forms through the aesthetic<br />

research, such as happens with the new high-voltage pylons which are intended to renew progressively<br />

kilometers of old high voltage power lines.<br />

The high-voltage pylons are perhaps the most difficult objects to be reinvented in the name of creativity;<br />

hardly tolerated according only to their utility as scars in the l<strong>and</strong>scape, in this perspective are reinvented as<br />

l<strong>and</strong>marks, proud signs of modern technology able to dialogue with the l<strong>and</strong> forms, in order to contribute to<br />

characterize the image of those places.<br />

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